and jeans on, arriving to run a crew of obnoxious men's, because 50% of the men's brains skiptd -- consist of their oh so glorified junk which doesn't even work right. most of the time. coffee klatching women? sitting around talking nonsense? the same nonsense that finally changed the 19th amendment. yes we can vote. i can see abigail adams sitting and clutching her scorching hot cup of joe, john adams saying sit down and drink your damn coffee, woman. she really was the brains of the outfit. my mother is overworked, tired, but her still solid body stood hard as a rock.

i'm not going to cry, as a tear falls down from her face. don't cry, mom, don't cry. [cheers and applause] >> that was her first time ever. yay! and up next we have indiana telepenova. >> a recipe for water. start with the color magenta, a burning asphalt, of beach ball sighing out its life, a garden grown on accident after accident, add a father painting shelves on the cove, a pinch of guilt, statues of isabella

butter flisse -- butterflies, and extinct alpha betts, a teaspoon of autumn leaves, a shepard playing with the winds, some animal begging for snow. mix vigorously like the mountain mixes up its slopes. preheat the bed of a star to -- 240 light-years away. thank you. and next is -- [cheers and applause] >> next is robin black. >> hi, robin! >> oh, ok. i had to know.

this is called "eviction notice." the police turned us away. 11 years old eating baby food. days warm like the occasional free matsoff from next door. no plates the cups were yoplaits. i stepped on a nail taking my sister through the yard the drinking from beer bottles that tasted like warm quarters the i caught fleas from cookie puss sleeping on my stomk keeping us both warms. at that age i lost the comfort from lies. stranded on a crescent move, floating in a sea of ash littered with diamonds the i swallowed past lives to spit these alternate futures. >> one more big round of applause for our very talented apprentice program. fantastic.

>> one of the most extraordinary things to me about this program is we are going to be treat todd an extraordinary panorama of style and diversity. we will start off with mr. james cagney. please, welcome the poet james cagney. [applause] >> there is sun. there is sun. there is a snake on the path sunning. there is sun. there is water in the stream, there are daisies, there are sun. there is a snake on the path sunning, there is sun. there are trees, there are daisies there is a feather there is sun. there is the feather that she gave me there is a feather there is sun. there are daisies there are words trees things there are

more things than words, there is sun, there is sun. there are fox tails there are blank there are irises that are blank there is a snake on the path in the path sunning. there is a squirrel in the trash, there is sun. there is water in the stream, there is a squirrel in the strash, there is a snake in the path on the sun sunning. there is is sun. there is song, there is a song being sung by the birds in the sun. there is flavor, there is a feather. there is hair in my mouth from her hug in the sun. there is sun. there is flavor on my tongue. there is singing there is sun. there is a snake on the path singing in the sun. there is song, there is sun. on the path there is a squirrel in the daisies there is blank in the trash there is a song, there is sun. on the snake there is a squirrel on the blank there are daisies

in the trash, there is a snake in the stream singing, there is sun. there is sun. there is a path in the trash, there is hair in the feathers, singing, there is song, there is song, there are birds there is hair in my mouth there is a snake on the path sunning, there is sun, there is sun, there is hair, in my mouth there is singing on the path there is a snake in the trash singing, there is song, there is sun. there are feathers in her hair. there is flavor in the stream, there is a snake on my tongue in the sun, sunning. there is sun. there is sun, there is sing on the sun. there are birds on the grass, there are squirrels in the trash, there are trees with feathers singing. there is sun. there is a snake on the pass sunning. there is sun. all right. [applause] >> this past saturday at the

farmer's market. >> an african brother shoved a basket of boysenberies as if paying a debt they bleed on our finger tips the man smiles proper his hand a gift says too complicated we buy 9 dollars in cherries quite and red and spotd and sweet and sour too, flavors turning in our ouths anxious as police lights we trip over the sister pushing a baby carriage. we know her but couldn't pull her name from nothing. baby sleeping cheeks soft with petals. 3 year old son digs into our kettle corn sack. later. fish tacos for her. him layian curry chicken for me.

watching children bounce in the fountain. pickled cool in water, giggles going off like chinese fire crackers. tiny teeth grudge mashing. 5 you want to fried chicken bites so golden brown. pity another poor mother her catfish, mango shake shook every wrchlt the little girl on the straw never blinked channelling opiuman cesters through the ecstasy of fruit sures. this is us at farmer's market. brother too complicate who had offers an arm for her and me. a chain of chins along his shoulders. where have you been and why has it taken you so long to come back? >> the piece dedicated to my

foster father and cousin on my adopted side. 1, daddy. old crow, jack dan jells understood my father mouthfuls at a time. jim beam and old forester where uncles rolled up in the sufficiented hennesy take it's first breath and hound dog laughter and dominos falling like hail on the dining table. relatives existed through stories and memory ease in like zombies on ropes of camel smoke and demand a texas holdum. no wonder they call it spirits. spirits vad my father with cower vas yea. spirits made him burn rubber screaming in the driveway. the marianet and tongue were skillets at mid night.

i wouldn't see his ass again until the next afternoon. twoshgs johnnie. gee my cousin john edwards volunteered for possession every week. he was certified. ex exor citizenim did nothing. colt 45, crazy horse they demand the sacrifices in blood so bottles would go to the couch friday night. walls kicked until straight jackets lay waiting on the lawn. mama would site visions of gang boys with metal vent as if it explained anything. it didn't between dusk from the and dawn saturday he was ready to blow the -- up. do you want some of this? oh , no, yes oh , no or yes , i

will be damn, i will be damn, i will be damn. [applause] >> this is called someone else's child. and i guess it's a sort of an imagined conversation with a took place in a real moment in my father's hospital room in a matter of weeks before he died. my father is my foster father and there was always in my life this level of awkwardness because i was not biologically his own son. and he and i never got to have the conversation that i imagined here on page in this piece. so, there is a lot of truth in it. and here we go. someone else's child. >> i'm going to write a poem about you, i said.

shall i tell the truth or make something up. what would you write about me. i'd write about the small things like catching my first perch on a cane pole and slapping you up side the head with it. it was the last time i fished you know that you cussed the water black mad. i never touched a fishing pole again. why would you want to write that? silence. do you remember when mom tried to teach me how to ride a bike? no, he said, let me hear it. why i can't ride a bike. i out weigh my mother by 50 pounds though her effort to help find my balance is more colossal

than any man. my father root indeed pockets watches us at a distance like we are on a channel he'd like to turn. that's a sad poem, he said. cant you write nothing happy? not with you in it, i said. but i ain't never hit you, thumped our head once or twice. mostly, i'm stuck remembering what we never did, share something. play catch, even. was not athlete. tried teaching you how to drive. sitting next to me on the freeway holding the steering wheel sdont count. well ain't had no one to teach me none of those things neither. did you ever hold me when i was a baby, i asked? gnaw, afraid i'd drop you sides

you were someone else's child didn't think we would keep you long. thought she was take you back to your people. if you wrote a poem about right now, he said, about us here in this room, how would it go? >> last rights. while sitting with my father waiting for his end white tooth sprouting from his wintry branches i watch the hospital clock. see us men watch one another and not look at each other for an hour and 15 minutes. it never occurred to either of us to even say, i love you. all you write, he said, are sad

poems. what would you have me write? the truth. your poem ought to be called, with no seat and go like this. he did the best he could with what he had and he ain't had nothing accept the blues. >> [applause]. >> the book was published this year by the university of georgia press. it is available at the back of the auditorium this afternoon. it is called blood ties and brown liquor. and he is also been the finalist for the 2006 poetry prize. please, join me in welcoming mr. sean hill. [applause]. >> i want to read from blood and brown liquor today. this book is about my home town in georgia.

it's also where [inaudible] is from. and i started researching the history of [inaudible] and sort of fell into the history of black people there because it was not taught in school. so -- in order to write about the history i had to invent a character to explore this history. the character's name is si loss wright. >> first poem i will read is titled silos write at age 71914. it's about silos follows a fishing riggel in the shallows. he describes the line in his tablet as much pride in that line as a man and his son. he giggles and goes on. the next letters come easy.

with this he will have more than a mark to bind. rambling across the page again and again in messy rows along it flows until he goes off the page's edge. he smiles. he's surprised to hear when his mouth opens. that's mine. so, this really lovely book that georgia put together for me has great painting on the cover. a painting of mcintosh street in georgia painted in the 1940's by a man, frank stanley herring. i saw this painting after i had written this next poem and after i talked to my grand mother and she mentioned this street to me. i didn't know it existed because by the time i was coming up the black business district was gone. and the past few years i think

they erected a monument to it. nigger street. 1937. mcintosh street the sign reads like the apple. red but not red delicious red but like red on red eyes gravy on grit the and stop lights and green and yellow. and red like those powders and syrups kept behind the counter at blocks pharmacy. red. and red like the stripe on richard's barb bar pole and the stitches on button holes on over alls of those coming to down on saturday. solid red at the blue moon and red like the eyes of the late staying patrons on sunday mornings. and in church the red of the

edge of white pages in a black bound bible coming together, closing. red as a congregation rises. [applause]. >> this references a lynching. the lynching of 2 couples in monroe, georgia occurred july 25, 1946. it's now referred to has the morris ford lynching. insurance man, 1946. silos you might not be here april. ain't none of us never promise said tomorrow. if you died you would need a will. that way you control your nickel when you are gone. get your ducks in a row you might not be here come april. yeah, your policy is up-to-date and we will pay say if you lose an arm at the elbow at the mill. if you died you need a will.

double pay for accidental deaths we have you down. your wife will not need to borrowo. you might not be here come april. being alive is enough to get you killed. do you hear about the folks in monroe? if they hang you from a tree you need a will. your folks won't have to worry about a meal with this insurance when that day of sorrow come. silos you might not be here april. if you died right sudden you'd need a will. >> this next is titled no one's real high button. >> beat, beat, beats here the sound of the train on the georgia road the claps of wheels at the gaps of the joints of the rails the beat of the hammer on iron andan vil at the smithing. shaping shoes for mules and

horses and the red metal and water is the train's wiftel. the last word returns like watermelons here with summer heat. beat with the hammer. beat when he, a boy, broke to the garden at the county jail at night when the beat men were asleep. there's were the sweetest. the dull that you had before the crack beneath the heart and move on to the next. he moveod to woman and settled on one. and busted her with finality. he measured time raising the sweetest watermelons for a time and time served he returned. a man. and he lay on the tracks of the georgia road cradled by the rails. heart stopped. >> all railroad abandoned. between across ties.

trees grow. a fairel pig roots below branches. [applause]. >> poem is about a ham. >> uncle john. that was the year grand daddy thomas died. left the family worse than broke. uncle john stole a ham from the meat market. he was 17. lost his taste for it locked up 14 years. ham, cured and earth bred sliced with the fat hanging on. yellow sunshine on a white plate. the ham bone cuts crosswise. a dark eye all in the skillet making aggressive for grits. lost his taste for all things salt much the ocean he has not seen. woman and man. he don't ever want to see no more ham on his plate. hates pigs.

hard for him. time off for good behavior. they didn't hold him to the last 6. he is a hog farmer. only eats beef and chicken and turkey. fish, turtle and rabbit. squirrel, possum and coon and seasons greens with smoked ox tails. can't raise white folks for slaughter. [applause] >> for those of you who have not heard this in person a big beautiful surprises, she speaks at tremendous authority of feeling. and very uniquely agile intelligence. >> we are the memory of that place without measure. that filled all space that never was and ever will be.

that place existing as the perfect note yet making no sound. holding all colors inside a light that was nothing but darkness. we are the memory of a breath that could not be but was. a breath that's well to bubble which bursts and collapsed. me are the memory gestated in day that lasted eons as the universe birthed heat, light, rock, ice, mineral, song, us. we are the impossible made flesh creating infinnate possibilities of hope or endless kazisms of despair inside the prayers which we have become. [applause]. this is called the fifth dying i deal with the wars away but the

wars here. >> anny was one of many girls my son mentioned in passing and grew up when she became the fifth intent days where he more than once broken bread or tossed a joke or waves down or waived past. she, the fifth, in 10 days who's blood splat erred the walls and dripped down the walk. this one in front of her home celebrating turning 23, a shining star her brother said. my heart, her father moneyed, a friend my opened to her sister known since the girl was 12 and he 11. and now each day i watch my son suck in his tears and stiffen

from the pain that thickens as the pile of his dead grows beneath his heart. deep inside his bones ache. and will not let him sleep lest those faces fill his dreams. i try to massage love into his neck and shoulder as we talk anguish from his locked muscles we don't speak of airny his pretend wife and confident. he reminds me it is not summer i should be real it can only get worse. he dresses in white and leaves my home as the key turns the bolt, i smell the mossy scent of morning seep from under the designer purfume he left in his

wake. [applause] >> this is, i have several poems in various solder's voices. some that i made up and some that exist this is for jessica lynch, war memories. i have forgotten myself. who i was, i cannot now know who i have become is a stranger i have forgotten myself there are other things to lose in battle eyes and guts, other sacrifices before life. vilost myself. i am not who i was before this war, i am not she who no longer dares to be my mother is so happy with this worn body returned home. we pretend that i am as whole as

i look. but at night when i stair through the dark at the hidden image in the mirror i cannot lie to the stranger i see. i have forgotten everything. except my affection for children, my service to country and my insatiable fear. [applause] >> sizing up the cost of war. >> what is left but the shoes. shoes scuffed and torn, no longer having feet to carry them, shoes empty now. work boots bearing mud from the last field he had plowed with his