supervisor wiener: we, at the request of the mta, would like to move to continue this item to june 11. that is the motion that i make. supervisor mar: left open this up for public comment before acting on that motion. is there anyone that would like to speak? supervisor wiener: sorr yoy you had to come out. supervisor mar: can we continue this until june 11 at the urging of the supervisor? is there any other business before us? >> no. supervisor mar: meeting adjourned.

but the anniversary of the great earthquake was remembered. >> i would like to ask for a minute of silence.

>> let's have a moment of silence. >> they meet for the annual reflating ceremony. he was joined by winnie for an afternoon celebration. we are here to commemorate all that it signifies.

at each anniversary the leaders meet to prepare for the next great quake. bob welcome everybody to the anniversary. i got to say, the mayor gets it done. gooa round of applause for our e

chief's wife. you look terrific. do we have sydney close five? -- close by. we will pass the microphone to the mayor for a couple of quick words. we have a fire chief and the police chief. >> good morning, everyone.

106 years since our earthquake. we do have a grandson? she was with us in 2009. goopublic works is here.

this reminds us of the 3000 people but passed away in 1906 from the devastating earthquake, but the rebirth of our city is with us. i have been in all of these other positions where we are always prepared. and we are already engaged in recovery efforts. we were there with a whole staff. we have six

we assure you that when the next big event happens, that water system will be there for us to deliver water with that 24 hours. a huge change from depending on this fountain. we are handing it off to generations of youth in the city to understand -- make sure they're prepared. go to our website, it tells you all the things there. iti is about having those items prepared.w we will survive. that is how we get ready and celebrate and honor the people who left us and make sure our city is ready. thank you for being here.

congratulations to our survivors. >> very nice job. behind me is a good friend and a great firechief. you go back 106 years. braxton morning. -- good morning. one of the survivors could not be with us. those are amazing changes. it does give us the opportunity to remember what happened. we commemorate those who suffered losses in their lives and hardships. we also celebrate the city that was nearly swept from the map. the fires raged for three days

and caused rates -- great devastation. we take the opportunity to educate everyone. it is a pleasure for me to work under the direction of mayor lee. he is a public safety championship. he is a prepared as champion. he lives it. i have seen his kids and his workplace. it is all about teamwork. i am proud to be working with chief suhr. and scott weiner, it is a pleasure to have you out here. we appreciate it. it is a great team. thank you to the people who are out here. and also our partners with the american red cross. who are here this morning. thank you for being here.

it has been a tradition for many of us out here. i hope you have a great day and you remember what happened 106 years ago. it is great to be a san franciscan. >> a nice hand for the chief, everybody. i have seen this other chief speaking in the last couple of times. a nice hand for chief suhr. >> good morning. our fire chief said it. we're lucky in san francisco. we have a mayor who has moved through the tears of prepared as an goddess ready to go. we get a little more prepared every day. god bless to the survivors. >> thank you. >> it is a minute of silence at

5-11. -- 51:11 p.m. let's have a moment of silence for a minute right now. [siren]

>> i think the fitting way to end this germany first of all, -- this ceremony first of all.

there will be playing. everybody have their words right here? i will give the countdown. as we hang the reece, i will give you a count here. have a look at me. 1, 2, 3, 4, 1. ♪ [singing] ♪ ♪

>> a great day, everybody. thank you. the san francisco chornicle. and the history association. and the neighborhood emergency response team. the american red cross. and thanks for making this

happen. i want to invite everyone to go to 20th in church or -- and church. and we will meet up. we may skirt the law and serve something before 6:00 a.m. the bookmobile, where are they? >> i have my cheat sheet here which i cannot find. the library has been here after great disasters. there has -- is a special book that won an award this year. here is the book. i downloaded it on my kindle.

it can check out copies of the book mobile. nex>> thanks for being here. start walking slowly. welcome to san francisco, everyone. ♪ >> welcome to "culturewire." today we are at recology.

they are celebrate 20 years of one of the most incredibly unique artist residency programs. we are here to learn more from one of the resident artists. welcome to the show, deborah. tell us how this program began 20 years ago. >> the program began 20 years ago. our founder was an environmentalist and an activist and an artist in the 1970's. she started these street sweeping campaigns in the city. she started with kids. they had an exhibition at city hall. city officials heard about her efforts and they invited her to this facility. we thought it would coincide with our efforts to get folks to recycle, it is a great educational tool. since then, we have had 95 professional artists come through. >> how has the program changed over the years?

how has the program -- what can the public has an artist engage with? >> for the most part, we worked with metal and wood, what you would expect from a program like ours. over the years, we tried to include artists and all types of mediums. conceptual artists, at installation, photographers, videographers. >> that has really expanded the program out. it is becoming so dynamic right now with your vision of interesting artists in gauging here. why would an artist when to come here? >> mainly, access to the materials. we also give them a lot of support. when they start, it is an empty studio. they go out to the public area and -- we call it the big store. they go out shopping, take the materials that, and get to work. it is kind of like a reprieve,

so they can really focus on their body of work. >> when you are talking about recology, do you have the only sculpture garden at the top? >> it is based on work that was done many years ago in new york. it is the only kind of structured, artist program. weit is beautiful. a lot of the plants you see were pulled out of the garbage, and we use our compost to transplant them. the pathway is lined with rubble from the earthquake from the freeways we tour about 5000 people a year to our facility, adults and children. we talk about recycling and conservation. they can meet the artists. >> fantastic. let's go meet some of your current artists. here we are with lauren.

can you tell us how long have been here so far and what you're working on? >> we started our residency on june 1, so we came into the studio then and spent most of the first couple weeks just digging around in the trash. i am continuing my body of work, kind of making these hand- embroidered objects from our day-to-day life. >> can you describe some of the things you have been making here? this is amazing. >> i think i started a lot of my work about the qualities of light is in the weight. i have been thinking a lot about things floating through the air. it is also very windy down here. there is a piece of sheet music up there that i have embroidered third. there is a pamphlet about hearing dea -- nearing death.

this is a dead rabbit. this is what i am working on now. this is a greeting card that i found, making it embroidered. it is for a very special friend. >> while we were looking at this, i glanced down and this is amazing, and it is on top of a book, it is ridiculous and amazing. >> i am interested in the serendipity of these still life compositions. when he got to the garbage and to see the arrangement of objects that is completely spontaneous. it is probably one of the least thought of compositions. people are getting rid of this stuff. it holds no real value to them, because they're disposing of it. >> we're here in another recology studio with abel. what attracted you to apply for this special program? >> who would not want to come to the dump? but is the first question.

for me, being in a situation that you're not comfortable in has always been the best. >> what materials were you immediately attracted to when you started and so what was available here? >> there are a lot of books. that is one of the thing that hits me the most. books are good for understanding, language, and art in general. also being a graphic designer, going straight to the magazines and seeing all this printed material being discarded has also been part of my work. of course, always wood or any kind of plastic form or anything like that. >> job mr. some of the pieces you have made while you have been here. -- taught me through some of the pieces you have made while you have been here. >> the first thing that attracted me to this was the printed surface. it was actually a poster. it was a silk screen watercolor, about 8 feet long. in terms of the flatwork, i work with a lot of cloddish. so being able to cut into it

come at into it, removed parts, it is part of the process of negotiating the final form. >> how do you jump from the two dimensional work that you create to the three-dimensional? maybe going back from the 3f to 2d. >> everything is in the process of becoming. things are never said or settled. the sculptures are being made while i am doing the collages, and vice versa. it becomes a part of something else. there's always this figuring out of where things belong or where they could parapets something else. at the end goal is to possibly see one of these collage plans be built out and create a structure that reflects back into the flat work. >> thank you so much for allowing "culturewire" to visit

this amazing facility and to learn more about the artists in residence program. is there anything you like our viewers to know? >> we have art exhibitions every four months, and a win by the public to come out. everybody is welcome to come out. we have food. sometimes we have gains and bands. it is great time. from june to september, we accept applications from bay area artists. we encouraged artists from all mediums to apply. we want as many artists from the bay area out here so they can have the same experience. >> how many artists to do your host here? >> 6 artist a year, and we receive about 108 applications. very competitive. >> but everyone should be encouraged to apply. thank you again for hosting us. >> thank you for including us in "culturewire." ♪

>> san francisco recreation and parks department offers classes for the whole family. rec and parks has a class for everyone. discover what is available now and get ready to get out and play. henri matisse. frida kahlo. andy warhol. discover the next great artist. get out and play and get inspired with toddler classes. experience art where making a mess is part of the process. classes and the size the artistic process rather than the product.

children have the freedom to explore materials at their own pace and in their own way. talks love art, especially when they died into the creative process -- dive into the creative process. at the end of the classes, they have cleaned and washup. of.com great way to get out and play. for more information, visit sfrecpark.org. that out and play and get into the groove. rec and parks offers dance classes for seniors. first-time beginners or lifetime enthusiasts -- all are welcome. enjoy all types of music.

latins also, country and western. it is a great way to exercise while having lots of fun. seniors learn basic moves and practice a variety of routines. improve your posture, balance, and flexibility. it is easy. get up on your feet and step to the beat. senior dance class is from sf rec and park. a great way to get out and play. >> for more information,