tv [untitled] November 18, 2011 6:00pm-6:30pm PST
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pattern. >> good. >> that's counting in hindu. you know how to count to 4. see. 1, 2, 3, 4, 5. 1, 2, 3, 4, 5. >> 1, 2, 3, 4, 5. >> pause. >> 1, 2, 3, 4, 5. >> 1, 2, 3, 4, 5. pause. >> that's a rhythmic pattern that repeats itself 3 times about did you know we are doing multicasion and dividing up here? you didn't. so, this music we are dancing on is rhythmicly complicated the underline rhythmic does not go in a straight line. it goes if a cycle beginning on 1 and ending on 1.
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we are dancing on a 16 beat cycle. you can count to 16. why don't you keep the cycle and we will put a high on top of that. count with one and you can clap. 13, 14, 15, 16, 1, 2, 3, 4, 5, >> 1, 2, 3, 4, 5. >> 1, 2, 3, 4, 5. >> 1, 2, 3, 4, 5. >> 1, 2, 3, 4, 5. >> 1, 2, 3, 4, 5. did you know what you just did? >> you divided 16 into 3 equal parts. i bet you didn't think that was possible i know a physicist that didn't think it was possible. we are rocket scientists. half
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of you count 16, half do the t high. you can do it. first you try the 16. don't do the t high yet. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16. 1, 2, 3, 4, 5, 6, 7, you keep counting 16. you guys do this. you will start 5 times 3, 3 times. 1, 2, 3, 4, 5. >> 1, 2, 3, 4, 5, >> 1, 2, 3, 4, 5, pause. >> 1, 2, 3, 4, 5. 1, 2, 3, 4, 5, 1.
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did we end on your 1? >> whoa, you divided 16 into 3 equal parts. did you know you could do that? >> i'm dizzy. okay. well, we are going to end with a t high within a t high like a wheel that goes around and around and around. i want you to figure out there is a multiplecasion problem in here and i want you to see if you can tell us when we are done what it is. something will repeat 3 times.
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[applause] okay. which one of you figured it out? yes. >> 49, hum... >> i can see how you would say that, why do you say that? there is 49 of something. okay. did you notice the turns? the spins? how many were there in one piece? yes. no. yes. 9. how many times did we repeat that? how many times? 3. 9 times 3 -- is 27.
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we did 27 turns but we were going, 1, 2, 1, 1, 2, 1. that's a sophisticated math concept, you were not wrong. i bet you will grow up to be a mathematician. i will give you my address you will have to send me your first paycheck because i taught you this. at this point we would like to thank you very much for coming. if you have any questions. i don't know if we want to open it you will for questions. may be just a few? okay. yes. what's your question? >> how do we get in this program? that is a good question. >> it's an interesting question because the answer with the 3 of us is the same. what i want to point out i look like i might be from india when i talk i sound like i'm from
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america. my parents are from india but i was born in america and i started this dance when i was 18. i was not a baby e. both charlotte and an drea did as well. charlotte at 15 years and joe airna and i 15 years. that's how we got in this program. we practiced very hard. very, very hard we practiced everyday and we have been been in india practicing 8 times where our teacher is from. yes. >> yes. >> well there are similarities all of southeast asia.
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we performed in bali with a group. it's a story from the [inaudible] and so the indian epiics actually the indian epiics for very common in cambodia and bali and thailand and there is a different aesthetic. all southeast asia and asia there are a lot of similarities. >> he is a male entity. he is not -- are you referring to the story? >> it's interesting you should
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say that. a unique indian concept is one of half male, half female. and that is -- unlike some dances the solo dancer portrays all of the parts in the story. you can portray a feminine aspect and then masculine aspect with the bow and arrow. the male has to portray feminine and the female has to portray masculine. there is a very fierce dance and a soft sort of dance and every dancer has to learn all those aspects. it's very, you know, my teacher i call him a guru in this art form you have to study very,
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very hard. you have to learn about all the cultural aspects. he says it's liberating because he enjoys and has to learn to bring up the feminine aspect. he's a strong character it's a challenge for him and he likes it. the stories are metaphor cal. i don't look at this that this is a man or woman. there are qualities we all have that some of us are in touch with and are not. in our culture we think people should not be people they have be macho and feminine image. every human being inside them has feminine and masculine qualities. one is not good or bad it's a duality you need to be a whole human being in touch of what is
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going on in society. if everyone danced or got in touch with different sides of them there would be more harmony in the world. yes. >> no, we have a school all over here. i'm talking so. . we have a school 250 students a school show coming up. she will tell you where you can take classes. >> in our class we teach kids from 5 years old to 55 years and older. our guru is 62 and he dances circles around all of us he's been dancing since he was 9. you can all learn and parents and grandfathers and grand mourths can learn, toochlt we have a special men's class and have classes in san francisco.
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tell us about your background. where you grew up, went to school? >> sure. i was born in guatemala. i was brought here by my parents. i grew up in l.a., and then moved up to the bay area, and i went to stanford. i came back after law school. my background for the first few years was as a practicing attorney. i worked in the private sector for a number of years. and then i worked for the city as a deputy city attorney and then became general counsel of the school district of san francisco and through that became involved in politics and at some point decided to run for office. >> you have lived in san francisco for awhile. why did you decide to live here? supervisor campos: i have always felt that san francisco is
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unique. i have always loved this city. i think that san francisco is -- it represents the best of what this country has to offer. it is a place that welcomes people from all over the world, from all over the country, and is a place that not only tolerates, but actually increases diversity. it is a place that is forward thinking in terms of how it looks at issues, and it has always felt like home. as a gay latino man, i felt this was a place where i could be happy. >> why did you get involved? supervisor campos: i think a lot of the past to do with my being an immigrant. i am very grateful for all the
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opportunities this country has given me. only in this country could someone like me have an opportunity to go from having nothing to go to stanford, harvard law school, and to be an attorney. it really is a way of giving back. i really believe that when you are blessed with the opportunities that this country gives you, that you have an obligation to give back. i really believe in public service. i could be in the private sector and make a lot of money, but i believe i have a duty to try to make things better for other people and to pay back the country that has given me so much. >> looking back to your campaign for supervisor, what lesson did you walk away with after that experience? did anything surprise you? supervisor campos: the first lesson is how lucky we are to live in san francisco how lucky
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i am to represent district 9. as you indicated, it includes bernal heights, and it also includes the portola. it is such a rich district. getting to know people of the district through the campaign, doing the job of a supervisor has been the most rewarding super rigid experience. -- the most rewarding experience. it is amazing how the people are. it has been a great experience. i do not know that i fully understood the richness of this district until i was actually talking to so many people on the campaign trail. now as a supervisor i see it every day. i see that. and there are challenges in these tough economic times. but i also see so much potential, so many amazing
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people, and we in city government have an opportunity to address so many problems and make so many things better. the campaign was a learning experience on so many levels. beyond that, i think you've learned something about yourself when you are putting yourself out there through the political process. i was very lucky that i had that opportunity because where i come from something as basic as free, democratic elections, that is a luxury. people participate in the democratic process. that is something that is quite amazing and remarkable. i think that you do not fully appreciate it if you have had it all your life. whereas someone who came from a place where that was not possible, i think that i have a unique appreciation for it. it was really an exciting thing
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to do. >> where would you place yourself now on the political spectrum? the left, the right? supervisor campos: i think the labels can mean a lot of different things. i see myself as someone who ultimately has tried to make things better for people. i have a progressive outlook in terms of how i see things. by progressive i mean the sense that we have to make government and the city work for everyone, and that means that not just those who are doing well. it is also those who are not doing so well. it also means making sure the city works for the middle class and to think of innovative ways of addressing issues and to not be afraid to think outside the box. that is what i see as being
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"progressive," in that sense. ultimately, there is a guiding principle. that is how i approach government. i believe in good government, transparency, accountability. i believe in making sure that we follow best practices. i think that is something that often times transcends the left, the middle, the right. it goes beyond that. and that is why, you know, as a supervisor i focus so much on contracts and how the city spends money, which is not traditionally a progressive issue. but i believe we have an obligation to make every penny count and to make sure that we are making the most for the very limited resources we have. >> let's talk about the issues facing san francisco. what do you feel are the biggest
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issues facing the city right now? supervisor campos: clearly the budget and the economy is a huge issue. it has to be a priority for everyone. we are still going through a very tough economic time. we are still not where we need to be in terms of job creation and economic development. i think we are very lucky we live in san francisco because it is a very animated place. -- innovative place. government has to work not only with the business community, but with community groups to see how we can create economic development that works for every san franciscan. i think that remains a big issue. and balancing the budget will be a priority. has to be a priority. we will do that. we have done that time and time again. public safety is also something we are very interested in.
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it has to be a priority, because if we do not have public safety, nothing else works. one of the things we are focusing on is trying to focus on how policing works in san francisco. i used to be a member of the police commission, and i learned that the most effective community policing is the policing where you have the police and the community working together. it is important to have police officers on the street and have the police presence. at the same time, there has to be a connection within the police and the community. so, that requires -- also we have a focus on violence prevention. in the mission, we are focused on gang activity. we have to balance the very important work of the police would be very important violence
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prevention work -- with the very importance violence prevention work we're doing on the ground. so, public safety is something we will keep pushing on. we are trying to create a definition of community policing the recognizes that policing should change depending on the neighborhood, but also have key components throughout the city. we talk about community policing without no -- knowing what it means. another challenge is transportation. as the city, you are defined by how well your public transportation works or how well it does not work. even though we have had improvements in muni, i think we have to do a lot better. and i think there are issues in terms of the services that are provided, the reliability of the system. i think the ridership is rightly
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frustrated they have been asked to pay more for less. i do not think that is right. we have focused on the operational and management fees. we tried to make public transportation acceptable to people. i have worked with the other supervisors to provide -- other supervisors supervisor mirkarimi and mayor lee. this allows us to make an investment in public education, but also a long-term investment in public transportation, because as young people from an early age to use the system, the public transportation system, they are going to be committed to public transportation for years to come. >> do you feel additional issues that are facing your district -- that there are additional issues that are facing your district that are unique to your district that you have not mentioned? supervisor campos: there are
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issues that come up, whether you're talking about the mission, bernal heights, portola. one of the issues we have worked on in bernal heights is the issue of protecting a mural around the public library, which is an issue that raise a lot of other things. it led to a larger discussion in terms of who we are as a community. some people wanted to preserve the mural. others wanted to get rid of the mural. and we believe in a dialogue. so we brought together in mediation everyone so we could come to an understanding of what our common ground was and to see if we could agree on certain basic things, and we were able to come up with a solution that makes sense for the entire community. in a sense, it reflected larger
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issues that are impacting the city as a whole. so, there are issues like that that would require a knowledge of the neighborhood, and knowledge of what is happening on the ground, and knowing the difference is of how all bernal heights may look at an issue vis a vis the mission or portola. as a supervisor, i do have to be able to balance managing citywide issues, which is very important, but at the same time, focusing on the specific needs of your neighborhood. that is really important to us. one of the things we need to prioritize is that making sure we focus on the nuts and bolts of government. a lot of the calls we get involved fixing alights, replacing a pothole. i think it is really important to make sure we get those things
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right and we try to work very closely with the city agency to make sure government is responsive. if we do not do those things right, those little things, which are big things in life of a neighborhood. >> how you reconcile the needs of your district with the needs of the city? supervisor campos: i think it is possible to do that. even though we have these great districtwide elections, i think district election still allow you to deal with larger issues. we feel that we certainly have demonstrated that as a board. individual supervisors have demonstrated that. one of the pieces of legislation we worked on last year that we are very proud of is the health services master plan, which is legislation that for the first time has a city like san
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francisco thinking about the health needs of the city of seoul. -- cities as all whole. it is good for us to know what the health care needs of the city are going to be in the next couple of years or long term. so, making sure those who do planning and other things, that we think strategically about the need citywide and also neighborhood by neighborhood. and we were able to do that and pass that legislation as a district-elected supervisors, even though this is legislation that impacts the entire city in the future of health care in san francisco for many years to come. i think it is possible to do both. it is definitely possible. >> let's talk about budgets. the city is faced with tough budget decisions. including where to make
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