business improvement district, property owners, and the businesses, i would like to thank mayor lee, supervisor david chiu, the city departments, the san francisco municipal transportation agency, and audi of america, and a special thank you to those who supported this trend for this project. when we embark on this new project, it reminded us of where we have been and where we are going in union square. 164 years ago, jasper overall, who has a street named after him one week away, was commissioned by the city to lay out a design for its streets and parks, including union square. the park's design was designed to be infighting, accessible, beautiful, and memorable. today, architect walter put has applied those same qualities

beautifully to the powell street promenade with a contemporary landscape design with features and heard of, like solar technology and wi-fi. o'farrell may not have imagined at the time that 100,000 people would use this street every weekend, making it the busiest city corridor. now with this promenade, it will be one of the best places to enjoy the hustle and bustle of the city, out of its hustle and bustle by working with the city, audi, and union square business improvement district, we have demonstrated how partnerships can further a vision for a better sense of co that i know we all share. it is a great testament to see the public sector and private sector come together to create something so magnificent. thank you again.

>> the san francisco cons tri of flowers in golden gate park is now showing a new exhibit that changes the way we see the plants around us. amy stewart's best-selling book, "wicked plants" is the inspiration behind the new exhibit that takes us to the dark side of the plant world. >> i am amy stewart. i am the arthur of "wicked plants," the weeds that killed lincoln's mother and other botanical atrocities. with the screens fly trap, that is kind of where everybody went

initially, you mean like that? i kind of thought, well, all it does is eat up bugs. that is not very wicked. so what? by wicked, what i mean is that they are poisonous, dangerous, deadly or immoral or maybe illegal or offensive or awful in some way. i am in the profession of going around and interviewing botanists, horticulturalists and plant scientists. they all seem to have some little plant tucked away in the corner of a greenhouse that maybe they weren't supposed to have. i got interested in this idea that maybe there was a dark side to plants. >> the white snake root. people who consumed milk or meat from a cow that fed on white snake root faced severe pain. milk sickness, as it was culled, resulted in vomiting,

tremors, delirium and death. one of the most famous victims of milk sickness was nancy hangs lincoln. she died at the age of 34, leaving behind 9-year-old abraham lincoln. he helped build his mother's casket by carving the woodallen petition douche the wooden petition himself. >> we transformed the gallery to and eerie victorian garden. my name is lowe hodges, and i am the director of operations and exhibitions at the conls tore of -- cons tore of flowers. we decided it needed context. so we needed a house or a building.

the story behind the couple in the window, you can see his wife has just served him a glass of wine, and he is slumped over the table as the poison takes affect. a neat little factold dominion about that house is actually built out of three panels from old james bond movie. we wanted people to feel like i am not supposed to be in this room. this is the one that is supposed to be barred off and locked up. >> the ole andersonner -- oleander. this popular shrub is popular in warm climates. it has been implicated in a surprising number of murders and accidental deaths. children are at risk because it takes only a few leaves to kill them. a southern california woman tried to collect on her husband's life insurance by putting the leaves in his food. she is now one of 15 women on

california's death rowan the only one who attempted to murder with a plant. >> people who may haven't been to their cons tore or been to -- do serve tore or their botanical garden, it gives them a reason to come back. you think let's go and look at the pretty flowers. these are pretty flowers, but they are flowers with weird and fascinating stories behind them. that is really fun and really not what people normally think of when they come to a horticultural institution. >> "wicked plants" is now showing at the san francisco conserve tore of flowers. unless next time, get out and play.

>> hello. welcome to "culturewire." we are here today with bay area artist jody chanel, and we are here to see the plaza where your piece has just been installed. >> i have been doing large-scale paintings in the galleries and museums, and the idea that in the future, i could do something that would hang out a little bit longer than the duration of the installation the kind of appeal to me. i quickly found out about the san francisco arts commission school and realized there was a pre-qualified school you had to apply to, so i applied to the. >> how long did it take you to develop this work for the plaza? >> this was a fast track project. design development was about a

month. >> let's look at the beautiful mural. i have never seen a mural created on asphalt. >> the heat of the asphalt, a new layer of asphalt. then, these wire rope templates that were fabricated for the line work get laid down and literally stamped into the asphalt, and then everything was hand-painted. >> maybe you could talk about some of the symbolism, maybe starting in the middle and working out. >> [inaudible] the flower of industry. >> it is like a compass. there's an arrow pointing north. >> within the great bear consolation, there are two pointed stars here. they typically lead one to the northstar, otherwise known as polaris.

so i thought it has a layer of theme. >> let's talk about some of the other elements in the peace. we are walking along, and there is a weather vane. there's a sweet little bird hanging on the side. what kind of bird is that? >> [inaudible] the smallest of the gulf species, and it lives around the bay area. >> you want to talk about the types of flour patterns that you send? >> [inaudible] around 1926 or so by the dahlia society. >> what is this bird here? >> that is the california quail. >> coming up here, we had a little blustery theme. what is this area here? >> this is supposed to be the

side view, the expense of the golden gate bridge. >> there it is. >> there are really beautiful elements of architecture still around, i would say that it gives that feeling over to the work. >> what are your hopes for it? >> that in a way it just becomes part of the area. i think it is starting to have that feeling. people utilize it. they sit and, and have their lunch and play on -- they sit and, and have their lunch and play on that -- they sit and come and have their lunch and play on it. just for it to be part of the neighborhood. that is my hope. >> is such a beautiful addition to our public art in san francisco. thank you for joining us. it was nice to meet you. and thank you for telling us about your beautiful mural.

thanks for watching "culturewire." >> is housed in a spectacular building described by the world renowned architect. it is the san francisco destination for provocative expositions and programs that explore culture, history, art, and ideas. the director of cultural affairs told us more about the mission and to give us a tour of the latest exposition. ♪ >> today we find ourselves of the contemporary jewish museum.

with me is the director of the museum. >> i am so happy you are here today. >> we're getting close to a milestone for the museum. it is your third anniversary coming up. >> it is. you were here to help cut the ribbon. it has been an extraordinary journey ever since. we welcome hundreds of thousands of people into the building. we welcome school groups, interests -- tourists. >> the addition of the museum to the cultural pantheons of san francisco has been phenomenon. you have fabulous exhibits. there is one i want to talk about, "seeing gertrude stein." >> gertrude stein is a local woman. she was raised in oakland.

she was an extraordinary individual who helped create -- many people call for the mother of modernism. years ago, i was introduced to someone doing research on her. i thought it would be an extraordinary exposition to take her and understand her at all for complexity. that is what we have on view during the summer of 2011. >> it is full of wonderful drawings, paintings, and sculpture. >> there is incredible art on view. we have photographs. we have sculpture. we have a lot of different things. we have a little something made for her by picasso. there are five different ways of looking at her life.

it is not in chronological installation. it is looking at how she is portrayed in help artists, painters, and photographers presented her and how she thought about her own style and presentation. many people think she always had short hair. it was not until she was 52 that she cut off all of her hair. the second element is called "domestic stein." alice b. toklas was her lifelong partner. they had several different homes. we know about their home in paris, the famous salon. you get a taste of what their domestic life was like. >> one thing recreated is the fabulous wallpaper. the black-and-white photos do not convey the color. >> in doing a lot of research, you discover a little tidbits.

with an exhibition, at the find ways to make it come together. we found beautiful photographs of the interior of their home. then we found a tiny scrap of the wallpaper. we saw how blue and vibrant it was. we had a designer recreate the image of the wallpaper. we had it made into wallpaper so we could all experience what it would have been like to be in their home. it is dynamic and fantastic. they seem very monochromatic because you only know them through black-and-white photographs, but they had such a vibrant life. that is what the exhibition is also trying to show. the third one is the art of friendship. picasso and matisse were part of their second family. there were people she admired and worked with.

we introduced the visitors to her second family in a sense. the fourth story is called celebrity stein. what a lot of people do not know is when she left united states in the early 1900's, she only came back once in 1934. we also have a section of every single first edition book she ever published. >> it is incredible to see all the first edition books. >> it is really impressive to realize not only was she a grand dame of paris, but she had an incredible writing practice. she was a prolific writer. the fifth level really looks at her legacy and how artists continue to be inspired by her image, work, and concept. >> this is a compelling reason

for people to visit the jewish museum. you also have life and theater. >> we are a non-collecting museum. any time you walk in the building, you will always be treated to a range of very different and wonderful exhibitions. in our first floor exhibition space, we have an exhibition on the work of charlotte sullivan. she was a young artist in berlin. the nazis came into power. her parents sent her to the south of france to live with her grandparents. she put herself in a room for about 18 months and created 1200 small paintings telling her life story through a kind of reflection. it is another example of the way we try to bring a wide range of art and experiences to our public.

we want them to find something meaningful to them. >> your institution has been in this neighborhood for three years. how do you like the neighborhood? >> this is the best neighborhood. we are the luckiest city in the world to have this kind of cultural district, to have so many museums and cultural institutions. the center of our tourist life is here because this is where the convention center is. people from near and far can be introduced to the richness of the bay area. it is so wonderful and unique. >> the city thanks you for providing such wonderful leadership and vision. >> we're so happy to be part of the city and so honored to be part of "culture wire." >> to learn more about the exhibition and other upcoming events, visit the website.

thank you for watching "culture i'm the president of friends of mclaren park. it is one of the oldest neighborhood community park groups in san francisco. i give a lot of tours through the park. during those tours, a lot of the folks in the group will think of the park as very scary. it has a lot of hills, there's a lot of dense groves. once you get towards the center of the park you really lose your orientation. you are very much in a remote area. there are a lot of trees that shield your view from the urban setting. you would simply see different groves that gives you a sense of freedom, of being outdoors, not being burdened by the worries of city life. john mclaren had said that golden gate park was too far away. he proposed that we have a park

in the south end of the city. the campaign slogan was, people need this open space. one of the things that had to open is there were a lot of people who did a homestead here, about 25 different families. their property had to be bought up. so it took from 1928 to 1957 to buy up all the parcels of land that ended up in this 317 acres. the park, as a general rule, is heavily used in the mornings and the evenings. one of the favorite places is up by the upper reservoir because dogs get to go swim. it's extremely popular. many fights in the city, as you know, about dogs in parks. we have 317 acres and god knows there's plenty of room for both of us. man and his best friend. early in the morning people before they go to work will

walk their dogs or go on a jog themselves with their dogs. joggers love the park, there's 7 miles of hiking trails and there's off trail paths that hikers can take. all the recreational areas are heavily used on weekends. we have the group picnic area which should accommodate 200 people, tennis courts are full. it also has 3 playground areas. the ampitheater was built in 1972. it was the home of the first blues festival. given the fact that jerry garcia used to play in this park, he was from this neighborhood, everybody knows his reputation. we thought what a great thing it would be to have an ampitheater named after jerry garcia. that is a name that has panache. it brings people from all over

the bay area to the ampitheater. the calls that come in, we'd like to do a concert at the jerry garcia ampitheater and we do everything we can to accommodate them and help them because it gets people into the park. people like a lot of color and that's what they call a park. other people don't. you have to try to reconcile all those different points of view. what should a park look like and what should it have? should it be manicured, should it be nice little cobblestones around all of the paths and like that. the biggest objective of course is getting people into the park to appreciate open space. whatever that's going to take to make them happy, to get them there, that's the main goal. if it takes a planter with flowers and stuff like that, fine. you know, so what? people need to get away from that urban rush and noise and this is a perfect place to do it. feedback is always amazement.

they don't believe that it's in san francisco. we have visitors who will say, i never knew this was here and i'm a native san franciscoan. they wonder how long it's been here. when i tell them next year we'll get to celebrate the 80th anniversary of the park,