tv [untitled] May 20, 2013 1:00pm-1:31pm PDT
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thank you very much. >> that concludes our report. any public comments? seeing none we will proceed to item 8. >> consent agenda, there will be no separate discussion of these items was a member of the commission so requests in which case the matter will be removed from the calendar considered separately. >> president torres: anybody wishes to remove an item? any motions? second? any public comments? all those in favor? alop opposed?motion carries. item 9.
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>> authorizing the general manager the authority to execute an amendment . (reading from the agenda) >> president torres: welcome mr. cruz. >> good morning mr. president, members of the commission. it has been the policy of your commission and the puc's practice to extend opportunities to the communities in which we work in which we serve. in addition to our efforts at the mayors office of economic development we have partnered with a -- organization to assist with grassroots efforts and to work with local, organized labor. a week ago in fact friday i was related to be at the breakfast of champions down and san mateo county, were job trained recognizes
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seven cisco public utilities commission as the employer of the year because we threw our contractors hired 96 graduate, full-time, blue-collar working wage jobs working on such projects as harry tracy. through our contractors work we have been able to extend his opportunities to the communities in which we work. through our partnership we have hired 300 people who were previously unemployed, underemployed are making the transition from a correctional institution to full-time employment . we have representatives from three of our partner organizations, job-training, youth build and cypress mandela. those organizations cover san mateo, san joaquin, alameda and
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san francisco county. >> is there a motion? >> i will move it. i think is also appropriate for the people in those organizations to stand and be recognized. >> president torres: thank you commissioner moran. (applause) >> it has been moved in seconded. we are going to vote on it. all those in favor? alop opposed?you have helped the motion carried. thank you. item 10. >> approve amendment number 1 to amend cs 946 increasing the
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agreement by 500,000 dollars. >> steve ritchie, assistant city manager for water. this is for continuation of our work on the upper -- river they can share our flow releases of providing the best habitat value downstream from our dams. >> president torres: is there a motion? >> so moved. >> seconded. >> president torres: seconded by commissioner vietor. public comments on item 10? there being none, alif all those in favor?alop opposed?motion carries. item 11. >> approving construction contract, bioregional habitat restoration. >> mr. cruz.
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> emilio cruz. during construction we had a major storm. as part of the storm there was damage done to the construction site and some of the environmental components of our project. he item before you simply to make a change order with the existing contractor repair the damages that happened during this natural storm in order to have the project when it is completed meet all of our goals. >> president torres: any discussion? >> so moved. >> moved by commissioner vietor, seconded by commissioner moran. any public comments? all those in favor? alop opposed?motion is carried. item 12. >> consider and adopt the proposed wholesale revenue requirement for fiscal year 2013-14. >> mr. rydstrom.
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>> the item before you is a material you reviewed the last meeting and requires adoption by this body reflecting what is a 16 percent decrease in the rates as well as the updated rate for late charges and a discount for untreated water as we do each year. happy to answer any questions. >> president torres: any questions? motion? moved by commissioner caen, seconded by commissioner moran. any public comments? there being none all of those in favor seemed five by saying aye. opposed? motion carries. move to item 13. motion to approve -- i'm sorry. public comment on matters to be discussed in close session. alright, i need a motion to assert the attorney-client privilege.
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>> motion. >> second. all those in favor? >> item 18 anticipated litigation as, find this item 19, item 20, consultation with agen >> we're back. motion to reveal? >> motion not to disclose. >> president torres: all those in favor? >> we are announcing action was taken on items 16 and 17. any other business? >> we referenced the
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communication received from the san francisco labor council, item cca hearing on the agenda. i wanted to make a reference because i am an elected member of the san francisco labor council. i was not in attendance at the executive meeting nor at the meetin glast night where the item was authorized by the elected body.
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there have been a lot of changes, i've myself clear about the changes. there has been a lot of support form the advocates, the kids here today, evaporating. it would go a long way to gettting us to where we need to be by staffing picking up these 3 short items. >> president torres: without objection that should be the oder. >> i have a quesiton. it doesn't say here, they are asking us to reject the contract with shell. i don't
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know the origin of that. i don't know if the staff could uncover what some of the reasons are for the labor council taking that position. is there some issue they have with shell? >> that should be the order. >> i intentionally avoided asking any conversation because we have the obligation to continue these negotiations in good faith and wanted to focus on those principles. we are trying to move the ball forward. i understand those comments. i'd be fine if we didn't open that door.
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after an earthquake and taking care of your pet's needs. ♪ >> here we are at the spur urban ken center and we are in this little house that was built to show what it is like in san francisco after an earthquake. we are very pleased to have with us today, pat brown from the department of animal care and control and her friend oreo. >> hi. >> lauren. >> could you tell us what it would take after an earthquake or some other emergency when you are in your home and maybe no power or water for a little while. what it would take for you and oreo to be comfortable and safe at home. >> just as you would prepare for your own needs should an earthquake or a disaster event
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occur, you need to prepare for your pets. and i have brought with me today, some of the things that i have put in my disaster kit to prepare for my animal's needs to make sure that i am ready should something happen and i need to shelter at home. >> what are some of the things that people should have in their home after an earthquake or other emergency to help take care of their tasks and take care of themselves. >> i took the liberty of bringing you some examples. it includes a first aid kit for your pet and you can also use it for yourself and extra meds for your pets. and water container that will not tip over. we have got both food, wet food and dry food for your pet. and disposable food container. and water, and your vet records.
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in addition, we have a collar and some toys. >> yeah. to keep oreo busy. >> he needs toys and this is san francisco being a fruity city and come on oreo. this is your dinner, it is patte style chicken dinner with our foody seen here. >> what they say now is that you should have at least a gallon of water and i think that a gallon of water is small amount, i think that maybe more like two gallons of water would be good for you and your pet. >> does the city of animal control or any other agency help you with your pet after an emergency. >> there is a coalition of ngos, non-governmental organizations led by the department of animal care and control to do disaster planning for pets and that includes the san francisco spca. the paws group, the vet sos,
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pets unlimited. and we all have gotten together and have been getting together for over four or five years now to talk about how we can educate the public about being prepared for a disaster as it involves your pets. >> a lot of services. i understand that if you have to leave your home, we are encouraging people to take their pets with them. >> absolutely. we think that that is a lesson that we concerned from karina, if you are being evacuated you should take your pet with you. i have a carrier, and you need to have a carrier that you can fit your pet in comfortably and you need to take your pet with you when you were evacuated. >> i am going to thank you very much for joining us and bringing oreo today. and i am go
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thanks for inviting us in and showing us your amazing facility today. >> my pleasure. >> how long has electric works been around? >> electric works has been in san francisco since the beginning of 2007. we moved here from brisbane from our old innovation. we do printmaking, gallery shows, and we have a fabulous retail store where there are lots of fun things to find. >> we will look at all of that as we walk around. it is incredible to me how many different things you do. how is it you identify that san francisco was in need of all these different services? >> it came from stepping out of graduate school in 1972. i wrote a little thing about how this is an idea, how our world should work. it should have printmaking, archiving, a gallery. it should have a retail store. in 1972, i wanted to have art
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sales, point-of-sale at the grocery store. >> so you go through the manifesto. with the bay area should have. you are making art incredibly accessible in so many different ways, so that is a good segue. let's take a walk around the facilities. here we are in your gallery space. can you tell me about the current show? >> the current show is jeff chadsey. he is working on mylar velum, a smooth, beautiful drawing surface. i do not know anyone that draws as well as he does. it is perfect, following the contours and making the shape of the body. >> your gallery represents artists from all over, not just the bay area, an artist that work in a lot of different media. how to use some of what you look for in artists you represent?
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>> it is dependent on people are confident with their materials. that is a really important thing. there i enough stuff in the world already. >> you also have in his current show an artist who makes sculpture out of some really interesting types of materials. let's go over and take a look at that. here we are in a smaller space. project gallery. >> artists used the parameters of this space to find relationships between the work that is not out in the big gallery. >> i noticed a lot of artists doing really site-specific work. >> this is a pile of balloons, something that is so familiar, like a child's balloon. in this proportion, suddenly, it becomes something out of a dream. >> or a nightmare. >> may be a nightmare. >> this one over here is even harder to figure out what the
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initial material is. >> this is made out of puffy paint. often, kids use it to decorate their clothes. she has made all these lines of paint. >> for the pieces we are looking at, is there a core of foam or something in the middle of these pieces that she built on top of? >> i'm not telling. >> ah, a secret. >> this silver is aluminum foil, crumbled of aluminum foil. her aesthetic is very much that quiet, japanese spatial thing that i really admire. their attention to the materiality of the things of the world. >> this is a nice juxtaposition you have going on right now. you have a more established artists alongside and emerging artists. is that something important to you as well? >> very important in this space,
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to have artists who really have not shown much. now let's look at other aspects of electric works operation. let's go to the bookstore. >> ok. >> in all seriousness, here we are in your store. this is the first space you encounter when you come in off the street. it has evolved since you open here into the most amazingly curious selection of things. >> this was the project for the berkeley art museum. it was -- this is from william wiley's retrospective, when he got up onstage to sing a song, 270 people put on the cat. >> it is not just a bookstore. it is a store. can you talk us through some of your favorites? >> these are made in china, but they are made out of cattails. >> these pieces of here, you have a whale head and various
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animals and their health over there, and they are jewelry. >> we do fund raisers for nonprofits, so we are doing a project for the magic theater, so there are some pretty funny cartoons. they are probably not for prime time. >> you sort of have a kind of holistic relationship where you might do merchandise in the store that promotes their work and practice, and also, prince for them. maybe we should go back and look at the print operation now. >> let's go. >> before we go into the print shop, i noticed some incredible items you have talked back here. what are we standing in front of? >> this is william wiley, only one earth.
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this is a print edition. there are only eight total, and what we wanted to do was expand the idea of printmaking. this is really an art object. there we go. >> besides the punball machine, what do you produce in limited edition? >> there is the slot machine. if you win the super jackpot, you have saved the world. >> what about work? >> the right design, it was three volumes with lithographs in each volume. the cab of count dracula with 20 lithographs inside and lined with beaver fur. really special. >> let's move on to the print shop. >> ok. the core of what we do is making
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things. this is an example. this is a print project that will be a fund-raiser for the contemporary music players. we decided to put it in the portfolio so you could either frame at or have it on your bookshelf. >> so nonprofits can come to you, not just visual are nonprofits, but just nonprofits can come to you, and you will produce prints for them to sell, and the profits, they can keep. >> the return on investment is usually four times to 10 times the amount of investment. this is for the bio reserve in mexico, and this is one of the artists we represent. >> you also make prints for the artists that you represent. over here are some large prints by a phenomenal artist. >> he writes these beautiful things. anyone who has told you paradise is a book of rules is -- has
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only appeared through the windows. this is from all over coffee. we are contract printers for all kinds of organizations all across the country. >> thank you very much for showing us around today. i really appreciate you taking the time to let me get better acquainted with the operation and also to share with our "culturewire" team.
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