[disco music playing] ♪ what you got to say? ♪ hollywood gideon: diane arbus once said: "a photograph is a secret about a secret. the more it tells you, the less you know." spencer! spencer reid! dude! look at you! you look just the same. ha ha! look at you, dude. nothing's changed. spencer was the only 12-year-old in our graduating class. just the same. thanks. this is special agent jasogideon. this is parker dunley. we went to high school together, as you can probably gather. how you doing? hey. it's a beautiful gallery. thank you. thank you. jason's a big contemporary art enthusiast. well, we're exhibiting 4 up-and-coming artists in this show. everything's for sale,

and i can definitely swing a nice discount for a friend. lila. hey. guys, come on. do i look 12 years old to you? 14. spencer, i'd like you to meet a real movie star. movie star? please. she has a supporting role on a television series about beach volleyball. totally blue-collar. i'm lila. hi. i'm, uh, i'm doctor spencer reid. uh--i'm spencer. you don't have to... call me doctor. i won't. excuse me. hey! i told you! no photos in the gallery! out! and who are you? i'm jason gideon. i'm a friend of-- have you seen my work? no.

thanks. so, you're not from around here, are you? me? no. no. i'm, uh... we're running a training service about profiling for the los angeles police department. profiling? yeah, i'm with the behavioral analysis unit of the fbi. we psychoanalyze crime scenes in order to gain a better understanding of the criminal who might have committed the crime. psychoanalyze, huh? are you doing that to me right now? what? no. i'm not psychoanalyzing you. spencer, i'm kidding. one of my earliest works. totally boring. oh, i don't think . nothing's just a picture. if viewed correctly-- whatever that means-- one can see world views, obsessions, manifestations of the subconscious. if i weren't a lesbian, i'd jump your bones. i've always had this thing for middle-aged men.

you have these piercing, discerning eyes which remind me of my father who was a shrink. and i'm like, god, i am so hot. parker: pinky, some guy from artnews wants to talk to you. don't go away. does it make you feel anything? like what? i can't tell you how to feel. right now, i feel pretty good. we're leaving. we're still looking at the exhibit. now. now. now. yeah, i guess we're leaving. reid, now. nice to meet you. on the way. bye, spencer. sorry. [disco music playing[ today, we thought we'd focus on what is probably the most important component of profiling, or for that matter, any investigative technique:

victimology. the word victim stems from the lan word victima which means "sacrifice." no, i can't go to the gym. i'm waiting for my shooting script. [doorbell rings] i think it just came. uh, yeah. ok. i'll see you at the gym, babe, bye. reid: victims of violent crimes are brutalized by a subject who takes upon him or her self to decide life and death over a fellow human being. hi. are you gonna give it to me? aah! there are around 16 million people in the los angeles metropolitan area. every time a person is killed, robbed, or raped, the most important question you will ask yourself is why? why did your unsub choose this victim-- hello? gideon: at this time. natalie? gideon: is there anything done which provoked the criminal to act? or was the target available or weak, a causality of circumstance?

natalie? natalie. oh, my god! oh, my godno! natalie! no! oh, my god! captioning made possible by touchstone television productions, llc and cbs sears last minute gift sale is on now.

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you know, we really can get ourselves to the airport. i didn't invite the fbi here to let them make their own way around town. we really appreciate it. hey, i can't thank you guys enough for conducting the seminar. well, don't hesitate to call if there's anything we can help help with. [call phone rings] [ring] kim here. great. yeah, i'll be there as soon as i drop the fbi agents at l.a.x. everything all right? double murder at a hollywood bungalow. a celebrity. young movie star natalie ryan and her fiancé apparently shot to death. it's gonna be a major pain in the ass. you guys care to take a quick look before i drive you to the airport? it's on the way. absolutely. [police radio chatter]

no sign of forced entry. gideon: same weapon. reid: the girl was shot execution style. once in the head. the male 3 times in the torso. so you have 2 different m.o.s. we have an image on the video surveillance camera. looks like a messenger of some kind wearing a motorcycle helmet. he's unidentifiable. there's no sign of struggle between the girl and the unsub from the door to the couch. he most likely forced her at gunpoint. he told her to trust him. "do what i say. i won't hurt you." fatal mistake. mm-hmm. he asked her to sit on the couch and then shot her in the head. the fiancé wasn't expected. his killing's messier. it's less controlled. it's less organized. what do you think? i've had a couple other cases recently. past few months. same type of weapon, .22 caliber handgun. both shot in the head. the first was an established film producer, wally melman. and the second was chloe harris,

another young actress... but not as well known as natalie here. any forensic evidence? no. and the guys have been going through this place all morning and haven't come up with anything. so he clearly knows how to cover his tracks. like a professional hit man? maybe. gideon, there are people actually taking photographs of us from the next yard. welcome to l.a. .22's are small but efficient. they bounce around inside a person like a pinball. preferred weapon of the mafia. you know, there's no obvious sexual component to these crimes which is usually the case with serial murders. so are are thinking this is a serial killer? well, it's certaiy a series of murders. we don't know enough yet to call them serial. would you consider hanging out in l.a. a little while, let me lean on your expertise until we do figure out what we've got? yeah. just cancelled our flights. we'll have the rest of our team out hereasa. morgan: first 2 victims: wally melman and chloe harris.

both killed in public places. chloe wakilled while walking her dog on the beach in santa monica which she did every morning. and wally was killed outside of a massage parlor. in culver city. which he went to every tuesday. maybe that means he follows his victims for a while. and not a single witness. so we know this unsub can blend in. regardless of the location, he has the ability to hide in plain sight. he's meticulous. the media's calling natalie ryan's murder the biggest celebrity homicide since sharon tate. what does that mean for us? that everybody will be watching. this guy is an assassin? when you look at the victimolgy, there's no obvious links. all the kills are clean except in the instance of the last victim, jeremy collins. there's absolutely no evidence left at the crime scene. there's no dna, no manifestation of psycho-sexual release, and there's no detectable signature of any kind. remember, our profiles are formulated not just by what's present at the scene, but also what's absent. from all the evidence that we've gathered, we believe that you're looking for a type-4 assassin.

type 4? type one's are political assassins, like john wilkes booth. type 2's are egocentrics looking for simple recognition type 3's are psychopaths, cold-blooded killers who leave far messier scenes. and type 4, our unsub, suffers from a major mental disorder and is frequently delusional. the closer we come to figuring out that delusion, the closer we'll get to finding the unsub. what's he going to be doing until we do? finding other victims. excuse me. [knocks on door] hi. is there a detective kim here? right here. you're heading the investigation into the natalie ryan murder? yes. um... my--i ve a client. she's, uh... is there another place we can be private? we're all working this murder. well, um... she received a note, my client did, and she freaked out. i told her not to worry about it. where is the note? where's your client? she's waiting in the other room. reid, let's go.

lila. hi. hotch: how well did you know natalie ryan? we spoke when we saw each other in public, but we were never friends. how about wally melman? what? wally melman. he's a producer who was killed a couple months ago. the paper said that was a robbery the paper was wrong. did you know him? we met a few times about a project, but... i didn't get the part. they went a different way. which way? he cast, um, another act. oh, my god. what is it? he cast natalie ryan. "you owe me." i guess that's one way to ice out the competition. don't look at me. i brought her to the police station. have you ever had a sense that someone is watching you, following you? from the moment i get to work,

i have hair and make-up and wardrobe people, producers, writers, my agent, my manager, publicist. not to mention the photographers. i's part of the life. anything seem out of the ordinary? happens on a regular basis or semi-regular basis? what do you mean? repetitive phone calls with hang ups. gifts left anonymously. i receive flowers on the seventh of each month. they just appear in my trailer. never a note. just a plain glass bowl. red anemones. my favorite. and you don't want to know who they're from? celebrities get anonymous gifts all the time. she has fans, you know. you remember meeting anyone on the seventh day of the month? or in july, the seventh month of the year? no. wally melman was a producer who considered hiring you, but didn't. and natalie was a rival. and chloe harris? she looks a lot like you, don't you think?

who? a potential rival. she was murdered, too. so all these... people are being killed because of me? it's possible. i'm sorry... i can't. i--i have to go. lila! lila. lila. what's haening, spencer? it's still rather speculative, but it appears there's a delusional assassin who's killing people to help fuher your career. it pbably started as a stalker. an erotomanic stalker. there's a psychopathology of the evolution of these types of stalkers. and the fact that he's contacting you indicates that he believes you owe him something. this model frequently concludes itself to one of 2 possibilities: either the stalker will kill himself, or he'll kill the object of his affection.

state farm. this is jessica. hey, jessica, jerry neumann with a policy question. jerry, how are you doing? fine, i just got a little fender bender. oh, jerry, i'm so sorry. i would love to help but remember, you dropped us last month. yeah, you know it's funny. it only took 15 minutes to sign up for that new auto insurance company but it's taken a lot longer to hear back. is your car up a pole again? [ crying ] i miss you, jessica! jerry, are you crying? no, i just, i bit my tongue. [ male announcer ] get to a better state. text save to 7-8836.

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with an erotomanic fixation on the actress lila archer. erotomanics are a form of stalker who posses the delusional belief that another person, usually of a higher social status, is in love with them. in the united states, at any given time, there are over 200,000 people being stalked. our unsub is having a fantasy love affair with lila archer the way john hinkley did with jodie foster. ms. archer was not aware of her stalker until yesterday. he wasn't trying to impresser. he was more like an unwanted, very violent guardian angel. when the stalker feels as if they've been in some way betrayed by their love object, this often leads to violence against the target. reidin the case of john robert bardo when actress rebecca schaeffer took a role where she had to have a sexual relationship with another character, it was enough to force him to snap and seek her out to kill her. though stalkers can be either male or female, it's most likely we're looking for a single male, a loner, in his late twenties to early forties,

very intelligent, with ample time to follow his victim and study her habits. as of yet, the unsub has not directed any violence towards ms. archer. but he has shifted his focus from those around her to her directly. this doesn't preclu the fact that anyone who has the vaguest association with ms. archer is a potential target. [bell rings] i love you. you're my favorite client. no. i haven't asked you anything yet. i'm not stopping my life. you can stay with me. no. a hotel? just until the police say you're safe? michael-- you know i worry. good-bye, michael. ok. call me...lots. kisses. hello. good-bye. i'm leaving. hey, mags. he's an odd guy. yeah, but who isn't a little odd out here? well, that's for sure. look, we're ready to rehearse scene 43 and...

this was taped to your trailer door. thanks, hon. i'm intrigued by this particular version of the verb "to be." past participle. steady state of being. preceding adverb. "always." in english? that is english, actually. we're discussingthe verb tenses- reid. our stalker sounds like someone she knows. reid: based on the tense of the verb. maybe it's time to get her off the street. there's been no physical threat to her. she might be safe just staying put as opposed to anywhere else. i'm standing right here, guys. if we did remove you, we'd have to take you to an undisclosed location i'm sure your stalker knows where you live. i'm not having the whole show close down. i only need one more scene to shoot. look, last night i decided i wasn't gonna be afraid of this lunatic.

am i safe here? the set's cleared of everyone except essential personnel, and we have increased security at the gate. lila, they're ready for you. i'm staying at work, gentlemen. [trailer door closes] morgan: well, she's one tough girl. yeah. i didn't want to say anything in front of her, but his anger about her going to the police suggests he might alter his agenda. morgan: typical for a stalker. she didn't go alone to the police. her manager took her. you and reid stay here. keep an eye on her. i'll hang back, too. where you going? to talk to her manager. ahem. sorry if i was, um, insensitive last night. you were only doing your job, right? yeah.

then there's no need to apologize. eww. you don't mind sharing with me, do ya? no. [mocking lila] you don't mind sharing with me, do ya? shut up. go get 'em, lover. elle: hello? hotch: mr. ryer? michael... til now, every victim's a person who can be perceived as a threat to ms. archer. til yeah, but michael's a pewa a friend. he was a threat to the stalker.

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reid: she's still working. did you meet up with her manager? gideon: reid, take her home, have her pack some things. what's going on? we were too late. she's gonna be devastated. i know. jj's keeping it out of the press for now. let's not tell her yet. not tell her? no, not yet. we need her to cooperate with us... in order to protect her. i'll talk to you later. you gonna take her of the street? i'm gonna completely deny him access. won't even give him a glimpse of her. hopefully, that'll bring him out of the woodwork. [police radio chatter] yeah. no, we're pulling up right now. uh-huh. there's a marked car out front.

yeah. got it. i'll check it out. is everything ok? i just need to run through some security measures with you. gideon, you better take a look at these. morgan, it's elle. yeah. elle: we found a manila envelope on michael ryer's desk. it's full of photos. ok. well, they're candid shots os lila archer nude. i'm guessing he was probably paying someone off to keep them out of the press. do we know who? um, the name on the envelope was joe martinez. the paparazzo? you know him? yeah, i dealt with him a lot. elle, we're on it. wow. i like your house. i rent it. nice. you should also probably change all your phone numbers. i'm unlisted.

anytime you call an 800 number or an 888 number, your phone number's put into a databank that's been sold to telemarketers. if someone gs your cell phone number, they can go on line and research all your records. hanging out with you can be really depressing. uh, you should also probably carry a piece of paper and a pen with you wherever you go in case you see any suspicious license plates that often reappear. photographic collage. i like it because it's like life, you know? you know, like obscure, difficult. you should also get a dog. uh, like a guard dog of some sort. allergic. um, earl grey or chamomile? what? what? would you like some tea? yes, yes, sure. fbi! martinez. it's clear.

see? this guy's a real scumbag. you got that right. what's this? it's a call sheet it's a shooting schedule for a film or television show. that's lila's show. yeah. he's not supposed to have that, is he? no. hey. look. that's reid. that's an old picture. he a target now? not if i can help it. let's go. reid, it's morgan. listen to me.

you got to watch your back over there. we just found a bunch of close-up photos of you at this guy joseph martinez's studio. looks like he could be the unsub. he had a ton of photos of lila and natalie, plus a call sheet for lila's show. we're on our way right now, but i need you to be real careful until we get there, all right? all right. [groans] you all right? yeah. just my shoulder. all right, i'll call in for help. officer down. we need an ambulance at la brea and wilshire.

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gideon. that's what i thought. thanks. garcia's gone through every article written about lila. she never says anything about red anemones being her favorite flower. well, we're looking for someone pretty close to her. this list gets shorter every day. he's circling in. we need to get to her house. make sure the press doesn't get out of hand with this mess. feel anything yet? there's something definitely appealing about this one. it's a start. what are you doing? going for a swim. what? no. lila. [camera shutter clicks] ahh. ooh! lila, you cannot do this. five minutes. go get a suit inhe house.

what? no! i don't wanna grab a suit. are you kidding me? no. join me. no, i'm not gonna join you. why not? you're being pursued by a psychotic killer who shoots people in the head. i'm not gonna stop living my life. i'm just not. lila, i'm begging of you will you please get out of the pool? really, spence, you should live a little. live a little? i've known you 48 hours, i feel like i've already aged 10 years. [scoffs] i can't be that bad. yes. no, you are that bad. fine, can you help me out at least? [laughing] yes, very funny. laugh it up, lila. hilarious. my gun's wet. great. [camera sutter clicking] [laughing]

my clothes. you should have worn the suit. [camera sutter clicking] this is completely inappropriate. this? what's this? this isn't-- [camera sutter clicking] no, there's this thing called transference. you don't like me? what? you don't like me. i do like you. i do. i like you too. just i'm a federal agent, you know, and i'm supposed to protect you. then keep me close. i'm just, uh, i'm a little bit worried. you know, we're-- we're in a pool, and it's a--we're pretty much exposed. [camera sutter clicking] we have cops. we have cops posted out front. there are coyotes out back. and right here it's just you and me.

i, uh... stop. i'm sorry. i have to, um, i have to tell you something. what? i didn't want to tell you this before 'cause i s a little bit worried. i di't-- you don't-- i don't know how to say it, but i can't not tell you. what is it? your manager, michael... what? gideon went to check on him, but he got there too late. lila. [camera sutter clicking] how could you-- how could you not tell me? i was afraid you'd be upset.

you... you knew what you knew, and-- how could you not-- i'm so sorry. no, don't, don't touch me. don't touch me. [camera sutter clicking] give me a reason. well, we found him in the bushes. i told her she should cut those. well, we found him i, uh, fell in. yeah, and i'm sure there's plenty of photos of it. stop shoving me, man. you're a suspect in the murder of wally melman, natalie ryan, and jeremy collins. murder? what? whoa, whoa-- shut up with the whoa. we know for a fact that you have hundreds of photographs of lila archer and natalie ryan on the walls of your studio. you have miss archer's daily schedule on your desk. you've been stalking her. look, guys, look. hold up. every paparazzo's a celebrity stalker. if you don't stalk 'em, you don't get the shot. if you don't make the shot, you don't sell no pictures.

well, this one is gonna cost you. wha--no. that's just wrong. tell it to your lawyer. i'm still being locked up? that's right. very least, you're trespassing. let's go. you're welcome. are you still-- are you okay? michael was like family. i'm so sorry. it's just so hard to trust people out here. you don't--you don't know who to believe. everybody wants something from you. that's why i thought you were different. i know i should have told you.

i told him not to. he was only following my orders. you know... the last time i was able to fully trust someone was at julliard. before was a somebody. julliard. and didn't you say you used to live on houston street? what? you were a waitress. you lived on houston. yeah. i need to take this thing apart. i'll-i'll put it back. i--i think i see images of you. guys.

lila, it looks like someone's been stalking you for years. yeah, this tells your whole life story. movie premieres, theater playbills. everything since college. that's our country house. right here. who gave y this collage? he did. this guy? who is he? that's the guy i went to high school with. parker dunley. garcia. parker dunley. e-mail me a sheet on him, all right? sears last minute gift sale is on now! get our lowest price ever on this samsung 46-inch 3d tv, just $999.99. all craftsman mechanics tool sets are up to 50% off. plus, earn $100 back in rewards points with all fine jewelry. sears

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oh, look who's here. where's parker? i don't even get a hello? where is he? guess that follows since i never got a good-bye. parker! friend of yours? no. how could i help you? hey, spencer's friend, right? yes. did you give lila archer a collage? what? there's a photographic collage above lila archer's sofa. she says you gave it to her. so? so it has your face hidden all over it. i didn't make the damn thing. so you... just happened to give her a work of art that contains most of her life in it? i--no.

no. if there's something you aren't saying, now would be a real good time to say it. all right. all right, i lied. what about? i just wanted her to like me. i met her here. she was a fan of art. i figured if there was hip, young stars coming into the gallery, it would help business. what was the lie? someone gave me the piece to give to her, but i told her it was from me. i said i found it and i thought she'd love it. and who gave it to you? her name's maggie lowe. she, uh, she works on lila's show. she said she went to college with li. she's like a p.a. or a.d. or some acronym. she wanted to make sure that lila got the collag but she didn't want lila to know that she gave it to her. she said to say that it was from a secret admirer. but i told her it was from me, so... i have a name. maggie lowe. she's the unsub. she's on lila's show.

we're on our way. lila, do you know someone named maggie lowe? mags? yeah, of course i know her. i've known her for years. i got her a jobon my show. [phone ringing] what? that's her calling right now. is she calling from a cell phone? yeah. lila, we think maggie's the unsub. the what? the stalker. no way. answer the phone. that's-- that's crazy. answer the phone. act completely natural. the longer you keep her on the line, the more likely we'll be able to trace the call. trust me. [ring] hello? hello, maggie? maggie, is it you? what's wrong? garcia: oracle of quantico. speak if you deign to hear truth. garcia, i need an emergency trace on a cell phone call to lila archer's cell phone. sure, go ahead. 3-2-3 5-5-5 0-1-2-9. okay, keep her talking. keep her talking. maggie? maggie: oh, i am so tired.

tired? mmm. there's been so much upset. in the world really. i think it's just so tragic. all of it. i miss you. i just do. mags. i saw you today. it's never gonna be the same as it was. it's just never gonna be the same. i don't know what you're talking about. i'm talking about that time in college when the heat inour apartment was off and the two of us stayed in my dorm room. don't you remember? you were playing ophelia on the main stage. i remember. that was the happiest time of my life. maggie... sweetheart,

that was only for a weekend. the happiest time, and you don't know anything about me at all. and i did everything for you. reid, is lila's address 6028 pike street? yeah. she's calling from inside the house. i'll getou some backup. lila. [thud] how is she in the house? she has keys.

why'd you have to bring thespeople here? put down the gun. maggie. don't call me maggie. you don't know me. come on, lila. let's go. we really got to go, baby. come on. maggie, don't hurt her. you don't need to hurt her. you don't know anything. i would never do anything to hurt you. no. i created you. no, you didn't. yes, i did. i know i did. god. you stupid, ungrateful... god!

i can't believe that i loved you. maggie, she, uh, she loves me now. what? she told me so. we were in the pool. she kissed me. now she loves me, okay? no. tell her we kissed in the pool. no! yes, we ssed. god! [gunshot] don't move. please. please kill me. come on. kill me please. i'd be so much happier. please. please! come on. we're gonna get you help.

shh... [sobbing] back up. let's go. darling, e-scape wants to do a segment on you this evening on the stalking event. i told them yes. why'd you do that? it's okay. it's gonna be fine. e hair and makeupeople are coming in 10 minutes. there's also talk about 60 minutes. this kind of publicity makes me really uncomfortable. n't be ridiculous. i'm talking about performing a public service, all right? stalking is a major problem in this country. it's good, it's good. [phone ringing] all right, i got to take this. looks like, uh, you're gonna be pretty busy. i wish things had been... more normal when we met. lila, believe me when i say this. i've never known a normal day in my entire life. hey, reid. come on. we got to move. gotcha. well, um... if i'm ever in washington and i were to give you a call,

that would be okay? yeah, i'd like that a lot. i don't want to intrude. no, not at all. reid, sorry, we're waiting. lila, we got to go. and i don't know when you're gonna be back here, you know, the next time you're in los angeles, if you'll be fit for time. lila, we got to go. gideon: bernard shaw once said, "an american has no sense of privacy. "he does not know what it means. there is no such thing in the country." [laughs] night, hollywood.

come on, man. you knowreid, you're lucky they didn't get a shot of you next to the pool trying to draw your gun. you looked likeey didn't a wet rat. of you hey. i was playing. did you know that, um, she, uh, i kissed her in the pool? it's so weird. it doesn't even feel like it really happened, you know? sure, sure. she's a beautiful young actress. yeah, you know, i kept explaining to her about transference and the ct that, you know, she probably only liked me because i was there to protect her. reid. you were her hero. i wanted to think that. no, no, no. don't go selling yourself short, kid. you took down an armed subject without firing a shot. you saved her life. that's pretty much a hero in my book. let me ask you this. have you ever crossed professional boundaries with a victim of a case you were working on?

no. it's pretty bad, right? some things you can't control even with that big ol' brain of yours. no harm, no foul. let it go. hey, morgan? has there ever been a girl that you wanted to be with for more than, you know, just one night? excuse me? i've never seen you with the same girl twice. what, are you calling me a dog? no, not at all. i'm just trying to figure out if this feeling i have is ever gonna go away. reid, what we do for a living, it takes up all our time. and a relationship's hard enough even in the same city. so, i mean, you're saying it's probably wise that i don't call her, right? i can't answer that one for you. hey, i'll tell you what i do know. you don't need to come up with that answer tonight. i'm out.

have a good weekend. yeah, you too, romeo. captioning made possible by touchtone television productions, llc and cbs captioned by the national captioning institute --www.ncicap.org--

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previously on without a trace: oh, man. it's you and her now, huh? trusted you, danny. it's going to come back to you, man. sophie's been kidnapped. oh, my god! let me go. it's carlos. where's my daughter? you cannot resort to these cowboy tactics. you set us back. i guess that bitch talk doesn't fly right today, right? danny, do not take the shot. i'm sorry i make you that angry. you broke my heart. you hear me? do not take the shot. come on. let's go. ♪

(brakes squealing) are you crazy? lady, are you okay? i'm fine. go, please. take the westside highway uptown. back up. don't move. you can have all my money. please, help me! no! i e-mailed it to lucy. hopefully, she can get a plate number. cabbie get a look at the gunman? yeah. african american, six feet, bald.

but i'm having the sketch artist work up a composite of our missing person first. anything that might help us figure out who she is? homeless guy saw her talking on a pay phone down the street, so i'm running the records. ert is checking for prints on the phone and the cab. not much to go on, huh? no. hey, sarah? can we show agent johnson that paper? sure. this was in her sweater that she left in the cab. looks like the eye of ra, egyptian symbol of protection. you know, there's a lot of exclusive clubs in the neighborhood. could be a passkey. yeah. could be a date gone wrong, sexual assault. so much for an eye of protection.

yeah. could be a date gone wrong, sexual assault.

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man: i didn't see her until she jumped in front of my cab. i could have killed her. when the gunman grabbed her out of the car, did he call her by name or say anything that might help us figure out who she is? no, i-i'm sorry. sumanir, you told the police that tonight was the first time you'd ev seen this woman? yes. because we ran the records from a pay phone that she was seen using, and she placed a call to your cell phone. how'd she get your number? i do some work off the books. if my boss finds out about it, he'll fire me. hard to get a new job from jail. i picked her up yesterday. you like pizza? excuse me? my son, he just discovered american pizza. so i want to know where i can find the best. he's verhandsome. thank you.

me and my wife, we come here so we can raise him like an american. but it's not easy. he sees what all these kids have, you know, the cell phone and this ipod. i tell him he needs to work for it. he misunderstands "land of the free." (chuckling) if you ever want another ride, call me at this number. i'll come extra fast, and i'll give you a better rate. okay? thanks. i don't know if it's the best, but i like the pizza at nicky's on 102nd. thank you. i'm sorry i didn't tell you the truth. please, if there's any way we can keep this a secret. we'll see what we n do. but first, you need to tell us where you picked her up and where you dropped her off. uh... i picked her up at the corner of 50th and lexington

and dropped her off at tompkins square park. so when agent delgado left the fbi offices, did you know she was going to attack detective kwan and bring him in to the fbi at gunpoint? she did not bring him in at gunpoint. she pulled a gun on him. detective kwan realized that he was compromising our search for sophie delgado. he came to the fbi voluntarily. after agent delgado pulled a gun on him and tried to force him to reveal the defendant's whereabouts, which, incidentally, he didn't know. objection. sustained. agent malone, on march 4, 07, did you instruct special agent vivian johnson to tell ray sykes that sophie delgado was dead in order to get him to confess to kidnapping her? agent johnson used completely legal means to extract a confession from a suspect. so i guess the answer is yes. your honor, i would like to call these witnesses

from agent malone's other cases, in order to substantiate a pattern of deceptive behavior, that goes far beyond my client's case. if she knew she was going to call additional witnesses, my office should have been notified. i didn't know it until just now, when agent malonadmitted to lying, cheating, i don't know, stealing... objection! under cover of his authority as an agent of the us government. your honor, this goes far beyond... enough! approach the bench. she might be barking up the wrong tree, but i have no interest in being overturned on appeal. i want your motions for and against on my desk in the morning. until then, the witness is dismissed and court is adjourned. (gavel bangs)

the judge will give me a continuance to prepare for new witnesses, but i think the damage may already be done. okay, but even without kwan's testimony, you still have a conviction on the kidnapping charge, right? not if his attorney convinces the jury that you would have done anything to find sophie. we would have. i'll call you after i talk to my boss. all right, lucy got the first two letters off the lexus's license plates: "c-g." okay, i'll start cross-referencing vehicle registrations. was ert able to pull any prints? yeah, between the cab and the pay phone, 28 sets. 28? eat, that's going to keep us busy. what's this? this is the cab ride our missing person took the day before she disappeared. she was dropped off here in front of a battered women's shelter, so she may have been staying there. you know, the kidnapper could be a psed-off husband. (cell phone ringing) yeah. fitzgerald. yeah, what's up?

oh, no, that's great. thanks. delivery guy from nicky's pizza recognized our missing person. he says her name is teri and he remembers an address. great. she works nights, telemarketing for a credit card company, i think. geez, i hope nothing bad's happened to her. does ms. long have a daughter? jennifer. would you mind checking the bedroom? what about the father? i've never seen him around. they're divorced. wouldn't happen to know where the daughter goes to school? no, i'm not sure. okay, i'll see you on the way out. (door closes)

jack. hmm? i found it in the mom's dresser. should get that downtown to forensics. thought you could use a little picme-up. well, thank you. you want to talk? mmm. where are we on the case? well, we were finally able to id her. her name is teri long, she's 34, single, and she has a daughter that we're trying to track down at school. nypd narcotics identified the symbol. it's used by a dealer, dane hopkins. now, he and his associates traffic meth, weed, coke and pharmies.

one-stop shopping. doesn't this guy look a lot like our gunman? ebony and ivory, what's up? why don't you start by telling us what you did with teri long? never heard of her. really? because we found the same drugs in her apartment that the cops found on you. you want to charge me with possession, be my guest. all right, let's make a deal. you don't have anything i want. i don't know about that. right now, dane's got you riding sidecar. don't you want to be behind the wheel? martin: listen, frank, we're not looking to make some penny-ante drug deal here. waste of our time. just tell us why dane made you grab her, and we'll work something out. simple as that.

yeah, i remember. she was harassing people outside the club where dane deals. scaring people away because they thought she was a narc. dane got wind of it, had me bring her in. (women laughing) party's over. let's go! so, this is the la that's been screwing with my business the lastwo nights. just tell me where my daughter is. i don't know what you're talking about. i went to her school. her friend says that she buys pot from that club. i've never seen her before. does she owe you money? what did you do to her? nothing. i won't stop until you tell me what you did to her. (teri shrieks) (grunts) you should leave.

i want my daughter! she wouldn't stop. had it in her head that dane made her girl disappear. did he? i wouldn't put it past him. what about teri? dane didn't know what to do. he told me to watch her, and he left. when he came back a few hours later, he said he'd made arrangements. what arrangements? getting rid of her. where'd they go? to a condemned building off the merrick. (tires squealing) (tires squealing) (siren wailing) freeze, fbi! put your hands in the air! come down! get down! get down! turn around! i've got teri long!

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she's a 13-year-old girl that you've been selling drugs to. now, you want to help yourself, you help me. wallet's in my back pocket. my lawyer's card is inside. be gentle. i will be. okay. (exhales loudly) i'm going to need to ask you a few questions, okay? all right, when was the last time you saw your daughter? three days ago. where? at our house. (tv playing) how was school? fine. and the test you had in fifth period? good. woman (on tv): what would make me feel better is if your mother hadn't started the fight with sharon, and then my mom might feel... (turns tv off) (sighing) i was just at school. finally got the check for selling the car, and i thought we could celebrate and go to a movie, only you weren't there. i had a free period. me and some friends went off campus, and then i came home.

i talked to your principal, and he showed me these. am i supposed to know what they are? notes excusing you from school that i apparently wrote. are you smoking pot again? is that where you've been? i don't get high anymore. then explain this to me. you wouldn't understand. (sighs) (sighs) jenny, i know how painful it's been with everything that's happened between me and your dad. you have no idea what it's been like. it's been hard on me, too, but i am trying to make this work. well, i'm si of trying. okay? i wish you'd just leave me alone. (door closes) i had a... a late night shift, so i had to go to work, and i thought by the time i got back, she'd be home. what happened with her father? he walked out on us two years ago.

i've had to work double shifts ever since. (voice breaking): and it hasn't been easy on jen. do you think it's possible that she went to try and see her father? they don't get along. besides, he's on some oil platform in the gulf of mexico. why didn't you call the police when your daughter went missing? i did. jen ran away from home three weeks ago. it was only for a day, but this time the police said i had to wait 48 hours before they' file a report. right. okay, the first time she ran away, do you remember where she went? tompkins square park. i already went and looked, but no one had seen her. don't worry. we're going to find your daughter. let's get you into the ambulance, okay? there was no sign of jennifer in the condemned building. well, dane hopkins still denies that he did something to her, ani cad n't find anything to contradict him, so... all right. you know, i went to jennifer's school, played a little hippie sticks with the burnouts. apparently, she stopped hanging out with them three weeks ago, and that was around the first time she ran away.

maybe she was telling her mom the truth about not smoking pot. hey, look, you know, pot is a gateway drug. maybe she moved on to the harder stuff with people out of the school. hey, lucy just pulled a bunch of mapquest searches from the kid's computer. where was she looking to go? residential addresses in the tristate. danny and i are going to split up. we're going to go check it out. all right. hmm. yeah. yeah, i've seen her. she and this other wacko came by last week. what do you mean by wacko? i mean, she was spouting some mumbo jumbo about a church. look, i'm not making any donations. if you need a signature for a petition, we can talk about it. i'm nolooking for any money. my name is jennifer. i'm from the church of restod beginnings. i'd like to discuss how we can help strengthen your relationship with god and give you a more happy and fulfilling life.

sweetheart, i already have my own version of happiness. it's called divorce. wait. the church can help you. it helped me. ever since i joined, my life's completely turned around. what are you, like, 12? lo, you're wasting your time. okay? maybe i could come in just for a glass of water? no. i'm sorry. you did very well. you know what we're going to do? he talked to her for a couple of minutes. he really seemed to have her under his spell. then they went next door. what was the name of the church again? the church of restored beginnings. all right. thanks for your help. your honor, the state of new york

would like to dismiss the charges against carlos aguilar without prejudice and reserve the right to rile at a later date. judge: the defendant will be released and his bail is ordered set aside or returned. thank you, your honor. i would remind mr. aguilar that there's a restraining order in effect. once he leaves this courtroom, he's not to be closer than 300 yards to his daughter or her mother. of course. i would like to hear him say it. i understand, your honor. it won't be a problem. it better not be. case dismissed. i'm sorry, jack. i ssed up. i'm so sorry. oh, come on, it's not your fault. it's your child. i would have done the same thing. hmm. jack: listen, why don't you get out of here, okay? just go, go. spare a minute? agent malone.

i just want to remind you that i stopped my agents from killing you. yeah, i'm sure that was hard. don't make me regret it. church of restored beginnings operates out of a storefront in tompkins square. well, we know she's been there before. it's a good bet that's where she hooked up with these guys. minister gary sedgwick. yeah, he's the man that she's been going door to door with. pat robertson yeah, he's tor david koresh? a little bit of both, actually. they do have a practiceobertson that's potentially dangerous. it's called ascension. it's where a follower goes into the woods alone and fasts for a week. yeah, with jennifer's home life, it'd make sense that she'd be a prime target for this nut job. yeah. do we know where he is? not yet. nypd has picked up another runaway, though, at the church, and child protective services are bringing him in. all right, bye. thanks. okay, guys, i got a new wrinkle on the church of restored beginnings. apparently, three of the houses that jen did a mapquest search on were robbed last week.

i'm agent johnson. this is agent malone. christy donovan. yeah. nice meet you. what are you listening to? uh, panic! at the disco. oh, my kids listen to that. that's cool. todd, we're looking for a girl from your church, jennifer long? i don't know anybody by that name. well, do you recognize her? yeah, i do. yeah, she's been around a couple times. when was the last time you saw her? i don't remember. todd, we're aware of the scam that the church runs involving burglaries. do you think that has anything to do with her disappearance? todd, you need tell the truth. i heard about something that happened a couple days ago.

from this other kid henry. he works on the same route as jen. no one's home. good. as the stuff comes out, we'll leave it on the lawn. you move it to the truck. i don't want to go inside this time. oh, but i need you to show me the lay of the land. (high-pitched screaming) (gunshots) (engine starting) (tires squealing) the owner must have been asleep. well, did your friend see what happened to sedgewick and jennifer? no, no, he just hauled ass out of there. i mean, he thought he was going to get shot. and you haven't seen her since? no. what about sedgewick? uh, the next day, he said that jen had quit the church and wasn't coming back. uh, the next day, he said shop kmart and get after christmas prices now...

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how did jen even get involved with all of this? well, they target runaways, and we're thinking that they came across her about three weeks ago. can i see the pamphlet from the church? sure. "find strength in a community of love. a family for those who haven't found one yet." well, who wouldn't want that? and of course these kids are more vulnerable because they're estranged from their families. estranged? that's a nice way of saying my daughter didn't feel like i loved her. i'm, uh, i'm not making any personal judgments. i just want to help you find your daughter, okay? can you think of any reasons why she would be... open to these people? well... she has a lot of reaso to want a better family.

you think i wouldn't find out?! huh? (screams) i don't know who you're talking about. in front of the drugstore during my afternoon delivery, i saw you talking to him. lou, i was running errands. if i talked to someone, it was probably just because they wanted directions or something. daddy, stop it. go back to your room. she didn't do anything. jenny, sweetie, it's okay, baby. just lisn to your dad. lou, i promise, it'll never happen again, okay? lou: you're damn right. nobody's gonna want to look at you after i'm through. daddy, stop it. i mean it. the both of you are going to be sorry you got out of bed this morning. no. no, lou...! (lou grunts) (belt drops to floor) little bitch. call 911. (panting): jenny, call 911. he didn't want anyone to know how it happened, so he lied to the paramedics.

and en he got out of the hospital, he left town. you told me he just walked out. well, i was ashamed of the truth. we were her parents. we were supposed to take care of her. i was supposed to take care of her. no, because she should hear it from m mom. just keep telling her that you don't know. exactly. just say at you couldn't get in touch with me. please. okay? okay, bye. (sighs) what's going on? my mom just picked up sophie from school, and she knows that today is the court date, and so you can imagine she's asking what happened. ay, danny, i feel so bad, because she keeps having nightmares about carlos taking her again. i mean, how am i gonna tell my... my own daughter that because of something i did, this guy is going to go free?

i don't know. hmm. you want to come over tonight? i know it's going to make her smile and... and feel safer. yeah, how about you? me, too. okay, i'll come over. okay. (phone ringing) taylor. really? okay. okay. no, thanks. bye. gary sedgewick went back to the church. they're bringing him in. you know, i have the constitutional right to pursue the religion of my oosing. yeah, you look like a really spiritual guy. you should spend some time with us. you'll see that a restored beginning is possible... save it for the marks. you know, it's easy to start again when you have, uh, somebody else's 36-inch flat-screen television,

when you have a one-and-a-half-carat diamond ring, when you have $1,800 in cash. i'm sorry, i don't know what you're talking about. yeah, well, the victims say that they let your followers into their homes a couple of days before they were robbed. yeah, well, some of the kids i work with are very troubled. like her? witness says that she was shot at a robbery, and you were there. now if she went down in the house, the homeowner would have called someone. so either you got her out, and you didn't get her help, or you did something to her because you thought she was going to talk. i don't know where she is. jack: we have three counts of robbery so far, abuse to a minor, lying to a federal officer-- we're at 15 years and counting. unless? unless you tell us something that we don't know that helps us find her. well, she didn't get shot that night.

we got lucky; the guy missed both of us. the worst thing thatappened to jen was she sprained her ankle when we ran. are you sure your mother's not coming home? i told you, she's at work. she won't be home for another cole hours. all right. you know, you should tell everybody that you, uh... you twisted your ankle on a curb. i will. all right. it was dark. you tripped. i won't say what happened. (sighs) why do we do it? do what? go into people's houses, take their stuff. people use material objects to fill a spiritual void. now we use what we take to spread the word of the church to make people whole again. to build a community of love. yeah. you didn't even ask me about my ankle. yeah, that's a big surprise. todd? i wasn't thinking. i... i'm sorry, jen. how's your ankle?

don't worry, gary. why don't you go? i'll make sure she's okay, and we'll see you tomorrow. and i left. and that's the last i saw of her. what was todd doing there? he was just a kid i brought along for the job. he said that was a boy named henry. henry quit a year ago. well, do me a favor, if you find him, don't let him get away again, okay? thanks. all right, that was cps. they put todd in a group home, and 20 minutes later he managed to run away. do we have any history on where he might go? no, i ran him through the system. his name, address, all bogus. he might be with jennifer. it's possible. you know, we're getting real good at letting people walk away, jack. why don't you go and talk to the other cult kids and see if you can find out his real name?

jack... i've got his prints. (beeping) yahtzee. i beg your pardon? we've got a match. his name's bradley foster. (whispers): bradley fos... okay, armed robbery, battery... wait a minute. lewd acts with a minor. okay, well, the good news is he has an address and a chrysler we can put an apb on. what's the bad news? according to his driver's license, he's 26 years old. clear. clear. any sign she was here? no, but there's a lifetime supply of nair in the bathroom.

keeping his 5:00 shadow at bay must have been a full-time job. (electronic whirring) what's that? (mutters) what is that? that's her.

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from when she was last see she could be down there for three days without food or water. well, i called sedgewick, and he had no idea that todd was an adult, but that he'd been a member of the church for two years. pretty good hunting ground for a predator looking to take advantage of kids. (phone ringing) hey, sam, what's up? it looks like the ip address is bouncing off a mirror site in eastern europe. how long till we can get to the source? maybe another hour. this guy's on to us. he could be heading there right now to kill her.

hey, hang on a second, all right? looks stalker-like. what do you think, another victim? i don't know. she's a bit mature for his taste. you know what, i'm gonna take these back to the office and see if i can get an id. okay. hey, i'm back. so what do you need me to do? just make sure the connection stays open. yeah, i will. hey, we got a hit on brad foster's car. danny: 7811 to 9033, cover the back of the diner. we need this guy to lead us to the girl. agent: 9033, copy that. remember those photos we found in foster's apartment of that girl? yeah. i think that diner's a match. you're right. i'm going to text viv.

(sighs) you want to talk about what happened to carlos? why? the guy walked, that's it. and what? and if you would have let me take a shot at carlos... sophia and elena wouldn't be in danger right now. that's what. you know what? i saved your ass. if i'd let you take that shot, you'd be in the middle of an opr investigation that would end your career. jack, i'd rather be doing security at a mall and know they're safe. okay, fine, next time you see carlos, shoot him. you know, i'm starting to get it. the only one around here who can bend the rules is jack malone, right? look, if you don't like my decisions, why don't you take an application out at the mall? what the hell is he doing here? i don't know, 'cause the apb had a no-approach alert. he's going to screw this whole thing up over a busted taillight? see if you can get him out of here.

this is 7811. please connect me to nypd dispatch. woman (over radio): putting you through. come on. just write him a ticket. go. (gunshot) fbi! he's dead. great, that's just perfect. (train horn blowing) (indistinct radio transmission) (siren chirps) you still don't know where they are? do you know where the feed is? samantha: he was either a computer genius or he had help. the trail dead ends at a bank in virginia.

we think someone built a trojan horse into the system so they could use the bank's data links. hang on a second. i didn't find anythingn the girl, but i did find these keys. this one's for the chrysler and this one looks like it opens a padlock. samantha, are there any public storage units around here? uh, let me check. (train horn blaring over speaker) hey, jack, how close is that train? (train horn blowing) it's about 400 yards. okay, i think that train is driving by her right now. it's blocking the light. i think brad was on his way to see her. 6:30, the sun is going down. i'd say she's east of the tracks. okay, thanks.

(train horn blowing) (water hissing) get the paramedics down here right now. jennifer. jennifer?

no. get away. no, no, no, it's okay, it's okay. listen, my name is jack, all right? i'm a policeman, okay, and i'm here to help you. he's coming back. who's coming back? todd. i don't want to be here when my mom comes home. no, he's not coming back, honey. he always comes back. trust me. he's never coming back. i just want to help you, okay?

please. come on. listen, danny, i want to talk about what happened in the car. i think we've talked enough. (distant siren wailing) how are you? well, that should be an easy question to answer.

hey, listen, did we ever get any traction on this girl? now, a girl matching her description works at the diner where foster was shot. she was running errands when i called, but i left a message asking for her to call me back. yeah, well, she might have been the next victim. then she got lucky. yeah. what's up? nothing. nothing that a good bourbon wouldn't fix. gwen's? i'll meet you in a half an hour. i got to stop at my apartment and pick something up first. all right. (footfalls approaching)

jack malone. did you find someone and save the day? oh, don't worry, man. i'm not packing. i am. what are you doing here? i can't be near my daughter. i can't be near her mother. there's not a lot of places in this city i'm allowed to be. then, i would take the hint and move. (laughs quietly) i might have to. you know, with no job, it's been hard keeping up with the rent. i guess. anything else you want? yeah.

i want you to know i'm not going away that easy. i had a rash like that once. yeah. catch up with you later. oh, you bet. angela. yeah? i forgot to give this to you. some lady from the fbi called. she wanted to talk to you. about what? probably that guy that got shot. i don't know, but she wants you to call back. all right, thanks. good night. good night.

(tires screeching) (brakes squealing)