good jobs in this city. i also want to make two more announcements. as this, as the goals of this ordinance get more challenging yet more accomplishable. i want to let you know we're bringing more people to come in had to think through some of this stuff. i would like to lead with supervisor avalos' help in creating a local hire advisory committee, get more people involved with us to make this even more successful. communities, folks, advocates as well as government people. and then i want even more of a dedicated leadership and thanks to the leadership already that naomi has given and o.e.w.d. and the wonderful staff focused on city build and the lower hire ordinance, we're bringing in a very experienced person to head up city build.

his name is pat mulligan, he is from the carpenters union. [applause] >> pat, congratulations. i know you're going to use your years of experience in helping us get this done. we're excited that you're aboard because you have not only the experience, you have performance under your belt as well. i know you're serious about helping us creating more hope with more people. that is going to be a continuing story of his leadership and his involvement along with everybody else to complement. nobody is leaving the table. everybody is bringing more people in because i think the best thing is people smell victory. it's like being in the final four, you know. it's not about bringing less people to the table, it's about bringing more people because we smell the possibility of more success for a lot more people. but i begin today after a year of old struggle and challenges

and reassurances and now finally performance, i want to continue thanking supervisor avalos for his leadership when he first said let's make this more serious. let's get this real job done. let's get this thing on the road in a better way. so we got a lot of good things to celebrate, but we have a lot more work to do, a lot more projects to identify and a lot more stronger relationship with our voting public that these projects are going to be even more meaningful as they're getting built. you're going to see construction. you're going to see a lot of people that are going to be very satisfied with the results of these projects. so thank you very much for celebrating with us this year. we look forward to the advancement of this ordinance. [applause] >> thank you, mr. mayor. i have the honor today as mayor mentioned, thanks to rhonda simmons and her leadership and the office of economic and workforce development. she along with many people from the community and many people

from the unions introduced us to pat mulligan who was a financial secretary for the carpenters local 22 and a member of the building trades association and we are very pleased to have him come on as our local hire director and will oversee city build. with that, i would like to introduce pat mulligan. [applause] >> thanks, naomi. tonight under service administration and the citizens of san francisco regarding this important measure, i thank mayor lee for allowing me this opportunity and i look forward to working with the existing staff and all the candidates and graduates of city build. thank you, thank you, everybody. [applause] >> thank you, pat. now i have the honor of introducing our board of supervisor john avalos. it was his leadership, his vision, gosh in 2010, that shepherded this policy through the board of supervisors and we

enjoy working with him on this local hire policy and the implementation phase. he has not only saw the legislation, but he has actively engaged in making sure that it is implemented in san francisco and we enjoy working with you. supervisor avalos. [applause] >> thank you, naomi. thank you, mr. mayor, mayor lee, for your leadership on local hire. we are putting san franciscans to work. we are rebuilding san francisco and we're putting san franciscans to work. back in the depression, we had high unemployment. the response from the governor was the new deal. and finding projects to rebuild this country and put people to work. in san francisco, when we had high unemployment, we looked at what we could do with our public works projects and our construction projects to put local residents to work, to make sure that we can actually fuel our local economy by hiring local people. that's what the essence of local higher has been and what

it was about. we had a big change. we had to go from good faith efforts of the past to create a mandatory requirement on local hire and change was not easy. i cannot say enough about how much community and labor worked together to make local hire happen. it was the carpenters union, it was the laborers, bright line defense. there were contractors, asian contractorsant latino contractors, contractors large and small to make this legislation happen. it was that kind of unity that really was successful in creating this great change. that was just one part, though, was creating legislation, getting it past the board of supervisors was one part. the greater part of it has been making sure the implementation happens and mayor lee, rhonda simmons, naomi kelly get so

much credit in making that happen. we would not have been that successful as we have been without that great effort. so we're seeing now what the goal was for this past year was 20% local hire and we're actually at 34%. that is a remarkable achievement and that is the testament of the great work and great involvement of this administration to make local hire happen and i give great credit where credit is due in that process. i also wants to thank all of the trainees for city build that were part of this program. [applause] >> and mayor lee is absolutely right that this project, this ordinance and the work that we do around local hire, a lot of it is about your future and the future of your families here in san francisco and what you're going to do is that if you're working on this project or other projects you will work on in san francisco, you will be able to look back and see the great work that your hands have built in this city. what a remarkable thing to think about. what a remarkable thing to look

back on your day's work or your year's work and see a park, a port peer, an air -- pier, a tower that is built. thank you for that work. thank you for making that change in your life. this ordinance is here to make sure that you have a pathway for that and for future residents to do that as well. i want to thank mayor lee again, naomi kelly, rhonda simmons, our partners in labor, especially the operating engineers local 3, the carpenters union number 22 and 261 for making this a great success. i look forward to how we can improve on this. i do support the local hire advisory committee. we need to make sure that we have the pipeline as full as it can be for local residents and making sure as well that women can also get higher levels of employment in the construction trades. that's one thing the reports emn trades. that is one thing the report looked at.

we need to look good veterans as well, veterans who are in need. the challenge is still ahead. i look forward to rolling up my sleeves and a working with the administration to make that happen. thank you very much. [applause] >> thank you. as you heard, supervisor of loews and merely talk about the city build students -- supervisor avalos and mayor lee talking about the city build students. we're proud to work on our construction project. i now next want to bring up to the stage jason chan, a current city billed student. this class is going to graduate in june. -- a current city build student. at this class will graduate in june. [applause] good morning. thank you, mayor lee, office of workforce and economic development, and all the instructors and students who nominated me to speak on behalf

of our program. i am truly thankful for all your support. my name is jason chan, a current city build academy student, my late 20's, a local resident of san francisco. for the past few years, i was down into my leg. economic crisis and a lack of work. i had lost my confidence and opportunity was simply not there. the situation made me feel that -- i only have myself to blame for the whole i am in. then i heard about the local hiring ordinance, the possibility of landing some stable work, and at the same time i learned about the city build program through my brother-in-law who is a former graduate of the program. this program looked like the ticket to get into a good union jobs. my family was already working in construction, thought to myself, heck, i can use this program as a way to redeem myself and to

build a brighter future. city build has helped to build my self-confidence. instructors truly care for us. most importantly, they're honest about our personal growth, development, and the construction trade. i also met a lot of peers who without this program, society would have given them out. people in met in double the people i met in this program i feel that they're the real everyday heroes. they are willing to work, rain or shine, in the most dangerous and backbreaking fields and make something out of themselves. i had never seen another program similar to this. heck, i wish i knew programs like this when i graduated from high school, when i was a fumbling and declared in college. as much as people talk about the local hiring ordinance and how you have to hire that particular percentage of workers, city

build should not be simply mandated in giving someone a job, but instead, to train someone for a lifetime career. this program simply does that. it creates opportunity for us. opened many doors to an industry that many san francisco and residents would not have dreamed of. we should grow and improve this program together, make is so it can be a model program to train our future and to show local bay area residents how to build and reinvented ourselves to maintain our glory years by the locals who live here. i would like to thank you, mayor ed lee and the committees staff, local unions. we cannot thank you enough for your support. indeed mentor at city build academy helping me and my city

build brothers and sisters, making dreams come true. thank you. [applause] >> thank you, jason. next, i would like to bring up a member from local 261. as jason manchin, this city build academy is with our great pressure but local 261 -- as jason it mentions. we appreciate our working relationship with local 261 and dave. dave. >> thank you. first and foremost, i want to thank mayor lee for his leadership room and his commitment to providing opportunities to san francisco residence. i want to thank the heads of departments. naomi kelly, mohammed nuru, supervisor avalos, for the ordinance that is in place now. that will provide the conduit

for the job opportunities. i also want to acknowledge the students from city build i also want to congratulate my brother pat mulligan on his new appointment. with regards to the students of city build, i often go out there and speak before the class. i tell them what it takes to make it in this very competitive industry. you just heard from one of the students. you know, it is not just a job. it is a career. that is how they should think of it. that is what this academy provides, the skill set. i come from the rank-and-file. i wish they had an academy like this when i was out there. it does give you a heads up, a competitive advantage. and again, it is and 18-week course. obviously they are here and i want to acknowledge their commitment and dedication to it.

that is it. thank you. [applause] >> ok, thank you, everyone, for coming. we can open it up for a few questions. or maybe we will take some questions -- we will finish and we will take some questions on the side. thank you. >>. touring england was a time when robert as mentors were being challenged by a quickly growing middle-class. for endeavour's crew of new artists began to assert themselves, offering new definitions of the athletics of

arts and beauty. over 180 objects of avant-garde design and art from the victorian england has been collected inside the legion of honor snoot exhibition, it's the cold of the ec. -- the cult of beauty. >> there was this group of artists that were not only revolutionaries in their artistic expression but also in their personal lives and their interest in democratizing art in introducing beauty into the growing middle-class. >> one of the inspirations for the victorian avant-garde was the industrial revolution. quality household goods were now being mass-produced. artists responded by either creating elaborate unique court or by embracing technology and trying to share a beautiful creations with as many people as

possible. >> william morris was in a difficult position, because he wanted the middle-class to be able to acquire really beautifully made objects. but the piece is that he actually made, you know, took so much handcrafting that there were quite expensive. i think he would have been pleased to know that there are things like restoration hardware anne craig and bare all that tried to make available to the middle-class -- and crate and barrel that tried to make these things available to the middle class. >> over 60 lenders contributed art and craft to the exhibition. one of the partners is london's victoria and albert museum, which has been collecting the finest examples of victorian craft since queen victoria herself attended the groundbreaking ceremony. the artist of the victorian avant-garde believe that every object could contain an expression of beauty.

the attention given when creating a towering sculpture should be the same as when creating a simple cottage gate. they embraced arts for arts own sake. whether in the curl of a flower or a stray lot of unpin hair. surprisingly, sensuality returned to public view during the victorian era. albert moore and others were inspired by ancient greek sculptures and found new uses in modern times. >> many of these paintings are large. when you get close to them, they seem to wrap you in this luscious colors. there's a great sensuality to the paintings, even though there's nothing sexual going on in the pictures. the artists just took delight in luxurious fabrics and colors and beautiful women. >> symphony in white is a life- size portrait of the immense

stress of james wisler. it is featured prominently in the exhibition. harmony in gray and green was an of socially judged as a disagreeable presentation of a disagreeable young lady. the first public reaction of this series was so divisive that led to court proceedings. today, they hang in london's tate gallery. walking to the exhibition, you might be distracted by objects that seem to modern war appeared to be at least art deco era. forward thinking victorian artists emerged the economical ambitions of 18th-century cottage's style furniture with the asymmetrical design elements of japanese art that was introduced to london in 1862. >> so you come out with these very beautiful and sleek design worms that the artist combined -- a design forms.

very modern. our visitors are really surprised that so many of the works at a very modern feel to them. >> they believe that no object needed to be considered worthless or low class. each thing, existing in its own place, was the best thing for its place. and what first seems to be idle showiness, shows the richness of today and yesterday. >> it is exciting to have a project you have worked on for so long coming in know, come to your own museum. and museum curators are among the luckiest professionals, because we get to share with tens of thousands of people the things that give us enjoy and the things that explain to our visitors the relationship between art and society. art is not just a frivolous, you

know, sidebar. it is a very important expression of culture and morals. this particular moment, the artists were interested in community. >> san francisco is the exclusive american host for the cult of beauty exhibition. the legion of honor is website has more information about the artists and tips for planning your visit. learn more at the website. thank you for watching

>> san francisco recreation and parks department offers classes for the whole family. rec and parks has a class for everyone. discover what is available now and get ready to get out and play. henri matisse. frida kahlo. andy warhol. discover the next great artist. get out and play and get inspired with toddler classes. experience art where making a

mess is part of the process. classes and the size the artistic process rather than the product. children have the freedom to explore materials at their own pace and in their own way. talks love art, especially when they died into the creative process -- dive into the creative process. at the end of the classes, they have cleaned and washup. of.com great way to get out and play. for more information, visit sfrecpark.org. that out and play and get into the groove. rec and parks offers dance classes for seniors.

first-time beginners or lifetime enthusiasts -- all are welcome. enjoy all types of music. latins also, country and western. it is a great way to exercise while having lots of fun. seniors learn basic moves and practice a variety of routines. improve your posture, balance, and flexibility. it is easy. get up on your feet and step to the beat. senior dance class is from sf rec and park. a great way to get out and play. >> for more information, >>.

touring england was a time when robert as mentors were being challenged by a quickly growing middle-class. for endeavour's crew of new artists began to assert themselves, offering new definitions of the athletics of arts and beauty. over 180 objects of avant-garde design and art from the victorian england has been collected inside the legion of honor snoot exhibition, it's the cold of the ec. -- the cult of beauty. >> there was this group of artists that were not only revolutionaries in their artistic expression but also in their personal lives and their interest in democratizing art in introducing beauty into the growing middle-class. >> one of the inspirations for the victorian avant-garde was the industrial revolution. quality household goods were now

being mass-produced. artists responded by either creating elaborate unique court or by embracing technology and trying to share a beautiful creations with as many people as possible. >> william morris was in a difficult position, because he wanted the middle-class to be able to acquire really beautifully made objects. but the piece is that he actually made, you know, took so much handcrafting that there were quite expensive. i think he would have been pleased to know that there are things like restoration hardware anne craig and bare all that tried to make available to the middle-class -- and crate and barrel that tried to make these things available to the middle class. >> over 60 lenders contributed art and craft to the exhibition. one of the partners is london's victoria and albert museum, which has been collecting the finest examples of victorian

craft since queen victoria herself attended the groundbreaking ceremony. the artist of the victorian avant-garde believe that every object could contain an expression of beauty. the attention given when creating a towering sculpture should be the same as when creating a simple cottage gate. they embraced arts for arts own sake. whether in the curl of a flower or a stray lot of unpin hair. surprisingly, sensuality returned to public view during the victorian era. albert moore and others were inspired by ancient greek sculptures and found new uses in modern times. >> many of these paintings are large. when you get close to them, they seem to wrap you in this luscious colors. there's a great sensuality to the paintings, even though there's nothing sexual going on in the pictures. the artists just took delight in

luxurious fabrics and colors and beautiful women. >> symphony in white is a life- size portrait of the immense stress of james wisler. it is featured prominently in the exhibition. harmony in gray and green was an of socially judged as a disagreeable presentation of a disagreeable young lady. the first public reaction of this series was so divisive that led to court proceedings. today, they hang in london's tate gallery. walking to the exhibition, you might be distracted by objects that seem to modern war appeared to be at least art deco era. forward thinking victorian artists emerged the economical ambitions of 18th-century cottage's style furniture with the asymmetrical design elements of japanese art that was introduced to london in 1862.

>> so you come out with these very beautiful and sleek design worms that the artist combined -- a design forms. very modern. our visitors are really surprised that so many of the works at a very modern feel to them. >> they believe that no object needed to be considered worthless or low class. each thing, existing in its own place, was the best thing for its place. and what first seems to be idle showiness, shows the richness of today and yesterday. >> it is exciting to have a project you have worked on for so long coming in know, come to your own museum. and museum curators are among the luckiest professionals, because we get to share with tens of thousands of people the

things that give us enjoy and the things that explain to our visitors the relationship between art and society. art is not just a frivolous, you know, sidebar. it is a very important expression of culture and morals. this particular moment, the artists were interested in community. >> san francisco is the exclusive american host for the cult of beauty exhibition. the legion of honor is website has more information about the artists and tips for planning your visit. learn more at the website. thank you for watching