tv [untitled] February 23, 2012 8:30am-9:00am PST
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families. another woman in my life who demonstrates unshakeable persistence and unflinching sacrifice is my mother who is sitting over there with my son. [applause] she kept her eyes on the prize that is education. as well -- and was well aware of education and its importance for the future of black america. my mom was educated from kindergarten through eighth grade in washington, d.c.. which is recognized as the mother church of all black catholics. washington, d.c. was south of the transfer -- the mason decisiodixon line. st. augustine was established in the late 1850's during the separate but equal and in most cases on equal time.
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this school was started by the first order of black roman catholic nuns, the oblate sisters of providence out of baltimore, maryland. their purpose was to educate black children. these nuns persistence and unflinching sacrifice influence my mother's life and my life. my mother was in high school when the march on washington occurred. the weeks leading up to the march, my mother participated in many peaceful demonstrations and picket lines in front of the white house. again, this is another example of unshakable persistence and sacrifice. she did this being afraid and not reacting when the white agitators were spitting on her and her girlfriend. it was important for her to peacefully continue in her fight for justice and civil rights.
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i mother was the first to obtain a college degree and went on to an education in education that lasted for decades. my work ethic was derived from her. when you are the daughter of a teacher and administrator i had a front row seat to watching a woman at work in the classroom. most of all, i would -- i truly mean this and the gravity of this hit me last week when i was before commission -- rules committee. i'm humbled and thankful for the many african-american women here who have paved the way for me, naomi kelly. supervisor kennedy who is here in the audience with us. supervisor doris war. attorney-general harris. judge terry jackson. amelia ward. i am thankful to this woman who embraced me when i started my
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professional career in san francisco. glendower richardson, carol tatum, and so many of you are here in this audience and i am grateful for my contemporaries who are my sisters and rock. from supervisor malia cohen, karen roy, and lindon. i have found my place here and i have mentioned, i began my career here in 1996 with mayer brown. i realized then in my 20's that i needed to pursue higher education. and it helped the mayor said he would never give me a raise or promotion on till i went back to school. i enrolled in the university of san francisco law school. i got my j.d. and pass the bar. -- passed the gar. -- bar. [applause]
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san francisco has been my home. six years ago i was married here on the steps almost six years ago to this month. [applause] some are clapping, some are not. [laughter] it has been a fundamental time for my family and i having been nominated. by mayor ed lee and i am grateful to that community and i am grateful to the mayor and the board of supervisors who are considering this nomination. i vow to do the best job i possibly can for the city and i have -- as i have done from the outset of my city career. i will continue to draw inspiration and guidance from the black woman in our history and culture who have paved the way for me and others with their relentless fight against prejudice and intolerance and hate. there consummate energy,
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intelligence, and courage and their unshakeable persistence, unflinching sacrifice and unwavering faith. i have angels on my shoulder and they're my sisters. thank you and i wish you a happy and joyful black history celebration. [applause] thank you. >> thank you for those profound words. now, for all of you whose names were mentioned by naomi in her remarks, we split up the list so she covered half the room. i am not going to announce it. there are a few other people. mohamad in the public works
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department, rhonda simmons, give them all around of applause as well. at this time we have a special presentation. for naomi. bill hoskins. [applause] >> did afternoon. >> this is a treat to be able to present this to our keynote speaker. and on behalf of the african american historical and cultural society and the board, i was sitting there enjoying your presentation. also thinking that there could not be a better match for today's title of which we all know. i wanted to , when al williams
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was describing and introducing attorney naille kellie -- naomi kelly, he mentioned she had made and still is and will in the future make valuable contributions that will -- we will all benefit from. he suggested she should be honored and was picked to be the keynote speaker not because she is a woman or because she is african-american. not because she is incredibly capable but they left out two things. she is young and she is beautiful. so again on behalf of the
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african american historical and cultural society and board, it is a pleasure to present this to you. >> thank you. [applause] >> ok, with that -- we have judge monica riley. and a number of commissioners. please stand. thank you for being here. we will now have a musical presentation by the amira project. [applause] >> the afternoon, everyone. can you hear me?
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now you can hear me? all right. i will make my interjections brief. you have been hearing for july afternoon and we're going to do some is secure. that is voice of freedom. we celebrate the roots aof faith and freedom. spirituals are the root of most african american history. and music. it is important to know where the spirituals come from. the music came from africa. there are slave testimonies to the fact that music came from africa. and so that is the root of african-american music which is renowned around the world. the other thing that happened is that in the u.s. especially, we lost the ability to use the drum. we did not lose the ability to
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use rhythm. the -- which is the most direct link to africa, we use the staff and hand clapping. we are going to do a song that will become familiar to me -- to you in a moment. it was put together by our musical director who is holding the staff. and our soloists will be carolyn and nedra. when i ask you to join in, i want you to help us out. all right? thank you very much. [applause]
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acknowledgements and closing remarks. on behalf of the san francisco african-american historical society, i would -- something like this cannot happen without the involvement of a lot of people. and some of those people on the back of your programs, we have listed all the members of the committee who worked hard and long to make this happen. nobody worked as hard as kirsten in the mayor's office out of the office of may -- neighborhood services. let's give kirsten and the committee a big round of applause for their contributions to this great effort. we have another -- a number of proclamations that was received from senator feinstein and boxer and other offices. a couple of other people we do have with you. michael sweet is with us and sheriff ross mirkarimi is with us. let's give them around of
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applause. hansothis is a membership organization. open to any -- anyone. ms. kelly spoke to in her remarks. you wrote him to join us. there is information about the society and refreshments. please join us in the light court. thank you for making this a wonderful kick off. let's give naomi kelly a round of applause again. thank you. [applause] thank you all very much. ♪
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also readings. >> give us this day our daily bread at least three times a day. and lead us not into temptation to often on weekdays. [laughter] >> meridians' stands apart from the commercial galleries around union square, and it is because of their core mission, to increase social, philosophical, and spiritual change my isolated individuals and communities. >> it gives a statement, the idea that a significant art of any kind, in any discipline, creates change. >> it is philosophy that attracted david linger to mount a show at meridian. >> you want to feel like your work this summer that it can do some good. i felt like at meridian, it could do some good. we did not even talk about price until the day before the show. of course, meridian needs to
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support itself and support the community. but that was not the first consideration, so that made me very happy. >> his work is printed porcelain. he transfers images onto and spoils the surface a fragile shes of clay. each one, only one-tenth of an inch thick. >> it took about two years to get it down. i would say i lose 30% of the pieces that i made. something happens to them. they cracked, the break during the process. it is very complex. they fall apart. but it is worth it to me. there are photographs i took 1 hours 99 the former soviet union. these are blown up to a gigantic images. they lose resolution. i do not mind that, because my images are about the images, but they're also about the idea, which is why there is text all over the entire surface. >> marie in moved into the mansion on powell street just
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five years ago. its galleries are housed in one of the very rare single family residences around union square. for the 100th anniversary of the mansion, meridian hosted a series of special events, including a world premiere reading by lawrence ferlinghetti. >> the birth of an american corporate fascism, the next to last free states radio, the next-to-last independent newspaper raising hell, the next-to-last independent bookstore with a mind of its own, the next to last leftie looking for obama nirvana. [laughter] the first day of the wall street occupation set forth upon this continent a new revolutionary nation. [applause]
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>> in addition to its own programming as -- of artist talks, meridian has been a downtown host for san francisco states well-known port trees center. recent luminaries have included david meltzer, steve dixon, and jack hirsch man. >> you can black as out of the press, blog and arrest us, tear gas, mace, and shoot us, as we know very well, you will, but this time we're not turning back. we know you are finished. desperate, near the end. hysterical in your flabbergastlyness. amen. >> after the readings, the crowd headed to a reception upstairs by wandering through the other gallery rooms in the historic home. the third floor is not usually reserved for just parties,
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however. it is the stage for live performances. ♪ under the guidance of musical curators, these three, meridian has maintained a strong commitment to new music, compositions that are innovative, experimental, and sometimes challenging. sound art is an artistic and event that usually receives short shrift from most galleries because san francisco is musicians have responded by showing strong support for the programming. ♪ looking into meridian's future, she says she wants to keep doing
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9 judge terri l. jackson. the court is now recruiting prospective civil grand jurors. our goal is to develop a pool of candidates that is inclusive of all segments of our city's population. >> the jury conducts investigations and publishes findings and recommendations. these reports them become a key part of the civic dialog on how we can make san francisco a better place to live and work. >> i want to encourage anyone that is on the fence, is considering participating as a grand jury member, to do so. >> so if you are interested in
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