pureed i understood that when we're here last time. i share that frustration. but we are more than willing to talk and give compensation so we can do the bathroom. it has been an ongoing conversation. i asked you to -- the plants are not 10-years old. they were approved. they went through planning. the work needs to be done. the professional architects ticket to the city and it went through their process. i ask the board overturned the appeal and allow us to do the work. >> i have a question. what about the rest -- what else is in line in terms of the changing of the building? and the other permits?

>> windows to not require permits. >> nothing else? >> deglazing of windows. >> all of the work you intend to do? >> and the rear of the building is going to be painted and repaired as necessary. it is going to look like a new building in the back. that is what our intention is. >> that would not be subject to a permit? >> from what i understand, if a permit was required we would get one. >> you're drawing shows on the windows.

-- your drawing shows window. your permit only talks about stairs. >> the rear porch will stay as is. >> what about the windows? >> as is. >> the background on your drying -- drawing -- >> i was part of the negotiations. >> how'd we have a building that looks brand new from the back? >> i think he means it is going to be painted. we are replacing the stairs to meet the egress requirements. >> anything further?

>> to you do this deliberately? >> i will start. it is a shame there are problems that exist with this building. the tenants seemed to be in a bad place. there is no contingency for some other project that may have to take place. there is a safety issue. i think the tenants are the ones that caused this nov to be filed. the steps have to be replaced. i think the building is going to

get more scrutiny now. and possibly dbi will try to ensure of this project takes place, unless it is overturned, it began a timely. i intend to uphold the permit and to deny the appeal. >> my feelings are similar. this is very frustrating to be presented with an appeal on a set of stairs and then have the conversation be about a bathroom. this is free service to the city for me to be sitting here listening to this. i would love it if you could figure this out and not bring it before us. >> i would agree with that.

i would hope housing inspection could get involved. we heard they had been out. perhaps he could work his magic can make something happen. >> i'm not repaired to tie this permit to the previous but i would mention to the building department that the document -- i see pieces of ruth and other structures -- roof and other structures that do not match. >> do you have a motion? >> on the basis that the permit is compliant?

>> on the basis they approved it. ok. >> we have a motion from commissioner fung to deny the appeal and upheld the permit on the basis the city approved it. president garcia: aye. vice president hwang: aye. commissioner goh: aye. my last vote. 4-0. the permit is upheld. >> i miss having the gavel. >> we are adjourn. -- adjourned.

>> i am the director of visual arts programming at intersection for the arts. intersection for the arts is based in san francisco and has always been an organization that looks at larger social political issues through the lens of practice, and we are here today at our exhibition of "chico and chang." the original inspiration was drawn from a restaurant chain in new york city. half of their menu is -- what struck me was the graphic

pictures and a man in a hat on a rig truck carrying take that time is containers and in the black sea to representation of a mexican guy wearing a sombrero and caring a somali horn. it struck me that these two large, very subversive complex cultures could be boiled down to such simple representations. chico and chang primarily looks at four topic areas. one of the man was is whose stories are being told and how. one of the artisans in the show has created an amazing body of work working with young adults calling themselves the dreamers. another piece of the exhibition talks about whose stories of exhibition are actually being told. one artist created a magnificent sculpture that sits right in the center of the exhibition.

>> these pieces are the physical manifestation of a narrative of a child in memory. an important family friend give us a dining table, very important, and we are excited about it. my little brother and i were 11, 14. we were realizing that they were kind of hand prints everywhere on the bottom where no one would really see, and it became this kind of a weakening of what child labor is. it was almost like an exercise to show a stranger that feeling we had at that moment. >> the second thing the exhibition covers is how the allocation is defined, a great example on the theme, sculpture called mexicali culture.

another bay area artist who has done residencies in china and also to what, mexico. where immigrant communities really helped define how businesses look of a business' sign age and interior decoration, her sculptural piece kind of mismatches the two communities together, creating this wonderful, fantastical future look at what the present is today. first topic is where we can see where the two communities are intersecting and where they start colliding. teresa fernandez did a sculptural installation, utilizing the ubiquitous blue, white, and read patterns of a rayon bag that many communities used to transport laundry and laundromats to buy groceries and such. she created a little installation kind of mucking up the interior of a household, covering up as many objects that

are familiar to the i and the fabric. fourth area of investigation that the exhibition looks at is the larger concerns of the asian and latin communities intersecting with popular cultur one best example -- when he's exemplified is what you see when you enter into the culture. >> this piece refers to restaurants in tijuana. when you are driving, to speak chinese and you read chinese characters. you see these signs. i was trying to play with the idea of what you see and the direction you read. when you start mixing these different groups of people,

different cultures, i like the idea. you can comment on somebody else's culture or someone else's understanding about culture. >> one of the hopes we have for visitors is that they go away taking a better understanding with the broadest and the breadth of issues impacting both the asian and latin communities here in california and how they spell out into the larger fabric of the communities we live and work in.

>> hello. welcome to "culturewire." we are here today with bay area artist jody chanel, and we are here to see the plaza where your piece has just been installed. >> i have been doing large-scale paintings in the galleries and museums, and the idea that in the future, i could do something that would hang out a little bit longer than the duration of the installation the kind of appeal to me. i quickly found out about the san francisco arts commission school and realized there was a pre-qualified school you had to apply to, so i applied to the. >> how long did it take you to develop this work for the plaza? >> this was a fast track project. design development was about a

month. >> let's look at the beautiful mural. i have never seen a mural created on asphalt. >> the heat of the asphalt, a new layer of asphalt. then, these wire rope templates that were fabricated for the line work get laid down and literally stamped into the asphalt, and then everything was hand-painted. >> maybe you could talk about some of the symbolism, maybe starting in the middle and working out. >> [inaudible] the flower of industry. >> it is like a compass. there's an arrow pointing north. >> within the great bear consolation, there are two pointed stars here. they typically lead one to the northstar, otherwise known as polaris.

so i thought it has a layer of theme. >> let's talk about some of the other elements in the peace. we are walking along, and there is a weather vane. there's a sweet little bird hanging on the side. what kind of bird is that? >> [inaudible] the smallest of the gulf species, and it lives around the bay area. >> you want to talk about the types of flour patterns that you send? >> [inaudible] around 1926 or so by the dahlia society. >> what is this bird here? >> that is the california quail. >> coming up here, we had a little blustery theme. what is this area here? >> this is supposed to be the

side view, the expense of the golden gate bridge. >> there it is. >> there are really beautiful elements of architecture still around, i would say that it gives that feeling over to the work. >> what are your hopes for it? >> that in a way it just becomes part of the area. i think it is starting to have that feeling. people utilize it. they sit and, and have their lunch and play on -- they sit and, and have their lunch and play on that -- they sit and come and have their lunch and play on it. just for it to be part of the neighborhood. that is my hope. >> is such a beautiful addition to our public art in san francisco. thank you for joining us. it was nice to meet you. and thank you for telling us about your beautiful mural.

thanks for watching "culturewire." >> we came to seven straight about 10 years ago. -- 7th street about 10 years ago. the environment is huge. it is stronger than willpower. surrounding yourself with artists, being in a culture where artists are driving, and where a huge amount of them is a healthy environment. >> you are making it safer. push, push.

that is better. when i start thinking, i see it actually -- sometimes, i do not see it, but when i do, it is usually from the inside out. it is like watching something being spawned. you go in, and you begin to work, excavate, play with the dancers, and then things began to emerge. you may have a plan that this is what i want to create. here are the ideas i want to play with, but then, you go into the room, and there maybe some fertile ideas that are becoming manifest that are more interesting than the idea you had initially set out to plan. so there has to be this openness for spontaneity. also, a sense that regardless of the deadline, that you have tons of time so the you can keep your creativity alive and not cut it off and just go into old habits.

it is a lot like listening. really listening to watch what is going to emerge. i like this thing where you put your foot on his back. let's keep it. were your mind is is how you build your life. if you put it in steel or in failure, it works. that works. it is a commitment. for most artists, it is a vacation and a life that they have committed themselves to. there is this notion that artists continue to do their work because of some kind of the external financial support. if that was taken away, artists would still do their art. it is not like there is a prerequisite for these things to happen or i will not do it. how could that be?

it is the relationship that you have committed to. it is the vocation. no matter how difficult it gets, you are going to need to produce your art. whether it is a large scale or very small scale. the need to create is going to happen, and you are going to have to fulfill it because that is your life. >> we have much to discuss. i am looking forward to getting started. we are honored that the mayor of san francisco has stopped by. i am very pleased to introduce

him and give him a few minutes. he said he only needed 45 or 50 minutes. [laughter] i am kidding. here is the mayor of san francisco. please join me in welcoming him. [applause] >> good morning, everyone. welcome to san francisco. i want to thank all of you for being here. i have two more weeks to say this. let me say it clearly. welcome to the world series champion city and county of san francisco. it is a great testament for web .0 to be here for the eighth time. it is your decision to bring this back every year for the last eight years. it just goes to show and prove we're leading the world in technology.

san francisco was ranked the no. 1 annual growth for high-tech jobs. this growth is not slowing at all. last week, i welcome one company to their new headquarters on howard street. the least 90,000 square feet of space to tech companies that plan to employ over 600 employees. this is just the tip of the iceberg. according to a recent real estate report, there are 40 technology companies all currently looking for 2 million square feet of office space in san francisco. to put this in perspective, this is the equivalent of four trans- america. midst of space. tech companies employ over 20,000 employees.

i am committed to ensuring that san francisco remains at the center of the tech industry. that is why i have created the central payroll tax exclusion. i signed it on stocks. i reached out to check ceo's to understand what more we can do to help. i have also committed to a wholesale review of our tax policy to develop more equitable alternatives that do not punish job creation. we are working hard to find other ways to interact with technology. our city is the first in the nation to pass open date up legislation. san francisco has been a leader in allowing the community to create over 60 applications based on this day to. over the summer, our department of technology hosted hackathons and resulted in the creation of

23 apps in created over 10,000 hours of civic engagement. i want to present a challenge. we are a consent -- congested city. into the years, we will host america's cup, -- in two years, we will host america's cup, one of the largest events. over 500,000 people visit the city on any given day during that time. one of the complaints i hear the most is that people get their cars towed away when their part in the wrong place. it can cost $500 and leaves them with the worst taste in their mouth. they were here to celebrate something. i want to challenge you. find me a solution. let there be some hand-held device that can warn somebody that their car is about to be towed. we can save a lot people having

disappointment in their lives. we will work on the data to release it. you can go at it and help us to resolve one of the biggest problems we have, that is sparking any towaway zone. can you help us to do that? [applause] all right. by insuring the san francisco business policies encourage job growth, and by staying at the forefront of ideas like open government, i am confident that our city will continue to be the place where entrepreneurs, innovators flock to us as a place where you want to start your business, stay, and grow. i want you to know that we want you here to start a mistake, and grow. thank you for holding the summit. we appreciate your presence. stay here and keep growing with us. [applause] >> i am really looking forward

to getting a text when i am about to get a ticket. i get a lot of tickets. step back here and we can take care of that. [laughter] thank you very much.

♪ [applause] >> de want to sit down? that is perfectly all right. -- do you want to sit down? let me called this meeting to order. it is the occasion when the mayor of san francisco is to take the oath of office. i believe this is probably the first major who ha