tv [untitled] October 3, 2011 12:30pm-1:00pm PDT
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next bus technology now in use around the city. updated at regular intervals from the comfort of their home or workplace. next bus uses satellite technology and advanced computer modeling to track buses and trains, estimating are bought stocks with a high degree of accuracy. the bus and train our arrival information can be accessed from your computer and even on your cellular phone or personal digital assistant. knowing their arrival time of the bus allows riders the choice of waiting for it or perhaps doing some shopping locally or getting a cup of coffee. it also gives a greater sense that they can count on you to get to their destination on time. the next bus our arrival information is also transmitted to bus shelters around the city equipped with the next bus sign. riders are updated strictly about arrival times. to make this information available, muni has tested push
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to talk buttons at trial shelters. rider when pushes the button, the text is displayed -- when a rider pushes the button. >> the success of these tests led to the expansion of the program to all stations on the light rail and is part of the new shelter contract, push to talk will be installed. check out the new technology making your right easier every day
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named the top in 2005. i thought that was wonderful. >> that is the top irish- americans in the country, not just san francisco. >> they knew they could fire chief when they saw one. we thought we would do a nice irish song for you. we will not take long, we promise. ♪ , over the hills my money-eyed irish lad come over the hills to your darling you choose the road love and i will make the balancvows and i will be your true love forever
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there is the water that flows from but my love is better than any ♪ [applause] >> over in the corner, and john's father. we are so thrilled that this long overdue that we hang your picture on our wall. you have supported our 1906 survivor dinners and luncheons over the years. i do not know what i always see you at 4:00 or 5:00 in the morning, but you are always there for us. 1983, there was a fire at jon's grille. your guys came in. in those days, i think it was
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guys. they got the bar out, they got chief bill murray's picture off the wall. but mayor christopher's picture off the wall. we have been rebuilding ever since. but we are a little short on beautiful ladies. we are happy to have you on the wall. [applause] do you have something that you would like to -- >> lee and john, thank you for inviting me here. for all of you, fire commissioners, city family.
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i guess when joanne came, everyone said, first female. she has shown that she has joined the great chiefs of our city. it did not take long at all for her leadership to come out, for her personality, a french ship, but also for that wonderful leadership. our great city sometimes, a lot of people focus on who is in room 200, but there are very special moments for many periods of the city where the city is defined by its great chiefs. today we celebrate one of those already. who is this movie star? that is a great thing. i want to thank john's grill for putting up, under their 40- year tradition, someone that we believe very much in our city, who has really led a great
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leadership and our fire department and has been a great leader on many fronts, helping us so much on anything -- everything from the toy drives to community participation, to everything that reflects a modern fire department and all the men and women that served the department. really give them the pride for working for the great city. chief, congratulations for making it on the wall. lee, john, to have this tradition, welcome our great chief. [applause] >> since you are the last one that has been hung on the wall previously, you two work so closely together, could you say something? >> i am no where near as good looking as joanne. kind of down the line there. joanne and i have been friends forever. i played football with city college with her brother dan who
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was the coach. talk about a great person to be able to follow. she has been so supportive. i have learned so much in my short time on how to be a good chief. she is modest, gracious, everything that you would want to have. i just hope someday people will think of me the way that i think of her. [applause] we have a surprise hear from senator mark leno, who i believe has not made an endorsement yet. would you like to make an announcement? >> speaking of better looking -- >> it is my pleasure to join mr. mayer and our chief on this auspicious occasion. i think all the kind and generous words have been said. if you look on this wall,
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joanne, you can see the threshold to get on this wall is rather high. with some exceptions, we have got police chiefs, fire chiefs, mayors. i have been discriminated against because i am gay, jewish, but never for being estate center. i asked, how and why going to get on the wall? -- when am i going to get on the wall? he said soon. it is my pleasure to join in with the celebration and take a moment to recognize your unique accomplishments. chief hayes-white is the only chief to have served in all 42 different stations. i think that says something for your hands-on leadership style, that you have not only earned your stripes, made your way up the ladder in the department,
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but also have brought to us a motherly touch that is uncommon. congratulations to you on this wonderful distinction. i would also like to thank john and john crow for supporting this tradition, which i aspired to at some point. >> thank you. [applause] >> you will be well-hung. you are jewish? all of you who would like to, we hope that you stay and eat and sleep and -- share wonderful stories. thank you, everybody. >> thank you to lead to help
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it is a wonderful surprise. a wonderful tribute. thank you for those songs. my younger brother dan is here. my younger sister is here. and my mom, who is 86 years old. 86 is just a number. i am sorry. of all the things i've participated in, this is the most exciting moments. is part of the history, and my mom has dined here many times and has seen the pictures on the
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>> i am the director of visual arts programming at intersection for the arts. intersection for the arts is based in san francisco and has always been an organization that looks at larger social political issues through the lens of practice, and we are here today at our exhibition of "chico and chang." the original inspiration was drawn from a restaurant chain in new york city. half of their menu is -- what
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struck me was the graphic pictures and a man in a hat on a rig truck carrying take that time is containers and in the black sea to representation of a mexican guy wearing a sombrero and caring a somali horn. it struck me that these two large, very subversive complex cultures could be boiled down to such simple representations. chico and chang primarily looks at four topic areas. one of the man was is whose stories are being told and how. one of the artisans in the show has created an amazing body of work working with young adults calling themselves the dreamers. another piece of the exhibition talks about whose stories of exhibition are actually being told.
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one artist created a magnificent sculpture that sits right in the center of the exhibition. >> these pieces are the physical manifestation of a narrative of a child in memory. an important family friend give us a dining table, very important, and we are excited about it. my little brother and i were 11, 14. we were realizing that they were kind of hand prints everywhere on the bottom where no one would really see, and it became this kind of a weakening of what child labor is. it was almost like an exercise to show a stranger that feeling we had at that moment. >> the second thing the exhibition covers is how the
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allocation is defined, a great example on the theme, sculpture called mexicali culture. another bay area artist who has done residencies in china and also to what, mexico. where immigrant communities really helped define how businesses look of a business' sign age and interior decoration, her sculptural piece kind of mismatches the two communities together, creating this wonderful, fantastical future look at what the present is today. first topic is where we can see where the two communities are intersecting and where they start colliding. teresa fernandez did a sculptural installation, utilizing the ubiquitous blue, white, and read patterns of a rayon bag that many communities used to transport laundry and laundromats to buy groceries and
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such. she created a little installation kind of mucking up the interior of a household, covering up as many objects that are familiar to the i and the fabric. fourth area of investigation that the exhibition looks at is the larger concerns of the asian and latin communities intersecting with popular cultur one best example -- when he's exemplified is what you see when you enter into the culture. >> this piece refers to restaurants in tijuana. when you are driving, to speak chinese and you read chinese characters. you see these signs. i was trying to play
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