the trashes on [inaudible] we will work with the city on identifying these hot spots and coming up with improvement said. the part the directive we are really really interested in is sth high quality safety infrastructure. we want to see that happen in real life. now we are not seeing that and a good example is the eltaraval project which includes a pilot portion where boarding islands will not be included mpt . instead of that the city proposed painting some word on the travel lane that says, yield to pedestrians. that is not high quality infrastructure and won't keep people safe. that isn't in lie with the mayors directive so the city takes this directive seriously and builds robust projects that keep people safe. i always think my time is up when that happens, but it is not but i'm

finished. j thank you. any oretd public comment? seeing none. public comment is closed. item 7. >> item 7, introduction of new items. >> none. any public comment on no items? seeing none public comment is closed. item 8. >> general public comment. >> any general public comment? seeing none public comment is closed. item 9. >> item 9, adjournment. >> thank you very much everybody. [meeting adjourned]

parks and places of communicated and thanks to the mayor and the department of technology and supervisor farrell and google. we had a very very unique partnership that was able to bring wifi to our most heavily used parks and squares. >> parks in particular are really important way of life and quality of life and so is connectivity. bringing those two things together in a project like this is right on target with what san francisco is and wants to be. >> it's all about breaking apart the divide. the people with expensive data plan can have access to information and economy. this is really breaking down the digital divide and giving people across the spectrum the opportunity to information and giving them mobility and freedom. >> particularly by investing in connectivity in park spaces we

are also ensuring the connection to digital inclusion opportunities and parks are designed for all neighborhoods. >> people are on the move. they are no longer chained to their desk tops at home. people can accomplish a lot and we prefer them being here an enjoying the outdoors and nature. given all the mobile community and mobile information that's available. we thought it was important to make it for our parks acceptable for everyone and give everyone the opportunity to live and to work and be at the parks at the same time. >> our full mission in life is to give them access to the internet, give them access to information. in san francisco you don't have to be bottled up in an office. you can be around and

enjoy your work anywhere. it's great for the local community here and it means a lot to me. >> in the park, you are people that can teach you about the trees in the park and you can go to parks and recreation .org and having wifi in our parks makes it more accessible. if you want more information about how to enjoy wifi in san francisco parks, go to hi left right halt i had a burning doorway to do the right thing and join the department such this we my

brother applied and fortunately we'll here and this means a lot i'm home everyone night to study and we workout together and it is a blessing i have a brother to go home and fed off of one another we're the twins but pretty much we're not treated and individuals sometimes treated as a item if he did something wrong they use the word instead of you the it heroism we're going our our separate ways and good morning our own individuals middle of steadfastly a twin all the it but inside of the district i've seen negative and positive things and with that made me want to be a police officer i want to give back and do public

serve always a class president i dealt with everyone and served my class not only be humble enough to serve my class and pierce being a squad leader is a responsibility of maintaining my squad and being that voraciously person i need to step up to the challenge i believe during the 8 months i fulfilled any dude and after graduation just be a good officer to learn the skill and profession and give to the community to give the best to them and be a helpful hand that's the main thing and the new people coming into the did not know why you're doing it join the department for the right reason and do it to help the community and it is sharing you're time when you get into

the department do is commented to the craft and enjoy it along the way enjoy it along the way i encourage you to talk about over with our families and talk 2 over with yourselves ultimately you'll do the job and find a senseably reason for doing it after the hard work everyday for 8 months straight and finally it pays off and you know as honey honor and privilege not anyone can do this job i look forward to getting often the street and learning and hit the ground running it will be a surreal moment day one i thought months here but sat down me and my brother talked about it and we're on the right track and

stay focused and walking tloo across the stage is a huge honor

>> welcome to "culturewire." today we are at recology. they are celebrate 20 years of one of the most incredibly unique artist residency programs. we are here to learn more from one of the resident artists. welcome to the show, deborah. tell us how this program began 20 years ago. >> the program began 20 years ago. our founder was an environmentalist and an activist

and an artist in the 1970's. she started these street sweeping campaigns in the city. she started with kids. they had an exhibition at city hall. city officials heard about her efforts and they invited her to this facility. we thought it would coincide with our efforts to get folks to recycle, it is a great educational tool. since then, we have had 95 professional artists come through. >> how has the program changed over the years? how has the program -- what can the public has an artist engage with? >> for the most part, we worked with metal and wood, what you would expect from a program like ours. over the years, we tried to include artists and all types of mediums. conceptual artists, at installation, photographers,

videographers. >> that has really expanded the program out. it is becoming so dynamic right now with your vision of interesting artists in gauging here. why would an artist when to come here? >> mainly, access to the materials. we also give them a lot of support. when they start, it is an empty studio. they go out to the public area and -- we call it the big store. they go out shopping, take the materials that, and get to work. it is kind of like a reprieve, so they can really focus on their body of work. >> when you are talking about recology, do you have the only sculpture garden at the top? >> it is based on work that was done many years ago in new york. it is the only kind of structured, artist program. weit is beautiful.

a lot of the plants you see were pulled out of the garbage, and we use our compost to transplant them. the pathway is lined with rubble from the earthquake from the freeways we tour about 5000 people a year to our facility, adults and children. we talk about recycling and conservation. they can meet the artists. >> fantastic. let's go meet some of your current artists. here we are with lauren. can you tell us how long have been here so far and what you're working on? >> we started our residency on june 1, so we came into the studio then and spent most of the first couple weeks just digging around in the trash. i am continuing my body of work, kind of making these hand- embroidered objects from our

day-to-day life. >> can you describe some of the things you have been making here? this is amazing. >> i think i started a lot of my work about the qualities of light is in the weight. i have been thinking a lot about things floating through the air. it is also very windy down here. there is a piece of sheet music up there that i have embroidered third. there is a pamphlet about hearing dea -- nearing death. this is a dead rabbit. this is what i am working on now. this is a greeting card that i found, making it embroidered. it is for a very special friend. >> while we were looking at this, i glanced down and this is amazing, and it is on top of a book, it is ridiculous and amazing. >> i am interested in the

serendipity of these still life compositions. when he got to the garbage and to see the arrangement of objects that is completely spontaneous. it is probably one of the least thought of compositions. people are getting rid of this stuff. it holds no real value to them, because they're disposing of it. >> we're here in another recology studio with abel. what attracted you to apply for this special program? >> who would not want to come to the dump? but is the first question. for me, being in a situation that you're not comfortable in has always been the best. >> what materials were you immediately attracted to when you started and so what was available here? >> there are a lot of books. that is one of the thing that hits me the most. books are good for understanding, language, and art in general. also being a graphic designer, going straight to the magazines

and seeing all this printed material being discarded has also been part of my work. of course, always wood or any kind of plastic form or anything like that. >> job mr. some of the pieces you have made while you have been here. -- taught me through some of the pieces you have made while you have been here. >> the first thing that attracted me to this was the printed surface. it was actually a poster. it was a silk screen watercolor, about 8 feet long. in terms of the flatwork, i work with a lot of cloddish. so being able to cut into it come at into it, removed parts, it is part of the process of negotiating the final form. >> how do you jump from the two dimensional work that you create to the three-dimensional? maybe going back from the 3f to 2d. >> everything is in the process

of becoming. things are never said or settled. the sculptures are being made while i am doing the collages, and vice versa. it becomes a part of something else. there's always this figuring out of where things belong or where they could parapets something else. at the end goal is to possibly see one of these collage plans be built out and create a structure that reflects back into the flat work. >> thank you so much for allowing "culturewire" to visit this amazing facility and to learn more about the artists in residence program. is there anything you like our viewers to know? >> we have art exhibitions every four months, and a win by the public to come out. everybody is welcome to come out. we have food. sometimes we have gains and bands. it is great time. from june to september, we accept applications from bay area artists. we encouraged artists from all

mediums to apply. we want as many artists from the bay area out here so they can have the same experience. >> how many artists to do your host here? >> 6 artist a year, and we receive about 108 applications. very competitive. >> but everyone should be encouraged to apply. thank you again for hosting us. >> thank you for including us in "culturewire." ♪

>> [gavel] okay i call this meeting of the transbay joint powers authority board of directorses for order for -- what is today? the eighth, september 8. i am still on summer mode. >> director ge