[inaudible] >> ok. public comment. >> i would think both the commissioners for -- thank both the commissioners for making the motion to put this on a future agenda for the referral regarding jewel gomez. a lot of people have felt it is kind of not good for your purchase -- your disposition if you make a recommendation and it disappears and that is the end of it. if the mayor wrote a letter and said, i considered to recommendation and decided no, fine. if he writes a letter and take some action, find. but simply to have nothing is not acceptable. i think it is an insult to the commission and i think it puts

them in the awkward position of saying we make recommendations and they sometimes just disappear and we do not know what happens to them because occasionally, as has happened a number of times in jewel gomez's case, people will say what happened and your answer is -- that does not reflect well. i did not come here to cause problems, but i do come here to point out areas where i think things are not being handled properly. when i go to other public meetings, i tell them, my two main concerns here are to ensure that members of the public are free to make meaningful public comment and they're given access to public records which in most cases you need access in order to form a format. a friend went with me to an arts commission meeting and after he

recommended they might get some sunshine ordinance training, one of the commissioner said, and my allowed to comment to him? which if they knew the ordinance which he signed he have known td to respond and he said to the man, mr. whatever your name is, i do not know who the hell you think you are but that is a bunch of bullshit and i do not appreciate coming here and being lectured by someone like you. if that is the response by the board commissioner to public comment, especially of legitimate public comment, it is disgraceful. people have a hard enough time public speaking. it is one of the things people fear most in their life and it is hard enough for citizens of the city to come to a board or commission when they are concerned about an item then address those boards and commissions and to be aware of the fact that members in the

auditorium and members on sfgtv are also watching them. to have someone showed a total animosity not only says that message to that individual but it sends a message to every other person in the chamber and every person watching on government television. it's as we did not want your comments, we did not appreciate them, and if you see the wrong thing to us, we will attack you. our response is ok, the ordinance clearly says members are free to express their opinions, to respond, and i want to thank you for the responses i have gone although i may have not agreed with each one. i respect the fact there were given and it is that give-and- take that really encourages people to participate in government. i think one of the things that i see separately is the fact that many people to not go to boards

and commissions because they really do not feel that the board and commissions care about what they say. i have heard them do it. one time in a police commission meeting, they went to item no. 2 and covered a and b and went into closed session for four hours, it made everyone leave the chamber. there were 15 people that came to talk about item number two. after the four hours, they came back, covered agenda item 2c, and asked for public comment and i was the only one that was left and i said that was not right. i was told by the vice- president, you cannot talk about that. it can only address the substance of the item, you cannot address -- you cannot address how you handle that. i respect the constitution and whenever i see people who are not allowed to comment freely

without being discouraged, i will speak out. >> the last item on the agenda is public comment on matters appearing or not appearing on the agenda within the jurisdiction of the ethics commission. >> when i joined the navy, i took an oath to support and defend the constitution of the united states against all enemies, foreign and domestic, to bear true faith -- true faith and allegiance. one of the interesting things about that later when i left the armed forces examining station, i realized i had lived 20 years of my life, had these liberties granted to me by the constitution, not only in this

case of the u.s. but in california, and i had never had to do anything in return. i also realized at that point i was never going to be able to and accountants to put the burden down. polehinke no me by my appearances here and i am not too shy about -- i think you know me by my parents is here and i am not too sure about my parents is. it is my right to do so and i feel it is my right to do so, petitioning government for redress of grievances. when i see of their careers of the public and they're not given an opportunity to speak, or their comments are disparaged or whatever, i find that totally unacceptable. primarily because in many of those meetings, every member of the commission or board is taken -- has taken an oath to support the constitution of the

ninth seat in california. by denying people those rights, they are violating that both in my mind. it is critical that people participate in government. one of the things i have learned in life, none of us is smart as all of us. one of the raises the bay area is such a magnet and such a vibrant and dynamic area is because we have people here who've come, who are free to express themselves, whether it is the technology field or any other field and i think that shows well. government benefits at all times by being open and not just accepting public comment. so let's have a public comment. we're not just going to allow you to speak, why it to speak. thank you. >> is there a motion to adjourn >> all in favor?

opposed? the motion passes. the meeting is adjourned. >> i love teaching. it is such an exhilarating

experience when people began to feel their own creativity. >> this really is a place where all people can come and take a class and fill part of the community. this is very enriching as an artist. a lot of folks take these classes and take their digital imagery and turn it into negatives. >> there are not many black and white darkrooms available anymore. that is a really big draw. >> this is a signature piece. this is the bill largest darkroom in the u.s.. >> there are a lot of people that want to get into that dark room. >> i think it is the heart of this place. you feel it when you come in. >> the people who just started

taking pictures, so this is really an intersection for many generations of photographers and this is a great place to learn because if you need people from different areas and also everyone who works here is working in photography. >> we get to build the community here. this is different. first of all, this is a great location. it is in a less-populated area.

>> of lot of people come here just so that they can participate in this program. it is a great opportunity for people who have a little bit of photographic experience. the people have a lot, they can really come together and share a love and a passion. >> we offer everything from traditional black and white darkrooms to learning how to process your first roll of film. we offer classes and workshops in digital camera, digital printing. we offer classes basically in the shooting, ton the town at night, treasure island. there is a way for the programs exploring everyone who would like to spend the day on this

program. >> hello, my name is jennifer. >> my name is simone. we are going on a field trip to take pictures up the hill. >> c'mon, c'mon, c'mon. >> actually, i have been here a lot. i have never looked closely enough to see everything. now, i get to take pictures. >> we want to try to get them to be more creative with it. we let them to be free with them but at the same time, we give them a little bit of direction. >> you can focus in here. >> that was cool.

>> if you see that? >> behind the city, behind the houses, behind those hills. the see any more hills? >> these kids are wonderful. they get to explore, they get to see different things. >> we let them explore a little bit. they get their best. if their parents ever ask, we can learn -- they can say that they learned about the depth of field or the rule of thirds or that the shadows can give a good contrast. some of the things they come up with are fantastic. that is what we're trying to encourage.

these kids can bring up the creativity and also the love for photography. >> a lot of people come into my classes and they don't feel like they really are creative and through the process of working and showing them and giving them some tips and ideas. >> this is kind of the best kept secret. you should come on and take a class. we have orientations on most saturdays. this is a really wonderful location and is the real jewel to the community. >> ready to develop your photography skills? the harvey milk photo center focuses on adult classes. and saturday workshops expose youth and adults to photography classes.

>> feel like it really is a community. they are not the same thing, but it really does feel like there's that kind of a five. everybody is there to enjoy a literary reading. >> the best lit in san francisco. friendly, free, and you might get fed. ♪ [applause] >> this san francisco ryther created the radar reading series in 2003. she was inspired when she first moved to this city in the early 1990's and discover the wild west atmosphere of open mi it's ic in the mission. >> although there were these open mics every night of the

week, they were super macho. people writing poems about being jerks. beatty their chest onstage. >> she was energized by the scene and proved up with other girls who wanted their voices to be heard. touring the country and sharing gen-x 7 as a. her mainstream reputation grew with her novel. theses san francisco public library took notice and asked her if she would begin carrying a monthly reading series based on her community. >> a lot of the raiders that i work with our like underground writers. they're just coming at publishing and at being a writer

from this underground way. coming in to the library is awesome. very good for the library to show this writing community that they are welcome. at first, people were like, you want me to read at the library, really? things like that. >> as a documentary, there are interviews -- [inaudible] >> radar readings are focused on clear culture. strayed all others might write about gay authors. gay authors might write about universal experiences. the host creates a welcoming environment for everybody. there is no cultural barrier to entry. >> the demographic of people who come will match the demographic of the reader. it is very simple. if we want more people of color, you book more people of color.

you want more women, your book more women. kind of like that. it gets mixed up a little bit. in general, we kind of have a core group of people who come every month. their ages and very. we definitely have some folks who are straight. >> the loyal audience has allowed michelle to take more chances with the monthly lineup. established authors bring in an older audience. younker authors bring in their friends from the community who might be bringing in an older author. >> raider has provided a stage for more than 400 writers. it ranges from fiction to academics stories to academic

stories this service the underground of queer fell, history, or culture. >> and there are so many different literary circles in san francisco. i have been programming this reading series for nine years. and i still have a huge list on my computer of people i need to carry into this. >> the supportive audience has allowed michele to try new experiment this year, the radar book club. a deep explorationer of a single work. after the talk, she bounces on stage to jump-start the q&a. less charlie rose and more carson daly. >> san francisco is consistently ranked as one of the most literate cities in the united states. multiple reading events are happening every night of the year, competing against a big names like city arts and

lectures. radar was voted the winner of these san francisco contest. after two decades of working for free, michelle is able to make radar her full-time job. >> i am a right to myself, but i feel like my work in this world is eagerly to bring writers together and to produce literary events. if i was only doing my own work, i would not be happy. it is, like throwing a party or a dinner party. i can match that person with that person. it is really fun for me. it is nerve wracking during the actual readings. i hope everyone is good. i hope the audience likes them. i hope everybody shows up. but everything works out. at the end of the reading, everyone is happy. ♪

>> hello. you're watching the show that explores san francisco's love affair with food. there are at least 18 farmers markets in san francisco alone, providing fresh and affordable to year-round. this is a great resource that does not break the bank. to show just how easy it can be to do just that, we have come up with something called the farmers' market challenge. we find someone who loves to cook, give them $20, and challenge them to create a delicious meal from ingredients found right here in the farmer's

market. who did we find for today's challenge? >> today with regard to made a pot greater thanchapino. >> you only have $20 to spend. >> i know peter it is going to be tough, but i think i can do it. it is a san francisco classic. we are celebrating bay area food. we have nice beautiful plum tomatoes here. we have some beautiful fresh fish here. it will come together beautifully. >> many to cut out all this talk, and let's go shop. yeah. ♪ >> what makes your dish unique? >> i like it spicy and smoky. i will take fresh italian tomatoes and the fresh seafood, and will bring them to other

with some nice spoked paprika and some nice smoked jalapeno peppers. i am going to stew them up and get a nice savory, smoky, fishy, tomatoy, spicy broth. >> bring it on. how are you feeling? >> i feel good. i spent the $20 and have a few pennies less. i am going to go home and cook. i will text message u.n. is done. >> excellent and really looking forward to it. >> today we're going to make the san francisco classic dish invented by italian and portuguese fishermen. it'll be like a nice spaghetti sauce. then we will put in the fish soup. the last thing is the dungeon as crab, let it all blend together. it will be delicious. when i could, i will try to make healthy meals with fresh

ingredients, whatever is in season and local. those juicy, fresh tomatoes will take about an hour to cook down into a nice sauce. this is a good time to make our fish stock. we will take a step that seems like trash and boil it up in water and make a delicious and they speed up my parents were great clerics, and we had wonderful food. family dinners are very important. any chance you can sit down together and have a meal together, it is great communal atmosphere. one of the things i like the most is the opportunity to be creative. hello. anybody with sets their mind to it can cut. always nice to start chopping some vegetables and x and the delicious. all this double in view is this broth with great flavor. but your heart into it. make something that you, family, and friends will really enjoy. >> i am here with a manager at the heart of the city farmer's

market in san francisco. thank you for joining us. tell us a little bit about the organization. >> we're 30 years old now. we started with 14 farmers, and it has grown out to over 80. >> what is the mission of the organization? >> this area has no grocery store spiller it is all mom-and- pop stores. we have this because it is needed. we knew it was needed. and the plaza needed somebody. it was empty. beautiful with city hall in the background. >> thank you for speaking with us. are you on the web? >> yes, hocfarmersmarket.org. >> check them out. thank you. >> welcome. the dish is ready. >> it looks and smells amazing. >> thank you. it was not easy to meet the $20 budget. i checked everybody out and

found some great produce. really lovely seafood. i think that you are going to love it. >> do not be shy. cyou know this can run you $35 to $45 for a bowl, so it is great you did this for $20. >> this will feed four to six people. >> not if you invite me over for dinner. i am ready to dig in. >> i hope you'll love it. >> mmm. >> what do you think? >> i think i am going to need more. perhaps you can have all you want. >> i am produce the that you have crushed this farmer's market challenge by a landslide. the first, we're going to have to tally of your shopping list and see what you actually spend that the farmer's market. >> and go for it. >> incredible. you have shown us how to make

super healthy, refresh chapino from the farmers market on the budget, that for the whole family. that is outstanding. >> thank you peter i am glad that you like it. i think anybody can do it. >> if you like the recipe for this dish, you can e-mail us at sfgtv@sfgov.org or reach out to us on facebook or twitter and we >> if you hear strange sounds, we will be hearing strange sounds all the time. this is part of our new installation called "what is missing." i am the executive director of the academy.

people in san francisco are very fortunate to have a truly remarkable public arts pro gram that makes projects like this one possible. we open this building one year ago. since then, about 2.3 million visitors have come through the california academy of arts and sciences. that is ok. my original goal was to speak alcatraz. don't tell anyone, of course. i think that we did it. it is a brilliant year. if we get a real rush, we could hit 3 million by the anniversary. we would like to have a last minute push. we are fortunate enough to have two public artworks by mai ling. the first is on the west terrace

where the land meets the sea. mai is a dedicated environmentalist and this is consistent with who she is as a person. we are quite have this book and did by her works. this is an extension of all that is in between it and it encourages people to think about the world and their responsibility to it. the academy is all about two questions, how did we get here and the challenge of sustainability? i suggest that there are no more important questions for our time and all that you see around here deals with those issues. we will hear from maya in a few minutes. i would like to think many people who made this possible. first the members of the art advisory committee, bill wilson and