you are doing repetitive work that has been done many times. every time, it comes down to the same thing. >> thank you. >> andrea. >> hello again. some of you say you do not understand the downtown bond. there are a lot of us who do not understand the job order contract in process. it was sold to us as being a cheap and easy process for small projects. these are large projects we are talking about. i am not really sure how this applies, in particular, there is no public participation in this project. but most of these projects are

over $50,000. 10 out of 12 on the list are. it used to be, anything of that cost came before the commission for approval. this joc process, as we are told, it eliminates that. they can do whatever they want to @ whatever cost. now that we have had this surplus issue, i have something to compare it to in my mind to figure out how this process might work. this is a contingency fund from the open space. these are major design-build kind of issues. therefore, i can understand how you need a huge contingency. they are going to do some of these floors and find dinosaurs. they need a larger contingency to do that. these small projects, which is what the joc is -- these are

things like picnic tables. you can just drop it there. there should not have to be a contingency. in particular, in a project like ours, we already paid contingencies. this deferred maintenance, there is a 1% to 3% project management fee. in our area, it is more like 8%. jocc, what is the job opportunity contract fee? you pay these people to do this work, but there is a 5% fee on these projects. we are also paying another 10% contingency on top of our contingency. i can understand you are going to find problems.

there are a lot of little things like this that are unclear about how this is supposed to work. this is neither cheap, easy, nor quick. there are issues about how our money is being spent and we have no way to check into it, no way of accounting for it. >> thank you. >> is there anyone else that would like to make public comment on this item? being none, public comment is closed. >> move to approve. seconds. >> all those in favor indicate by saying aye. opposed? hearing none, it is unanimous. >> we are on item number eight. marina green kiosk request for proposal.

good morning, commissioners. for the department, what is

before you is an rfp that the department would like to put out soliciting an operator for the marina green kiosk. the kiosk was built in 1938. it serves snacks and light refreshments to visitors to little marina green. the department entered into a lease in 2008 with a three-year lease with an extension -- expiring in april of this year. there was an extension that the current operator chose not to exercise. the department would like to put out to bid the rfp that was solicited. an operator that would offer quality beverage and food at the

kiosk. the rfp would require respondents to submit proposed rent, including the greater of the monthly and a guarantee or percentage of gross revenue. it would also require -- stipulate that the proposed payments are not final and that there would be negotiations with rpd, and then they would increase with cpi, and the maximum lease term would be five years in length. in soliciting an operator, we are soliciting an opera with the following minimum qualifications. five years of operating a similar business, including some with a background in food service, a catering, and retail services. sufficient financial capacity to undertake this opportunity. and the ability to obtain all required insurance policies and

other permits. should the commission approved the release of this rfp, we would issue the proposal later on today. we would have a deadline of august 22, 2011, with hopefully bringing the selection of the responded back to the commission in september and then having the rec and park commission approved the lease in november. no lease would commence in december 2011. -- the lease would commence in december 2011. should the commission approve this rfp, the financial benefit to the city would be the greater of the proposed mag that the department receives or the exact amount payable as rent. one thing that we have changed

in our rfp over the last months or years, we have now added a process in our solicitation. if the department received no acceptable rents from any of the respondents, we can ask all of the respondents to submit higher rents. that is language that is in this rfp, has been in previous ones. that will ensure the department receives the best financial deal available. we have done to give it an outrage on this proposal, including contacting all people who were previously interested in the 2008 concession opportunity. we have reached out to marine of merchants, the national recreation area, the two yacht clubs out there, and a number of

entities that are active in the marina. so with that, we would ask for your approval. >> is there any public comment on this item? being none, public comment is closed. >> commissioner harrison. >> i am in favor of this proposal, but i'm starting to look at the larger picture. we have the kiosk and now we are planning -- what do they call the building over there? [unintelligible] then we have mobile trucks, then we have a warming hut just inside the presidio. it seems to be getting crowded out there. >> i would agree, if all those were operating at the same time. in our permits for the food trucks that operate out there, we have written in those permits in a way that once the marina degaussing begins, we would

terminate those permits and move those uses from the site. the food trucks could be seen as an interim use until that marine and degaussing project is complete. >> exactly what i was looking for, thank you. >> so when the do you expect the degaussing station to put up a bit? >> i believe it is out to bid at the moment. proposals are due sometime next month. we will have a better sense once those proposals are received on the timeline. >> so you are looking at bringing in an operator for the balance of the year? >> for the marina degaussing station, that is a complicated project that will need capital and a number of entitlements. i am not the project manager. i would be hesitant to give an exact time line. i think we can expect that work

would not immediately begin. >> my point is, the trucks that are there would only be there for about six months. >> and perhaps a little bit longer, yes, but not years and years. definitely an interim years. >> ok, i will entertain a motion. moved and seconded. is there any public comment on this item? hearing none, it is unanimous. >> item 9. general public comment continued. patricia delgado. >> i just wanted to add my voice to the 17th and folsom park.

i just want to bring to your attention that this is in the old industrial zone coming from 16th to 23rd. all of that area was originally the industry of san francisco. up the street from me, at the corner of 23rd and harrison was the old winfield paper manufacturing plant. that was resolved and now we have 56 apartments there. the old penske lot, alabama, florida, 14th and 19th. that is all now low-income housing. and when willie brown was our mayor, a lot of work came in on harrison street. so that whole area is changing.

then it was the third round. in the 1970's, the neighborhood said, let us build a park there. then in the 1980's, when we first moved in, somebody once again brought it to our attention. it got as far as the drawings and then fell into the blue void also. and then we started working with the neighborhood, rec and parks, and then we had lots of meetings. after a year and half of talks, we finally got our park. it is build it and they will come, and they have not stopped coming.

i am sure that is what will happen at 17th and folsom. definitely an area that could use open space. >> it iis there any other member of the public that would like to comment on this item? being none, public comment is closed. commissioner's matters? is there any public comment on this item? being none, public comment is closed. item 11. new business, the agenda setting. is there any public comment on this item? being none, public comment is closed. item 12. communications. is there any public comment on this item? being none, public comment is closed. item 13 is adjournment. >> is there a motion? >> moved and seconded. all those in favor. so be it. thank you.

thank you. [horns honking] [siren wails]

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>> welcome to "culturewire." today we are at recology. they are celebrate 20 years of one of the most incredibly unique artist residency programs. we are here to learn more from one of the resident artists. welcome to the show, deborah. tell us how this program began

20 years ago. >> the program began 20 years ago. our founder was an environmentalist and an activist and an artist in the 1970's. she started these street sweeping campaigns in the city. she started with kids. they had an exhibition at city hall. city officials heard about her efforts and they invited her to this facility. we thought it would coincide with our efforts to get folks to recycle, it is a great educational tool. since then, we have had 95 professional artists come through. >> how has the program changed over the years? how has the program -- what can the public has an artist engage with? >> for the most part, we worked with metal and wood, what you would expect from a program like ours.

over the years, we tried to include artists and all types of mediums. conceptual artists, at installation, photographers, videographers. >> that has really expanded the program out. it is becoming so dynamic right now with your vision of interesting artists in gauging here. why would an artist when to come here? >> mainly, access to the materials. we also give them a lot of support. when they start, it is an empty studio. they go out to the public area and -- we call it the big store. they go out shopping, take the materials that, and get to work. it is kind of like a reprieve, so they can really focus on their body of work. >> when you are talking about recology, do you have the only sculpture garden at the top? >> it is based on work that was

done many years ago in new york. it is the only kind of structured, artist program. weit is beautiful. a lot of the plants you see were pulled out of the garbage, and we use our compost to transplant them. the pathway is lined with rubble from the earthquake from the freeways we tour about 5000 people a year to our facility, adults and children. we talk about recycling and conservation. they can meet the artists. >> fantastic. let's go meet some of your current artists. here we are with lauren. can you tell us how long have been here so far and what you're working on? >> we started our residency on june 1, so we came into the studio then and spent most of

the first couple weeks just digging around in the trash. i am continuing my body of work, kind of making these hand- embroidered objects from our day-to-day life. >> can you describe some of the things you have been making here? this is amazing. >> i think i started a lot of my work about the qualities of light is in the weight. i have been thinking a lot about things floating through the air. it is also very windy down here. there is a piece of sheet music up there that i have embroidered third. there is a pamphlet about hearing dea -- nearing death. this is a dead rabbit. this is what i am working on now. this is a greeting card that i found, making it embroidered. it is for a very special friend. >> while we were looking at this, i glanced down and this is

amazing, and it is on top of a book, it is ridiculous and amazing. >> i am interested in the serendipity of these still life compositions. when he got to the garbage and to see the arrangement of objects that is completely spontaneous. it is probably one of the least thought of compositions. people are getting rid of this stuff. it holds no real value to them, because they're disposing of it. >> we're here in another recology studio with abel. what attracted you to apply for this special program? >> who would not want to come to the dump? but is the first question. for me, being in a situation that you're not comfortable in has always been the best. >> what materials were you immediately attracted to when you started and so what was available here? >> there are a lot of books. that is one of the thing that

hits me the most. books are good for understanding, language, and art in general. also being a graphic designer, going straight to the magazines and seeing all this printed material being discarded has also been part of my work. of course, always wood or any kind of plastic form or anything like that. >> job mr. some of the pieces you have made while you have been here. -- taught me through some of the pieces you have made while you have been here. >> the first thing that attracted me to this was the printed surface. it was actually a poster. it was a silk screen watercolor, about 8 feet long. in terms of the flatwork, i work with a lot of cloddish. so being able to cut into it come at into it, removed parts, it is part of the process of negotiating the final form. >> how do you jump from the two dimensional work that you create to the three-dimensional?

maybe going back from the 3f to 2d. >> everything is in the process of becoming. things are never said or settled. the sculptures are being made while i am doing the collages, and vice versa. it becomes a part of something else. there's always this figuring out of where things belong or where they could parapets something else. at the end goal is to possibly see one of these collage plans be built out and create a structure that reflects back into the flat work. >> thank you so much for allowing "culturewire" to visit this amazing facility and to learn more about the artists in residence program. is there anything you like our viewers to know? >> we have art exhibitions every four months, and a win by the public to come out. everybody is welcome to come out.

we have food. sometimes we have gains and bands. it is great time. from june to september, we accept applications from bay area artists. we encouraged artists from all mediums to apply. we want as many artists from the bay area out here so they can have the same experience. >> how many artists to do your host here? >> 6 artist a year, and we receive about 108 applications. very competitive. >> but everyone should be encouraged to apply. thank you again for hosting us. >> thank you for including us in "culturewire." ♪

>> good afternoon, welcome to the board of supervisors meeting for tuesday, july 19th.

>> mr. president, all members are present. >> could you please join me in the pledge of allegiance? we have copies of the june 7th and june 14th board meeting minutes. do i have a motion to approve those minutes? those are approved. are there any communications? >> there is no communications. >> items one through four are the consent agenda. >> would anyone