i was flattered to do that, but it is beautiful to see how much they are -- our work, our demand is to make a beautiful movie. i should not be able to do anything. i never thought about it, but when people ask me, you have to be so clever. >> tom ford made a movie, so why not you? >> because my brain is not that sure. you have to think about so many things. truly, it is a big work. you have to be strong. you have to take care also of the physiology of the actor which is, like, oh, my god. you can be depressed. also, you see the depression of everybody. i do not want it. i have enough of my own.

>> i hope you will be sharp enough to answer the questions the audience has for you. rather like the academy awards. [applause] these questions have come through on various means. can we have the first question? >> the first question -- i am going to compile a group -- a lot of people are asking what is currently inspiring new? from different cultures, the internet, textile design -- what exciting things are you seeing in contemporary textile design? and what are you reading? >> definitely, that is very sad, but i have not enough time to read. that is the very sad part. so i'm not enough reading, but i'm getting older and getting closer. now that nobody is doing any

more reading, i will read. no, i think honestly, it is a question of time, but reading, to bring inspiration, but that is the problem. i get into a book and say that i can make a collection of that after, like, three lines. one time i did an existentialist collection years ago, and i was thinking, so i read a book to no more, to get into it, and sometimes, the explanation can teach you. i read about it and i learned and understood. so i did the collection with my

interpretation. i tried to understand the base, the concept, so it is good. you have to read, definitely. >> creativity is so difficult to define by creative people because you just do it instinctively. you were telling me that last night, something inspired you, and you went back andrew your next collection until 4:00 a.m. what inspired you? do you know what set it off? >> i think it is image sometimes. one that you do not expect can be also a surprise. it was not the case here today. yesterday during the night, it was more like an image that i have seen or received little and i did not know how to treat it. something making me think about it yesterday.

after it came and i wake up, instinctively it came like yes, i could do it like that, so i wrote that to remember, and after i was into it, it was very exciting. yes, i find it because always, you are looking for something, you did not know what. until it becomes more concrete, it gives you -- i need to have that direction. it is a real pleasure. sometimes also like some things in fashion that you get a reaction, can be somebody walking, moving in a way where

there is no pocket, but it should have been a pocket. you see the desire or what should be good. food is visual for me. >> can you think of one single example of something that you saw -- i do not know, a green leaf or something on the internet or something in a movie -- something that directly inspired you that you were almost drawing a minute later from it. >> i think it was years ago when i did my constructive collection. my graphic assistant had a book with her. i loved everything, but it is like a physical reaction. like if i want to eat it.

but he made me think about food. it was truly like a beautiful color. it was constructivist, you know. it was so beautiful. they were so perfect that i wanted to have it all. so i make a photo of all the book, and i wanted to have all around me to get into it and to see through that, so it was -- that is one thing. another thing -- >> one is enough. >> you know what, there is too much selection on the internet. i like the motion, which i mean like surprise. i go somewhere and find something i did not expect, it is there that i have the real shock. i have my reaction. sometimes it does not happen.

sometimes it happens late. what i do in that case, i will not tell you. [laughter] >> that might lead to the next question -- what scares you? and then maybe not to be more in love with my were. fashion. >> maybe you are scared that there might be one day -- i'm sure it will never happen -- when you do not have the energy anymore? that scared of a piece of blank paper and a collection coming up in six weeks -- that does not scare you? >> yes, but i tried to protect myself. for example, i go to a flea market, and nt place. when i see something that i find interesting, even if i have no

interest in anything at the moment, i say that one day i will do something from that. i know that there was work on it. i think i have to burn it, because at the end, i take too much time to look at it. but, yes, i mean, to be honest, i think will realize what time that i have no more of the passion, which will mean i will stop. i think it is better. honestly, before i was doing that profession, because i was not at peace with the fact that i was rejected, so i was inventing a lot of things. at the moment, i started to work -- i finish.

because i do the things that i'd love to do, why should i live now. there's no reason to lie? because i am accepted through my work? why should i lie? because i do not want to live again in my old days. but i will always interested in fashion. >> the next question is for both of you -- how is it in the fashion world for larger size women? >> i will answer this first. i was so happy when beth ditto appeared in one of jean paul's collections. she is a terrific woman and quite rotund in size. i have not quite caught up with her yet, but i certainly am no little stick.

i personally thinks one of the things he should be admired for is not to bring the tyranny of fashion to women. he has, as he has explained, done a lot for diversity in terms of skintight but also diversity of styles and shapes, and i think that was the reason for a round of applause. [applause] >> there is one diversity also which is important, age. i should explain because you know in fashion, a terrible because there is always racism about age. one of the races and is in fashion which i am absolutely against. how could i be against age when i have a grandmother that let me do anything and what it, gave me optimism and positivity? i think people that are old and

have experience, you can learn a lot from them, and there are maybe sometimes more sweet than the grandparents. i think age also is something important. i remember, i wanted to do what a collection one time with only old people, and they told me not to do that because we do not like to see ourselves projected as old. and i did not do it. sometimes i did not listen, but at the moment, i knew i had to do some testing, and i had to show the beauty through the edge, so i will do it one time. maybe it will be my last collection. i will be part of the show, and i will walk. >> your final question comes from a twitter question.

what advice do you have for young artists and designers to be successful in the world with so much competition and talent? >> i do not like to give advice. i know only my passion. what i can say is if you truly love fashion, you want to do a profession with fashion, you see -- they will find solutions. the things in fashion is to be right of with the moment with the society, with the desire, with what people need, and to understand also economically. of course, now, we have a moment where economically, there are a lot of things.

it is reality. so knowing all that, you have to make the decision and find a solution about it and propose the right things. the ones who say that what to do the right thing for now, they will get it. only courage and love what you do. it is marvelous work. i am lucky because i do the work i love, and doing it, i love it even more. it permits need to be accepted and loved. if you receive love, you can give love. [applause] >> we cannot really have a more beautiful ending than that, but

i am going to use my chance just to ask one last question. do you believe that you have marked fashion history? >> it is difficult to say. is it my purpose? i do not know. i think that's everybody is marking fashion history in a way. as much as journalists because they show the people. what is fashion history? some old clothes that you can find may be in the free-market? books, magazines, newspapers? i think that i am part of that, but to think that me, i'm mark -- i do not think so.

it is not exactly my purpose. it really seems very selfish to do what you love. >> i'm glad i managed more or less to silence you with my question. [laughter] i would like to say that i believe you have marked fashion history in the best way by creating clothes, which have been a mirror to society as it changed and as it happened, and you will be known for that as much as for the beauty of the close. thank you so much for giving us the chance to talk to you. [applause]

>> good afternoon, everybody. we know it is only april. they are going to have access to high-quality summer learning opportunities this summer.

it is not just the nice thing to do have, because it is actually critical to our students. many children suffer from summer learning loss, and i know many of you have heard of it. it has gotten a lot of attention nationally, the phenomenon where children who are not engaged in learning activity over summer are losing ground academically. they are forgetting the skills, and they start the next school year behind. children are falling more and more behind.

the research suggests that two- thirds of the achievement gap between low and middle income children who can be attributed to what happens in the summer. it also turns out many children are gaining weight more rapidly in the summer because they lose access to physical activities and meal programs they have access to during the school year, so it is clear there is a lot at stake, which is why we have launch this summer matters campaign to raise awareness across the state about why it is so important to make sure the children have safe and healthy learning experiences all summer long. i want to point out a map to our left, where we are beginning to chart a particularly exciting summer initiatives in southern

california, one of them right here in san francisco, which we are going to hear more about today. we are thrilled to have a distinguished line of of speakers to talk about creating opportunities across the state. first, i am thrilled to bring up tom, who for his entire career has really championed the cause of making sure the children have access to learning opportunities not just in the classroom but outside of the classroom as well. he was one of the first people to sign in the last year when he took office because he recognized this was a crowd of local ingredients -- a critical

ingredient, so please join me in welcoming tom. >> are you ready for summer? i was born in this great city. it is in your heart and in your mind. i just want to say thank you for this coalition, this team that has come together. you keep pushing the issue, i keep educating, and this is what it is all about, to share what it means so every young person can experience success. we are pleased to be here with the mayor and the team from the school district. mendoza, i am glad to see you.

the rich partnership but has been developed in san francisco is truly a role model for the rest of california, and what we are here about is summer learning loss, because we know that with the joy that comes with summer for most families, there is a time to gather with family members. there is a time for freedom to play, maybe some trouble. this is not the case for all its children in california. one in four children are growing up in poverty. they do not have health care, and they are struggling along with parents. they do not have summer camps. they do not have family travel together, and it is that differential hurting the success of kids and creating a great achievement gap that should be there.

it is wrong morally, and it is wrong for the future of our economy. we formed a team that look at the top issues. we noted deaths middle-income kids of low-income kids learn in the school year of about the same rate -- we noted middle income kids of low-income kids learn in the school year of about the same state. -- rate. during the summer middle income kids keep learning in their own environment, but low income kids go down, and that widens the achievement gap, so by eighth grade we have many students seeing that drop accumulate to maybe being a dropout statistics. they get behind and feel they are not as good as other

students. we need to have them continue that learning. this is one of the top priorities. we want to see that matt still been -- map filled in. it is exciting, engaging, and excellent. we want to see that throughout this state of california. what you are doing through san francisco with the after school for all initiatives and the summer programs, this is the way to go for the whole state of california. that is why we are here today. i am issuing a call to action for all the city councils, all the superintendents and board

members, and you have a great champion in your superintendent. he has been a partner to make it happen, so we want to see the rest of california follow the great example of san francisco taking care of all of our children. thank you very much, and it is my privilege to introduce you to someone on the department of education foundation. he is the ceo of the education foundation and a true leader in this area, summer matters. [applause] >> thank you, superintendent, for your leadership. silicon valley is known to have this dna where it produces steve

jobs, sergei brin, all these people who innovate, and innovation transfers in a unique way. it is hard work, and hard work is the essence of that. we want to make sure we continue to produce more leaders like steve jobs, like larry page, like sergei brin, and like esmeralda, who has gone through the last three summers. we are obsessed with preparing careers. there are 32 school districts. this is a chance for a lot of agencies to come together and

address that. i hope it can be shared in an open source environment. this is a science and technology focus, but it does address a lot of things and brings them together. over 18 school districts have come together. over 50 nonprofits to address one thing. how do we get 1000 kids over one year ahead in math competency to take algebra by the eighth grade? they go to the tech museum, the computer history museum, but they also learn actual on algebra, and we see great growth thanks to support from the foundation as well. we have a program that prepares students for biology in the

ninth grade. we are also trying to figure out how you create a great programs that keep the kids in gauge, and that is a program. did we try to figure out what are the key practices and how do they bring this together. they are mixing a lot of great things and becoming innovators in the process. if she had been gauged and had all of this come together, she

wants to be a veterinarian, and she makes sure her sister is in the program as well. we are going to produce more a small the -- more esmeraldas and steve jobs. we look forward to working with you in the summer. >> thank you. before we move on, i want to recognize supervisors got wiener -- supervisor scott and wiener. it means a lot to have you here. next i am going to invite our next guest, who is a true champion for youth programs in san francisco. mayor edwin lee recently challenged businesses to offer jobs and internships to use during the summer. he and values high quality program faor all youth. please welcome the mayor of san

francisco, and will leave. >> thank you. -- edwin lee. >> thank you theory of summer does matter. now the whole state is going to work with you. i want to register our city, a strong desire to work with you, opportunities all over the state, and it begins at home with our business community. we announce an exciting opportunity to create summer jobs. to make sure we use the summer and not allow it to be just an idle time, but you know already,