tv [untitled] February 10, 2013 3:30am-4:00am PST
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reduction in services. because the numbers that we alluded to were greater than that. as he look at table 3 we're talking about significant increases, 73% increases in caseloads in recent years, 58% caseload increases, i do think four attorneys is appropriate, but perhaps there is a middle ground of 3. probably wouldn't be able to drom to a middle ground on the di or investigatives, but i think it's important for us to have these victim witness positions. we need to have individuals that are working closely with our victims who come in through the office, going through the criminal justice system and going through the criminal justice trial process is a scary one and i think it's important that we have cultural
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competent staff to assist with that and so i would propose colleagues and hope that you might be able to support some if not all of the victim witness staff that were proposed. so i'm not a member of this committee, but i want to suggest thats a possible avenue for the committee to consider. >> thank you president chiu. supervisor mar. >> thank you, chair farrell. thank you for speaking. i am a proud co-sponsor of this measure and appreciate president chiu and the groups here, district attorney gascon and the counterinformation provided by our public defender, jeff adachi. i am also supportive of,, as much as we can give to our status on women and the communities i'm supportee of the $50,000 for outreach and legal support for the community-based organizations
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and the commission on the status of women's staffer and i'm glad that they have expressed how much-needed that position is. for the district attorney's office, i support the family violence and support services part of the budget and after hearing more from the budget analyst's suggestions of the limited tenure positions and other ways to make this strong, but accountable supplemental as supervisor avalos said. i'm supportive of supervisor chiu's recommendations to reduce the attorney criminal civil position from 4 to 3 and reducing the district attorney investigator request from 3 to 2. i think that is a good balance from what supervisor avalos has mentioned and what our president has said. and it still provides significant support for our district attorney's office, especially in family violence and support services, but especially to the community-based organizations and our commission on the status of women.
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and their over 13 years' of great work since the tragic death of clare joyce tempongko. so i am hoping that we're supportive of this compromise as we move forward to support your communities and reduce domestic violence. i also just wanted to say thank you for reminding us for v-day for february 14th and i'm hoping that all of our communities participate. >> thank you, supervisor mar and i likewise, just to add a few comments, i want to thank everyone who came here today to district attorney gascon, miss duberry and to the public defender's office and the budget analyst's office, i know there was a ton of work put in this and most importantly to members of community who came out. i think it's incredibly important to show your support and you guys did come out. i am happy to entertain those amendments, we can talk about it in a second exactly what those amendments might be.
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i wanted to state, i am a co-sponsor of this legislation. i would be supportive of the legislation as-is. i think as supervisor avalos mentioned, not only has there been an elephant in the room for a while, but i think after what happened last year, i think it's so important from a policy perspective, that we make a statement here in city hall, here at the board of supervisors, that we are supportive 100% of our domestic violence community. and we want to do everything that we can to make sure that any perceived pitfalls that came out of last year are overcome. i am fully supportive of this, but understand there is amendments. if that is a discussion for the full board, i would support that, but i am supportive of whatever amendments might want to come through today. with that, supervisor mar, do you want to make the amendments very clear to the city attorney's office? >> let me ask mr. rose, and
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miss newman, if you could understand what i am saying? i'm supportive of the budget analyst's recommendations, but i want to make sure that the family violence and support services are adequate, but to reduce the civil-criminal attorney and district attorney investigator positions from 4 for the tomorrow and investigator from 3 to 2. is there a way you could frame your recommendations, adjusting to those attorney and district attorney investigator positions? >> supervisor mar, as i understand the recommendation is for the approval of three attorney positions. which would be in the current
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fiscal year to 85550 district attorney investigator position, which is .66 in the current year 3 investigator positions, .99 fte in the current year. and one 8131 investigator assistant, .33 in the current year. and i want to clarify, you want these as limited terms for two years? >> yes. >> >> in the original appropriation. >> great. >> supervisor avalos? >> just so i'm clear, i'm work on page 21 of the budget analyst's report, 8177s are gooing from 4 to 3. >> please standby for change
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>> an icon of the new deal. >> we stood here a week ago and we heard all of these dignitaries talk about the symbol that coit tower is for san francisco. it's interesting for those of us in the pioneer park project is trying to make the point that not only the tower, not only this man-built edifice here is a symbol of the city but also the green space on which it sits and the hill to which is rests. to understand them, you have to understand the topography of san francisco. early days of the city, the city grows up in what is the financial district on the edge of chinatown. everything they rely on for existence is the golden gate. it's of massive importance to the people what comes in and out of san francisco bay. they can't see it where they are. they get the idea to build a giant wooden structure. the years that it was up here,
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it gave the name telegraph hill. it survived although the structure is long gone. come to the 1870's and the city has growed up remarkably. it's fueled with money from the nevada silver mines and the gold rush. it's trying to be the paris of the west. now the beach is the suburbs, the we will their people lived on the bottom and the poorest people lived on the top because it was very hard getting to the top of telegraph hill. it was mostly lean-to sharks and bits of pieces of houses up here in the beginning. and a group of 20 businessmen decided that it would be better if the top of the hill remained for the public. so they put their money down and they bought four lots at the top of the hill and they gave them to the city. lily hitchcock coit died without leaving a specific use for her bequest. she left a third of her estate for the beautify indication of the city. arthur brown, noted architect
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in the city, wanted for a while to build a tower. he had become very interested in persian towers. it was the 1930's. it was all about machinery and sort of this amazing architecture, very powerful architecture. he convinced the rec park commission that building a tower in her memory would be the thing to do with her money. >> it was going to be a wonderful observation place because it was one of the highest hills in the city anywhere and that that was the whole reason why it was built that high and had the elevator access immediately from the beginning as part of its features. >> my fear's studio was just down the street steps. we were in a very small apartment and that was our backyard. when they were preparing the site for the coit tower, there was always a lot of harping and
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griping about how awful progress was and why they would choose this beautiful pristine area to do them in was a big question. as soon as the coit tower was getting finished and someone put in the idea that it should be used for art, then, all of a sudden, he was excited about the coit tower. it became almost like a daily destination for him to enjoy the atmosphere no matter what the politics, that wasn't the point. as long as they fit in and did their work and did their own creative expression, that was all that was required. they turned in their drawings. the drawings were accepted. if they snuck something in, well, there weren't going to be
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any stoolies around. they made such careful little diagrams of every possible little thing about it as though that was just so important and that they were just the big frog. and, actually, no one ever felt that way about them and they weren't considered something like that. in later life when people would approach me and say, well, what did you know about it? we were with him almost every day and his children, we grew up together and we didn't think of him as a commie and also the same with the other. he was just a family man doing normal things. no one thought anything of what he was doing. some of them were much more highly trained. it shows, in my estimation, in
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the murals. this was one of the masterpieces. families at home was a lot more close to the life that i can remember that we lived. murals on the upper floors like the children playing on the swings and i think the little deer in the forest where you could come and see them in the woods and the sports that were always available, i think it did express the best part of our lives. things that weren't costing money to do, you would go to a picnic on the beach or you would do something in the woods. my favorite of all is in the staircase. it's almost a miracle masterpiece how he could manage to not only fit everyone, of course, a lot of them i recognized from my childhood --
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it's how he juxtaposed and managed to kind of climb up that stairway on either side very much like you are walking down a street. it was incredible to do that and to me, that is what depicted the life of the times in san francisco. i even like the ones that show the industrial areas, the once with the workers showing them in the cannery and i can remember going in there and seeing these women with the caps, with the nets shuffling these cans through. my parents had a ranch in santa rosa and we went there all summer. i could see these people leaning over and checking. it looked exactly like the beautiful things about the ranch. i think he was pretty much in
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the never look back philosophy about the coit. i don't think he ever went to visit again after we moved from telegraph hill, which was only five or six years later. i don't think he ever had to see it when the initials are scratched into everything and people had literally destroyed the lower half of everything. >> well, in my view, the tower had been pretty much neglected from the 1930's up until the 1980's. it wasn't until then that really enough people began to be alarmed about the condition of the murals, the tower was leaking. some of the murals suffered wear damage. we really began to organize getting funding through the arts commission and various other sources to restore the murals. they don't have that connection or thread or maintain that connection to your history and your past, what do you have?
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that's one of the major elements of what makes quality of life in san francisco so incredible. when people ask me, and they ask me all the time, how do you get to coit tower, i say you walk. that's the best way to experience the gradual elevation coming up above the hustle and bustle of the city and finding this sort of oasis, if you will, at the top of the hill. when i walk through this park, i look at these brick walls and this lawn, i look at the railings around the murals. i look at the restoration and i think, yeah, i had something to do with that. learning the lessons, thank you, landmarks meet landmarks. the current
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