>> ancestors for freedoms and all others who dared to define, defend and develop our interest as a people, we pour. for our elders who helped us give us wisdom and strength for our fathers, mothers who rest in the valley of the departed, we pour. for the youth, who represent the future and tomorrow we pour. for remembrance of many

women, men, and the human rights struggle, we pour. for the new world we struggle to build, we pour. for the principle as our guides in and out of every day live, we pour. for our all mighty creator who makes all things possible, we pour. thank you. we now want to bring up our mc for today. mr. shawn william. >> we are not doing that. some of y'all is acting like you don't have hot burns on the back of your neck right now. acting real upty, this is our celebration and you guys are acting real real real

upty right now. happy juneteenth. [applause] stop playing with me. this mic moves, i can go everywhere. i see you. we are going to be celebrating us, black music. really just music because music is black music. we create when we have nothing-we create everything, not something, everything. so, we are going to be celebrating ourselves, our music, our culture, our heritage and there are two rules. rules on a celebration? yes. rules on a celebration. rule number one, there are a lot of influential people, inspirational people and young people who are inspirational in here. look to your, front, back, right. we are family in

here. get all this golf clap out of your system now. we are not doing that today. introduce yourselves. get to know each other. yes. alright. i like that. i like that. we will be passing around the offerings in a minute, because we still have building fund to make sure we get that building. rule number two, and this is very important, i am mc for the evening. that means my job is to move this crowd. i receive my check early. it cleared. i would like to be the mc this year and year after that. you guys, rule two, enjoy yourselves. there will be a lot of great music up here. we are not people of trouble, we are people of bass and drum so when the music hits your soul you better not give me that piedmont golf clap

stuff. i know some have good iras and credit scores, but leave the 9 to 5 on the shelf and enjoy yourselves. we are going to enjoy ourselves. we are going to act like there is a wood en spoon and fork on the wall. we are going to act like there is a freezer behind me with a crisco can and chicken grease and you cannot mix those. we will be black like you got to go to the kitchen, go out to the garage, to the third freezer and get that meat. get the neck bones and ham hocs and thaw it in the sink. we are going to enjoy our blackness. i like to come back next year. there are a lot coming up and move you. a lot of great speakers coming up. this is second annual. enjoy your is lf. celebrate yourself,

embrace your blackness and learn how far our music has come. with that being said, i will bring up the first speaker, coming up. it is a honor and pleasure to bring up this woman. please make sure your respect every person-not yet? we are go toog ing to get in the african dance. hold on. we are going to get in the african dance. (indiscernible) they are not asking me

to come back just for that. shoot. amira. i got help. my family helped me out because i like to come back. give it up for the african dance act. no, no. that is golf clap. i messed it up. let's make the noise and start clapping. let's start clapping. thank you very much.

[music in the background] >> [unable to hear speaker]

[singing]

[singing and clapping]

[singing and clapping]

>> we are free! [singing]

[applause] [singing] >> give it up one more time. give it up one more

time! [singing and drums] >> everyone please give it up one more time! >> clap it. clap it up. clap it up for them. >> also, we are asking if you are in the back to please minimize your conversation, because we can hear it up here in the front. i want to make sure we give the performers the

respect they deserve. >> sarah can you hear me? >> i can hear you! >> can you hear me clear? >> loud and clear. >> that means if you can hear me back here you can hear me talking back here so we want to respect everyone who comes up to the microphone. i know you are talking about the show is so great and look at the costumes, but if we can keep it to a church whisper we greatly appreciate it for all the artists who comes up here and speakers. it is very important we listen to everyone as they come up. also, you don't have to stand. you guys do to protect us. you don't have to be on the wall. there are all kinds of seats where you can sit. there are seats over there, so please, you will be here a little while, so please, keep it going. so, with that being said, i'm going to bring up the next speaker, the correct speaker, thank you very much for the assistance. we are going to bring up an very important person,

start clapping now, not the golf clap for ms. felicia jones. keep it going. [applause] >> thank you so much. thank you so much. what i want you to do is everybody stand up. put your hands up in the air and wave them flags like you just don't care. it is juneteenth. freedom day, jubilee day, emancipation day. wave them line you just don't care like you are enjoying what we are doing for you. thank you so much. i see you in the back. thank you so much. we are happy to have you. thank you and look you guys are in here honey. our second annual mayor london breed

juneteenth kick-off. yes. and we want to say thank you to our mayor and often times i call her my mayor, my boo, and anyone who knows me knows how much i love me some mayor breed, so we want to say thank you for all that you do. i understand that you have been on the news a lot, but everybody want to look at what she's not doing, but honey, you need to start reading those press releases so you can learn about what she is doing. [applause] alright. clap it up. what she is doing! clap it up. come on people. clap it up. all you dki recipients up in here, getting money because of mayor breed and shamann walton, show your appreciation for these two

on juneteenth day. ain't nobody else did anything for black folks in san francisco like the dki initiative. and so we say thank you. we say thank you. i want to say hello to all our esteemed guests. chief. hi! chief nicholson, hi! deputy chief, hi! okay. hi! kimberley, hi! shamann, hi! i i don't know you. >> i'm new. i'm engardio. >> thank you. da brooks. and then too from my other employer, chief adams. assistant chief carter. chief

fisher in the back. anybody else from san francisco sheriff department? anyone else? did i miss any other electeds? who? you are pointing, i don't know who you are pointing to. oh, preston. hi, dean preston. supervisor preston, welcome. yes. of course. where is dr. davis? director dr. cheryl davis. yes, we love her. we love her. and so with that, you know, i'm going to let you sit down while we bring up shamann. throw the flags in the air and wave them like you just don't care! it is juneteenth. it is juneteenth and here's shamann walton, board of superriser. >> thank you so much felicia. real quick before i say a few

words. i you want to stand up if you black. stand up if you black. so, i did that because i just wanted to see who claim us. so, i know when i walk outside. thank you everybody. you can sit down. so, first of all, as you know, juneteenth is a celebration, and it is celebration of a time period where slaves in texas did not realize and understand they were free and this was in 1865. and it took us all the way till 2022 to be recognized as a national holiday, but i want to thank everyone in this room. i want to thank all the leaders in the city. i want to thank everyone across the state and country to come together to make sure juneteenth is recognized as a

national holiday. you did that. give yourselves a hand. [applause] and we should not just be celebrating juneteenth and celebrating freedom when we get to this certain time period in june. we should be celebrating freedom, juneteenth, the accomplishments of black people, 24/7. not just in june and not just in february. [applause] now, there is another thing that happened in 1865, which makes the work we have been doing here in san francisco so prevalent today. we were promised 40 acres and a mule in 1865. raise your hand if your ancestors got that 40 acres and a mule. okay, just checking. just seeing who is here with me. so, as we continue to make sure that we do everything we can in black leadership here in san francisco with the

dream keeper initiative, with the folks who are working down at community making sure our people are connected to services, connected to resources, receiving or just doing san francisco, it is also very prevalent that we remember the reparations we were promised that we never received. so we'll keep fighting here in the city to make sure that black people receive their just due. we will make sure we right the wrongs of the past and we will make sure that we achieve equity here as a black community. i just want to say, thank you all for coming to celebrate with us on this second annual juneteenth celebration right here in city hall. as you know, we have a black mayor. as you know, we have a lot of black leadership here in san francisco and we cannot let this be the end of black leadership as we go into the future.

[applause] so, with that said, remember we have a gala tonight, remember we have a celebration in fillmore tomorrow, celebration in bayview sunday. celebrate juneteenth, enjoy yourself, have a good time and make sure you understand the meaning and why we celebrate this now, national holiday. thank you. [applause] give >> give it up one more time for shamann walton. about to get into the music portion. you ready for some music? that was weak. you ready for some music? alright. we are about to get into right now. it is a spiritual with director cheryl evan davis. father daughter dance. our journey continues

with jazz with sara and blues are teri. make noise now for the artists who are about to rock the stage right now. let's go. >> i often blame the mayor for people thinking i can sing. i will ask you all to do me a favor. first and foremost is recognize and understand the role of spiritual in the black experience and so i would say it is a dual purpose in the song and in the singing so i'll ask you to do your best as i'm singing to listen to the words, and think about them with that dual message. on one front, it is about hope, and the belief that things will get better. that it is about whether it happens on this earth

or in heaven or in the by and by, and on the other hand it is hidden message. it is call to freedom, it is call to the underground railroad, it is call to escape, so i'm just going to ask you to be thinking about that as we go through that. i'll ask you all that do believe to be praying. [piano playing and singing]

>> give it up one more time, one more time! for your director cheryl evan davis, lord! [music and singing]

[applause] >> please give it up one more time for rico and

mazia. [applause] [piano playing] [singing]

[applause] >> thank you. so, i

think a lot of you might know this, so go ahead and sing it with me. [piano and singing]

[singing summertime and the living is easy]

please give it up for marcus, dante and george. [singing]

>> give it one more time for sanging. that wasn't singing, that was sanging. everybody alright? we good? alright. you good in the back? i know you are, because we

hear you. >> take a moment to shake that off. that was good. sara. sit in it for a minute. i'm a blues singer. all this music you hear today, it came from the blues. we are the root. i'm going to do a song by one of my favorite blues singers, gospel singer ms. (indiscernible) can you put your hands together? this is message i think everyone needs to hear. [guitar and singing]

[applause] i'm going to do a song i wrote. you see, we have seen a lot of changes happen around here in the bay area, and this song was inspired when was on facebook, and the police were called on the church for worship ing too loud and there was a drum circle on the lake and they were calling the police on the drummers. this song is entitled, gentrification blues. [drums, guitar, singing]

>> give it up one more time! it is beautiful how we can take pain and make it into just pleasure. i see people using fans now like it is church. it is getting hot, yeah! with that being said, we are about to take it to 1959. take it to a place called detroit, aka the motor city, where

there was this brother named berry gordy who started a company with only $800 and decided to call it motown, home of icon-i was about to say legends but icon like stevie wonder, jackson 5, michael jackson, the supremes and my mama's favorite, marvin. start clapping now for the san francisco theater company. nate the soul singer and ryan. >> how you doing? we got a couple temptation songs for you. you all ready for that? alright, let's go.

[singing]

>> thank you thank you thank you. i'm rodney earl jackson, jr., artistic director of the theater company. >> anthony jackson. >> amen, amen, amen. we got one more for you because our wonderful may loves this song but dedicated to all the beautiful black ladies in here. especially looking at dr. cheryl davis and looking at my beautiful mother. alright. alright. i'm going to take the glasses off for this.

get into the motown spirit. [singing i got sunshine by the temptations]

you all know this next part. come on london, i need ya. [singing continued]

>> thank you so much.

happy juneteenth! >> hello everyone. my name is nate the soul singer and i'm going to come to you about r & b music. i'm a r&b artist myself. i had to do studying and get history. r & b music was born in the 40. lewis jordan is one of the first r & b artist with is you is or is you isn't my baby. since we had so much old school i decided to do more in my era which i think you'll all enjoy.

r & b music has done a lot of things. talks about love. talks about heart break. money. having it, wanting it, needing it. my job is to get you all out of you seats today. so, we can party to this r & b music. come on! and of course if you know any of these songs, please sing with me. [singing how will i know by

whitney houston]

thank y'all. [applause] and there were groups by the

fugees. [singing killing me softly by the fugees]

>> thank you all. thank you all. while you are on your feet i got one. you all ready? one, two, three! one more time, you all ready? !

[singing outstanding by the gap band]

>> i want to thank you all again. happy juneteenth! keep dancing. keep loving and keep growing. [piano playing] how you all feeling out there san francisco?

>> alright. give it up for -my name is ryan nicole representing hip hop for you all and before we get into it, i want to give history. hiphop started as a protest. it didn't start as a party. we know hip hop music more blinging flashy and ratchet but that isn't how we are going to do it today. is that okay with you all? we are going to start with the word because the word is where hip hop started. it started as spoken word first. do you know we are the center black people are the center. another word for the center is the nexus. right? we make this whole thing go down. we make this whole thing happen, so juneteenth is about

freedom and releashing the shackles but first freedom in your mind. we are the nexus, meaning the freshest, meaning the center of attention, the essence, the light source, indandescence, the shunshine, bright florescent, caept reject it. better if you accept this. elevating position (indiscernible) people stay connected, i am what i am, (indiscernible) [singing]

let's get free. come on. first time being free. we got to get free in the mind. [singing]

[applause] >> thank you. so, hip

hop. protest music. hip hop also talks about love. we going to do some things we don't normally hear on the radio. we are going to do love stuff. i'll do the last song and get out your ways because we have more performances coming up. my name is ryan nicole. this is love song. a little sweet. it ain't but bumping and grinding, even though i'm not mad at that, but i feel you've been inundated with that. can you two step with me now? i'm grown y'all. i can't be bumping and grinding and twurking and all that. my knews hurt. got

arthritis. [singing] erking and

all that. my knees hurt. got arthritis. [singing] [applause] >> lord have mercy. give it one more time for ryan nicole! give it up one more time for the san francisco bay area theater company and one last time when a sister tears up a stage like that you have to get her name right, nate, the

soul singer. we would like to also recognize mr. reverend brown. give it up. from the baptist church. you having a good time? you enjoying yourselves? why not because it is evolution of our music so of course you having a good time. i'm about to bring up a sister one more time to make sure she has announcements. start clapping right now had, give it up for ms. felicia jones one more time! [applause] >> yes! the evolution of our music. if you enjoyed yourself, one more time, stand up with your flags in your hand and raise them to the sky like you just don't care. i mean, i'm sitting over there

and i'm just like, wow! if director asked me next year to do this again, it is like wow, what am i going to do, because this has been fabulous. this has been fabulous and can i'm so glad you enjoyed yourselves. we are going to close out with the caribbean vibration. the caribbean vibrations are in the house. uh-huh! they going to show you what they working with. yes! i love them, because my cousin, my first cousin, my second cousin have all danced with this group for over 30 years, and so, she has been asking to come into city hall and i was like, okay. evolution of music, i got to close this out with a bang. i got to close it out,

girl. here we are. shawn, you going to introduce them? thank you all so much for coming and again, i'm so happy you guys enjoyed yourselves and our house! and our house! and our house! and we have to be comfortable and coming into our house by the name of city hall. [applause] >> give it up one more time for ms. felicia jones. i'm go to read this off the bio so wasn't like i wasn't doing my homework but we want to bring them up correct. so, caribbean vibrations launched in 2010. you can start clapping right now. by founder, designer, dance choreographer trisha bell fast williams a native of-not only know for the

vibrations and vibrant and beautiful costumes but the ultimate and authentic carnival experience in northern california representing all caribbean islands. steadily growing and evolving into a powerhouse mass band and focused on our masqueraders. establish a new standard and serving becoming the first all inclusive caribbean carnival group. i don't think you heard me, established as a new standard. becoming the first all inclusive caribbean carnival group in california. caribbean vibration mission is deliver the masquerade with amazing costume, exceptional service and teaching of cultural caribbean dance. ladies and gentlemen, give it up for caribbean vibrations! [applause] >> caribbean

vibrations! >> caribbean vibrations! [music]

>> i went through a lot of struggles in my life, and i am blessed to be part of this. i am familiar with what people are going through to relate and empathy and compassion to their struggle so they can see i came out of the struggle, it gives them hope to come up and do something positive. ♪ ♪ i am a community ambassador.

we work a lot with homeless, visitors, a lot of people in the area. >> what i like doing is posting up at hotspots to let people see visibility. they ask you questions, ask you directions, they might have a question about what services are available. checking in, you guys. >> wellness check. we walk by to see any individual, you know may be sitting on the sidewalk, we make sure they are okay, alive. you never know. somebody might walk by and they are laying there for hours. you never know if they are alive. we let them know we are in the

area and we are here to promote safety, and if they have somebody that is, you know, hanging around that they don't want to call the police on, they don't have to call the police. they can call us. we can direct them to the services they might need. >> we do the three one one to keep the city neighborhoods clean. there are people dumping, waste on the ground and needles on the ground. it is unsafe for children and adults to commute through the streets. when we see them we take a picture dispatch to 311. they give us a tracking number and they come later on to pick it up. we take pride. when we come back later in the day and we see the loose trash or debris is picked up it makes you feel good about what you are doing. >> it makes you feel did about

escorting kids and having them feel safe walking to the play area and back. the stuff we do as ambassadors makes us feel proud to help keep the city clean, helping the residents. >> you can see the community ambassadors. i used to be on the streets. i didn't think i could become a community ambassador. it was too far out there for me to grab, you know. doing this job makes me feel good. because i came from where a lot of them are, homeless and on the street, i feel like i can give them hope because i was once there. i am not afraid to tell them i used to be here. i used to be like this, you know. i have compassion for people that are on the streets like the homeless and people that are

caught up with their addiction because now, i feel like i can give them hope. it reminds you every day of where i used to be and where i am at now.

>> long it was in fashion, o'shaughnessy water system has been sustainable. in addition to providing water for the bay area, it also generates clean hydroelectric power to run city buildings and services. and more

recently, some san francisco homes and businesses. >> satellite electricity is greenhouse gas free, so we see a tremendous benefit from that. we really are proud of the fact that, we've put our water to work. >> even with the system as well coon received as hetch hetchy, climate change has made the supply of water from the sierra vulnerable. and requires new thinking about where and how we use water. >> we have five hundred million gallons a day of wastewater being dumped out into san francisco bay and the ocean from the bay area alone. and that water could be recycled and should be recycled for reuse through out the bay area. >> we're looking at taking wastewater and reading it to drink watering standards. we're also looking at our generation and looking at onsite water reuse looking at the technology and strategies we have available

to us today. >> the very first recycling plant in the state of california for landscape irrigation was built in san francisco. we've just developed a new recycled water plant in the ocean side wastewater facility for irrigation purposes in golden gate park, lincoln park and the panhandle. >> a century ago, san francisco built a dam to create bunched znswer of fresh water to ensure the future and ensure the taps will flow for future generations, it will take as much vision when it reflects a fundamental change about how we think about water. >> i think we recognize there's going to be change in the future. so we're going to have to have the flexibility and the creativity to deal with that future as it's presented to us, it's a matter of how to see it and say, okay, let's make wise use of everything we have. >> this o'shaughnessy centennial moment is made possib

the tenderloin is home to families, immigrants, seniors, merchants, workers and the housed and unhoused who all deserve a thriving neighborhood to call home. the tenderloin initiative was launched to improve safety, reduce crime, connect people to services and increase investments in the neighborhood. as city and community-based partners, we work daily to make these changes a reality. we invite you to the tenderloin history, inclusivity make this neighborhood special. >> we're all citizens of san francisco and we deserve food, water, shelter, all of those things that any system would. >> what i find the most fulfilling about being in the tenderloin is that it's really basically a big family here and i love working and living here.

>> [speaking foreign language] >> my hopes and dreams for the tenderloin are what any other community organizer would want for their community, safe, clean streets for everyone and good operating conditions for small businesses. >> everything in the tenderloin is very good. the food is very good. if you go to any restaurant in san francisco, you will feel like oh, wow, the food is great. the people are nice. >> it is a place where it embraces all walks of life and different cultures. so this is the soul of the tenderloin. it's really welcoming. the.

>> the tenderloin is so full of color and so full of people. so with all of us being together and making it feel very safe is challenging, but we are working on it and we are getting there.

>> san francisco is a positive impact on my chinese business. >> i'm the founder of joe-joe. i'm a san francisco based chinese artist. i grew up in the bayview district. i am from china i started at an early age i started at age of 10 my grandfather my biggest inspiration. and i have followed with my traditional art teacher in

china:i host educational workshops at the museum and local library. and i also provide chinese writing in public middle school and that way i hold more people fall in love with the beautiful of our chinese calligraphy. it is a part of our heritage. and so we need to keep this culture alive. hand writing is necessary field that needs to be preserved generation toieneration. this art form is fading away. but since covid i have been very dedicated to this art and i hope that my passions and serving this art form. there are many stores and shopping centers and companies that are interested in chinese cal iing ravi.

i feel motivated to my passion for chinese calligraphy in today's world. so people can always enjoy the beauty of chinese calligraphy, from time to time i have a choice to traditional chinese calligraphy to make it more interesting. we do calligraphy on paper. i can do calligraphy different low. >> my inspiration is from nature and provide calligraphy that was popular style of persons time. i will invite to you check out my website or instagram. and there is some events and

updated upcoming events that you can participate. >> i'm eric tanaka. fourth generation japanese american born and raised in san francisco i work for the san francisco fire department station 10, truck 10 as a firefighter. i think about my journey i think about my family. my grandfather came to san francisco in 1917 we have been here for over 100 years. married my grand mother they were in the japanese camps. prior he was a successful business owner in the city. when he started to start over he was murdered. and i never met my grandfather. my grand mother and my mother

were left to raise me, brother and sister my father was around but work. it was very challenging for me growing up as a young kid in the city. trying to find my identity. and so i got myself in a lot of trouble. trying to defend myself and my heritage. that i was -- raised to be proud of. and there was a time i was ashamed. you know, thinking about and understanding my family's strug and he will had my grand mother and grandfather went through i was ignited a fire to keep moving forward. i decided to dedicate my life to service. servicing my family and community and the city. one of my goal in life is to reach out to our community youth and support them so they mack myself the potential to finds

careers they never thought they were capable of. when i want my family tong of me i want to be proud. whenever career i chos is not about the money it is providing a life that is honorable and thoughtful. so that -- the generations behind us see how hard my family worked make sure we have been able to sustain and thrive in san francisco. community is huge to me. it helped me become the person i am today. and our department. we got one of the busiest stations in the in addition, station 3. we have a surf rescue program program cliff rescue program. we have so many things to be proud of as a department. i can't say this enough, there is honestly no words to say how proud i am to work for the department and serve the community that i grew up in.

[music] >> so i'm linda i'm part owner and manager of the paper tree in jeopardy an town. >> paper tree opened by my parent in 1968. so we other second oldest business in jap an town. at 55 years this year. we have beautiful papers from japan, thailand, italy, korea and the biggest selection of orgami. i do it because of my grand father and he wrote to the first english in it in the early 50s. he had an import business to

import japanese goods and of course we had our line of paper. to go with the books he produced. it is something i have been doing since i was 5 and i'm happy to say i'm a designer now and of course having paper tree. it is grit. >> during the pandemic i wanted do something to make a statement to help combat the asian hate that was prevalent at that time. and so i put a call out to have a thousand hearts. this is a spin on the tradition of holding 1,000 cranes when you have a wish. well, a thousand cranes does not make a statement enough why not change it and a call for a thousand hearts? i created a website dedicated to the project. a video and fold heart instructions. people sent them in the first mont was 1,000 hearts. they kept coming in.

and the next goal was 7, 698, which was the total number of case of reported hate by the ap i website. those were the reported case of hate. there are more not reported. that became the new goal. we achieved 2 months later. the hearts were coming in it it is a big project, we have it part of our store. anyone can come and fold an easy heart. keeping that part of the japanese tradition of this in that way here in japantown is pretty special. its great. the san francisco music hall of fame is a living breathing world that's all encompassing about music. [music playing] it tries to do

everything to create a music theme. music themes don't really exist anymore. it is $7, the tour is two floors, (inaudible) so, each one of these frames that you see here, you can-you are and look into the story of that act, band, entertainment and their contributions to music. affordability is what we are all about. creative

support. we are dedicated to the working musician. we are also dedicated to breaking some big big acts. we like to make the stories around here. ultimately legends. . >> thank you, everyone. um, for 32nd we're to grateful you've joined us more to historic mentally ill and in disability and affordable housing i'm already crying and we've not