in london, it was completely different, and it still is. more distance that makes them, for me, more fascinating than the french. >> we want to take questions from the audience, but i did just want to ask you a quick question about your work in movies because that has been so extraordinarily exceptional. i think probably a lot of people -- i know you have been to the academy of arts and all the students, but i wonder how many people in this audience know how involved you have been in the performing arts doing costumes. with whom has it been the you have felt the most extraordinary experience? >> i should say that he is a different experience. i think first, maybe pedro, and very close after, greenway, an

english architect, who is very talented. i must say, one thing is that i was very lucky because all those people i admire for their own work. they were different. for me, it was a fabulous experience to work with them. it was to get into their story and to see of how they are working. i will tell you, for example, one that is -- in real life,

let's say, not in the movie like, it is somebody that maybe -- maybe does not address that well, has not so much sense of fashion, is not interested too much in his art, but when it becomes to the movie, first, he will explain to you the movie, tell you the story he is so much into it, and visually, so much into it. he gets very upset, then he can already imagine how he should like it to be. it is very beautiful because you can see how intent it can be and how the movie becomes a world. it is very specific at some times. for example, the apron of the

made from valencia from the 1960's. ok, so i have to go to the market and find one. i not know exactly the apron of the maid of valencia in the 1960's. housewife, sorry. not a mate. it is not abstract, let's say. but specific in the color, which is absolutely inspiring and fabulous to go into the story. the movie was the cook, the thief, that one -- with helen merrin, who is absolutely fabulous -- helen mirren, fabulous actress. he showed me some painting of rembrandt and said, "uc that? could you do the in modern, in

today? and i said i will try. yes, but it is part of the job. so i tried. i worked with a dutch artistic director, and i get to work with him. he was very specific and fabulous man. also, they were very specific about the color. in reality, they asked me because the color is a little like in the spirit. it is something in common. i was flattered to do that, but it is beautiful to see how much

they are -- our work, our demand is to make a beautiful movie. i should not be able to do anything. i never thought about it, but when people ask me, you have to be so clever. >> tom ford made a movie, so why not you? >> because my brain is not that sure. you have to think about so many things. truly, it is a big work. you have to be strong. you have to take care also of the physiology of the actor which is, like, oh, my god. you can be depressed. also, you see the depression of everybody. i do not want it. i have enough of my own. >> i hope you will be sharp enough to answer the questions the audience has for you. rather like the academy awards. [applause]

these questions have come through on various means. can we have the first question? >> the first question -- i am going to compile a group -- a lot of people are asking what is currently inspiring new? from different cultures, the internet, textile design -- what exciting things are you seeing in contemporary textile design? and what are you reading? >> definitely, that is very sad, but i have not enough time to read. that is the very sad part. so i'm not enough reading, but i'm getting older and getting closer. now that nobody is doing any more reading, i will read. no, i think honestly, it is a

question of time, but reading, to bring inspiration, but that is the problem. i get into a book and say that i can make a collection of that after, like, three lines. one time i did an existentialist collection years ago, and i was thinking, so i read a book to no more, to get into it, and sometimes, the explanation can teach you. i read about it and i learned and understood. so i did the collection with my interpretation. i tried to understand the base, the concept, so it is good.

you have to read, definitely. >> creativity is so difficult to define by creative people because you just do it instinctively. you were telling me that last night, something inspired you, and you went back andrew your next collection until 4:00 a.m. what inspired you? do you know what set it off? >> i think it is image sometimes. one that you do not expect can be also a surprise. it was not the case here today. yesterday during the night, it was more like an image that i have seen or received little and i did not know how to treat it. something making me think about it yesterday. after it came and i wake up, instinctively it came like yes, i could do it like that, so i wrote that to remember, and

after i was into it, it was very exciting. yes, i find it because always, you are looking for something, you did not know what. until it becomes more concrete, it gives you -- i need to have that direction. it is a real pleasure. sometimes also like some things in fashion that you get a reaction, can be somebody walking, moving in a way where there is no pocket, but it should have been a pocket. you see the desire or what

should be good. food is visual for me. >> can you think of one single example of something that you saw -- i do not know, a green leaf or something on the internet or something in a movie -- something that directly inspired you that you were almost drawing a minute later from it. >> i think it was years ago when i did my constructive collection. my graphic assistant had a book with her. i loved everything, but it is like a physical reaction. like if i want to eat it. but he made me think about food. it was truly like a beautiful color.

it was constructivist, you know. it was so beautiful. they were so perfect that i wanted to have it all. so i make a photo of all the book, and i wanted to have all around me to get into it and to see through that, so it was -- that is one thing. another thing -- >> one is enough. >> you know what, there is too much selection on the internet. i like the motion, which i mean like surprise. i go somewhere and find something i did not expect, it is there that i have the real shock. i have my reaction. sometimes it does not happen. sometimes it happens late. what i do in that case, i will not tell you. [laughter] >> that might lead to the next question -- what scares you?

and then maybe not to be more in love with my were. fashion. >> maybe you are scared that there might be one day -- i'm sure it will never happen -- when you do not have the energy anymore? that scared of a piece of blank paper and a collection coming up in six weeks -- that does not scare you? >> yes, but i tried to protect myself. for example, i go to a flea market, and nt place. when i see something that i find interesting, even if i have no interest in anything at the moment, i say that one day i will do something from that. i know that there was work on

it. i think i have to burn it, because at the end, i take too much time to look at it. but, yes, i mean, to be honest, i think will realize what time that i have no more of the passion, which will mean i will stop. i think it is better. honestly, before i was doing that profession, because i was not at peace with the fact that i was rejected, so i was inventing a lot of things. at the moment, i started to work -- i finish. because i do the things that i'd love to do, why should i live now.

there's no reason to lie? because i am accepted through my work? why should i lie? because i do not want to live again in my old days. but i will always interested in fashion. >> the next question is for both of you -- how is it in the fashion world for larger size women? >> i will answer this first. i was so happy when beth ditto appeared in one of jean paul's collections. she is a terrific woman and quite rotund in size. i have not quite caught up with her yet, but i certainly am no little stick. i personally thinks one of the things he should be admired for is not to bring the tyranny of

fashion to women. he has, as he has explained, done a lot for diversity in terms of skintight but also diversity of styles and shapes, and i think that was the reason for a round of applause. [applause] >> there is one diversity also which is important, age. i should explain because you know in fashion, a terrible because there is always racism about age. one of the races and is in fashion which i am absolutely against. how could i be against age when i have a grandmother that let me do anything and what it, gave me optimism and positivity? i think people that are old and have experience, you can learn a lot from them, and there are maybe sometimes more sweet than the grandparents.

i think age also is something important. i remember, i wanted to do what a collection one time with only old people, and they told me not to do that because we do not like to see ourselves projected as old. and i did not do it. sometimes i did not listen, but at the moment, i knew i had to do some testing, and i had to show the beauty through the edge, so i will do it one time. maybe it will be my last collection. i will be part of the show, and i will walk. >> your final question comes from a twitter question. what advice do you have for young artists and designers to be successful in the world with so much competition and talent?

>> i do not like to give advice. i know only my passion. what i can say is if you truly love fashion, you want to do a profession with fashion, you see -- they will find solutions. the things in fashion is to be right of with the moment with the society, with the desire, with what people need, and to understand also economically. of course, now, we have a moment where economically, there are a lot of things. it is reality. so knowing all that, you have to make the decision and find a

solution about it and propose the right things. the ones who say that what to do the right thing for now, they will get it. only courage and love what you do. it is marvelous work. i am lucky because i do the work i love, and doing it, i love it even more. it permits need to be accepted and loved. if you receive love, you can give love. [applause] >> we cannot really have a more beautiful ending than that, but i am going to use my chance just to ask one last question. do you believe that you have

marked fashion history? >> it is difficult to say. is it my purpose? i do not know. i think that's everybody is marking fashion history in a way. as much as journalists because they show the people. what is fashion history? some old clothes that you can find may be in the free-market? books, magazines, newspapers? i think that i am part of that, but to think that me, i'm mark -- i do not think so. it is not exactly my purpose. it really seems very selfish to do what you love. >> i'm glad i managed more or

less to silence you with my question. [laughter] i would like to say that i believe you have marked fashion history in the best way by creating clothes, which have been a mirror to society as it changed and as it happened, and you will be known for that as much as for the beauty of the close. thank you so much for giving us the chance to talk to you. [applause]

>> thank you for all joining us tonight. i am the good government policy director here at spur but it is my distinct pleasure to welcome such an amazing panel tonight, as well as the mayor of our fine city. this is the innovation mayor, mayor ed lee. [applause] >> thank you, everyone. can everybody hear me? welcome. welcome to spur. i always enjoy being here. because every time i come here, some part of my brain gets woken up pet. earlier i had a wonderful opportunity to exchange with our panel members about what they're doing and how they're doing it. there is one great theme. i think these panel members are here as part of their own entrepreneurial spirit. they own companies, but they love the city as well.

they know the spirit of the city. it is one of innovation. one that invites people and their views enmeshes it up with old tradition to see if we can make an even better san francisco. my fellow collaborator, president david chiu, is here tonight. scott wiener. we have two other supervisors who may be coming later. supervisor jane kim and supervisor mar farrell, who might join us later. we're all part of the initial group of policy makers at city hall who want to hear ideas and views of this new economy, this collaborative consumption economy, a shared economy, one that we are very interested in because it has assets that have already peaked our interest. about our -- piqued our interest. about our environment, about how to do less with more, how to make an expensive city more affordable to more people. how to utilize the strength of the city as a great tourist city

that maybe not that affordable to too many people and how we can get more folks to come and experience the wonder of the city. and then hopefully they make their stake here. these panel members of decided to make their stake here. they risk reputation, may be small amounts of money, because of the had a lot of money, they may not have had to start this. but they have also, i think, done it for the right reasons. they want to experience this city in a very different way, but one that i think is in the tradition of san francisco and is reflective of mind, welcoming more people here to share in this economy. and hopefully for the right reasons, we create more jobs, get more entrepreneurs involved in the success and richness of this city. i have often said this city can be the city for the 100%. that is, everybody can have a chance to fulfil their dreams and make sure they can have a

stable economy for themselves and for their families. i think we're on the verge of discussing things that would invite other members of our city family, our department heads of that work in the tax section or in planning or in land use, to be involved with a discussion, an ongoing discussion that would potentially invite an open up our economy and modernize it even further. i think we're at a task where, quite frankly, a year ago, for example, david chiu and i do not know the outcome might be except that we were in fear that a company called twitter might leave our city and that thousands of jobs will leave us behind. so we took a little risk and suggested that we might be able to revamp our tax code for the benefit of job creation. and little did we know a year later that that invitation has caused over 125 companies to locate themselves in our city, creating thousands of more jobs,

creating an ad as mayor -- an atmosphere and environment that will welcome the new technology and innovation. to reinforce what we have been saying, and i think it is real. we are the innovation capital of the world. with your help and with your involvement. we would like to have the rest of the city catch up and be part of it as well. and we think we can have that conversation at city hall, but we will need your help. we will need you to represent the new industries as these companies are here today to keep the dialogue and that collaboration at a high level. it is the ongoing dialogue, just like the one we are leading already about a new tax structure for this city that does not punish the inventiveness that we want to have in the city. so i would like to just open with that introduction. welcome all of you here. i think you are going to see and hear an exciting introduction of

all these new companies in the discussions we have. but they are going to raise questions that we do not have the answers yet. but i do believe we have the spirit in this city to welcome solutions with your involvement. we will have the ability to do this online as well as in these forums, and i will be part of this ongoing discussion. because i want to see all of you interact with the city and make sure to is reflective of what you believe the city to be. an open society, one that is inviting to new ideas, and one that our of policy-makers along with the mayor can engage with you. thank you for being here. and thank you to spur again. [applause] >> thank you, mr. mayor. i think we're going to hear from supervisors scott wiener. >> thank you. this turnout, i think, shows a

significant this is to the future of the city. we were with a smaller group right before this. one thing that i stress and i will stress to you is that san francisco is a city that -- sort of, we haven't economy going on where we are in many ways to cut -- we have a dichotomy going on. in many ways, we are cutting edge technology and are really ahead of the curve. we attract a lot of people here, like you, in think our forward- thinking and want to try to do things in a different and more innovative way. we're also a really old school city. and change here is really challenging. for those of us at city hall, and david chiu and i talked about this a lot, when we're trying to do things differently, you can get a lot of reflexive push back, whether you're talking about putting cars sharing on the streets or whether you're talking about changing the zoning to be able to create new types of housing

to make the city a little bit more affordable and inclusive. you have those kinds of difficult conversations. so much of this is about really educating the city as a whole, from all generations, from all perspectives, that where we are going right now in san francisco, in a lot of ways in terms of our transportation system and housing policies, is not always very sustainable. and if we want is to be sustainable, if we want to remain a cutting edge and diverse city that draws all sorts of people here, we're going to have to change. we are going to have to consider new ways of doing things that maybe a year or two ago we were not even comfortable thinking about. so there is a big education process that has to occur, and i know we're all going to work together to make sure that that happens. i know we can move in the right direction. i look forward to that work. thank you. [applause]

>> in rounding out our trifecta, which underscores the importance of what we are talking about, is our very own board of supervisors president, david chiu. [applause] >> good evening. if you are like me, you did not come here tonight to hear from elected officials. i look forward to hearing from these innovators in a moment. i wanted to join my colleagues in ensuring all of you, our current generation of entrepreneurs, that we're looking forward to working with your hand-in-hand to figure out how we create san francisco not just as the capital of innovation that the capital of a sharing economy. i say this as someone who, for nine years before i joined the board of supervisors, i actually started what was a web 1.0 company. what makes our city special is everyone of you have ideas that will not only change our city but will truly change our world.