which we are now doing for him -- going back to the tax collector to see if he paid those taxes. it had to do with his lack of response for paying for our time to get us to do extended code enforcement. >> is there any additional public comments? >> just in hearing the issue with q-matic, something that came to mind. i have answered a lot of questions about surveys, new things in the housing code, things that we have to implement. seeing the responses from our customers, one thing that may need to be considered, i know that there are mine turns on some floors of the department. one thing that was very effective with the brown bag lunches for the videos that were

done, which were then displayed on a loop, at any time something new occurs. they can say, this is a new program. it will go through a five-minute loop, and you could also do it in different languages. that would help our customers as they are sitting there waiting. commissioner hechanova: [inaudible] >> [inaudible] watching our customers, that is a quick way to introduce -- i would say and do the writing things, too. but if we could give them a visual, that would help them to, as they conduct their business on these various floors. >> any additional public comment?

seeing none. item 7. discussion and possible action regarding a public employee appointment building inspection commission secretary. public comment on all matters pertaining to the closed session. >> ann aherne. i would just like to put forward sonya harris, who was my assistant for 6.5 years -- it seems like a long time. i know in the last couple of years i did not have heard very much. as far as continuity and keeping things going, having some history of what goes on with the commission, it is very important. when i took over, i had no one to train me.

i did not even know there was a aac, boe, code advisory committee, until they came up. i think it is really important to have somebody that understands the department and how it works. thank you. >> is there any additional public comment? >> i am not speaking for the department as a private individual who has been within the department since 1990. i just want to commend sonya. i have to work constantly with the commission secretary office, and i just want to commend her professionalism and her protection of you commissioners, try to get information for you. as ann said, i do not think you

could make a better choice. commissioner hechanova: insulated. >> 7b. possible action to convene a closed session. >> roll call vote. [roll call] we >> this is the building inspection commission. we are now on item 7d. reconvene in open session to

vote on whether to disclose any or all discussions held in closed session. commissioner walker: move to disclose. >> aye. >> we are now in open session. commissioner hechanova: i am pleased and proud to announce on a unanimous vote the appointment of sonya to be the new bic secretary. sonya, welcome. [applause] this really is another milestone, but more importantly, leads into another legacy of the producing and performing through your mentoring and the category of the challenges that the bic secretary undertakes. we know that you will do a good job.

more importantly, that you will always protect our backs. >> thank you. i would just like to thank the commission for the opportunity to serve. i have the honor of being trained by one of the best in ann aherne. i look forward to carrying her porch and working diligently with the commission. commissioner hechanova: thank you. >>item 8. commissioner's questions and matters. 8a. at this time, commission may make inquiries to staff regarding various documents, policies, practices, and procedures, which are of interest to the commission. >> is there any public comments? seeing none. 8b.

at this time, the commission may discuss and take action to set the date of the special meeting and to determine those items that could be placed on the agenda of the next meeting and other future meetings of the building inspection commission. the next meeting is on september 23, i believe. commissioner murphy: the third wednesday of the month. commissioner hechanova: fall equinox. >> i will be sure to follow up on the item that the commissioners requested earlier in the meeting. public comment on items 8a and b? seeing none. item 9. review and approval of the minutes of the special meeting of february 3, 2011.

commissioner walker: move to approve. >> minutes are approved. all in favor? item 10 is adjournment. commissioner walker: move to adjourn. commissioner hechanova: all in favor? thank you.

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>> welcome to "culturewire." today we are at recology. they are celebrate 20 years of one of the most incredibly unique artist residency programs. we are here to learn more from one of the resident artists. welcome to the show, deborah. tell us how this program began 20 years ago. >> the program began 20 years ago. our founder was an environmentalist and an activist and an artist in the 1970's. she started these street sweeping campaigns in the city. she started with kids. they had an exhibition at city hall. city officials heard about her efforts and they invited her to this facility. we thought it would coincide with our efforts to get folks to recycle, it is a great

educational tool. since then, we have had 95 professional artists come through. >> how has the program changed over the years? how has the program -- what can the public has an artist engage with? >> for the most part, we worked with metal and wood, what you would expect from a program like ours. over the years, we tried to include artists and all types of mediums. conceptual artists, at installation, photographers, videographers. >> that has really expanded the program out. it is becoming so dynamic right now with your vision of interesting artists in gauging here. why would an artist when to come here? >> mainly, access to the materials. we also give them a lot of support. when they start, it is an empty studio. they go out to the public area

and -- we call it the big store. they go out shopping, take the materials that, and get to work. it is kind of like a reprieve, so they can really focus on their body of work. >> when you are talking about recology, do you have the only sculpture garden at the top? >> it is based on work that was done many years ago in new york. it is the only kind of structured, artist program. weit is beautiful. a lot of the plants you see were pulled out of the garbage, and we use our compost to transplant them. the pathway is lined with rubble from the earthquake from the freeways we tour about 5000 people a year to our facility,

adults and children. we talk about recycling and conservation. they can meet the artists. >> fantastic. let's go meet some of your current artists. here we are with lauren. can you tell us how long have been here so far and what you're working on? >> we started our residency on june 1, so we came into the studio then and spent most of the first couple weeks just digging around in the trash. i am continuing my body of work, kind of making these hand- embroidered objects from our day-to-day life. >> can you describe some of the things you have been making here? this is amazing. >> i think i started a lot of my work about the qualities of light is in the weight. i have been thinking a lot about things floating through the air. it is also very windy down here. there is a piece of sheet music up there that i have

embroidered third. there is a pamphlet about hearing dea -- nearing death. this is a dead rabbit. this is what i am working on now. this is a greeting card that i found, making it embroidered. it is for a very special friend. >> while we were looking at this, i glanced down and this is amazing, and it is on top of a book, it is ridiculous and amazing. >> i am interested in the serendipity of these still life compositions. when he got to the garbage and to see the arrangement of objects that is completely spontaneous. it is probably one of the least thought of compositions. people are getting rid of this stuff. it holds no real value to them, because they're disposing of it. >> we're here in another recology studio with abel.

what attracted you to apply for this special program? >> who would not want to come to the dump? but is the first question. for me, being in a situation that you're not comfortable in has always been the best. >> what materials were you immediately attracted to when you started and so what was available here? >> there are a lot of books. that is one of the thing that hits me the most. books are good for understanding, language, and art in general. also being a graphic designer, going straight to the magazines and seeing all this printed material being discarded has also been part of my work. of course, always wood or any kind of plastic form or anything like that. >> job mr. some of the pieces you have made while you have been here. -- taught me through some of the pieces you have made while you have been here. >> the first thing that attracted me to this was the printed surface. it was actually a poster.

it was a silk screen watercolor, about 8 feet long. in terms of the flatwork, i work with a lot of cloddish. so being able to cut into it come at into it, removed parts, it is part of the process of negotiating the final form. >> how do you jump from the two dimensional work that you create to the three-dimensional? maybe going back from the 3f to 2d. >> everything is in the process of becoming. things are never said or settled. the sculptures are being made while i am doing the collages, and vice versa. it becomes a part of something else. there's always this figuring out of where things belong or where they could parapets something else. at the end goal is to possibly see one of these collage plans

be built out and create a structure that reflects back into the flat work. >> thank you so much for allowing "culturewire" to visit this amazing facility and to learn more about the artists in residence program. is there anything you like our viewers to know? >> we have art exhibitions every four months, and a win by the public to come out. everybody is welcome to come out. we have food. sometimes we have gains and bands. it is great time. from june to september, we accept applications from bay area artists. we encouraged artists from all mediums to apply. we want as many artists from the bay area out here so they can have the same experience. >> how many artists to do your host here? >> 6 artist a year, and we receive about 108 applications. very competitive. >> but everyone should be encouraged to apply. thank you again for hosting us. >> thank you for including us in "culturewire."

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