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pwhen i come home and dinner'sry not ready i go through the roof. grab 'em by the p*á*á". when you're a star, they let you do it. you can do anything. more accusers coming forward to say they were sexually assaulted by donald trump. i'll go backstage before a show... yes.. and everyone's getting dressed. donald trump walked into the dressing room while contestants, some as young as 15 were changing. standing there with no clothes. you see these incredible looking women. i'd look her right in that fat ugly face of hers. she ate like a pig. a person who's flat-chested is very hard to be a 10. do you treat women with respect? uh... i can't say that either. alright, good.

i'm hillary clinton and i approve this message. >> jimmy: that's what we were looking for. still to come, music from vic mensa and travis barker. i have been hoping our next guest would be on this show since we started almost 14 years ago. turns out we were calling the wrong number. [ laughter ] she is a comedy legend and has six emmys, a peabody, a presidential medal of freedom to prove it. her new book is called "in such good company." please welcome carol burnett! [ cheers and applause ] ♪

>> jimmy: i'm very pleased to have you here. >> i'm pleased that you're having me here. >> jimmy: i was in a van with my parents this weekend. we were driving. they were driving me home. i was a little drunk, i'll be honest. >> good they were driving. >> they told me, call me whenever you're drunk, we'll pick you up, and i've been doing it since high school. we were talking about how exciting it was that you were on the show tonight. >> thank you. >> jimmy: we would as a family watch you. i don't know if people even do that anymore. >> well, that was -- [ cheers and applause ] >> jimmy: every saturday night we watched you. >> yeah, you know, back then there were only three channels. so it was a point, television, people would sit with their family and watch the shows. that doesn't happen anymore. >> jimmy: everybody has a tv in their own room and people separate. >> it's kind of too bad. >> jimmy: it's also because the show was so yate and so -- i mean, really, i was watching videos today. and it's still funny.

which you can't say about many comedies. >> funny's funny. [ cheers and applause ] >> jimmy: one of the all-time greatest shows. and that was my childhood. your childhood took place right here in this neighborhood. hard to believe. >> i was raised here in hollywood on yucca and wilcox. >> jimmy: right down the block. >> which is right down the block. i went to selma avenue grammar school, hollywood high, which is right here. and when we were growing up, when we got bored flying kites or playing jungle girl or whatever, we would go climb the hollywood sign. >> jimmy: you would hike up the mountain there? >> hike up to it, yeah. and i mean, climb the sign. the scaffolding behind the letters. and it was all rickety. i don't know how we did it without breaking our necks. but we would climb up. we would get splinters. and then lean over the letters.

the the os were my favorite. i loved the os. i'd go, hello hollywood! [ cheers and applause ] >> jimmy: you did that regularly? >> oh, yes. you can't anymore because they've got a fence around it. they've redone it and everything. >> jimmy: did hollywood ever answer back? to your greeting? >> shut up! [ laughter ] >> jimmy: what was your first job in this area? >> i was an usherette as they used to call them. for warner brothers theater on wilcox and hollywood boulevard. >> jimmy: wow. again, right on our block. >> i was in school. i was about 17, 18 years old. and it was -- that was a time when they would dress us up in funny outfits. like harem pants and some sort of a funny jacket with epaulets and a fez on the said and stuff. you know.

and we would -- i was the spot girl. i stood in the middle of the lobby in an amber spotlight directing the audience. because i had a loud voice. aisle 2, straight ahead! the stairway to your right! that kind of thing. then one night i was standing in front of aisle 2 door. and this was when people would go to the movies and the movies would keep running. so they'd come in sometime in the middle of a movie, sit down, see the last part, wait, see the first part, and say, oh, this is where we came in, and they'd leave. bizarre but that's the way it was then. i was standing in front of aisle 2 one night. and this couple wanted to be seated the last five minutes of an alfred hitchcock movie. alfred hitchcock was a great suspense director. >> jimmy: sure. >> "strangers on a train." and this couple came. and i said, oh, please.

i'm a movie nut. i said, no, don't, don't, it's going to ruin it for you, wait, it's going to start again in another ten minutes, go to the bathroom, get some popcorn, but don't -- we want to sit down! and i said, please, you can't. the manager came up. and he was kind of certifiable anyway. he said, what's going on here? and this girl said, she won't let us sit down! he said, burnett? i said, yes, sir? he went -- and ripped off my eppalettes. >> jimmy: wow. almost like in a cartoon. >> i was fired. right on the spot. drummed out of the corps. so the nice thing -- is that years later, when they said where do you want your star on hollywood boulevard? [ laughter ] [ cheers and applause ] >> here's the topper, also that theater was being renovated or torn apart or whatever.

and i now have the door in my home that i was fired in front of. >> jimmy: really? [ cheers and applause ] i love that you -- i never imagined you would be vindictive and i hey of have to say i love it. after the show let's go to home depot, we'll buy a couple of shovels, we'll find his grave, dig him up, do something weird to him. [ laughter ] [ cheers and applause ] >> jimmy: carol burnett is here! we'll be right back. [ cheers and applause ] ♪

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>> jimmy: hollywood high school across the street, a nice librarian let us borrow the yearbook from 1954, your high school yearbook. there you are in journalism class. did you want to be a journalist? >> i wanted to write, yeah. i was editor of "hollywood high

school" newspaper. one time i got the idea, which i thought was brilliant, of interviewing tame miscellaneous people for the paper who went to hollywood high. and i had one all set up. lana turner. >> jimmy: oh, wow. >> major, major movie star. and then some snitch -- [ laughter ] told on me that i'd be cutting classes and the principal said, no, you can't do that. but the nice thing is lana turner was -- once came on my show. [ applause ] >> jimmy: you had the ultimate revenge, i guess. >> i did. >> jimmy: yet people in your past need to be punished in various ways. >> that's right. >> jimmy: a lot of the stories in the book are about making "the carol burnett show." you watched how many episodes? >> 276. >> jimmy: 276. >> not all. not all the way through or i wouldn't be here still. i'd be doing it. >> jimmy: what was that like? >> well -- i fast forwarded through a lot of the sketches that i remembered. i wanted to jog my memory

about -- so it was kind of fun to just see the change in all of us. the growth. especially vicki lawrence. she was 17, 18 when she came on our show. >> jimmy: wow, i didn't realize that. >> how she grew. harvey, who was brilliant from the get-go. i even matured and changed. of course i did, i aged. but i got better. so it was just -- it was fun to watch. >> jimmy: tim conway, was he as -- because he always cracked you guys up. when you were doing the show you'd crack each other up. was he as funny off-camera as he was on the show? >> tim would do things for himself too. without an audience. just his sense of humor. i remember this one time, my husband and i went to a party with the gang in the valley. and phwe got there a little bit late. tim was sitting on the couch with his head swathed in toilet paper.

he had eyeholes poked in. he wasn't drunk, he was just doing this bit. looked like the invisible man. you know. >> jimmy: yeah. >> and so somebody took, back then, a polaroid picture of him. and it came out kind of the size of your driver's license picture. so he cut it out. and this was before everything got laminated and stuff. he stuck it, the picture, on over the top of his real driver's license picture. so now he's driver's license picture shows him with the toilet paper. now the party's ended. still wrapped in the toilet paper, he gets in his car. [ laughter ] he's driving in a little -- trust avenue in the valley, no traffic, no nothing. and he knows there's a cop that's kind of over this corner.

and so he purposely didn't stop for the stop sign. he just kind of went through. and now the cop is coming after him. he pulls over. [ laughter ] the cop gets out. he said, okay, let me see your license. >> jimmy: that's fantastic. this book is full of all sorts of great stories. carol burnett! "in such good company" is out now. thank you so much for being here. we'll be back with vic mensa and travis barker! >> dicky: the "jimmy kimmel live" concert series presented by "ciroc." let's get it.

when government bureaucrats refused to approve a cancer vaccine equally for both girls and boys, i stepped in to change that rule. when my own party held up recovery funds after sandy hit us, i took them on and won. and when veterans were forced to travel out of state for health care, i brought in new local clinics and expanded services. but there's much more to do. my mission is to protect south jersey's way of life. i'm frank lobiondo and i approve this message.

>> dicky: the "jimmy kimmel live" concert series presented by ciroc. let's get it. >> jimmy: i'd like to thank kris bryant and carol burnett, and apologize to matt damon, we

ran out of time. "nightline" is next but first, his ep. it's called "there's a lot going on." here with the song "16 shots" with some help from travis barker - vic mensa! ♪ thanks to the world we got our boots strapped ♪ 100 deep on stage street where the troops at ♪ ♪ the mayor lying saying he didn't see the video footage ♪ ♪ and everybody want to know where the truth at ♪ ♪ on the south side where it's no trauma centers but the most trauma ♪ a lot of cannons but you don't want no drama ♪ i can't imagine if it was my own mama ♪ ♪ got her first born son stole from her he never had a chance ♪ ♪ and we all know it's cause he black shot 'em 16 times how corrupt that is ♪ ♪ now the police superintendent wanna double back ♪ ♪ cops speeding up to the block like a runnin' back ♪ ♪ ♪ ♪ ready for the war we got our boots strapped 100 deep on stage street where the troops at ♪ ♪ the mayor lying saying

he didn't see the video footage ♪ ♪ and everybody want to know where the truth at ♪ ♪ on the south side where it's no trauma centers but the most trauma a lot of cannons but you don't ♪ ♪ want no drama i can't imagine if it was my own mama ♪ ♪ got her first born son stole from her he never had a chance ♪ ♪ and we all know it's cause he black shot 'em 16 times how corrupt is that ♪ ♪ now the police superintendent wanna double back ♪ ♪ cops speeding up to the block like a runnin' back ♪ ♪ tension is high you can see it in our eyes you want to violate ♪ ♪ screaming out oink oink bang bang gang gang gang gang murder murder murder they mind state ♪ ♪ i just made me a mil' and still militant this ain't conscious rap this ignorant hair trigger ♪ ♪ ain't no fun when the rabbit got the gun when i cock back police better run ♪ ♪ one two three four five six seven eight nine ten eleven twelve ♪ ♪ one two three four five six seven eight nine ten eleven twelve ♪ ♪ sixteen shots and we

buckin' back sixteen shots ♪ ♪ sixteen shots and we buckin' back sixteen shots ♪ ♪ they threw a little girl down on the pavement pushed her off the bike ♪ ♪ and said stay out the way she was bleedin' on the ground through her braces ♪ ♪ this is what happens when black folk don't stay in their places ♪ ♪ the mayor duckin' when he fired the superintendent but resignation come with bonuses and recognition ♪ ♪ so we gon' break in the stores on magnificent mile and if we gotta go let's go to prison in style ♪ ♪ cops killin' kids and stayin' out of jail but bobby shmurda can't even catch bail ♪ so it's one two three four five six ♪ ♪ now i got everybody yelling out ♪ ♪ one two three four five six seven eight nine ten eleven twelve ♪ ♪ one two three four five six seven eight nine ten eleven twelve ♪ ♪ sixteen shots and we buckin' back sixteen shots ♪ ♪ sixteen shots and we 16 shots ♪ ♪ ♪

♪ me and lord got a clip with an extendo and we rollin' with it hangin' out the window ♪ ♪ we on 16th riding by the police station we might make a pork rind out of pig bro ♪ ♪ somebody tell these custodies get their hands up nots ♪ i ain't a slave keep your chains off me ♪ stop the music. i got to say something. i'm a black man from chicago and i'm tired of not being able to trust the police. i want to have faith in the men and women sworn to protect me. i don't want to see another 17-year-old killed like laquan mcdonald murdered in the street. when i hear a candidate talking about law and order and stop and frisk is the answer to our problems? you don't know our problems in chicago and you damn sure don't speak for us. tomorrow we have the biggest election of our lifetime. so you got to get out and vote against hate. because donald trump is a racist and if you don't vote, racism wins. that's what i got to say. [ cheers and applause ]

this is "nightline." >> tonight, inside the final 30. it's down to the wire. finally, after all the anger, the name-calling, all the jaw-dropping twists, here we are on the eve of the election. >> you can't review 650,000 new e-mails in a day. you can't do it, folks. >> the candidates making their closing arguments, hillary bringing out the big guns. >> get out and vote tomorrow! >> on the front lines as both campaigns scramble to get out the vote. plus swap the vote. feel like your vote is wasted? >> in deep blue or keep red states votes don't matter as much. >> there's an app for that. americans exchanging votes with people across the country making their drowned-out hometown voices heard in fierce election

battle grounds. but is this legal? and sign of the times. good electric fences make good neighbors. how one family is using shocking booby traps to keep intruders from capturing their trump flag. first tonight the "nightline 5." >> coke industries started in the heartland. we've expanded to nearly every state. today that's more than 60,000 american jobs. you may not always see our name on the proulks you use. but we help make better food, clothing, shelter, technologies, and other necessities. here we build on each other's ideas to create more opportunities for people everywhere. together we are coke. >> and number one in just coming up in just 60 seconds.

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good evening. here we are at the tail end of the nastiest campaign anybody can remember and on the eve of perhaps the most consequential election of our lifetimes. with the polls showing a tight race, it all comes down to getting out the vote. but how do you actually do that? we are on the ground tonight with both sides in our series "inside the final 30." here's abc's david wright. >> reporter: dicksville notch, new hampshire, first to vote in primary season and first today. this time tomorrow, we'll all have followed suit. our long national nightmare -- over? >> we don't have to accept a dark and divisive vision for america. >> reporter: maybe. >> we're winning ohio. we're winning iowa. we're winning, we think, new hampshire. >> reporter: tonight, the candidates are crisscrossing the country. our teams along for the ride.

>> we're doing pittsburgh right now. the grand rapids, michigan, then philadelphia, and then north carolina. >> we're in raleigh, north carolina, about to walk into our second ral live the day. here we go. >> reporter: the campaigns making their case in the states that they hope will put them over the top. >> this is our final day on the campaign plane, we just boarded this morning, we're all getting nostalgia here. >> reporter: one final sprint to the finish. and a chance to get in some last licks. >> she's a cheat. she is a cheat. she never reported it. she's a cheat. >> reporter: true to form, this race brought last-minute surprises down to the wire. including one final twist to the fbi's review of hillary clinton's e-mails. >> the fbi sent a letter to congress. it said it had reviewed a large number of e-mails and "based on our review, we have not changed our conclusions that we expressed in july with respect to secretary clinton." in other words, remember that e-mail investigation we reopened? never mind about that.

>> reporter: trump is now back to his old complaint. >> so totally rigged system. i've been saying it for a long time. you can't review 650,000 new e-mails in a day. >> our sources are telling us at abc, the fbi used computer programs and found that the e-mails between huma abedin and hillary clinton were duplicates. >> reporter: now it's all down to the ground game. >> hi. i am looking for teresa diaz. >> reporter: convincing the voters to do their part. in phoenix, andrew nystead spent the past month knocking on doors and he was out today. >> i took a few days off work to focus on this. >> reporter: if there's no answer, he leaves his calling card. >> being the last day, every second is precious. so you can't wait around too long for them to come to the door. >> reporter: others are manning the phones. >> hi name's diana, a volunteer with the arizona republican party, how are you? >> reporter: diana brest cheerfully