from spain and the type of song is indigenous and the type of percussion can is african. >> (inaudible). >> yeah, you could hear in the music. it has that pitch and that sadness to it. >> (inaudible). >> okay. so can you play the first song? we will show you a little bit and then you guys can come up and dance.

(music).

(applause).

(music) >> feel like it really is a community. they are not the same thing, but it really does feel like there's that kind of a five. everybody is there to enjoy a literary reading. >> the best lit in san francisco. friendly, free, and you might get fed. ♪

[applause] >> this san francisco ryther created the radar reading series in 2003. she was inspired when she first moved to this city in the early 1990's and discover the wild west atmosphere of open mi it's ic in the mission. >> although there were these open mics every night of the week, they were super macho. people writing poems about being jerks. beatty their chest onstage. >> she was energized by the scene and proved up with other girls who wanted their voices to be heard. touring the country and sharing gen-x 7 as a. her mainstream reputation grew

with her novel. theses san francisco public library took notice and asked her if she would begin carrying a monthly reading series based on her community. >> a lot of the raiders that i work with our like underground writers. they're just coming at publishing and at being a writer from this underground way. coming in to the library is awesome. very good for the library to show this writing community that they are welcome. at first, people were like, you want me to read at the library, really? things like that. >> as a documentary, there are interviews -- [inaudible] >> radar readings are focused on

clear culture. strayed all others might write about gay authors. gay authors might write about universal experiences. the host creates a welcoming environment for everybody. there is no cultural barrier to entry. >> the demographic of people who come will match the demographic of the reader. it is very simple. if we want more people of color, you book more people of color. you want more women, your book more women. kind of like that. it gets mixed up a little bit. in general, we kind of have a core group of people who come every month. their ages and very. we definitely have some folks who are straight. >> the loyal audience has allowed michelle to take more chances with the monthly lineup.

established authors bring in an older audience. younker authors bring in their friends from the community who might be bringing in an older author. >> raider has provided a stage for more than 400 writers. it ranges from fiction to academics stories to academic stories this service the underground of queer fell, history, or culture. >> and there are so many different literary circles in san francisco. i have been programming this reading series for nine years. and i still have a huge list on my computer of people i need to carry into this. >> the supportive audience has allowed michele to try new experiment this year, the radar book club. a deep explorationer of a single work.

after the talk, she bounces on stage to jump-start the q&a. less charlie rose and more carson daly. >> san francisco is consistently ranked as one of the most literate cities in the united states. multiple reading events are happening every night of the year, competing against a big names like city arts and lectures. radar was voted the winner of these san francisco contest. after two decades of working for free, michelle is able to make radar her full-time job. >> i am a right to myself, but i feel like my work in this world is eagerly to bring writers together and to produce literary events. if i was only doing my own work, i would not be happy. it is, like throwing a party or

a dinner party. i can match that person with that person. it is really fun for me. it is nerve wracking during the actual readings. i hope everyone is good. i hope the audience likes them. i hope everybody shows up. but everything works out. at the end of the reading, everyone is happy. ♪

gentlemen, the voice of the san francisco giants and his radio personality -- kiss radio personality, ranelle brooks moon. >> thank you so much. thank you, everybody. thank you so much. happy valentine's day, and good afternoon, san francisco. [applause] i am so honored and thrilled to be part of today's celebration. we're going to have a great time as we salute a living legend today. it was 50 years ago, high atop

noob -- nob hill in the venetian hotel that tony bennett sang a song for the first time, a song that would become a worldwide and the mind forever with our city. i'm talking about, of course, "i left my heart in san francisco." and what better way to celebrate valentine's day then with a tribute to the most famous love song ever dedicated to our home town by our city's most beloved troubadour, mr. tony bennett? [applause] and now, everyone, please join the san francisco symphony and our chief of protocol, charlotte schulz, here on stage in welcoming our host, mayor edwin m. lee and first lady anita lee,

and the man of the our, our special guest, mr. tony bennett. [applause] -- the man of the our -- the man of the hour, our special guest, mr. tony bennett. [applause] [applause]

[applause]

[applause] that is the way you make an entrance, right? [applause] well, mayor lee, mrs. lee, and honored guests, for 50 years, the sounds of tony bennett and his rendition of "i left my heart in san francisco" has said to the world that this city by the bay is the capital of love, beauty, and a unique style that made it one of the plan its tourist destinations. mr. bennett, your voice is the voice of san francisco, and this is your day.

[applause] we have a fantastic program for you today. we have some local singers inspired by mr. bennett's career, and they will pay tribute to mr. bennett in song. tony bennett, your dedication to young people is known through countless projects such as your exploring the arts foundation and your founding of the frank sinatra school for the arts. you have proved to be a timeless link between artistic generations. and, of course, your inspiration continues with such incredible and wonderful projects as your recent "duets ii" cd. i have a copy. anybody else? [applause] and check this out, mr. bennett picked up two grammy awards sunday night for that album. [applause]

so we congratulate you on that. i believe if you are scoring at home, that makes it 17 grammys in his career. [applause] what we love -- well, we love the cd, but today, we have gone one step further. not just a duet, but an extraordinary trio. i'm pleased to present this trio, performing for the first time together, young people from the choir of the san francisco school of the arts, the san francisco boys chorus, and the san francisco girls chorus, take it away. [applause] ♪

>> ♪ the loveliness of paris seems somehow sadly gay the glory that was rome is of another day i've been terribly alone and forgotten in manhattan i'm going home to my city by the bay i left my heart [applause] in san francisco

high on a hill it calls to me to be where little cable cars climb halfway to the stars the morning fog may chilly air -- chill the air i don't care my love waits there in san francisco of of -- above the blue and windy sea when i come home to you san francisco

your golden sun will shine for me ♪ [applause] >> that was great, right? fabulous performance by those young people. what an honor it must be for those children to perform for mr. tony bennett today, paying tribute to his great legacy. something they will never

forget, i'm sure. we have many others who wanted to pay tribute to you, mr. bennett, an expression of their love for you and for san francisco. i like to read to you just such an expression. this is a letter inspired by you and your song, the winning entry in the love letter to san francisco contest, sponsored by sf travel. if i may -- "dear sf -- can i call you sf? i remember the first time i was in your presence. age nine. even on your surface, you enchanted me and i never quite recovered. i did not truly fall in love until i spent my 22nd birthday with you. i explore the depths of chinatown. i toured the rock and froze my but off at a giants game in june. i was hooked. unfortunately, i had plans. plans with that boy in missouri, but how i was wrong to leave

you. when i found out he was cheating, i ran to you and you took me in without asking questions. i packed my bags and never looked back. every day, i love you more and more. you had made me the happiest girl in the world and given me a real love. i want to spend my life with you exploring every corner and the depths of your soul. i cannot imagine being with any other city. thank you for saving my life. you truly did. sign your is, until the big one kills us all" -- [laughter] "andy." andy is with us, too. andy lives in the haight. right there. thank you for your love letter to the city.

now, i believe we are ready to take a trip down memory lane and check out some of those san francisco landmark that you have made famous, mr. bennett, with your incredible voice and visit some of your longtime friends who also want to pay tribute to you today. >> dear tony, we are here to celebrate the 50th anniversary of the recording of your song and our son, -- song, "i left my heart in san francisco." what better place to be then the fairmont hotel in san francisco where you first sang your song, our song, in the venetian room? i'm going to meet you in places where you have helped us celebrate the city by the bay, so follow me down memory lane. >> ♪ going home to my city by

the bay ♪ >> toni, you have been an integral part of my life, and i get emotional because it was a wonderfully happy time. so i want to thank you. >> hello. you are at the home of the little cable cars that climb halfway to the stars. you know that line, don't you? you remember when we had the celebration to bring back the cable cars in union square and all over town, and you were there. and here is our pal, a bell ringer of the cable cars for 10 years, and he was there on that day, so what happened? >> i had the honor and privilege of meeting mr. bennett. he wrote on my car with me, and

we've run down the high-speed hill with the turnarounds, and he sang a few lines of "i left my heart." >> that song? >> yes, and i just wanted to tell him thank-you for all he has done for this city. >> tony bennett, a household word in san francisco, and for me, all the years i have lived in this city, tony bennett has been like the next door neighbor. wherever i am, whether it is paris, whether it is wrong, whether it is nice, whether it is beijing -- whether it is rome, whether it is shanghai, whether it is some place in africa or some place in russia. if i say, ♪ i left my heart ♪ they immediately say tony and

them. that means the national anthem for san francisco and literally for america have come from this extraordinarily talented human being. >> ♪ i left my heart in san francisco ♪ >> ok, here we are down memory lane. we are at the at&t park, home of the san francisco giants. as you know, we sing your song after every win of the giants, so we have been sitting here a lot. you were here in 2011 for the opening, and you sang your song, and guess what? we won the world series. so, tony, we want you back. [applause] >> tony bennett has said his song "i left my heart in san francisco" changed his whole

life. well, it has affected our lives as well. from the first time tony sang this beautiful love song to every time we hear it sweet sounds after a winning giants game, it deepens our love for our home town and for tony bennett. >> ♪ above the blue >> here we are above the blue and windy city been -- sea in your city by the bay. remember 25 years ago, you were to come here and sing with the san francisco symphony for the 50th anniversary of the golden gate bridge -- you were before me at the theater, and you may remember that this place was really filled with people, thousands and thousands of people that came to celebrate. and you could not get through the crowd. so i said, cassette and ok, let's get a helicopter land it in front of city hall -- "ok,

let's get a helicopter, led it in front of city hall." they said you were afraid of helicopters, and i said to blindfold you. magically, you got here and sang your song. when you sang "i left my heart in san francisco" and the cascade of fireworks came over the bridge, it was a moment -- i'm getting chill bumps -- it was a moment to remember. >> i wish i were still mayor of san francisco to be able to be the one that gives you the key to the city, but what i can show you is a painting that goes a ways back. it was in 1983, i think. both of us on a newly restored cable car, and celebrating the return of the cable cars and also "i left my heart in san francisco."