avenue, third street, stockton, of van ness -- i could go on and on. san francisco is very well known all over the world. but when it comes to ingestion on our streets, we do very poorly. so we can talk about conceptual plans and we can talk about international agreements, but when we go to ground zero and if you have the guts to address our issues magdalene to empirical data -- our issues by going to empirical data, particulates and more, and seeing that all of you who are supposed to be

addressing quality of life issues impacting our constituents of san francisco have done very poorly. and there are some tricks that people will bring. they're called machinations. [bell rings] and you can see that whatever is going to be done on a van ness, the comment period is kind of focused during the holiday season, and and what has been extended to december 19, i think from december 12. and i spoke about this before. more time should be given. having said that, i want to wish you, jerry mirkarimi, all the best as the sheriff. thank you very much. supervisor mirkarimi: thank you, mr. da costa. i appreciate that. any more public comment?

seeing none, public comment is closed. >> item number 5, accept the audit report for the fiscal year ending june 30, 2011, action item. supervisor mirkarimi: discussion? public comment? cnn, public comment is closed. safehouse-st. paul. change car roll call. >> item number 5 -- >> supervisor avalos? >> supervisor campos? >> supervisor chiu? >> supervisor chu? >> supervisor cohen? >> supervisor elsbernd? >> supervisor farrell? >> supervisor kim? >> supervisor mar? >> supervisor mirkarimi? >> supervisor wiener? >> item passes. supervisor mirkarimi: next item. >> item 6 to authorize the executive director to execute a memorandum of agreement with the treasure island development authority in an amount not to exceed $100,000 for the fiscal year 2011-2012 operating budget

and work plan to initiate implementation of the treasure island transportation program and authorize the executive director to negotiate the agreement. action item. supervisor mirkarimi: discussion? public comment? step on up, please. >> at one of the committee meetings, i addressed this issue, and i would like somebody on the rep side of the san francisco county transportation authority to find out more about how exactly mechanisms have been put in place at treasure island. we know that redevelopment is phasing out, and i suppose a model called the ifd is going to be used. i would like to know how moneys are going to come to treasure island to address whatever

projects are going to happen over there? i also stated that i think that the san francisco county transportation authority has a lot to do within the projects were linked to the projects that it already has. i know this is a small amount of money compared to the millions that san francisco county transportation authority doles out, some $100,000, but i would like to know why some other independent entity could not do it. why does it have to be the san francisco county transportation authority? thank you very much. supervisor mirkarimi: thank you, sir. any other public comment? seeing none, public comment is closed. i believe we have same house.

take this without objection. >> item 7, increase the amount of the legal services contract with nossaman llp by $330,000 to a total amount not to exceed $960,000 to provide general legal counsel services and authorize the executive director to modify contract terms. supervisor mirkarimi: public comment? seeing none, closed. safehouse-same call. some of. item eight. >> age, allocate $340,000 and prop k funds with conditions to the san francisco municipal transportation agency for balboa park fast-track intermodal of permits and appropriate 65,000 defender dollars in prop k funds with conditions for the balboa park station areas circulation's study. this is an action item. supervisor mirkarimi: public comment? >> again, at an earlier meeting, i have spoken about this, and i think we're looking at the

balboa park station, and we need to look at it in a very holistic manner. and one of the factors that i discussed at the earlier meeting was that we need to connect the third street light rail the other way. right now, it starts at fourth and king and ends in the middle of visitation valley. we should look forward somehow in the near future, like what you mentioned regarding the other projects, two connected from the middle of nowhere in visitation valley to balboa park. thank you very much. supervisor mirkarimi: thank you. in the the public comment? seeing none, closed. safehouse-send all. next. >> item number 9, allocate $4,088,713 in prop k funds would conditions to the center and

municipal transportation agency for five projects. one under $24,750 and prop k funds with conditions to the department of the environment one project. $179,000 and prop k funds to the department of public works for one project. this is an action item. supervisor mirkarimi: public comment? the sea in none, public comment is closed. safehouse-7 col. so moved. next item. >> 10, certified the final environmental impact report pursuant to the california in our middle quality act, improve the findings of fact, a brief statement of overriding consideration, and adopted the avoidance minimize in -- avoidance, minimization, and mitigation monitoring plan for the yerba buena island rams improvement project. action item. supervisor mirkarimi: public comment. >> at an earlier meeting, i had pointed out to the gentlemen who was giving some sort of a presentation that we must all

remember that this area we call san francisco belongs to the first people. and in case you ladies and gentlemen do not know who they are, they are the [unintelligible] having said that, at yerba buena island, hundreds and hundreds of remains are found. so we have people who come and talk about the eir, and they talk about ceqa, and they talk about this, that, and the other, but they do not have the decency to address the cultural or archaeological factors over which they simply override. in fact, if you go to the

university of berkeley, uc berkeley, there are over 10,000 remains, and we have this in the year 2011. so all these things, you know, improvements that we call, should be holistic. we should have some compassion. all these things that we build, they will collapse. but if we, in our arrogance, do not do what is right and there are federal laws that the native american graves and protection act, which the gentlemen it has not read, nor have you so-called representatives, but i am just pointing this out to you because again and again and again in this city and county of san

francisco, in our arrogance, we fail to first respect the first people. and secondly, to give them the new honor. thank you very much. supervisor mirkarimi: thank you. any other public comment? see none, public comment is closed. some house-7 col. very good. so moved. next item. >> item 11, approved alternative 2b as the preferred alternative for the yerba buena i land grants approved the project. supervisor mirkarimi: public comment? seeing none, public comment is closed. safehouse-cent call. >> item 12, ever the 2011 san francisco congestion management program. this is an action item. supervisor mirkarimi: discussion? public comment? public comment is closed. same house-7 col. >> item 13, introduction of new items, information item. supervisor mirkarimi:

introduction of new items. public comment? public comment is closed. next item. >> item 14, public comment. supervisor mirkarimi: public comment on public comment. ca none, public comment is [closedislaughs] only the bench is laughing. the redundancy speaks for itself. all right, public comment is closed. next item -- >> mr. chair, if i may, i do not know this is the right time or place to do this, but i wanted to take this opportunity to thank you for your service as chair of the transportation of authority, and i appreciate the work that you and your staff have done. i see that there have been many accomplishments. i want to wish you the best in your future endeavors and look forward to continuing to work with you.

thank you. supervisor mirkarimi: very sweet of you, and thank you. wearing two hats, multiple hats for step, i certainly want to recognize that added responsibility for staff and interns and everybody else for help manage the duties and responsibilities of the transportation authority, while we recognize the ta staff. and my own staff have had to manage and cope with those responsibilities. thank you to all, your staff, for helping you all where that extra hat, too. so thank you, supervisor campos. i believe we are done. >> item 15. supervisor mirkarimi: excellent. fantastic holiday, new year, and this meeting is adjourned.

>> i am the executive director of the san francisco film commission, and really wonderful to have you all here tonight. it is a great turn out. nice to see you all here. you can't hear me. sorry. can we turn up the volume on that? thank you. i really want to thank you all for coming tonight. it's a great turn-out. i want to thank our commissioners for coming tonight. they are instrumental in having this be what it is. without their endorsement, about wouldn't have had it. marlene, one of our commissioners is here. if you could say hello. thank you for coming tonight. we appreciate it. [applause] i am grateful to have the honor to introduce a very special guest tonight. we have our newly elected

mayor, ed lee, joining us tonight and introducing the film collective. [applause] and without his support this woot not be possible -- would not be possible. he is a big backer to filming in the city. we are thankful for your support, and thank you very much. we are very excited that you are going to be our mayor for the next four years, and we intend to keep the momentum going of the film commission under your leadership. please welcome mayor ed lee. [applause] >> thank you. good evening, everyone. we are in a celebration mode. so before i begin, i want to make sure you know it is suzanna's birthday yesterday. i want to celebrate our wonderful director. [applause] >> we won't talk age. we will just talk celebration.

but i want to congratulate her. i want to congratulate the san francisco film commission for starting this wonderful collective in the middle of our tenderloin in our city. i have had a chance to work with her briefly as the city administrator and got excited about her new directorship still and things that gavinned talk todd me about. we need to get back to the wonderful film history we have in the city. that is one of those things i want to make sure we do, to resurge that ever. so i am going to be a big supporter of the film industry and particularly this type of innovation here, this thing baitor where you have independent film makers and documentaries coming together. the city can come together here, and we have helped to

find space and worked with a land leonard named craig. is craig here tonight? if anybody says he is craig, we thank him because he has given us a great deal here. and also doing it in a way in which it compliments the district here in the tenderloin. i want to thank the v.b.d. are you here? where did you go? >> here. [applause] >> ok, thank you. i am excited about revising and resources and making sure we support our independent film makers, our documentary film makers. we have a lot to talk about. i am also excited about some of the ideas that have already been on the books. but now that we have the space, we have a great -- production crews have already started

here. i understand there is pot luck productions. cob great -- congratulations for being here. [applause] >> there is stampede productions here. >> [applause] >> there is ecopoise here. [applause] >> and then there is a production company, and i will have to admit to you when i heard this name, i thought they were engaged in horror films. scary cow. [applause] >> having learned what they do, and what their reward system is and how they incentivize by rewarding the great initiatives that some of the film has, and when their popularity grows, they get rewarded to get their next film. i love that concept. i have an entry for you. it is something called too legit to quit. [laughter] anyway, i had a little bit of

fun watching the producers of that come out as well. that should indicate to you there should be a lot of fun, a lot of information to share with the rest of the world, postseason. one of these days i am sure somebody is going to do something about occupy san francisco. i know that is going to happen. please better view me. i've got some opinions. but we are working closely about that. but there is just -- in san francisco when you're a film maker, i know there are a lot topics you can cover, a lot of lines, a lot of precious stories. this is a hot bed for opinions, for postseason and for film making. and i want to make sure that that story-telling, that ability to show the postseason, the ability to educate our world and our own communities thrives and success in our great city of san francisco.

and that we are also an international city. so that my hope is that when these offices are filled and the real energy of this innovation and spirit that is already reflected here, when these production companies find their gems to produce, that you get international attention. because these stories probably will have international themes to them and will resonate all over the world. congratulations, i will be a background supporter. we will be working with the commission to support it as much as we can, and you may see something in the budget. [applause] >> thank you, mayor. just a couple of notes before we get started. for those of you that don't know about the collective, in is a space that has four minimum making grooms at this point. we have six other offices still

available. there is information on how big they are and how much they cost. but we welcome you to submit an application if you are interested. we would love to have more film makers in here. it is a great environment for collaboration, sharing ideas and just getting your work done. i think it is a pretty beautiful space. we are very fortunate to have this space here tonight. before we get started, i wanted to give thanks to pressure island wines. they are donating the wine for tonight, and it is really delicious, wonderful, and we are thankful to have their donations. let's give them a hand. [applause] i also want to acknowledge the hard work of christine monday, who is from our film office. really, this film collective is her idea, and she has put a lot of energy into it. thank you, christine, for all

the work you have done. [applause] >> and again thanking our film commission for supporting this. they have really put a lot of support behind it, letting us have it to start with. and then also giving us the go-ahead to put funds toward connecting this to high speed internet. right now we have tapped into the city's broadband network, so we have 25 up and 25 down, which not being a tech person, i don't really know everything that means. a file used to take 30 minutes to upload, and now it takes three minutes to upload. that is fantastic. in the rent, that is included. utilities and john torle are -- jantorial are included, and a common area and your own space. it is great a good deal for film makers if you are interested in participating. craig larson is the owner of

the building. he has worked with us, and he has been so generous to make it where we could afford this space and where we could give it to you at an affordable rate so. thank you, craig, even though you're not here. i think that's it for now. christine, if you would like to come up and introduce the next >> the question when i started 11 years ago when i started doing resolution work is can anything be presented on a really low resolution device where it is potentially a

digital image? can anything be presented that way? or will it feel cold and electronic? >> the imagery will change. there will be four different sets. it is a two dimensional image. it is stretched out into three dimensions. the device is part of the experience. you cannot experience the image without the device as being part of what you are seeing. whereas with the tv you end up ignoring it.

i make gallery work more self and budget and public art work where i have to drop this of indulgence and think about how people will respond. and one of the things i was interested in the work and also a little fearful of, it is not until you get to the first and second floor were the work is recognizable as an image. it is an exploration and perception is what it is. what are you seeing when you look at this image? one of the things that happens with really low resolution images like this one is you never get the details, so it is always kind of pulling you in kind of thing. you can keep watching it. i think this work is kind of

experience in a more analytical way. in other words, we look at an image and there is an alice going on. -- and there is an analysis going on. >> this is holly lee knox. there are some proud pet owners in san francisco and they have brought all their pets here to strut their stuff.

>> it's an annual event that we've had. this is our 18th year. we bring in rescue groupers, vendors, supporters, lots and lots of animals. it's a proud day for us and for the animals of san francisco. >> the costume contest is really fun. people get really creative. it's a really fun event. people go all out, create costumes, buy costumes, whatever it is. but there's some really fun ones. >> we're just celebrating the pets and just their companionship and how they are invaluable. so everybody's having fun. >> we're the city's open door shelter. that means we take in every animal that comes through our door regass