>> thank you we are adjourned.

[music] hi. i'm san francisco mayor london breed i want to congratulate sfgovtv on 30 years of dedicated service as a broadcast channel for our vibrant city. you played a critical role during the pan dem and i can worked keep residents informed. adapted to changing situations that allowed our residents to engage and participate in government. thank you for 3 decades of informing and inspiring and connect the people of san francisco as the voice that

>> our market street program started in 1992. the goal was to bring arts to an audience who may not be normally be exposed to contemporary art. for 2023, we chose comics as the median to highlight san francisco. it could be fix al, science fiction. history. >> i'm fan, i'm illustrator and writer, i grew up all over the bay area. and is post history no history no south. i've been drawing since i was

probably four or five. it's just a cool memory, i just remember painting my apron in kindergarten and i would suddenly start painting myself. it was cartoon, it got me excited. in my home life, it was not consistent but what was on tv is always consistent. there is always xy z- channel, cartoon, i would wait for the cartoons to freeze and chase really fast. i remember getting into anemai as a kid, as a young person because it was one of the avenues of asian-american expression that i can relate to. my project is i'm highlighting 6 trailblazers who's family was tied to san francisco. they all have different forms of art expression. but i noticed through the

research that there is a common that connects them all, which is this desire to live life authentically, organickly, speak of the love that they believe in. i made it art students and learning about art history and the place in art with the context of learning about their predecessors. >> sinsawa is synonymous of san francisco. there is a school named after her. >> wasn't she also in stamp? her art was in 2020. >> do you think she would become a artist? >> hmm, i think she was like 100s of other in the city that love the art. when there is no audience or income, why do we still make art? >> well because we seek to know ourselves and one has to

believe like alela, we make art for a lifetime not just a career. i think for some, artist like breathing, it's how we know we're alive. >> it's so incredible to do this project and do the experience that connects generation, the full experience of being artist. >> comics have a rich history in san francisco even from early 20th century. we also wanted to open up public art opportunities for artist that don't normally apply to public art. >> i hope it stays with them and lingers and they chew on it and think about it. and it may not make a big impact but it's something that opens up the door or starts the conversation or the beginning of something. i would like for it to be a start, whether it's a start of research or start of pondering, yeah, what does it mean to be an artist?

and how do i decolonize my mind >> the vibrant south of market neighborhood in san francisco is deep lee rooted filipino if fluences to shape the cultural identity. soma pilipinas known for [indiscernible] night life and art scenes is home to growing filipino community that thrived for generations.

>> soma pilipinas is a community, the village that has been over a hundred years in the making. this is home to many generations of filipino from the turn of the century, to the present. continues to be a gateway community for a lot of filipinos just arriving from the philippines. >> one of sth most prominent scines is filipino owned businesses become staples in the neighborhood. restaurants like manila bowl and jp restaurant offer [indiscernible] >> we call it [indiscernible] this is my passion. everybody's who came right now. we feel good right here. community is like a family. >> the eatery serve mouth watering dishes and provide a sense of home to the filipino

community, preserving traditions passed down generation. >> a filipino restaurant utilizing california ingredients we honor traditional family recipe [indiscernible] we shop in the market 2 to 3 times a week. we make the filipino cuisine proud in san francisco. >> along with the culinary deliteds, soma philippine ow is home to san francisco top mix aulgists. filipino artistry is a facet of soma pilipinas rich tapestry. the filipino cultural heritage district transformed public spaces into canvases that depict the stories and experiences of filipino americans. >> parlt part of the work we do is support filipino artists to work with community to

really create and develop community based art. this is murals and designs that really reflect the rich history, the culture and the struggles and triumps of the filipino community. >> the presence of the filipino cultural center which offer workshops, language classes and community resources is a testament to the community efforts to preserve and promote the heritage. >> features the [indiscernible] philippines which is a indigenous community weaving textiles and tapestry for hundreds of years so proud to feech were modern ones and very antique ones and showcase fashion from the community and we are inviting everybody to come experience that with us. >> the center not only caters to the filipino community, but welcome all who wish to learn about and embrace this culture. >> we want to develop a

cultural district where you have the young generation learn their history, language and culture and where you have also the seniors be part of the cultural and share their stories and their traditions, and continue to grow young in the neighborhood. >> the intersection of technology and culture in this part of san francisco provides a unique back drop for a thriving community embracing the past while looking to the future. the filipino influence ingrained in soma serves as remindser of the power of cultural diversity and importance of celebrating in our ever changing world.

>> you are watching san francisco rising. [music] today's special guest is mano raju. hi. i'm chris and you are watching san francisco rising the show about restarting and rebuilding and reimagineings our city. our guest is mano raju san francisco's public defender great you could be here. actual at this time us about yourself how you became the public defend and why it is important to provide legal representtation to people that can't afford council. >> i started in contra costa county graduated from berkeley and a liven deputy for you a number of years special jeff recruited me to san francisco the former elected public defender of san francisco and i began as a line department here

and then asked me to be training direct and the managers of the felony unit the unit most serious case. after he passed away, i was appointed to be the public defend and electd and recently reelected. but you know what i think about what you know the story of public to the office i like to start with my parents. they come from a farming village in india and dad was the first in family to finish high school. there were a couple people in his village who saw him and encouraged his parentses to pursue studies and move in the country when i think of what public defenders dot most person thing is to see our clients so than i can hopefully realize their full potential that is important to me and to our office and the cult usual of our office. >> you know the right to a public defender was developed in 1963 in gideon case ensuring the

right to a public defender. we take this very seriously in our office. my vision is that anyone in our office should be representing the people represent the same way they want their love 1s to representd and people think if you have a public defender representing you in san francisco you will bet better than a private attorney. we will leave no stone unturned no motion unfiled and try to perform the highest level for clients >> that's fantastic >> often when people think public defenders they jump to the idea of somebody defending somebody in court your office does more than courtroom representation. >> i'm an elected public dem felonieder i campaigned on that it is important we break the mold of what is public for our office on accomplish. fiercely defending is the core of what we do and that will

never go, way. as the only elected public defender there is an elected da and sheriff in every county. in the state but one elected public defender. it is important our office pushed envelope and engage in the national and state wide and local policy that will impact community how public safety and our clients. we have local policy directors, state policy director. we are active in sacramento in trying to make the law change in order to be more humane system for our clients. we are believer in advocating for community power. we have two 501c3's in bayview and fillmore that are be more magic under the umbrelast public defender's office. these are youth empowerment organizations that do programming throughout the

summers. which back pack give, ways to kid school sflois start the school year and believe engaging youth will prevent them from become clients. and put people on the path to thrive. we have a program, end of cycle program. culturally competent social workers going to the jails and finding out what the individual needs. we'll fight for their best legal outcome in the case. and the position of trust the fifth amendment protects the conversations that our clients can have with us. we can use that to really encourage a trusting rep and telling us what they need and be frank and connect that individual with the substance abuse or mentor or housing or employment and educational opportunities hamp that individual needs to thrive and reach their full potential. that is another piece behalf we do. 17 units across our department

and you know we take collaborating across units something we try to do every tail to meet our mission, vision and values >>. a part is ensuring recidivism does not reoccur >> of course the left thing we want to see is a client to return to be a client again. we work intentionally from the moment we start representing a client with our skilled staff and other members of our team to try to figure out what is that future going to be for the client when they leave our care? >> now, some critics argue public defenders have a heavy case load. how is your office mechanicing this and what issues are most important to you. why we have a heavy case load. unfortunately, this is a problem across the country, public defenders are not funds equal low to da offices our fund suggest 61% of the da office. and the police department has 14

time the our budget. and there is the sheriff's department and any time the entities are detaining our cloinlt in i way it is up to us to defend this is manage we are working on locally. and alsoination wide to change that. we need more staff and every wing of our office. the logo is greater than one. so we know that we need to be greater twhoon individual in the office and use our teams effectively and strategically and skillfully and put in more hours to make sure we reveal truth and make justice happen in courtrooms. greater than one also symbolizes the fact we are collaborating with other communities organizations to try to support and help our client and move policies that will help our clients. an example of this is the pretextual stop campaign we collaborated with 110

organizations throughout the city to convince the police commission to pass the general order that stops some of the stops traffic stops for things that don't impact public safety and lead to often con41ational interactions with the police and civil yens and. we wanted to minimize that mostly the shootings we read about and the the violence of inneraction gets in car and tragic occurrence that can happen. by collaborating we can be powerful than the sheer numbers in our organization. >> sure. so you know like cities cross the country san francisco struggling with fentanyl and homelessness, how can our office contribute to help mitigate or solve those problems? >> one thing we can do, again often times with community based organizations; is to really try

and figure out how we address the demand. you know. treatment on demand. again. finding people opportunity with housing or employment opportunity. you know mitigation or just any form of counciling that helps people. move in more positive direction in a way more inviting oppose to co hearsive. now we don't have enough beds for everyone who needs that intensive treatment. contributing to staffers to get more funding for people to get treatment they need. because the reality is there will always be someone to fill the need. we work on the demand, which evidence based there was fee of dealing with addiction will move in a more positive direction. >> then, finally, what else would you like residents of san francisco to know about you and your office?

>> i think what i like the san francisco residents to know is how muchow important it is that the public defender be aggressive. right now we had a huge backlog of cases in san francisco. there were over a housand passed the last day. a right to a speedy try and have case passed the last day. we had to plaintiff and against the court t. is important this we have an independent public defend 30 is willing to do that. and we got a good decision from the court of appeal and now the courts move quick and are honoring this and the effort from policy team to 850 bryant the courthouse is to draw attention to this issue it is important we have an aggressive public defender. had someone gets convicted for

something they did not do it impacts their family. clients are greater than one, it is important we fierce low defend. the same time because when someone gets convicted of something they did not do they are less likely to access the j.w. they need for stability or housing and then will impability a lot of people and lead to more issues on the streets and affect public safety. also to realize we are a public safety organization. we have social workers and take this social worker mentality or support facilitative prop and get cloinlts to a better place. when our clients get to a better place we are all safer >> thank you mr. raju. we appreciate the work. thank you for your interest in the development. you know i wanted to say if anyone wants to know more about a lot of the initiatives and

unit in our department they can go to you tube we have a dairy defender series. and people should look at that to learn more about the different units. also we talked about the dibilltating impact of convictions we have a clean slate program exsponging hundreds of records every year. and people can go to our website sfpublicdefender. org and move their live in a positive direction >> thank you very much. >> thank you >> that's it for this episode we will be back shortly for government government i'm chris manners, t >> who doesn't love cable cars? charging emissions and we're free which we're proud of you know, it's not much free left in the world anymore so we managed

to do that through donations and through our gift shops. you got a real look and real appreciation of what early transit systems are like. this was the transit of the day from about 1875 to about 1893 or later, you know. cable car museum is free, come on in. take a day. come down. rediscover the city. you can spend as time you want and you don't have to make reservations and it's important to be free because we want them to develop a love for cable cars so they do continue to support whether they live here or other places and people come in and say, yes, i have passed by and heard of this and never come in and they always enjoy themselves. people love cable cars and there's none left in the world so if you want to ride a cable car, you've got to come to san francisco. that what makes the city. without the cable cars, you lose part of that, you know, because people who come here and they love it and they love the history ask they can ride a cable car that has been running since 1888 or

1889. wow! that's something. can't do that with other historical museums. rarely, have i run into anybody from outside who didn't come in and didn't feel better from knowing something about the city. it's a true experience you'll remember. i hope they walk away with a greater appreciation for the history, with the mechanics with people are fascinated by the winding machine and i hope the appreciation, which is a part of our mission and these young kids will appreciate cable cars and the ones who live here and other places, they can make sure there will always be cable cars in san francisco because once they are gone, they are gone. it's the heartbeat of san francisco that founded the cable and the slot and without the cable cars, yeah, we would lose something in san francisco. we would lose part of its heart and soul. it wouldn't be san francisco without cable cars. [bell ringing] welcome, everyone to t

creative and dell library future the union square the opening of millard lux. >> yeah. >> (clapping.) my aim my name is phil ginsburg and have over 200 parts parks in san francisco and this would think is beautiful amazing union square might be you are most