there's a little line for me quite hidden away the says i'm very much a parisian or i'm interested in parisian women, but not quite sure that i ever met a parisian woman. what do you mean by that? >> what i mean is that my education, i have been looking at old movies that i love. we speak about the reputation of the parisian, which was supposed to dress very well. i think that, you know, in france, the eccentricity -- for me, eccentricity is very chic and it is what i love. it is so much about the good taste, which paralyzed. it is still a city where everybody meets profession,

sure, but it is sad that you did not seek only may be in the young people, but you do not see when people are in the rain, let's say, in society, like having the joy to address. like you have to be like the color of the street of paris. you ought not to be remarkable. it is very demanding of the people. so i said to the people, no, we have to be like everyone else. in london, it was completely different, and it still is. more distance that makes them, for me, more fascinating than the french. >> we want to take questions from the audience, but i did just want to ask you a quick question about your work in movies because that has been so

extraordinarily exceptional. i think probably a lot of people -- i know you have been to the academy of arts and all the students, but i wonder how many people in this audience know how involved you have been in the performing arts doing costumes. with whom has it been the you have felt the most extraordinary experience? >> i should say that he is a different experience. i think first, maybe pedro, and very close after, greenway, an english architect, who is very talented. i must say, one thing is that i

was very lucky because all those people i admire for their own work. they were different. for me, it was a fabulous experience to work with them. it was to get into their story and to see of how they are working. i will tell you, for example, one that is -- in real life, let's say, not in the movie like, it is somebody that maybe -- maybe does not address that well, has not so much sense of fashion, is not interested too much in his art, but when it becomes to the movie, first, he will explain to you the movie, tell you the story he is so much into it, and visually, so much

into it. he gets very upset, then he can already imagine how he should like it to be. it is very beautiful because you can see how intent it can be and how the movie becomes a world. it is very specific at some times. for example, the apron of the made from valencia from the 1960's. ok, so i have to go to the market and find one. i not know exactly the apron of the maid of valencia in the 1960's. housewife, sorry. not a mate. it is not abstract, let's say. but specific in the color, which

is absolutely inspiring and fabulous to go into the story. the movie was the cook, the thief, that one -- with helen merrin, who is absolutely fabulous -- helen mirren, fabulous actress. he showed me some painting of rembrandt and said, "uc that? could you do the in modern, in today? and i said i will try. yes, but it is part of the job. so i tried. i worked with a dutch artistic director, and i get to work with him. he was very specific and

fabulous man. also, they were very specific about the color. in reality, they asked me because the color is a little like in the spirit. it is something in common. i was flattered to do that, but it is beautiful to see how much they are -- our work, our demand is to make a beautiful movie. i should not be able to do anything. i never thought about it, but when people ask me, you have to be so clever. >> tom ford made a movie, so why not you? >> because my brain is not that sure.

you have to think about so many things. truly, it is a big work. you have to be strong. you have to take care also of the physiology of the actor which is, like, oh, my god. you can be depressed. also, you see the depression of everybody. i do not want it. i have enough of my own. >> i hope you will be sharp enough to answer the questions the audience has for you. rather like the academy awards. [applause] these questions have come through on various means. can we have the first question? >> the first question -- i am going to compile a group -- a lot of people are asking what is currently inspiring new? from different cultures, the internet, textile design -- what

exciting things are you seeing in contemporary textile design? and what are you reading? >> definitely, that is very sad, but i have not enough time to read. that is the very sad part. so i'm not enough reading, but i'm getting older and getting closer. now that nobody is doing any more reading, i will read. no, i think honestly, it is a question of time, but reading, to bring inspiration, but that is the problem. i get into a book and say that i can make a collection of that after, like, three lines. one time i did an existentialist collection years ago, and i was thinking, so i read a book to no

more, to get into it, and sometimes, the explanation can teach you. i read about it and i learned and understood. so i did the collection with my interpretation. i tried to understand the base, the concept, so it is good. you have to read, definitely. >> creativity is so difficult to define by creative people because you just do it instinctively. you were telling me that last night, something inspired you, and you went back andrew your next collection until 4:00 a.m. what inspired you? do you know what set it off?

>> i think it is image sometimes. one that you do not expect can be also a surprise. it was not the case here today. yesterday during the night, it was more like an image that i have seen or received little and i did not know how to treat it. something making me think about it yesterday. after it came and i wake up, instinctively it came like yes, i could do it like that, so i wrote that to remember, and after i was into it, it was very exciting. yes, i find it because always, you are looking for something, you did not know what. until it becomes more concrete, it gives you -- i need to have that direction.

it is a real pleasure. sometimes also like some things in fashion that you get a reaction, can be somebody walking, moving in a way where there is no pocket, but it should have been a pocket. you see the desire or what should be good. food is visual for me. >> can you think of one single example of something that you saw -- i do not know, a green leaf or something on the internet or something in a movie -- something that directly inspired you that you were almost drawing a minute later from it. >> i think it was years ago when

i did my constructive collection. my graphic assistant had a book with her. i loved everything, but it is like a physical reaction. like if i want to eat it. but he made me think about food. it was truly like a beautiful color. it was constructivist, you know. it was so beautiful. they were so perfect that i wanted to have it all. so i make a photo of all the book, and i wanted to have all around me to get into it and to see through that, so it was -- that is one thing.

another thing -- >> one is enough. >> you know what, there is too much selection on the internet. i like the motion, which i mean like surprise. i go somewhere and find something i did not expect, it is there that i have the real shock. i have my reaction. sometimes it does not happen. sometimes it happens late. what i do in that case, i will not tell you. [laughter] >> that might lead to the next question -- what scares you? and then maybe not to be more in love with my were. fashion. >> maybe you are scared that there might be one day -- i'm sure it will never happen --

when you do not have the energy anymore? that scared of a piece of blank paper and a collection coming up in six weeks -- that does not scare you? >> yes, but i tried to protect myself. for example, i go to a flea market, and nt place. when i see something that i find interesting, even if i have no interest in anything at the moment, i say that one day i will do something from that. i know that there was work on it. i think i have to burn it, because at the end, i take too much time to look at it. but, yes, i mean, to be honest, i think will realize what time that i have no more of the passion, which will mean i will stop. i think it is better.

honestly, before i was doing that profession, because i was not at peace with the fact that i was rejected, so i was inventing a lot of things. at the moment, i started to work -- i finish. because i do the things that i'd love to do, why should i live now. there's no reason to lie? because i am accepted through my work? why should i lie? because i do not want to live again in my old days. but i will always interested in fashion. >> the next question is for both of you -- how is it in the fashion world for larger size women?

>> i will answer this first. i was so happy when beth ditto appeared in one of jean paul's collections. she is a terrific woman and quite rotund in size. i have not quite caught up with her yet, but i certainly am no little stick. i personally thinks one of the things he should be admired for is not to bring the tyranny of fashion to women. he has, as he has explained, done a lot for diversity in terms of skintight but also diversity of styles and shapes, and i think that was the reason for a round of applause. [applause] >> there is one diversity also which is important, age.

i should explain because you know in fashion, a terrible because there is always racism about age. one of the races and is in fashion which i am absolutely against. how could i be against age when i have a grandmother that let me do anything and what it, gave me optimism and positivity? i think people that are old and have experience, you can learn a lot from them, and there are maybe sometimes more sweet than the grandparents. i think age also is something important. i remember, i wanted to do what a collection one time with only old people, and they told me not to do that because we do not like to see ourselves projected as old. and i did not do it.

sometimes i did not listen, but at the moment, i knew i had to do some testing, and i had to show the beauty through the edge, so i will do it one time. maybe it will be my last collection. i will be part of the show, and i will walk. >> your final question comes from a twitter question. what advice do you have for young artists and designers to be successful in the world with so much competition and talent? >> i do not like to give advice. i know only my passion. what i can say is if you truly love fashion, you want to do a profession with fashion, you see -- they will find solutions.

the things in fashion is to be right of with the moment with the society, with the desire, with what people need, and to understand also economically. of course, now, we have a moment where economically, there are a lot of things. it is reality. so knowing all that, you have to make the decision and find a solution about it and propose the right things. the ones who say that what to do the right thing for now, they will get it. only courage and love what you do. it is marvelous work.

i am lucky because i do the work i love, and doing it, i love it even more. it permits need to be accepted and loved. if you receive love, you can give love. [applause] >> we cannot really have a more beautiful ending than that, but i am going to use my chance just to ask one last question. do you believe that you have marked fashion history? >> it is difficult to say. is it my purpose? i do not know. i think that's everybody is marking fashion history in a way.

as much as journalists because they show the people. what is fashion history? some old clothes that you can find may be in the free-market? books, magazines, newspapers? i think that i am part of that, but to think that me, i'm mark -- i do not think so. it is not exactly my purpose. it really seems very selfish to do what you love. >> i'm glad i managed more or less to silence you with my question. [laughter] i would like to say that i believe you have marked fashion history in the best way by creating clothes, which have been a mirror to society as it changed and as it happened, and you will be known for that as much as for the beauty of the close. thank you so much for giving us the chance to talk to you. [applause]

>> you probably think you know all about the exploratorium. but have you ever been after dark? did you know there was a monthly party called after dark? science mixes with culture and adults mix with other adults. no kids allowed. every week there is a different theme. to tell us about the themes is melissa alexander. tell us about some of the previous themes we have had. >> we have had sex ploration,

sugar, red, blue. many things. >> what is the theme tonight? >> rock, paper, scissors. we are having a tournament tonight, but we have also used as a jumping off point to explore lots of different ideas. you can find out about rock, paper, scissors as a game as a reproductive strategy. you can interact with a piece of art created by lucky dragon. you can get your hair cut from a cool place called the public barber's salon. they use scissors only. you can find out about local geology, too. >> that sounds like fun. let's check it out. >> this is the most common rock on the surface of the earth. interesting thing is, most of this rock is covered over by the ocean.

>> error congested a cool presentation on plate tectonics. tell us about what we just saw. >> we wrapped up a section of a lesson on a plate tectonics, here at the exploratory and -- exploritorium. >> are you excited to see people here having fun and learning about science? >> the people that come here are some selected to begin with, they actually enjoy science. i teach teachers to have fun with their kids. the general public is a great audience, too. they're interested in science. >> we have a blast every time. they have different names. >> they have a bar and a cafe. everything i need. we are excited for the speaker.

>> it is nice to be in the exploratorium when there are not a lot of kids around. >> before tonight, i never knew there were major league rules to rock, paper, scissors. i am getting ready to enter into a competition. sarah's here to give me some tips. what do i need to do to win it? >> this is a game of chance, to a degree. one of the best ways to bring it home is a degree of intimidation, maybe some eye contact, maybe some muscle. it is a no contact sport. sheer i contact is a good way to maybe intimidate to see if you can set them off, see if they throw something they did not mean to. >> i am going to see what happens. >> i got kicked out in the first round. [applause]

>> given up for sunni. the rock, paper, scissors champion. >> what are you going to do now? >> i have been having so much fun. i got my tattoo. before we go, i want to thank melissa alexander for having us here tonight. how did you know san francisco needed a night like tonight? >> thank you for coming. everybody loves the exploratorium. we are reluctant to push the kids out of the way in the day, so i knew we needed to create one evening a month just for the rest of us to have a good time, the adults. >> absolutely. where can we find out what is coming up after dark? >> that is easy, exploratorium .edu/afterdark. >> thank you.

thanks for watching >> good morning, everybody. i am the manager -- we will kick it off first with a message from our cities librarian. the director of the san francisco library system.

[applause] >> thank you. this is fantastic. good morning to everybody. i am a little jealous. i said, this is not my house. it is your house. welcome to all of you. this is indeed your house. i am a little jealous because i did those of green t-shirts. -- dig those green t-shirt. we are proud to be part of youth advocacy day. that is where it begins. congratulations to each and every one of you for being here. i cannot say enough about our great librarians.

we need your feedback. today is going to be one of those great opportunities to tell us all about what you need and what makes this city a great. have a fantastic day. it is my pleasure to be hosting you. [applause] thank you. >> good morning, everyone. i am so happy to welcome you guys to the third annual youth advocacy day in san francisco. [applause] i know that we have lots of young people in the audience today. i will ask people to raise your hands and make some noise. right on. how about lincoln?