your respective of marital status and sexual orientation. tomorrow at city hall, we will be holding a round table to discuss that issue as well. making some advancements, making international women's day relevant to the twenty first century. we have a lot of work to do together, but we will prevail. [applause] >> i just want to say that john proceeds me. he came all the way just to be with us and convene meetings tomorrow. it is nice to have him and his family's commitment to the community.

[applause] >> congratulations to all of the winners. we just did a show on foreclosures just a day. john, you would have been a great guest. i asked him about the proposed cuts to the home energy assistance program. it is up to everybody to make the phone calls. it is a crucial program not that we don't want cut. i hope you can stay around for the upcoming sessions because we have great conversations coming out. a number of multinational corporations are actually approaching municipalities that

are broke, why don't you let us take it over it will take off like wildfire. a4:45 for those of you that have to leave, thank you so much for coming. be sure to check out the incredible photos tonight. women all over the globe are taking to the streets to demand equal rights. [applause]

>> for those of us on the board, i know many of us have young ben was in the city. i know a ton of my friends have left the city. one thing that the strike me as we have a ton of data, but it is a different places. this year, we will call for

those constituents to come together to understand the issue better and, going forward, enacting policies to extend that period . of all the places i have been, this is my favorite. i am a born and raised san franciscan. more important, i represent district 2. i grew up in the marina district close to the palace of fine arts. my parents still live in the same set of plants that i live in. i went to grammar school here. i went to st. ignatius here. i am a proud wild cat. i went to college at loyola- marymount university in los angeles. i had a scholarship to play baseball. i remember coming down here to christie field, when my dad was in the military, seeing how the beaches have transformed into

but we have today. you cannot beat the views, of course. it just holds summoning memories and i can come here with our kids, our family. i ended up going to ireland to get a master's degree at the university college of dublin. i went back to the states and went to law school at university of pennsylvania. then i came back, and choosing to live in san francisco was natural to me. when you are a child, you do not realize what you had until you leave home. i had the opportunity to live in los angeles, abroad in ireland, and there is no place like home, when you are from san francisco. i have been a corporate attorney at palo -- in palo alto. i became an >> i worked in the finance industry about 5 1/2 years. in the summer of 2009 i joined a

venture capital firm with two other partners. >> we are all excited about the americas cup here in district two but one thing if you think about it everyone knows what fleet week is like here in the marina. this is fleet week on steroids. think about fort mason, these will be the most brings taken places to watch the americas cup. what we're working on and working to continue to work on and want your input on, how do we make it a positive experience for the people that live here. >> i'm happily married and my life and -- wife and i live around laurel village. we have two children, five around they. we are proud parents and now just excited to be here on the board. i think i'm in the middle. i'm a moderate person. fiscal fiscally conservative and that is the way i intend to practice what i preach here. in terms of getting into politics, i think for me it was really that reasons.

first being from here, i think that was part of my own motivation, feeling a sense of roots in san francisco. also raising our children here. i think we went through as a young family the discussion and dialogue that many young families go through. should we move to the suburbs? away decided to stick around and we are very happy we did. once you stick around i think it was a turning point to say we are here for good. what can we do to make this place better? there were a lot of lessons to be learned in running a race in san francisco. a few that stick out, money does matter. raising money. that is a simple, somewhat unfortunate fact if you want to be candidate. most importantly, one thing i drew out of it is hard work and utter determination is the thing that will, i think, allow to succeed more than anything else. i came from the private sector and looking at honestly answering the question did i have something different to

offer that i thought would be valuable it san francisco right now and i think a hrrpbl part of our -- large part of problems are financial and with my background i think i can add a lot of value and that is why i decided to bet in the race. >> it means there might be some small profit if you run it correctly but not always. that is something we really need to keep in mind in our city government. from my point of view is that. we have to figure out what is it lake -- like to be a business person in the city and what we can do to not only have full restaurants and bars but making sure it is worth it to continue to open successful places that make our community that much better. >> we have a huge unemployment rate in san francisco. it is about 9.6%. the fact that we have not done much about that in city hall i think has it change. that certainly is something i will be focused on in the beginning here in city hall.

putting people back to work. it is an individual issue but it is a family issue and we've a lot of families still struggling and i think people have lost sight of that. hopefully we will be getting out of the recession soon but we need to do a lot to accelerate getting out of that recession, making sure families are back at work and children are provided for. to me that is my biggest priority. i think that we do lose a lot of sight in the past district supervisors lost sight of the fact that we do represent san francisco as a whole and we need to make sure in city hall we are enacting policies, laws and legislation that move the city forward as a whole. these are the neighborhoods i grew up in, so for me it is fun to be in them to really understand what is going on and be able it fundamentals some of the thinking and some of the people that are making decisions. >> right here we played football. flag football right here every

year. we hung out right in the gym. directors looked after us. parents used to check in but not only one parent, they checked on all the kids. that is what is great about this district, the community. the family base of everything. >> exactly. and look how you turned out. you are doing ok. >> doing all right. two local city guys. >> there you go.

>> you probably think you know all about the exploratorium. but have you ever been after dark? did you know there was a monthly party called after dark?

science mixes with culture and adults mix with other adults. no kids allowed. every week there is a different theme. to tell us about the themes is melissa alexander. tell us about some of the previous themes we have had. >> we have had sex ploration, sugar, red, blue. many things. >> what is the theme tonight? >> rock, paper, scissors. we are having a tournament tonight, but we have also used as a jumping off point to explore lots of different ideas. you can find out about rock, paper, scissors as a game as a reproductive strategy. you can interact with a piece of art created by lucky dragon. you can get your hair cut from a

cool place called the public barber's salon. they use scissors only. you can find out about local geology, too. >> that sounds like fun. let's check it out. >> this is the most common rock on the surface of the earth. interesting thing is, most of this rock is covered over by the ocean. >> error congested a cool presentation on plate tectonics. tell us about what we just saw. >> we wrapped up a section of a lesson on a plate tectonics, here at the exploratory and -- exploritorium. >> are you excited to see people here having fun and learning about science? >> the people that come here are some selected to begin with, they actually enjoy science.

i teach teachers to have fun with their kids. the general public is a great audience, too. they're interested in science. >> we have a blast every time. they have different names. >> they have a bar and a cafe. everything i need. we are excited for the speaker. >> it is nice to be in the exploratorium when there are not a lot of kids around. >> before tonight, i never knew there were major league rules to rock, paper, scissors. i am getting ready to enter into a competition. sarah's here to give me some tips. what do i need to do to win it? >> this is a game of chance, to a degree. one of the best ways to bring it home is a degree of intimidation, maybe some eye contact, maybe some muscle. it is a no contact sport. sheer i contact is a good way

to maybe intimidate to see if you can set them off, see if they throw something they did not mean to. >> i am going to see what happens. >> i got kicked out in the first round. [applause] >> given up for sunni. the rock, paper, scissors champion. >> what are you going to do now? >> i have been having so much fun. i got my tattoo. before we go, i want to thank melissa alexander for having us here tonight. how did you know san francisco needed a night like tonight? >> thank you for coming. everybody loves the exploratorium. we are reluctant to push the kids out of the way in the day, so i knew we needed to create

one evening a month just for the rest of us to have a good time, the adults. >> absolutely. where can we find out what is coming up after dark? >> that is easy, exploratorium .edu/afterdark. >> thank you. thanks for watching>> when stepr died, he was working on one of the biggest shows of his career, matter and spirit. it is a retrospective look at the many faces and faces of the life of an innovative artist from the california clay movement. stephen de staebler's developed

in an area dominated by abstract expression. even his peers saw his form. >> he was able to find a middle ground in which he balanced the ideas of human figuration and representation with abstraction and found it even more meaningful to negotiate that duality. >> another challenge was to create art from a meeting that was typically viewed as kraft material. his transforming moment was an accident in the studio. an oversized vertical sculpture began to collapse under its own weight and spread onto the floor. he sought a new tradition before him, landscape sculpture. >> you feel this extended human form underneath the surface of the earth struggling to emerge. eventually, it does. it articulates his idea that the

earth is like flesh, and the archaeology and geology in the earth are like the bones, the structure of the earth. this tied in with his idea of mother earth, with the sense that we are all tied to nature and the earth. >> a half dozen bay area museums and private collectors loan the massive sculptures to the museum for its matter and spirit retrospective. but the most unusual contributions came from stephen himself. a wall of autobiographical masks and hence from the early decades of his private study. >> he had one of the most beautiful studios i have ever been in. when you walk in, your first impression is of these monumental figures that you see in the exhibition, but if you went into the back corner of his studio, there was a series of shells with these diminutive figures. he told me, these are the heart of my studio.

these little, and held intimate study is that he referred to as his sketchbook. a painter might make drawings. stephen de staebler made miniature sculptures. >> during the 1970's, he was inspired by the monuments of egypt. he assembled a large rocks of clay into figures that resembled the ancient kings and queens. he credited a weathered appearance by rubbing glazes' into the clay while still wet. the misfires from his killed were brought in his backyard in his berkeley home. he called it his boneyard. in the last year of his life, he dug up the artifacts from his own history, and the bones were rearranged, in the were slimmer figures with wings. >> even if you knew nothing about his life or career, you sensed there was an artist dealing with this fundamental issue of life and death, the cake, netting back together, and

you feel there is an attempt to deal with mortality and immortality. there is a seeking of spiritual meaning in an existential stage. >> during his 50-year career, stephen de staebler worked to form and out of the clay of the ground and give it a breath of life. matter and spirit gathers the many expressions of his meditations. and gives the viewer and insight into the artist's life. learn more about the retrospective on line at >> i think a lot of times we

look a community and we say, there is this one and this one, and we all have our own agenda, when our agenda is to create great work. if you're interested in that, you are part of our community. >> it is a pleasure to have you here tonight. >> we are trying to figure out a way to create a space where theater and presentation of live work is something that you think of, the same way that you think of going to the movies. of course, it has been complex in terms of economics, as it is for everyone. artistically, we have done over 35 projects in four seasons from presenting dance, producing theater, presenting music, having a full scale education program, and having more than 50,000 visitors in the building almost every year.

a lot of our emerging artists generate their first projects here, which is great. then we continue to try to support figuring out where those works can go. we have been blessed to have that were produced in new york, go unto festivals, go on to the warsaw theater festival. to me, those are great things, when you see artists who think there is no or else of someone being interested in me being a woman of color telling her story and getting excited about it. that is our biggest accomplishment. artists becoming better artists. what is great about surely coming back to brava, we have this established, amazing writer who has won a slew of awards and now she gets an opportunity to direct her work. even though she is an amazing,

established writer, the truth is, she is also being nurtured as a director, being given space to create. >> and the play is described as ceremony and theater meet. in the indigenous tradition, when you turn 52, it is that the completion of an epic. the purpose of this ceremony is to celebrate. whenever you have been caring for the first 52 years, it is time to let it go. they have given me carte blanche to do this. it is nice for me in the sense of coming back 25 years later, and seeing my own evolution as an artist and a thinker. the whole effort even to put the

indigenous woman's experience center stage is very radical. because of the state of fear, it is a hard road to hold up an institution. it really is a hard road. i am looking at where we're 25 years later in the bay area and looking at how hard it is for us to struggle, to keep our theaters going. i would like to think that i am not struggling quite as hard personally. what i mean by that is that in tension, that commitment. what i see is that we're here to really produce works of not be produced in other places, and also to really nurture and women of color artists. i think that that is something that has not shifted for me in 25 years, and it is good to see that brava is still committed to

that kind of work. you know? ♪ >> happy birthday to you happy birthday to you ♪ >> windy will talk about the reflection of the community, we can only go with what we have on our staff. south asian managing director. african-american artistic director. latino outreach person. to us, aside from the staff, aside from the artists that we work with him being a reflection of oz, yes, the community is changing, but brava has always tried to be ahead of that, just that sense of a trend. i tried to make about the work that shows the eclecticism of the mission district, as well as serving the mission. that is what i feel brava is about. ♪

>> this is one of the museum's longest art interest groups. it was founded by art lovers who wanted the museum to reflect new directions in contemporary art. it has been focused on artists in this region with an eye toward emerging artists. ♪ it is often at the early stage of their career, often the first major presentation of their work in a museum. it is very competitive. only a few artists per year receive the award. it is to showcase their work to have a gallery and publication dedicated to their work. ♪

i have been working with them on the last two years on the award and the exhibitions. the book looks at the full scope of the awards they have sponsored. ♪ it has been important to understand the different shifts within the award program and how that is nearing what else is going on in the bay area. -- how that is mirror beiing wht else is going on in the bay area. ♪ there are artists from different generations sometimes approaching the same theme or subject matter in different ways. they're artists looking at the history of landscape and later

artists that are unsettling the history and looking at the history of conquests of nature. ♪ artists speak of what it means to have their work scene. often you are in the studio and do not have a sense of who is really seeing your work. seeing your own work at the institution have gone to for many years and has an international audience is getting the word out to a much larger community. ♪