tv [untitled] November 1, 2010 11:00am-11:30am PST
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i understand, i am sympathetic. i know the wind can be challenging, but our understanding, it is a state requirement. because we had been cited earlier, we are vigilant on making sure that we comply with it. supervisor maxwell: i have another question for you be. regarding fees, you have access to what is going on in the market. some of the markets that are mentioned in the report have flat fees, from my understanding, and they managed to do ok. my concern is, do all the coffee vendors pay the same amount?
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is there a staggered fee in the folks that sell pastries and coffee? >> i am sure there is not. we allow the markets to determine that. we took their bids. what they thought they could pay, to be the fees that they paid. we did not do any standardization. supervisor maxwell: and you based that on what you all thought was best. is that what is happening in other markets, is that just what san francisco does? >> we work closely with the rec and park department in many of
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their offerings. this is a constant challenge, rate setting. i think we share the velocity of allowing the market to speak. the intent was to create a market floor that we thought was reasonable, and then individual vendors could decide, i could bit more than that because this is my anticipated share of the market. it was always set as a floor. i think maybe what the director is getting at is maybe there is a possibility for a tiered system that would recognize the difference of what they are selling, the likely profit margins they may have. i think we can move to that system in 2011 in our next bid call. supervisor maxwell: i guess you will discuss it with your cac.
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>> that is right. i would also like to state court made it with rec and parks. it can be confusing for vendors who go to the market but are also tried to get opportunities where rec/park is offering them. supervisor maxwell: through the chair -- when of the dominaone n -- with a black care -- when you are going from market to market, are you finding that ours is set up in any way like other ones in other cities? >> no, it is actually confusing and pretty different. there are two things. there are three tiers of fees.
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it depends on the size of your stall. you have your farmers who pay the lowest fee. then you have your food vendors who usually [inaudible] everybody pays the samefee per stall. as far as coffee -- the profit margins on food, they are pretty much the same across the board. [no audio] then you should not be in the business. [inaudible] not flexible. there might be rainy day specials in some markets [inaudible] maybe there is inclement weather. there is a set fee. my bid was $100 [no audio]
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that begs the question why. supervisor maxwell: there might be the balance of who and what -- i do not want to get into that. >> there is a board that usually meets in each market, and they decide -- [no audio] try to keep a balance between citrus [no audio] do not ruined somebody's livelihood. supervisor maxwell: thank you. i do have a question for you. could you come up? supervisor mar: could you state your name again? >> john akiens.
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supervisor maxwell: you mentioned the rainy day, being able to -- understanding that we need to have that separation. one of the issues, when they moved the food vendors, that was huge. do you have a better understanding, is this what you have found to be the case? has someone mentioned this to you before? >> yes, i have an understanding based on what was stated. for example, -- first of all, i did not hear what the space was between the certified and non- certified farmers, food vendors. if it is 20 feet, and the distance of an empty stall is 20 feet, then it seems to me that is the separation, so if there are 10 stalls on the other side that are empty, or if there is only one farmer in those stalls, can that one farmer not be moved
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closer to the other certified farmers' so you still have the other side available for the food vendors? if we are talking about numbers and you have 12 empty stalls because of the rainy season, and farmers do not come all year round -- so it seems like there could be some accommodation. if that is the case, i do not understand why there cannot be an accommodation. supervisor maxwell: how soon in advance how do you have to notify people that you are going to be there, not going to be there? >> in terms of the food vendors not showing up, if you are not going to be there that day, the protocol is to call that morning and leave a message on the machine, or if you can get a hold of someone in the office. supervisor maxwell: so it is basically within 12 hours or less.
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>> as i said, the thing that concerns me in raising this question is, when you look at the rainy season, there are quite a few empty stalls. many farmers do not come during that time. i am still not sure what that space will be. supervisor maxwell: i will ask. thank you. yes? >> supervisors, if i may comment for clarification purposes. when you speak about distances between the agricultural certified market portion and non-certified, those boundaries are drawn up and submitted for the certificate, when they apply for renewal. supervisor maxwell: submitted when who applies? the market? >> yes.
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when alemany applied for their renewal, they submit a boundary. in the case of alemany, i have not looked at that map. i am sorry, i cannot tell you what the boundaries are. but there is a boundary that identifies agricultural certified and non-certified. supervisor maxwell: thank you. ms. brown? yes, another question. have you looked at the boundary lately, has it changed -- >> if i may. i think we have relatively simple solution. in our next some middle for application, that we provide a seasonal boundaries so that we have a winter season and summer season boundary. that would give us the flexibility to assign certain
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spaces for non-certified uses when we know we are going to have those vacancies, so we can be in compliance. we can work with the agricultural commissioner. i think there is a solution we can work to worward. supervisor maxwell: ok, thank you. i would like to continue this. i want to ask our real estate department -- i want to have day a check-in -- hopefully, they have a number of items that they would like to have completed or are working to complete by december 31. i would ask that maybe the meeting before, if they could come back in and check in with us to let us know where you are. we will have a talk. i will meet with ed lee and ed
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harrison on the parcels that you are talking about that could help us with parking. supervisor mar: i just want to thank ms. brown and mr. updike for being here, also a time line for setting up the cac. i feel strongly committed the- based people should be at on that committee in addition to small farmers. i know the history of the farmer's market is a grass-roots effort. it is challenging for us to have a people's farmers market. also for small farmers to have a chance versus the big grocery industry, who was opposing this. i hope that comes from the cac and this remains the people's farmers market. supervisor maxwell: in discussing the cac, they plan to have farmers and people who live around the area, maybe beyond.
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it needs to be bigger than nine. this is a huge city, historical place, people really love and are dedicated to farmers' markets. it will probably be bigger than what we talked about. we definitely need people who live around, maybe beyond. thank you very much. we will talk again at our continued meeting. supervisor mar: we are continuing this item until -- what was the date? to the call of the chair. we will make sure it happens. ms. stokes are there any other items before us? supervisor mar: with no other item before us, the meeting is adjourned. thank you.
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>> welcome to "culture wire." today we're headed to smpling f. camera works, a premiere venue for artists working in photographer, video, and digital media. the latest exhibition lists clearness as a set of political alliances and possibilities that it is behind the sphere of dominant gay and lesbian culture. the curator fills us in on the process of creating this thoughtful exhibition. and what she would like you to take away from it. >> i co-cureated with danny, a chicago-based writer and curator. the conceptual framework is what it means to be clear and radical for our generation. clearness as a set of political
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alliances and possibilities, not necessarily related to institutions of gender and swam formativity. danny and i wanted the show to feel funky and to have a really tangible quality to it. so part of that was incorporated handmade objects and installations and beautifully printed photographs and videos. there is also a lot of opportunities to participate and to take postcards or to get the photo taken or sit within a tent made out of afghan blankets to watch videos. the exhibition is organized in three distinct galleries. in gallery one, which is the gallery designated to clear activism, there is an installation by the
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oakland-based collaboration and it's called "unleashed power." it's all focused on one protest that happened in chicago in 1991 with the activist organization act up, which was protesting the inadequate health care for people living in aids, and specifically it focuses on an act of police violence that occurred at that protest. the thing that is really interesting for me about that piece is that it brings us back 20 years to what clear activism looked like at the height of the aids crisis. gallery two features work that is related to intentionally communities that exist both within cities, also in rural spaces, and transient communities as well. the return features a no madic clear tribe, the people who join this tribe are often in
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various states of transition themselves, whether it's leaving behind previous gender assignments or corporate jobs or a life within cities. a lot of the work featured in the exhibition and a lot of the installations are handmade objects. there is a lot of do-it-yourself aesthetic and that handmade do-it-yourself feeling is something that mimics the idea and the reality of the alternative world making that we're trying to represent here as far as the self-sufficient community goes. gallery three features work that relates to the ideas of self-determinenism, alternative world making and utopia. visits can still participate in
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this -- visitors can still participate in this project. during the opening, we invite visitors to come in and try on these costumes, pose in front of the backdrop. he was really inspired by comic books that he read as growing up and thinks of this space as a post-apocalyptic monster portrait gallery where people can remain genderless once they put on the costumes. we think it's important that this be happening in san francisco, which is considered an ekpe center of the queer actual cure. the majority of the queer cultural events happen in june which has been designated as the pride month. which to me translates as the period of time in which people can be in clear arts and culture.
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in september, it's hashingening back to that and proving that this is something that is scon significantly happening all the time. what danny and i hope visitors take away from this exhibition is to observe the diversity within the designation of queer in terms of race, in terms of gender presentation and intergenerational perspective of what it means to be queer as well as what it means to exist and be active and work in solidarity with people whose identities may or may not look like yours. captioned by the
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national captioning institute --www.ncicap.org-- good afternoon. calling this meeting. >> [roll call] >> item #2, approval of minutes. >> minutes are approved. >> item #3, public comment on executive session. item>> all right, are we ready? >> i move that we reconvene an open session. >> any discussion? all those in favor? >> aye. >> i moved to disclose that we approve a settlement with mama
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francheski's as stated in the agenda. >> any discussion? >> i do not think you would have to vote on this. i think that i4a1a of the agenda -- >> i would also like to disclose item 4a1b, recommending a settlement between the city and county of san francisco and regal stones regarding the oil spill on november 7, 2002. passed on to the board of supervisors. >> thank you. a item 6a, the use of cell phones, pagers, and similar sound producing electronic items are prohibited at this meeting. the chair might order the removal from the meeting room
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anyone using a similar sound producing electronic device. please be advised that a amber of the public has up to three minutes to make up to -- to make pertinent comments unless the commission adopts a shorter time period. item sevena, director support. -- report. >> midafternoon, commissioners. our executive director has taken a furlough day. she is now out in long beach to attend the the maria shriver women's conference. i am pinch hitting today. october is shaping up to be a very memorable month for the port and the city. we have seen the biggest and best athlete in years. the first port in california, one of only and fall in the world, to have structural power for cruise ships. a few other achievements to
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mention. i would be remiss in not congratulating the san francisco giants for their victory against the phillies. the port played host to a successful national league championship series. now millions of viewers will be focused on the port and the ball park, which is the only park in the world that has two ferry terminals. we're offering hearty congratulations to our good tenants, the giants. we hope that they really mess with texas. that starts tomorrow. the sentences to maritime park association celebrated the 60th celebration of the jubilee fundraiser. the association is really an unsung treasurer of san francisco, as far as i am
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concerned. thrilled to be here professionally, the museum of fasciation is a very special place. the dinner was a very festive affair. in spite of the weather and the world series playoff games being played at the same time. monique one and maritime heritage award. introduced by tim lazarists. monique was honored on behalf of the port for bringing maritime history to life through education preservation. i also learned that our commission president is an excellent cheerleader. you had to be there. it was great. next on the hit parade, october 13, the american planning
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association announced the designation of the ferry building as one of the 10 great public places for 2010 under their great place in america program. they celebrated the building for its iconic status as one of the nation's most elegant and beautifully restored public buildings. supervisor of chiu, the deputy -- supervisor chiu, the port executive director, and the chief operating officer of the very building were on hand to accept the award. you will see the signs that discuss this award and throughout the building this month. congratulations to all with that. the hits just keep on coming, like we hoped the giants will do tomorrow. last tuesday we had an eye -- we had a spectacular groundbreaking. i did not see any broken ground, but i did see someone coming out of the water.
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the exploreratorium, the internationally acclaimed museum, celebrating the future home of pier 15 and 17. continuing the embarcadero project at the fair deal -- fair building that began. around the waterfront did doubles the exhibit space, doubling the number of classrooms, tripling the capacity for teacher development. developed in two phases. a 9 acre campus. a 10 minute walk from the ferry building. congratulations to all. a number of people on staff have put a lot of blood, sweat, and tears into this project. very exciting.
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two more items, the last one was put on the agenda by monique. i glanced at it briefly, then i read it and it is quite a remarkable achievement. last sunday was world polio day. last sunday thousands from around the country came to san francisco to mark the rotary 25 year fight to eradicate polio. the events culminated in a dramatic fashion when the ferry building was resounding with the pledge to end polio now. other structures around the world -- around the world carry the same message, including the sydney opera house. earlier that day, thousands of rotarians walked from united to
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the ferry building to signify this effort they have undertaken. i did not realize this and i am sorry to take your time on this, but it is fascinating. rotary has raised $900 million and is nearing its goal of raising an additional $200 million for the challenge goal in the bill gates foundation. rotary has immunize more than 2 billion children, reducing " the amount of polio cases by 99%. these are just remarkable statistics. on behalf of all of us, i learned a little bit of something today and i hope that everyone else did as well. two more items, leslie, almost last, the patrol opened in san francisco as the celebration of the harry birches project, a
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former port commission president. the reception will feature the director of the harry bridges projects, showing his 10th anniversary film but excerpts of his one-man play. the life of thomas paine. last but not least, a reminder that due to a lack of a quorum and the fact that most of support staff will be celebrating the world series victory, the november 9 meeting has been cancelled and the next meeting will be on december 14. that concludes the report. >> commissioner? >> is there any public comment on the executive director report? ok, next item. >> item 8a, authorization to expand $15,200 in grant funding from the depart
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