, you may want to lawyer up. (dog barking) (metallic rattling) (footsteps approaching) (doorknob rattling, becky gasps)

(quiet gasp) (on recording): ? ave... ? ? maria... ? (quiet whimpering) ? gratia plena ? ? maria ? ? gratia plena ? ? maria ?

? ave ? ? ave dominus ? (gasping) (whimpers) (whimpers) come here! (screams) here! hey, come here! no! no! hey! come here! no! no! come here! danny: hey! (man groaning) (screaming) it's okay. it's okay. come with me. it's detective curatola. (sobbing) okay, you're okay. come on. (panting) it's not reed. it's fan-boy ratchet. ? benedicta tu in... ? (music stops) amen to that. danny: where is dick reed? where is he?! i told you, i don't know! no, you told me he sent you here. he said he was done with her. i could have her. you could have her? he's doing somebody new.

he said he was dotting his i's and crossing his t's. you have no idea how much trouble you're in, do you? who is it? who is it? i don't know. who is it?! i-i don't know. don't you think i would tell you? (groans) get this piece of crap out of here. ging) hey. erin, it's danny. reed gave us the slip. how? i don't know how. i'm at becky watalski's house. there was an intruder, but she's fine. it wasn't reed. it was one of his fan-boys. danny, what are you talking about? you had... i think reed's using this kid as a decoy, and set us up. according to this guy, he's got some other target, it's somebody he's got beef with. wait, so reed is still out there? yeah, he's still out there. i'm sending a unit to his mother's house, in case he's after the sister, but i don't know. well, he's already had plenty

yeah, i know that. i'm covering my bases, erin. and you should cover yours, all right? and be careful 'cause he's got beef with you, too. yeah. with me, the judge, about half this building. i-i'm sorry, all right?

(phone ringing) hey, sweetheart. erin: guess what? the attorney general's office just called. garth kraver will be transferred to a prison psychiatric facility for a 40-day evaluation. that's good news. yeah, yeah. it buys me some time, at least. i see you're burning the midnight oil, too. i'm hungry. how about joining your old man for dinner? that sounds good, but i just have so much... you've got to eat and i do, too. okay. but can we go across the street? i just need a few minutes to finish this up. see you at quarter of? you bet. (gasps) um, i just wanted to see if you needed anything else. just a copy of this and then you can go.

? ? (zipper closing) (clattering) ? ? hey there, beautiful. we meet again. (grunting) hey, where you going so fast?

(cell phone rings) detective reagan. hey, dad. erin's not picking up. is she with you? she's not here yet. she's digging out from under a pile of work. all right. i'll call her again. i'll try you back. (sighs) reed: erin. erin! you can run, but you can't hide. don't worry, counselor. (phone line beeping) we got all night. you know, i thought about you in prison. i'm going to savor every moment. ? ave maria ? oh, listen. they're playing our song. ? ?

i bet you're in here. (door opens) i got you now. ? ? (reed cries out) (grunting) we're just getting started. come here. you're mine now, sister. on your feet. come on, get up! no! get up! on your feet! let's go! no! come on! (cries out) i've been planning five years what i'm gonna do to you.

crossing them and uncrossing them under the table. oh, god! (gasping) in that courtroom. get your hands off my daughter. (erin gasping) dad. you just try it. (shot fires, erin cries out) (erin sobbing) (sobbing) (sobbing) sweetheart. hey. (sobbing) you okay? yeah. come here. here. it's okay. shh.

in short, a great day for new york city. questions? all: commissioner reagan! commissioner reagan! of course, the man of the hour. come on forward, frank. (applause) (scattered cheers) frank: miguel? can you give us any details as to the events that lead to the shooting of richard reed? well, like all police shootings, miguel, internal affairs will be looking into this, so you know i can't comment. commissioner? rob bates, new york ledger. can you confirm or deny that an indictment of councilwoman collins is forthcoming? no. commissioner, if you can't comment on your involvement in the shooting, can you tell us

assistant manhattan district attorney erin reagan-boyle is back at her desk. she's got a lot of work to do. (cheers and applause) captioning sponsored by cbs the all-new volkswagen jetta. it's great, for the price of good. that's das auto.

thoughts, and being treated like an equal human being, was a breath of fresh air for me. >> stax released songs such as gospel, jazz, and blues, and soon became known as "soulsville usa." their artists performed with an unparalleled rhythm of spice and

? while you were out making love? ? >> stax records broke down racial barriers in an area of segregation by hiring booker t. & the m.g.'s, an integrated house band that played on hundreds of records for various artists. ? >> ? i know a place ? ? ain't nobody crying ? >> for over 60 years, stax records have been trailblazers, hit makers with an uncompromised style. stax -- you changed the landscape of soul music in america. >> ? let me take you there ? >> ? i'll take you there ? >> ? let me take you there ?

>> all right, everybody, get ready for a roof-raising soul revue in honor of stax records, featuring big jim wright and the black music honors orchestra! [ applause ] [ "soul man" plays ] >> well, they decided to give the band some, so you might as well get with this. ? coming to you on dusty road ? ? whole lot of lovin' ? ? i'm a soul man ? ? i'm a soul man ? [ "i'll take you there" plays ] put your hands together. >> ? i know a place, yeah ? ? where ain't nobody crying ? >> ? i'll take you there ? >> ? oh, oh, oh, take me there ? >> ? i'll take you there ?

>> ? i'll take you there ? >> oh, come on, dario. little green onions for your soul. ? horns, let me hear you! ? soul! oh, you might as well... hey! here we go. this is one of my favorites. [ "theme from shaft" plays ] you gonna learn what we learned when we was kids.

>> ? he's a complicated man ? ? no one understands him but his woman ? >> ? shaft ? >> that shaft is bad mother... >> ? shut your mouth ? >> all right, that's enough. ? [ cheers and applause ] >> presenting the legendary achievement in music award to stax records... >> welcome president and ceo of the national museum of african american music... >> morehouse, class of '89... [ cheers and applause ] >> mr. h. beecher hicks iii! [ cheers and applause ] >> from the blues in memphis to r&b and rock'n'roll in nashville and the birth of country in

that, as our tourism folks like to say, the soundtrack of america was made in tennessee. [ cheers and applause ] right. and there's no doubt that, with legacy artists such as isaac hayes, booker t. & the m.g.'s, the bar-kays, sam and dave, otis redding, the emotions, and the staple singers, the number-one hit on that soundtrack is found at stax records. with that in mind, it gives me the rhapsody & rhythm legendary achievement award to ms. lori stewart, daughter of stax founder jim stewart, and to mr. al bell, a former owner of the storied label. [ cheers and applause ]

>> i thank you, creator of the universe, for blessing me to be alive tonight. [ applause ] this is truly an historic occasion. from slave music to race music to r&b music to soul music to black music honors. thank y'all. [ cheers and applause ] at the time when otis redding had transitioned, we lost sam and dave and we lost our catalog, clarence avant came along and resurrected stax by putting together a music and financial business arrangement that allowed us to carry it on.

at stax records, our creative goal was to create music that reflected and influenced what was going on in the lives, the lifestyles, and living of our people. that's all we did -- music to [ cheers and applause ] thank you, museum of african american music. the founder of stax records, my dear friend, the s-t-a-x -- the "s-t" of the s-t-a-x in "stax" couldn't be here tonight. so he sent his lovely daughter, lori stewart, to accept this

tonight. please receive lori stewart. [ cheers and applause ] >> i am honored to be here tonight for my father, jim stewart, who was unable to accept this award. jim stewart had an open-door policy that helped to create a utopian environment that was part of what made stax more like a family than a company. behind the doors at 926 mclemore integrated group of artists finding common ground and mutual respect, coming together to create a unique r&b sound that became uniquely stax and would become the foundation of memphis music, music that was given life all because of the dream of a young boy sitting on his front porch. thank you. >> up next, a once-in-a-lifetime tribute to jimmy jam and terry lewis.

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