vehicle sharing and the bike sharing a significant expansion of car sharing we're implementing electric scooters and making those viable and to speak to angle earlier comment about ride sharing the t nc are not and finally completed the sf park pilot we recorded back a few meetings back in the summer and b will be coming forward with recommendations with the theory of sf park two dramatic pricing we'll improve the reliability and reduce congestion muni is improving transportation issue which include the creation of the

network and improving reliability we've talked about the outdoor boarding and making the system smallest with technology with the safety assess we've had capital projects and we'll have a lot more coming over the cows of 2015 and goal 3 a live ability issue with the affordability it is challenged and the quality of life is something that the transportation is much a part of insuring we can maintain we did a study it demonstrated the policy bolstering the local committee and working to reduce our fingertip in terms of the energy and heard the governance committee and working hard to improve the project delivery to deliver on the capital there's

the divorce have provided to us you've heard earlier from john with with a great delivery with the central subway on time and on budget and we expect the rest of our project to follow suits in terms of improving the workforce in the workplace to deliver on the rest of the goals through creating a culture of service to go along with the culture of safety insuring that all employees have clear expectations for their performance and get honest feedback and in here we recognize employees for they're great work ms. booze may reference to last year's close out fiscally the budget the service increase for

free muni we've heard about today and adding for staff so we can better and better support the service on the capital side a significant investment that's been realized because of prop a that is part of the bigger transportation initiative we've had the task force started by mayor ed lee and co-chair by metcalf and on that recommended up to $3 billion of new investments in the next 15 years which prop a was the first down payment we're focusing on murray our progress for each the objectives in the strategic plan 4 goals and a key performance indicator for each the objectives we've met our goal and are working on the strategic

action items we've completed the lions share of those so that's the lincoln fast version i'm sure you've read in our annual report and aaron will be happy to sign your paper copies i want to acknowledge that the mayor that the board your leadership particularly of the employees of the mta responsible for this work 5 thousand hard working people responsible for the outcomes and it set us up for success in the years to come. >> one thing i like about it acknowledging we're not made the modules but this give us the credibility but no one lo would building it i appreciate that but it looks at nice there are

pictures of employees and i think it does employees and various civic leaders and advocates that makes a big difference as i've said a number of times this is the most used strategic plan i've been involved in this talks about how we're doing and yet ready to go so i appreciate i know it took a lot of work. >> members of board. >> i mean, i'll chime in it looks at gorgeous and the photos of the employees and the community members and, of course, chairman north koreans picture. >> it's a great report your i think the fiscal on the strategy plans keeps everything focused it makes it real clear. >> anyone else if not

members of the public howard wong. >> he's the only person that turned in a speaker card. >> howard i think you missed the comments of the lower bus low floor buses are also a very important part of the transit preferential streets program adapt by the citizens in 2003 prop k portland, oregon had a change to ride their system check it out i was impress with their he long term planning low floor buses were an integral part avoiding the platforms that we and seen in san francisco when i see as a more disruptive and creating an obstacle in our streets moving

forward with the lower floor vehicles of all types of vehicles and rail systems maybe we should look at the low floors although it creates a dual system in regards to the reports people have told me that can 0 donor is an important part of reporting it would be level to have a simple because of things that have been criticized let's look at r look at switch backs and people are been critical and rather than gloegz over them let's start having measurements over time to see how we've progressed even though we didn't progress having that information will have participation among

the public. >> no one else exterminates to address the board. >> no one else. >> well happy holidays to everybody and see you again next year see you thank you very much

>> i'm your host of "culturewire," and today, here at electric works in san francisco. nice to see you today. thanks for inviting us in and showing us your amazing facility today. >> my pleasure. >> how long has electric works been around? >> electric works has been in san francisco since the beginning of 2007. we moved here from brisbane from our old innovation. we do printmaking, gallery shows, and we have a fabulous retail store where there are lots of fun things to find. >> we will look at all of that as we walk around. it is incredible to me how many different things you do. how is it you identify that san francisco was in need of all

these different services? >> it came from stepping out of graduate school in 1972. i wrote a little thing about how this is an idea, how our world should work. it should have printmaking, archiving, a gallery. it should have a retail store. in 1972, i wanted to have art sales, point-of-sale at the grocery store. >> so you go through the manifesto. with the bay area should have. you are making art incredibly accessible in so many different ways, so that is a good segue. let's take a walk around the facilities. here we are in your gallery space. can you tell me about the current show? >> the current show is jeff chadsey. he is working on mylar velum, a

smooth, beautiful drawing surface. i do not know anyone that draws as well as he does. it is perfect, following the contours and making the shape of the body. >> your gallery represents artists from all over, not just the bay area, an artist that work in a lot of different media. how to use some of what you look for in artists you represent? >> it is dependent on people are confident with their materials. that is a really important thing. there is enough stuff in the world already. >> you also have in his current show an artist who makes sculpture out of some really interesting types of materials. let's go over and take a look at that. here we are in a smaller space. project gallery. >> artists used the parameters of this space to find relationships between the work that is not out in the big

gallery. >> i noticed a lot of artists doing really site-specific work. >> this is a pile of balloons, something that is so familiar, like a child's balloon. in this proportion, suddenly, it becomes something out of a dream. >> or a nightmare. >> may be a nightmare. >> this one over here is even harder to figure out what the initial material is. >> this is made out of puffy paint. often, kids use it to decorate their clothes. she has made all these lines of paint. >> for the pieces we are looking at, is there a core of foam or something in the middle of these pieces that she built on top of? >> i'm not telling. >> ah, a secret. >> this silver is aluminum foil, crumbled of aluminum foil. her aesthetic is very much that quiet, japanese spatial thing

that i really admire. their attention to the materiality of the things of the world. >> this is a nice juxtaposition you have going on right now. you have a more established artists alongside and emerging artists. is that something important to you as well? >> very important in this space, to have artists who really have not shown much. now let's look at other aspects of electric works operation. let's go to the bookstore. >> ok. >> in all seriousness, here we are in your store. this is the first space you encounter when you come in off the street. it has evolved since you open here into the most amazingly curious selection of things. >> this was the project for the berkeley art museum. it was -- this is from william

wiley's retrospective, when he got up onstage to sing a song, 270 people put on the cat. >> it is not just a bookstore. it is a store. can you talk us through some of your favorites? >> these are made in china, but they are made out of cattails. >> these pieces of here, you have a whale head and various animals and their health over there, and they are jewelry. >> we do fund raisers for nonprofits, so we are doing a project for the magic theater, so there are some pretty funny cartoons. they are probably not for prime time. >> you sort of have a kind of holistic relationship where you might do merchandise in the store that promotes their work and practice, and also, prince for them. maybe we should go back and look

at the print operation now. >> let's go. >> before we go into the print shop, i noticed some incredible items you have talked back here. what are we standing in front of? >> this is william wiley, only one earth. this is a print edition. there are only eight total, and what we wanted to do was expand the idea of printmaking. this is really an art object. there we go. >> besides the punball machine, what do you produce in limited edition? >> there is the slot machine. if you win the super jackpot, you have saved the world. >> what about work? >> the right design, it was three volumes with lithographs

in each volume. the cab of count dracula with 20 lithographs inside and lined with beaver fur. really special. >> let's move on to the print shop. >> ok. the core of what we do is making things. this is an example. this is a print project that will be a fund-raiser for the contemporary music players. we decided to put it in the portfolio so you could either frame at or have it on your bookshelf. >> so nonprofits can come to you, not just visual are nonprofits, but just nonprofits can come to you, and you will produce prints for them to sell, and the profits, they can keep. >> the return on investment is usually four times to 10 times the amount of investment. this is for the bio reserve in

mexico, and this is one of the artists we represent. >> you also make prints for the artists that you represent. over here are some large prints by a phenomenal artist. >> he writes these beautiful things. anyone who has told you paradise is a book of rules is -- has only appeared through the windows. this is from all over coffee. we are contract printers for all kinds of organizations all across the country. >> thank you very much for showing us around today. i really appreciate you taking the time to let me get better acquainted with the operation and also to share with our "culturewire" team. >> welcome back to the three time world series city and county

of san francisco. [ cheers and applause ] >> i just want you to remember that phrase because whenever you have residents or people at your commission complaining about something, let them know you are the commissioner of a city of three time world champion, so please take it down. i'm going to welcome everybody here to this wonderful event where i get to rewelcome and also welcome new members of our official city family who are going to spend personal hours of sacrifice and time to help me manage this wonderful wonderful city. today we have some 21 people who are joining the ranks of a variety of 11 different agencies that assist and you are invaluable to this administration. let me tell you that i truly believe

that it is through all of your capacities that provide us with the necessary with the necessary public input to run this incredible agencies that is so successful and i impose this with a great deal of seriousness in that we are a city of people, it has always been that way and as we celebrate the centennial what happened back in 1915, the world series and recovering from the world's fair, i have the world series in my mind and recovering from that 1906 earthquake we are innovating and people were innovating in their ideas and foraging ways to recover. we are still recovering from a great recession, but we are doing much better than other cities because of you and i

want your ideas, i want your input, i want your inclusive way with the way we've always governed this city. never forget the people and also never forget the diversity in the way this happens and the incredible talent that we draw by our governance of the city. with that, i want to say thank you and congratulations and if we can get on to the oath, i would like you all to stand as i introduce you to this oath, please state your name and the body to which you are being appointed and then we will get to that oath. if i may, we will begin with this right hand side and this is your opportunity to speak loud because you will be spoken to very loud after the oath is taken and before i do that, i just want to say thank you to all

of the friends, the family, your acquaintance and other department heads who are here today to witness this and support you. if i may, please raise your right hand and repeat after me with your name. i, agency, thank you. >> [inaudible] >> thank you. >> [inaudible] >> thank you. >> [inaudible] do solemnly

swear that i will support and defend the constitution of the united states and the constitution of the state of california against all enemies foreign and domestic. that i will bear true faith allegiance to the constitution of the united states and the constitution of the state of california, that i take this obligation freely without any mental reservation or purpose of evasion and that i will well and

faithfully discharge the duties upon which i am about to enter during such time as i hold the office of for the city and county of san francisco. congratulations. thank you very much. [ applause ] . everyone, happy holidays! thank you for the hours, i really appreciate this and we'll see you at the various events that go on. i appreciate it. thank you. let's go to work. >> >> >>

>> hi, i'm with building san francisco. and we have a special program of stay safe today where we're going to talk about what you can do to your home after an earthquake to make it waterproof and to be more comfortable. we're here at spur in san francisco, this wonderful exhibit of safe enough to stay. and this is an example of what your home might be like after an earthquake. and we have today with us ben latimer from tvan. thank you for joining us. >> thank you. >> we'll talk about things you can do you don't have to be a

professional contractor to make your home more livable after an earthquake. >> i want to talk about things a homeowner can do. we have comfort and we have things like a little bit of maybe safety if your front door is ajar and waterproofing if you have a leak in your roof, or if you have broken glass on the window. >> so unr, one of the most important fib use is keeping outside out and inside in. let's look at windows. >> let's assume this window is broken in the earthquake. we have wind and rain blowing in. one of the most important things you need to do as a homeowner is secure the plastic properly. if you just take staples or nails and put them into the plastic, we're going to get a strong wind and rip it right off. what i'm going to have somebody do is they're going to have -- this is an old piece of shingle. you might have -- everybody has a piece of wood in their basement. it doesn't have to be fancy. they take out this rusty screw begun, and hopefully you have one of these. >> there is one at the

neighborhood support center. >> at the neighborhood support center. you're going to wrap this plastic around this board, take your screw. and then screw that in. >> you need a permit for this? >> you do need a permit for this. and you can contact the former head building inspector to get that permit. that's it. now when the wind blows, it's tight and it's not going to pull through, having a single point of contact. >> great. what about this door? take a look at this door. what can you do? let's say it doesn't shut tight. what can you do? >> for the sake of argument, we're on the inside. i can't lock my door at night. i have a very similar, very similar idea. i'm going to take my 2 by 4. i can put it across the jamb in the door. one.

two. maybe i want another one up here, maybe another one down there. but i can go to sleep. and that quickly, i can get it off in the morning. >> terrific. what about the roof up here? we see people throw blue tarps over their roof after an earthquake. that seems reasonable. >> i think the blue tarp is reasonable. the things that people want to know that they need to know is if you have multiple tarps, how you overlap. starting from the bottom and moving up so that you're overlapping this way. so, rain running down doesn't slide under your tarp. >> right. >> and the same technique we did over here, as silly as it may sound, wrapping the end of that blue tarp with your board and then securing that if you can underneath, if you have to on top is fine. but making sure that you don't have an area where the wind is going to get under and bill owe that tarp. >> the wind can rip it right off. >> and then you're back up there again. >> let's go inside and check out what we can do inside. >> old fun. here we go. >> so, ben, i see you have

nails, universal tool right here. >> man's best friend. duct tape. let me show you a couple things we can use this for after an earthquake. this window right here, because it's off kilter, we have open seams all along. i have a lot of air coming through. i want to stay comfortable at night. i want to keep that air out. it's as simple as that, all the way around. >> excellent. >> now i don't have any air coming in. let's say this one is one that would annoy me. everything is a little off. my doors won't stay closed. i take a piece of my favorite duct tape here, close it up. and at least it will stay out of my way when i'm trying to live throughout my day. if we're not talking about pressurized water, we're talking about just the drain, sometimes they're going to get a crack here. >> right, sure. >> and you're going to get a leak. duct tape around that is going to help us get through until we can get a plumber out and get that fixed as well. let's say we only have electricity in one room, so we're running extension cords across the house. if i'm going to run an extension cord from one room to

the other, i don't want kids tripping on it. i don't want to trippon it. i take my trusty duct tape, tape it to the floor, and i don't have to worry about it getting kicked. >> great, great. look at this. let's look at the duct tape here because we see a big -- >> yes. in the event of an earthquake, i don't think we're going to have too many -- too much debris that's safe to put into a plastic bag, even as strong as it might be. these are called vice bags. this is what they use to put rice and things when they ship it. this is something where i take my glass, i can take broken pieces of wood, i can take anything sharp and fill it. and it's not going to puncture and come out. it's not going to fall all over the floor. i've not going to have it sticking out, maybe scratch myself, cut myself or anything like that. these are a great thing to have. >> you have a little go-to box for emergencies. that's great. thanks very much for joining us, ben. it's really been interesting. and i want to thank you all for joining us here at the spur urban center. and we'll see you again good e.

>> that's what i like to hear okay. the regular meeting of the go board of education of the san francisco unified school district for december 9, 2014, is now called to order. >> roll call please. >> thank you, commissioners mr. haney ms. maufas ms. mendoza-mcdonnell dr. murase ms. norton ms. wynns thank you, president fewer ms. sonata and mr. chin thank you. >> please join me in the pledge of allegiance