before but i will plead for it. >> that's all. >> okay. thank you. >> staff can you you couldn't ask you is there my discussion. >> just to clarify on the memo under the following events number 6 i briefly mentioned it is not clear i'll just address that after we continued the item from the november 6th hearing from when the project sponsor and neighbors worked through the concerns related to light one of the proposals that was submitted involved pushing the entire building mass back and maintaining the building wall currently exists and pushing the proposed map back into the rear yard that requires a variants from the planning

code so it was reviewed with the design team and was not supported i think the lack of open space and they're initially reviewed with the zoning administrator didn't see initial meet the criteria didn't go through the variance hearing there was an application submitted but that maybe what the neighbor is referring we didn't submit those plans in your packet not part of the things submitted so - that may help clarify some of that. >> okay. thank you. >> sure. >> commissioner richards and i guess i mean it is obviously i drive down the street a lot and noticed this house for the last

20 years not in a good way i'm glad you're doing something with that house one quick question i have i'm not an architect the only thing that strikes me from the design moving forward the third-story facing to the setting it is actually puncturing south if you come from a slight angle i have a reaction to this thing here i guess a notch but it's like it is actually right here actually do you see it? >> sure i think we're talking about the entry to the building would be recessed the front porch south and we're matching

the front porch. >> it is so the south and the floor directly above it would be ideal for the one storage to accommodate one which will be the third-story of the plan. >> commissioner moore. >> the proposed building aside from it's size and issues that are measured here has actually an architecture lack that didn't really respond to anything that is there it's a modernity building i'm a little bit concerned about the lack of disclosure on details of the matching windows, etc. it is a little bit two window i didn't for me to the side of glazing

i'm not here to help redesign it i want to see the work from the department including a clear understanding what you're going to undertake we see quite a few buildings that look like this and don't wear so well given the type of stucco they use i won't mention any other materials because of the cost of engineering impairing some of the buildings it is a large building and where do we put the money mr. smith and jocelyn i think we need more work on in facade impression including the window cross section i'm otherwise in support i'm not quite sure how to continue it in

the difficult discussion about the front facade this is it is a complicated project. >> i cannot make a motion i don't have a problem with the design the stairwell needs a safety feature but guarantee i don't have a problem with the budget overall. >> to address that commissioner moore concern is this something that you wanted to see again? or is it something you want to condition the project to have staff work with the project sponsor >> i'm xhoufbl your work with the project sponsor my concern

is the way the residential design team needs to push the project. >> commissioner hillis i'm generally okay. can you explain that the issue that the neighbor was talking about in what weighing what you've done to accommodate it you've set back a little bit on that side can you explain what is going on in the corner of the building with the supply. >> the front. >> yeah. >> okay so i'll use the overhead it is easier to see so her front entry stair is here our wall is here we're extending is to the front to an average line based on the two buildings so instead of k0u9 straight we have cut back the front corner

of the extension i'm to have to jump on the other - u s d sorry about that we've cut the chiropractor back by 45 degrees and cut the bay window in half. >> because find how dark it is but we have we cut back this corner another 45 degree about a 4 foot by 4 foot section in plan of reduction. >> okay. how far is your front facade set back do i average that with the adjacent. >> right the front set back is from the front property line is 4 foot 8 so essentially 4 foot 8

back from her front. >> okay. thank you. >> commissioner richards. >> one other question for the project sponsor it was mentioned the rent control it is great are there currently tenant living there. >> there's no one living there now. >> no one is evicted. >> no. >> thank you. >> commissioner hillis. >> make a motion not to take dr and approve the project. >> second. >> commissioners on that motion commissioner hillis commissioner moore sorry o'connor. >> with the condition the applicant work with the staff. >> you'll have to take dr and impose that do you want to

modify our position. >> do you want to take dr and make that motion. >> yes. if we're not doing alternatives. >> is the seconder he okay with that okay. so - >> commissioners is there a motion and a second to take dr and approve the project as proposed with condition the project sponsor work with the staff on design commissioner hillis. commissioner moore >> commissioner richards commissioner president fong so moved, commissioners, that motion passes amazing 4 to zero and places you, you on public comment for which i have no speaker cards. >> any public comment on this item? today? okay seeing none, public comment is closed and the meeting is adjourned

>> bonnie banks. bonnie banks. my definition of noise is uncontrolled music. without format. pretty simple affair. pancakes, and you're -- people get up on sundays around noon, weekends or whatever. should not be too hard to walk into place. have your audio alarm clock go off for two hours waking your

up while you are eating breakfast with many interesting visuals once in a while. improvisation. listening or not to the person you're playing up against or people or machines. trying to get as many different people in as possible. different genres experimental noise electronics, dissonance some drums.a tiny bit of ambient -- the first noise pancake shows, 1999 the first waffle noise, 2001. god-waffle noise

noise pancake came out of cubist art, place on mission street, brutallo where the church -- opened up his house and saturday morning cartoons. a big space. you can have everybody set up and barely move equipment around; small room for an audience to move around, walkover and get pancakes without getting burned up in the kitchen. there's like people in their hard-core gabber; people into really fast death metal; black metal. people who don't listen to music at all.

guy like larnie bock (sounds like) set up huge, motor driven harp. i don't know how to explain it. 40 foot of motors that he had running over strings and wires. and then played each string individually with the mixer. there is a feeling of euphoria when somebody's really good at what they do. experiencing a buffer, pushing your bowels out your rear. different. a lot of noise. you don't play clubs with a cleaning schedule,

a guy coming in the morning emptying the beer bottles. you play the warehouse. if you travel around you will see the exact same kind of weirdos doing their own thing. it is like in the bay area it's even more absurd. there seems to be more people that in a place like new york or tokyo. we did a show in new york, i didn't think that anyone was at hardly, and people come up and said i saw the show. i wish they had some kind of breakfast noise going on over there. i think a lot of people were being, walking out of the shows. that was incredible. i can't believe it's over already, after two hours.

if you are reluctant to enjoy something like this it will probably take a mass of peers to sell you on it. it's fine if you stay away. most of the people that come to the shows are pretty happy to be here. you may not be one of them. which is fine.