tv [untitled] May 3, 2012 11:00am-11:30am PDT
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other positions where we are always prepared. and we are already engaged in recovery efforts. we were there with a whole staff. we have six we assure you that when the next big event happens, that water system will be there for us to deliver water with that 24 hours. a huge change from depending on this fountain. we are handing it off to generations of youth in the city to understand -- make sure they're prepared. go to our website, it tells you all the things there. iti is about having those items
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prepared.w we will survive. that is how we get ready and celebrate and honor the people who left us and make sure our city is ready. thank you for being here. congratulations to our survivors. >> very nice job. behind me is a good friend and a great firechief. you go back 106 years. braxton morning. -- good morning. one of the survivors could not be with us.
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those are amazing changes. it does give us the opportunity to remember what happened. we commemorate those who suffered losses in their lives and hardships. we also celebrate the city that was nearly swept from the map. the fires raged for three days and caused rates -- great devastation. we take the opportunity to educate everyone. it is a pleasure for me to work under the direction of mayor lee. he is a public safety championship. he is a prepared as champion. he lives it. i have seen his kids and his workplace. it is all about teamwork. i am proud to be working with chief suhr. and scott weiner, it is a pleasure to have you out here.
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we appreciate it. it is a great team. thank you to the people who are out here. and also our partners with the american red cross. who are here this morning. thank you for being here. it has been a tradition for many of us out here. i hope you have a great day and you remember what happened 106 years ago. it is great to be a san franciscan. >> a nice hand for the chief, everybody. i have seen this other chief speaking in the last couple of times. a nice hand for chief suhr. >> good morning. our fire chief said it. we're lucky in san francisco. we have a mayor who has moved
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and the history association. and the neighborhood emergency response team. the american red cross. and thanks for making this happen. i want to invite everyone to go to 20th in church or -- and church. and we will meet up. we may skirt the law and serve something before 6:00 a.m. the bookmobile, where are they? >> i have my cheat sheet here
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which i cannot find. the library has been here after great disasters. there has -- is a special book that won an award this year. here is the book. i downloaded it on my kindle. it can check out copies of the book mobile. nex>> thanks for being here. start walking slowly. welcome to san francisco, everyone. ♪
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>> the question when i started 11 years ago when i started doing resolution work is can anything be presented on a really low resolution device where it is potentially a digital image? can anything be presented that way? or will it feel cold and electronic? >> the imagery will change. there will be four different sets. it is a two dimensional image. it is stretched out into three dimensions.
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the device is part of the experience. you cannot experience the image without the device as being part of what you are seeing. whereas with the tv you end up ignoring it. i make gallery work more self and budget and public art work where i have to drop this of indulgence and think about how people will respond. and one of the things i was interested in the work and also a little fearful of, it is not until you get to the first and second floor were the work is recognizable as an image. it is an exploration and perception is what it is. what are you seeing when you look at this image? one of the things that happens
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with really low resolution images like this one is you never get the details, so it is always kind of pulling you in kind of thing. you can keep watching it. i think this work is kind of experience in a more analytical way. in other words, we look at an image and there is an alice going on. -- and there is an analysis going on.
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