[ spea french ] >> charlie: welcome to the broadcast from two events today in washington, a follow-up to [ spng fnch our stories last night about the economic crisis and also >>paris. >> charlie: i'm pleased to have afghanistan and then we introduce you to an amazing juliwelcome. >> thank you. young argentine tennis player, >> charl: tell mwhat's is u elysse who comes to see age 20, who on monday won the u.s. open. the first grand slam talking about his tennis game, his her brother with your three victory and his parents. ildren. >> and finds out that he'ssick. >> i won the second set in the >> charlie: he's dying. >> he' dying and so actuay tie-break and after i start to play much better. she sees her life in a different i see his backhand and he start way after that because he's like to miss easy balls and he's a mirrorof life. like, you've got to make your moving and everything going slowly and i say this is my life happy. nobody's going to do it for you. >> charlie: and he's thinking of moment. i tried to keep the defense how he'll spend the time between because everybody knows he's the and understands his mortality.

best one and if he has an >> and my character's caught up opportunity he take it and i between kids, work, lack of did. money, lack of time, stress of cities and all that and then >> that will tell you that anything can happen. finally she's going to through it's great to have a great new fresh face in the men's game. her brother's experience the >> charlie: we conclude this treasure of life and another way evening with the fabulous of living and giving back some juliette binoche in new york kind of hopes and a boyfriend. appearing in "dance" a film retrospective and has a new film but you have so many different characters in this film and all "paris." what are you scared to do? different stories that cross >> still scared of loving. each other and so it's, like you >> charlie: are you really? because you've been hurt? have other parents, it's >> how do you know that? i mean, you've got to be hurt. interesting. >> charlie: it's his. >> yeah. >> charlie: it is a cinematic i think in the humiliation. love letter someone said to >> charlie: nothing ventured, paris. >> yes, but i think it's true nothing gained. >> there's a humility and a for any city because you have so feels a little contradictory but many memories.

each corner lost you of this the humiliation allows you to love or the first kiss or have the simplest that requires betrayal or whatever. the sort of a loving state. it becomes your heart and you go from one place to the next one which is not about yourself but and it's always in side of you about something else. related to a very specific >> charlie: a follow up emotion and thought and sensation as well. economics and afghanistan and so paris is also the city of lovers, of course, and -- juan martin del potro and >> charlie: city of lights and juliette binoche. love. >> and arts as well. there's a lot about that in this film. >> charlie: had you always had an interesting relationship with directors. how was it with cedric? >> i wrote a poem of him and did a portrait as well. >> charlie: talk about that. we'll show a picture of the book in which you paint portraits of directors and of yourself and write poems. >> myself in a movie in a specific character i played.

actually i didn't know how it captioning sponsored by was going to come up but the rose communications fact of entering into the memory frk city, this is charlie rose. with the brush and ink and i was surprised myself how it came out because the idea was to jump >> charlie: we begin with the into it without knowing. without having a mental decision in me and i would always start follow-up to the this financial chris because the the with eyes. so that's why i was keen on president's appearance and ben calling this book portrait in eyes. bernanke gave his appraisal if the eyes were not intense since the economic crisis and enough for deep enough or spiking in washington at the brookings institution he said related to this place for each the government stopped the free fall and strengthened key one had a different place, then sectors of the economy. i would throw it away and start >> overall the policy actions again. implemented stabilize a number >> charlie: has your of key financial markets both in the united states and abroad. relationship with directors short term funding markets are today evolved. is it different what with you functioning more normally. expect and the level of corporate bond issuance has been strong and activity has picked up. intimacy. >> well, you have a bit of stock prices are partially animal in you because otherwise recovered and u.s. mortgage

rates have declined markedly. -- >> charlie: i said it nicely. >> you have to do and be fears of financial collapse have everything as actors. receded substantially. you got to be an animal as much after contracting sharply over as an angel and intellectual and the past year, economic activity appears to be leveling out both in the united states and abroad and the prospects for a return you have to transform and to growth in the near term directors allow to you with appear good. their ears and eyes to transform not withstanding the noteworthy and if you have a wonderful progress, critical challenges relationship with a director it's like flying off. exist. >> charlie: and it frequently financial institutions face sig is. >> i had this feeling of flying cast additional losses and shooting. households continue to face >> charlie: and if you don't difficulty in gaining access to have that it makes it a credit. because of these and other miserable experience? factors the economic recough is >> no, you have to work in an likely to be slow at first with another way. unemployment declining gradually side ways. not being too frontal. from low levels. >> charlie: and taking questions in the alchemy of shooting of the speech he e elaborated o there's sort of -- it takes you and it's got to take you. his forecast but warned of high unemployment said the economy otherwise if you mentalize could soon grow again.

everything you can't make it work. i can't make a decision with my >> we are in a recovery and will mind. i do it and play and then i know see growth in the third quarter whether it's right or wrong but continuing and growth will continue into 2010. it's my body not my mind. but the general view of most >> charlie: have you more open forecasts is that that pace of growth in 2010 will be moderate, because you're a more confident less than you might expect given the depth of the recession soul? >> i experienced so many because of ongoing headwinds different minds and hearts and including still ongoing sometimes crazy, sometimes too financial and credit problems, perfect. i prefer craziness as to deleveraging by households. rational and conventional because craziness allows you to the needs for adjustments in the dare and i love daring because economy, sectoral adjustments otherwise why? >> charlie: and that's been the and the need for fiscal exit and nature of your life. >> i think you have to check on many factors that will likely at you. we tend to repeat ourselves and go to habits but to take least based on current information make the 2010 different angles allows you to recovery moderate and in be fresh again and spontaneous particular not much faster sort of the underlying potential because we always want to go to growth rate of the economy and the new.

to dangerous places where you the arithmetic is unless the don't know what's going to be the next step because otherwise economy grows significantly faster than its longer term why. then you change. you do something else. >> charlie: is fear a part of growth rate, it will be your life then because you fear relatively slow in creating jobs over and above those needed to the new? you like the gamble, you like employ people coming into the labor force and therefore the the risk, you like the chance. unemployment rate will tend to >> i like the transformation. come down quite slowly. that's a risk and a possibility. it's about transforming. >> charlie: becoming something there are risks on both sides. else. transforming. we could have a stronger >> peeling off. recovery or a weaker recovery >> charlie: being naked. >> there's a nakedness i love but if we do in fact see about any arts because when you moderate growth but not growth get into this empty space i call much more than the underlying it you're end your true self and potential growth race than that's where i found the unfortunately unemployment will be slow to come down. fascination of the dance or the it will come down but it will take time. obviously, that's a very serious painting there's a place where it's not about yourself or your concern and one reason why though from a technical will it's about something that's perspective the recession is going to take you and guide you. very likely over at this point. that's the amazing thing. >> charlie: this is something you were born with, not it's still going to feel like a something you learned is it? very weak economy for some time you were like this as a kid?

as many people will still find their job security and their >> but you can feel it and you smell something and you grow with it and you learn. employmen because i made mistakes and employment status is not what they wish it was. thank god i made them because i learned from them and after that >> charlie: and in a follow-up the more you go the more you to the conversation about know this i've done. afghanistan, we looked at the i'm not going to do it again. >> charlie: do you look back at testimony today of mike mullen all? >> well, this retrospective of the top military officer speaking on hearing on his films, it's a looking back but i wanted to do the exhibition of nomination as chief joint of portraits and writing poems -- staff and head additional troops will likely be needed in afghan. well in the beginning they were just letters and i took out >> i don't know what additional words and they were poems. resources general mccystal may it became poems by itself i'd ask for or what ratio of say but i wanted to say something to them because the training to combat units he first impulse i had writing was really needs. to write to to kozlovskozlovskit we'll get to all of that in the coming weeks but i believe hearing behind views and having great confidence in his leadership a properly resourced counter insurgency probably means more forces and without

question, more time and more commitment to the protection of an urge of saying something. the afghan people and to the >> charlie: reading and knowing development of good governments. you from the interviews over the >> charlie: admiral mullen year there's a sense of adventure and you have chosen addressed the preference for too almost like your heart has building up the afghan security dictated what you do rather than forces before deploying more your mind. combat troops. you have not been someone that >> as you rightly pointed out said how do i create a career. last week, mr. chairman, i share your view that larger and more you basically said how do i go capable afghan national security out and be an artist in my own forces remain vital to that mind and how go out and have fun and explore and be curious and nation's viability. i share your view and have -- >> i'm not surprised the heart stated publicly the path to is in the middle of our body because it's actually the achieving the president's goal is through training efforts. reflection of another place. we must rapidly build the afghan that's what i believe. army and police. it's the body, certainly, and we and i agree that we must develop live because of that space but i more and better ways to peel believe that if the mind is away those not ideologically related to the heart, the mind committed to the insurgency and tells you and so creative but you have to relate it into your reintegrate them back to the heart and body. productive society and we have >> charlie: where does it begin the heart or mind? to recognize they're both >> the problem is when you start manpower and time intensive. to cut yourself into pieces then more important than the size of the afghan security force it's

you're off. their quality. you're off yourself. more important than the orders but you're right, the trigger is they follow, is the leadership the heart. they exude. >> charlie: but you have no and more important than the regrets do you? numbers of taliban we turn, are >> i don't even think of that word. what does it mean. the personal lives they >> charlie: exactly. themselves turn around. >> do i have regrets. i must have regrets but i don't second more trainers more see them as regrets. quickly will give us a jumpstart >> charlie: in other words, you but only that. may have made choice has it quality training takes time and weren't the right choice but you patience. private trust by the afghans so don't look back and say oh, vital to our purpose is not damn. >> you plunge into it and make fostered in a public hurry. >> charlie: senator john mccaine mistakes and that's part of it. the top republican warned >> charlie: when you took dance without an increase in troops tell me about how it began. more u.s. lives would be there's a story about your endanger. >> general mccrystal as we know completed an assessment of the challenges still in the way of masseuse's husband was a meeting the president's strategy which clearly will be the choreographer. >> she had her elbow in my back. requirement for increases in troops and a want too emphasize >> charlie: and you looked? every day we delay in >> no, but she asked do you want implementing this strategy and increasing the number of troops to dance and i said yes.

there which we all know is >> charlie: she said do you want varietily needed puts more and to dance? >> yes, i was on my belly and i more young persons already there lives' in danger. said yes and after that she i don't think we should do that. invited me to see something and i loved it and we sat together. soon general mccrystal recommends how many additional there was a sort of a silence. troops he thinks is necessary. an intense silence because we i hope we don't delay the didn't know how to start with some how and inviting me to do decision for long and will approve the troop increases that like three days in trying things we know are being sought by and so for the three days it was general mccrystal working with gen petraeus. interesting because the first day was about him showing me >> charlie: we offer continuing coverage of these two important movement and at the end i said stories in the days and weeks i'm sorry, i'm not a dancer. and months ahead. up next we meet the 2009 i don't think that's a good u.s. open champion, juan martin del potro. idea. it started from nothing. i said nothing? what do you mean nothing? >> were you doing other things while you were doing this or was it an obsessive two-year >> charlie: this year's project? u.s. open tennis championship >> it was difficult because

was reaching a crowing you've got to train your bod achievement for rodger federer yeah and breath and all that but and he was in new york marching what i discovered was my energy. toward his 6th u.s. open. the muscle world with the that expectation and that dream was statered by 20-year-old tendons and the ligaments and a 6-foot-6 challenger, juan martin del potro. after defeating rafael nadal in chi gong master and working with straight sets on saturday he confirmed his skill and won the him -- >> charlie: this is after the saga. dance thing started. here is match point. >> while i was doing it and creating it i had to have a second life some how in order to protect myself because other wise i wouldn't survive because >> he's getting closer here in the second serve. we were touring six months and going to twelve different place and new york was the last venue after we go back to brooklyn. >> charlie: and how many performances? >> we've done 80 performances and got 20 more. oreieare touch with your body? >> the disvery of the body has been a wonderful, wonderful journey. >> charlie: about what have you

discovered? >> the chi. the energy i was telling you >> and one of the great upsets about. >> charlie: the chi. >> you've got to trust your in u.s. open history. body. tennis has a new champion, it's going to transform bit by bit and the moments of 20-year-old juan martin del potro. blurriness -- sometimes i was literally blurry. >> charlie: he is the first i couldn't see and i couldn't argentine to win the u.s. open remember. the memory thing is crazy when since guillermo villas and you have to repeat a movement you can't remember anything and after a while it just came but pleased to have him here to talk about this trophy. >> thank you very much. it's true, every night is a new >> charlie: what's most surprising about this to you? discovery because the beginning has a certain quality and it's a >> everything. transformation so it depends. with the crown and my mind and i was losing since the first point and then i was fighting but >> charlie: you make a lot of movies. >> do i? losing the margin and it's >> charlie: how many do you make a year. difficult to play against roger >> it took me two years to make but i of course i did everything one year and in 11 months i made perfect after the second set and five films. i get the trophy.

>> charlie: that's the dance and the book. >> charlie: how was the third is there something to be said set different from the first set about you at this stage in your in terms of your head and how you played? life? >> well, i won the second set in you're writing, your painting, your dancing, i mean, you'll be the tie breaker and after i singing before long. start to play much better i see >> no, i think being the witness of life you have to move to his backhand, he start to miss something new and it's -- it was like a snowball. easy balls and his movement is you know, one came after the going slowly and a say this is other that came after the other. my moment. i tried to keep the defense. i'd say the first daring was to say yes without thinking once you said you want to dance. >> he's got the set. it was like do you want to do >> he's got a match. the impossible. do you want to imagine something new. >> charlie: and there's a rule i >> because roger, everybody believe in you will only regret knows he's the best one and if the things you say no, to not he has an opportunity he take it the things you say yes to. >> that's beautiful. >> charlie: that's what you and i did trust myself just regret, what you didn't do, not what you did do. trust what my coach says and what are you scared to do? that's it. >> charlie: what was the >> fir >> still scared of loving.

>> charlie: are you really? because you've been hurt? i was so nervous last night in the first set and of course i >> how do you know that? would love to be in the final but i would love to win and the you've got to be hurt some how. strategy was trying to find his >> >> nothing ventured, nothing backhand and if i have the gained. chance to go to the net do it >> there's a humility you learn and be focussed every point and it feels contradictory but it very well goes together. because i know -- i dream with the humiliation allows to you this moment and i will take my have the simplest, the chance. >> charlie: you are must have simplicity that requires this talked on the telephone with your parents. sort of a loving state. >> yes, i talk when i finished this is not about yourself but about something else. the match but we can't speak too >> charlie: have two children. much because i was crying and >> yeah. >> charlie: how old are they they were crying and everybody now? was so excited and it was >> nine and sixteen. difficult to talk. >> charlie: you have gone from >> charlie: they have their own active life now? ranked 60th to six in the last >> the older one. year. very independent, very mature. what changed about your game? >> charlie: are they with you?

>> a lot. >> yeah. i changed my serve, my forehand, i play more aggressive right their father's in paris. now. i can play in every surface and but you're scared of love. that's very important to be top ten or to be a great champion in >> i fall in easily and i would the future. zmr give everything but there must be another way. >> charlie: when you look at >> charlie: you wouldn't give your art for love. this burg, sampras, federer, >> i don't think you can do that. >> charlie: you don't think you can stop? >> no, because life is about finding your task and giving federer, federer, you knew going what you got to give in life. on to that court yesterday at not about giving up what your 4:00 you had a chance. >> yeah. life is. >> charlie: it adds to it. when i beat rafa i start to see >> it's loving and about everything. it's accepting everything. it's not dividing. the final. >> charlie: but when you look at all the work you've done across my mind change a lot. i start to feel in the sensation the spectrum do you think you and nervous of my first final work better when you'ra in love and think that helped me to be

or when you're alone? quiet in that moment and to be >> that's a good question. in a certain way you work better focussed in the important moment when you're in love because and to fight for my chance. you're more open, you're more >> charlie: the fact that you had played and beaten roger vulnerable and -- before, did that make a >> charlie: and alive. >> but that's a way of loving in difference? >> i was so close in the french a different way, when your not in love, you're loving too but open but i lost the match. in a different way which is -- i i missed with my serve. believe you can recreate i don't play good points at everything with your heart and important moments and he takes mind and body and that's what we his opportunity and last night i do as actors. we have to recreate but still -- did everything good. in the important moments i put the ball into the court. you can fall in love with a lot i was looking for my winner and of different people. it doesn't mean you make love to them and have a life with them that's the way to play with roger. or whatever but there's a >> charlie: when you double certain connection you can share on a certain level that the faulted, twice -- falling in love is in a place where it's -- where it's --

>> charlie: yes. and there's risk and danger. >> that's a pity. if you've looked at all the double faults his way right out people you fall in love with. of the set. >> i can see you love the federer leads two sets to one. subject because you go on with >> charlie: what did you say to questions. yourself? >> charlie: yes indeed and why >> i say bad things. not. >> charlie: stop it. do all the men you fall in love >> and many things. with, are they alike or been >> charlie: bad things? wildly different or have this you said bad things to yourself? instinct to go for the same >> yeah, i say, martin you keep kind? >> that's an interesting question because i man said to fighting. you are playing good and then me all the women i've been with you are close to the set and you is the same big woman and i miss the serve. could see this big woman lying down and being the same but i how can this possible but when i believe that actually i feel lay down my head and the crowd like i've been with a lot of start to turn for me and i feel different men but why we go back to that place each time, if you everybody -- >> charlie: we all wanted to see it go all the way to five sets. have to go back -- >> charlie: you say that as if >> it helped me a lot to keep you're exhausted thinking about it? >> i wish i had just one man in

trying. >> charlie: the forehands my life it would be resolving cross-court. all the things but it hasn't >> my! been like that and that's the way it is. >> charlie: is it about you or about them? >> it's about both. >> charlie: were adds hard and fast as anything i've seen and responsibility.e i've seen a lot of tennis. >> charlie: it's hard for you to is that your best shot? have one man? >> yes, i think so. >> no, no, i'm very faithful. it's my favorite shot and i use it at very important moments. >> charlie: i'm not talking about fidelity, of the heart, in it somtimes works. other words, it's not hard for >> charlie: it sometimes doesn't? but it mostly did. you, you are not so curious, >> i go into the court. >> charlie: what's your adventurous, self-directed that assessment of roger's game yesterday? you could not be madly in love well, roger plays -- he never and faithful. i'm trying to get out of it. changes his game and he has the i don't know how to get out of game to beat me but yesterday i it. played very focussed. so what's on the calendar -- >> what i wanted to say is it's i tried to move him to the about in a couple is that you -- why do we go back to it is that baseline and trying to play

it reaches an intimacy that it harder than him. the key to roger and nadal is to doesn't reach in an another play unbelievable tennis and relationship where there's not a physical relationship or everything you should do intimate re everything perfect and that's what i did yesterday. intimate relationship and i >> >> you're the tallest player to think we go back to it because there's an interaction inside win the open, maybe ever to win the grand slam, yes? ourself we can only reach because of the other. >> yeah. that's what a believe. >> charlie: why is that? and it's actually more about why have tall players not done as well in the past? being in touch with the depth of >> i don't know. i feel very comfortable with my ourselves of the hidden place of size for me it's an advantage ourselves that we want so much for the serve. to be with the other. >> charlie: but like sampras you i don't think it's about the developed ground strokes and you other. you see what i'm saying? can play the baseline as long as >> charlie: it's your own what? you need to. >> because you get in touch with >> yeah, i love to play in the baseline but i want to improve places that you've never been in touch with before you met the in the net. >> charlie: if the forehand is the best shot, what's the worse person so -- that's why it's shot? what is the weakest? unbearable sometime and >> maybe volley. wonderful sometimes. >> charlie: the volley? because you're reaching >> yeah, i think so. different spaces inside you.

if you have a good volley, a you want to reach, of course, a good slice you make a difference. place where there's respect and >> charlie: so here you are as the u.s. open champion and you then love. the respect is is the most cry with your parents and cheer with your friends and out late difficult because you've got to last night celebrating i'm sure, what do you attribute it to. be in touch enough where you can stop, there's the limit to why are you going find your name respect the other and it takes a on this trophy? while. i think it takes maturity in >> this is my dream. order to get there and i have i always practice for this good plans -- moment. i always keep trying for winning [laughter] >> charlie: you reached that mature level you can handle it the grand slam. of course my favorite is the now. >> i hope so. i'm still a little girl and u.s. open. >> charlie: why is that? you're a little boy i'm sure because otherwise why. >> charlie: there is this also, does acting give you some of this, some of this of all the >> i don't know, i love new things you just described about york. the love the flashing and love. everything and the trophy. does acting -- nothing can be, nothing, no work can be or >> charlie: what's your best surface? >> hard court. should be all that you just said

>> charlie: and grass? >> not too good. and clay. but if you have the right kind >> charlie: and clay. >> i learned to play tennis on of passion for work it can be clay court and all argentinian the closest substitute i think. in other words, you can find a players know. >> charlie: if you were starting level of satisfaction, passion, would you have a two-hand sacrifice. >> i understand what you're backhand? >> yeah. saying. >> charlie: you still would? in the dance touring i was >> yeah. moving around a lot physically >> charlie: what's the and then i did this fil fill in advantage? power? >> more control. more power. when you feel nervous you have two hands to play. between now and the camera was >> charlie: the court sets, very still. where does that come from? like a ten-minute shot a consequence shot and actually the sense of being able to be smart about playing the court. the movement i was experiencing was inside and i said i'm just doing it. dancing inside. i'm dancing emotionally and it wasn't as clear as it was at >> it's difficult to go to the that moment and after certain court to play against the best takes i felt like i'll never tennis player in history. feel that freedom, that

>> these hardest i've ever seen this shot hit. happiness again because it's even his reaction was great. such an encounter and actually i >> charlie: he is in your judgment, rodger federer the greatest player ever to play the asked why are you acin acting be game? >> yeah, but i always thinking you don't know -- the money is in my chance and my game and not your interest. >> charlie: that's not why you believing in myself i was quiet do it. >> you're suffering to get into a sudden state as an actress. all the months trying to take my where's your joy and i say it's the freedom of certain moments chance and i think i did when you get inside and that you everything perfect. >> charlie: yes, you did. can share with the others as was there a moment in your well. it's irreplaceable. career in which you thought you could be here? could win a grand slam. was it five years ago or two years ago or ten years ago or can you say that? >> charlie: yeah. was it last week? the movie is "paris" out soon >> no, i think after french open and you'll be at "bam" to dance. -- >> charlie: really? the book is called "portrait in >> i say -- >> charlie: i can win a grand slam? >> -- i can win a grand slam or eyes". . the documentary film. beat roger. thank you. >> thank you.

? >> pleasure. threw for joining us. see you next time. >> charlie: who's tougher for you, roger or rafa? >> roger. >> charlie: roger is tougher? captioning sponsored by rose communications >> his game is so good and his slice, his volley, his serve and captioned by media access group at wgbh access.wgbh.org i don't like to play rafa because the ball comes harder. >> charlie: from roger? harder? >> yeah. >> charlie: it used to be said and mcenroe mentioned this that if you're frequently you attack a tall player by trying to make them bend their knees more, did rafa and roger try that? >> yeah, everybody try. >> charlie: and you expect it. >> i always work it out because i don't like to play against roger because his slice too good and i have to lay down to hit

the ball. if i improve in that moment i can be a good player. >> charlie: what's the dream now? maybe be number one. number one in the world. >> charlie: who else is tough for you other than roger? who gives you a hard time? >> murray. >> charlie: andy murray. because of a similar game? >> yeah and we play juniors player and we have a particular relation. >> charlie: what kind of relation? >> now we have a good relation. when we are juniors we play in every tournament and he beat me. >> charlie: tell me about growing up. when did you start. when did you first put a tennis raquet up your hand.

>> six or seven. >> charlie: they put sent you. what happens when somebody in a small town in argentina with a tennis game there to here. >> i play both sports and i remember the moment when my first coach said to me you have a chance to be a great player but you have to pick a sport if you want to be professional. i choose tennis and i think i did a good choice. >> charlie: do you love the game? >> yeah. yeah. i really love tennis. >> charlie: what is it about tennis that makes you love it so

much? >> we live like another world. we always been five-star hotels. we play in unbelievable cities, unbelievable stadium. >> charlie: adoring fans. >> of course. everything is lovely. >> charlie: there's nothing wrong with your life, is it? >> maybe the trips how many many time-outs you are away from your family but you have more good things to see. >> charlie: now that you won do you think they'll come to australia or wimbledon or paris. >> now that they believe in my game -- >> charlie: try to get them to come? >> and keep winning. >> charlie: how much coaches have you had? >> just two. they've been with me this tournament and every tournament.

>> charlie: pete sampras used to say to me and others the reason he this a fantastic serve was something having to do with his shoulder. you've been a great athlete all your life. fast, great hand-eye coordination, all those things or not? >> yeah, first to be in a professional sport. >> charlie: you've got to be a great physical athlete. >> yeah, and i work for that because every roger, rafa and he can run for six hours. that's what i want to do in the future. >> charlie: six hours run? >> yeah. >> charlie: rafa can do that more than anything. physically he's the best. are you working on that? >> yeah, i want to be better. >> charlie: how tired were you in the fifth set. >> so tired. >> charlie: you just saw the

collapse at the end. >> yes, when we are finished the fourth set i start to feel cramping in my legs but i want to show to anybody -- >> charlie: nobody. >> because if roger see that -- >> charlie: he would take advantage. >> it would be impossible for me but when the match point's over and the match is over, i feel more relaxed and more confident. you >> you said as you talked to the crowd, you were going get a massage. what did you do after the victory last night? >> we take a dinner with some friends and then we go to a bar and celebrate a little bit. >> charlie: lots of toasts. >> yeah. >> charlie: congratulations. this is a remarkable. roger said i thought most appropriately at the end you deserved it. >> thank you very much.

>> charlie: thank you. come back when you win wimbledon. >> you're inviting me? >>? i'm inviting you now. thank you very much. it was remarkable. back in a moment. >> when you beat rafael nadal yesterday you said i think this is the most beautiful moment in my life. how do you feel now? >> much better. i have two dreams, one is u.s. open and the other is beat roger. one is done, but i need to improve a lot to be like you. i would like to congratulate you. >> you know, in 118 years of this united states championship only one argentine has won the title, guillermo villa and one south american, here's the second. >> it's nice to win.

it's nice for south america and for me. i'm happy to be here with this crowd and these people and this court. i think this will be in my mind forever in my life. i don't have words to explain that. >> charlie: juliette binoche is here. in french she is simply known as la binoche and won an award for the "english patient" and proven herself as a dancer, poet and painter. this month in new york a contribution to the world of art will be celebrated with dance performances, a film retrospective and the release of her new film "paris." here's a look at the trailer for that film. >> in paris a city of a thousand faces, everyone. has chens