out to see all the people that make everything possible, that really makes san francisco wonderful? and i just have got to give a special shout out. you knew i grew up in the portola for those that don't know. [cheering and applauding] >> right there at the intersection of silly man and colby, my parents still live there. that's where it started for me. but tonight is a night that we have abopportunity * to up lift and support and say thank you to all the people that certainly provide me support and provide me the motivation to get up and come to work every single day. this is an opportunity to thank and praise the people that call me stop, that e-mail me, find me on facebook, send me a twitter and pick, found me on next door. i tell you, this is your day. put your hands together. hang in there, we're almost done. but this is the day that we get to celebrate -- (applause) >> i'm calling it the nen-ers.

you know what's interesting? i've been around city hall long enough to watch the nen awards grow and mature into what it is today. so, i also want to give a special shout out to daniel homesy who is the originator of this. thank you, daniel. (applause) >> also i want to acknowledge his right hand christina palone, the new director, mon, mayor's office neighborhood services over there in that corner. (applause) >> and for those of you that don't know, i represent district 10, that's the southeast neighborhoods. that's bayview, that's potrero hill, visitacion valley, it's a little hollywood, it's dogpatch. it used to be the portola, half of it. my heart is still with you, but i'm glad like the speaker said, it is whole. and that is what's important, is that that neighborhood remains whole so that our city will be whole. you agree? [cheering and applauding]

cheers >> so, a few years back there was this little idea to take back the bayview and really began to rewrite the history and the narrative that we often hear about in bayview. and it actually started, ironically, with a small little abandoned swath of land that has grown up to become the cuseda garden. and it's the thought child and the physical manifestation of hard work, of a few community leaders that got together and rolled up their sleeves and got to work. and tonight i have the honor to introduce one of the co-founders, his name is jeffery betcher. where are you? get up here. and jeff is going to introduce to you as he escorts ms. annette young smith to the stage. this lady, ladies and gentlemen, is a lifetime achievement award winner.

please, please welcome her to the stage. (applause) >> i can't think of a more deserving woman. thank you. come on in. jeffery, i love you. >> i love you, too. >> hello, neighbors. good evening. you know, first i have to say that i "heart" the portola, i really do. [laughter] >> this is an amazing win frankly for the whole southeast sector, from progress park down, and it's a wonderful night. great to be here with all of you. my name is jeffery betcher. i am the executive director of the organization that emerged 10 years ago from annette young smith and carl page's work on the block where i live.

annette lived across the street from me and started planting flowers here or there around the block. and that changed everything mysteriously. and we figured out over time what it was that really created the change, and it wasn't the garden. it wasn't the plants. it was that annette was unafraid to cross the street and give a hug to someone she didn't know, who was radically different from her, and she started to build a personal relationships that have become cusada gardens and now a network of people and places and projects that are really shaping the culture and life in bayview hunters point. it was -- it's been the distinct pleasure of my life, frankly, to careful where you move, it can change everything. but if you're going to move to a new place, annette young smith is the neighbor that you would pray to have. and i can tell you that she has

been a terrific friend and mentor, too. she is still the chair of the board of the cusada gardens. we know it's quesada. [laughter] >> she is still the board. she is still very much at the heart and soul of everything we do. she is our spiritual mentor, and we love her. we truly, truly adore this woman. and i'd like to introduce her to you and i think you'll understand why. congratulations, annette young smith. (applause) >> first of all, i thank god for being here and i thank god for all of you being here. >> amen. >> and i'd like to thank jeffery for nominating me and i accept the award. thank you.

that's all. [laughter] (applause) ♪ ♪ (applause) >> what a fantastic way to end this evening. a standing o. that's fantastic. (applause) >> and a woman who obviously practices actions speak louder than words we need here in city hall. without further a do, we

conclude this year's nen awards. i want to acknowledge my partner michael pollack back there. (applause) >> not only does he make me look old and fat, but he's an incredibly talented young man. these amazing videos, we'll get all this up on the web for you to share with your friends in the years to come. look forward to future announcements. with that i'd like to conclude the fifth annual nen awards. we'll see you next year. and now we invite you to join us in north light park for a fantastic of food and wine for you to enjoy. thank you all very much. ♪ ♪ ♪

>> here we are at the embarcadero. we are standing at one of locations for the street artists. can you tell me about this particular location, the program? >> this location is very significant. this was the very first and only location granted by the board of supervisors for the street artist when the program began in 1972. how does a person become a street artist? there are two major tenants.

you must make the work yourself and you must sell the work yourself. a street artist, the license, then submitting the work to a committee of artists. this committee actually watches them make the work in front of them so that we can verify that it is all their own work. >> what happened during the holiday to make this an exciting location? >> this would be a magic time of year. you would probably see this place is jammed with street artists. as the no, there is a lottery held at 6 in the morning. that is how sought after the spaces are. you might get as many as 150 street artists to show up for 50 spaces. >> what other areas can a licensed street artist go to? >> they can go to the fisherman's wharf area. they can go in and around union

square. we have space is now up in the castro, in fact. >> how many are there? >> we have about 420. >> are they here all year round? >> out of the 420, i know 150 to sell all year round. i mean like five-seven days a week. >> are they making their living of of this? >> this is their sole source of income for many. >> how long have you been with this program. how much has it changed? >> i have been with the program since it began 37 and a half years ago but i have seen changes in the trend. fashion comes and goes. >> i think that you can still find plenty of titis perhaps. >> this is because the 60's is retro for a lot of people.

i have seen that come back, yes. >> people still think of this city as the birth of that movement. great, thank you for talking about the background of the program. i'm excited to go shopping. >> i would like you to meet two street artists. this is linda and jeremy. >> night said to me to print them -- nice to meet you. >> can you talk to me about a variety of products that use cell? >> we have these lovely constructed platters. we make these wonderful powder

bowls. they can have a lot of color. >> york also using your license. -- you are also using your license. >> this means that i can register with the city. this makes sure that our family participated in making all of these. >> this comes by licensed artists. the person selling it is the person that made it. there is nothing better than the people that made it. >> i would like you to meet michael johnson. he has been in the program for over 8 years. >> nice to me you. what inspired your photography? >> i am inspired everything that i see. the greatest thing about being a

photographer is being able to show other people what i see. i have mostly worked in cuba and work that i shot here in san francisco. >> what is it about being a street artist that you particularly like? >> i liked it to the first day that i did it. i like talking to mentum people. talking about art or anything that comes to our minds. there is more visibility than i would see in any store front. this would cost us relatively very little. >> i am so happy to meet you. i wish you all of the best. >> you are the wonderful artist that makes these color coding. >> nice to me to. >> i have been a street artist

since 1976. >> how did you decide to be a street artist? >> i was working on union square. on lunch hours, i would be there visiting the artist. it was interesting, exciting, and i have a creative streak in me. it ranges from t-shirts, jackets, hats. what is the day of the life of a street artist? >> they have their 2536 in the morning. by the end of the day, the last people to pack the vehicle probably get on their own at 7:30 at night. >> nice to me to condemn the -- nice to meet you. >> it was a pleasure to share this with you.

i hope that the bay area will descend upon the plaza and go through these arts and crafts and by some holiday gifts. >> that would be amazing. thank you so much for the hard work that you do.