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ot fired! officer down! officer down! sally, emt, 725 parliament. no siren, no siren. get him out. get him out. no. keenan's still armed. two people in the crossfire. just give me his phone number. your guys are at the door. get him out!

jules, you're my secondary. jules: copy. wordy, lewis, on sentry. ed? ed (over headset): i'm on it. got it. copy. (groans) you still alive, douche? you want some more? no, don't kill him. he's a cop. he'sot a cop, he's a lousy... he's a cop, okay? he's a cop. don't kill him. don't make it worse. you see that hit he took? shotgun blast out of a revolver. that's no saturday night special. we need a new entry plan. no time; we should be in there already. jules, stay on that monitor. let me knowif the geography changes. sally, i need you. you knowe's a cop and you don't tell me?! i didn't know, okay? i just recognized him just now, he's one of the guys that arrested me. cop... hey! you will not negotiate is while my guy bleeds to death. you want a free-for-all, go in yourself and take your chances. or you let me do what i'm here to do and maybe people come out alive.

sally, isolate this phone line: 555-0166. cop! frickin' cop! hey, where are you going? he's going to bleed to death. t him. you want to go down for murder, too? they ask you, you tell them... it was aaccident. (groans) okay. he jumped me. you saw it. he jumped me. there was a struggle. the gun went off. yes, there was a struggle. it was an accident. he jumped me. the gun went off. it was an accident. it was an accident. i can trust you on this. yeah, you can trust me, man. okay, you're not going anywhere. you and me, little man. (phone ringing) let's do this. bolt the door.

yeah? this is sergeant greg parker with the police, strategic response unit. am i speaking with sean keenan? yes, you are. how can i help you, greg. you want to tell me what's going on here today? why, greg? what's on your mind, hmm? option a: we let the boss talk him out. option b: we try to isolate keenan, maybe we got a shot at a clean rescue. what about immediate entry? wordy, hold off. well, sean, a firearm was discharged in your vicinity, your area, in your neighborhood, and we were just wondering if everyone in there was all right. we're great. thank you very much for asking. how about you, greg? how are you doing? (hushed): hurry up. you know what, sean, let's cut the pleasantries and get to the point, okay? we both know why my team and i are here. right? you know? why don't you tell me all about it? thanks, sally.

"the jury"? that's a street name, it's new. it takes five rounds, shotgun, a single bore. explains the size of the wound. yeah. hey, m. easy, easy, easy... you're gonna be okay, all right? you should get out. i remember you. at the green grouse, it was you who arrested me. sorry... no, no-no, man, don't be sorry. it turned my life around. kid... go on, get out. we got auy dying in there. he's in the line of fire. so how long... and we also have an unknown who is in the line of fire. are we saving cops or we saving drug dealers? don't let it get personal, wordy. i'm just saying. he had the gun pointed at the kid. lover's quarrel. body language, haircut, nice clothes-- it just doesn't add up. we do an explosive entry, flashbangs...

he's right, we got more than one life here. i'm not putting this kid at risk. parker: i don't give a flying king-size crap what you do for a living. i've got a friend in there, and i want to get him out alive. you're a smart guy. i expect you're fully familiar with how to use a toilet. hey, you've done this before. nothing but the best and brightest for you, sean. you've very important to us, so if we can both handle this professionally, the boys and i won't have to come in there and trouble you at all. so you do what you've got to do. (geddes groans) go on, get out. man, we're both getting out of here. can't do it. 'cause there's only a couple of ways this can go, right? and we're not looking for more people to get hurt. this guy's on his third strike. he's going to be all about the blaze of glory. how's geddes doing? he's hanging in there. i don't know how much longer. options.

we go through the window... and he'll use you as target practice. no. thanks, sally. our unknown is jackson barcliffe, 21, a former client of keenan's. he was arrested eight months ago for possession. his parole officer says that he's been on the wagon evesince. on the wagon until today, i guess. parker: sean, we can resolve this peacefully right now if you make the right choice. place your weapon on the floor, and you come out the door... okay, greg. i hear ya. i just need to think over my options over here. (geddes groans) well, you do. you think about those options. but you think about them very carefully, because you're already apprehended, right? that's a given. what about the kid? come on, he made his choice. how's he doing? he's still breathing.

if you want to make things better for your future, you should think about showing us that you can make the right choice. running out of time, ed. (phone ringing) yeah?

enough pressure in here for ya? i'm gonna take mucinex sinus-max. too late, we're about to take off. these dissolve fast. they're new liquid gels. and you're coming with me...

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payless for style. look, i know you're a cow and all. and you may not know what i'm talking about, but, uh. the yogurt made from your milk, is delicious. mmmm, yoplait. wassup? i'm hannibal i'm gonna use samsung pay to get a katz's deli pastrami sandwich. (katz's employees) hey!!!

hey can i pay with my phone? you mean like apple pay? we don't got that. no like samsung pay. kind of works everywhere. even on this janky old thing. he wants to pay with his phone. whadda ya want hannibal? i want to pay with my phone. don't look at the cameras mike. you ready? it doesn't work. watch me. boom! oh! samsung pay is here and pretty much everywhere else. welcome aboard folks just take any empty seat that you se sfx: (blows nose) sfx: (baby whines) (cell phone rings) where are you? well the squirrels are back in the attic. mom? your dad won't call an exterminator... can i call you back, mom? he says it's psonal this time... if you're a mom, you call at the worst time. it's what you do. if you want to save fifteen percent or more

you switch to geico. it's what you do. where are you? it's very loud there. are you taking a zumba class? let me see that. jackson. my name's ed, i'm a police officer-- i'm with the sru. i want to help. okay, okay, let's talk. jackson, you did the right thing calling. the man who was shot, how's he doing? uh, there's a... there's a lot of blood. he's bleeding pretty bad. ed: okay, is he breathing? yeah, yeah, yeah, he's breathing. all right, his name's harlan. now, i need you to do me a favor, jackson. i need you to move yr finger back and forth in front of his eyes. no, he's conscious, it's fine. okay, that's good. that's good. look, um, i can't talk long. if sean comes in... all right, if he comes back, jackson, just put the phone down, okay? justut the phone down, but leave it on, all right, that way we can hear you. make the smart choice, and that sends a positive message. (crying): this is all my fault.

i just... take it easy, jackson. i just need you to listen for a... i swear to god, i'm clean, i'm clean now. jackson, that's amazing. are you doing the steps? yeah, yeah. eight months. that's incredible, that's incredible. that shows me that you've got a lot of strength and you can do this. all right, you want to help, i need you to wrap that towel tight against his stomach, okay? he's still bleeding, and we gotta slow that down. ed: okay, we gotta get in there. we gotta get in there and do our job. i don't want to see you get hurt, so i need you to get out. jackson: no, no, i'm not leaving-- this is my fault. no, we've got an ambulance on the way. it's my fault. i'm not leaving. okay. take a look at the door. do you see anything unusual? any booby traps, any wires aroundhe frame, around the door handle, any... no, uh... it's two locks and a bolt. good. okay, that's good news. okay, here's the thing. if we come in now, jackson, you and geddes are right in the line of fire. okay, so what i'm gonna ask you to do is move him to the other room. okay, i... i can try.

uh-huh. jackson? jackson? well, you know, greg, i, uh... i appreciate the, uh, approach you're taking here. you sound like a reasonable man. keenan (over speaker): well, greg, you know, uh, i respect your point of view. i do, yeah. okay, man, i'm gonna try and move you, okay? all right, ready? come on. (groaning) i'm sorry, i'm so sorry. keenan: you know, i'd like to deal with someone... my name is... harlan... hmm? my name... is harlan geddes. please... tell... tell my wife... i love her. (sighs) we're losing him.

we already got an officer on the line here. careful. tell my boys... i'm... proud of them. and i love them... okay? eddie... you're gonna be fine, okay, man? it's all right. i just... i just gotta move you, okay? i'm sorry, it's gonna hurt. ed: bravo team, gear up for rappel descent. stay out of the window and prepare for flashbangs. there's no time. sam, we lost surprise-- a window distraction buys us a couple seconds. (groaning) (groaning) jules: keenan's onto him.

immediate action: beta plan. sam, damn it! keenan, listen to me. this is really important now. are you listening to me? (gunfire) greg, what's the story? damn it, sam, hold formation. hold formation! (gunfire) damn it! go, go, go! go, go! (gunfire) police! get down! hold your fire, officers. armed subject. get down on the floor! get down! get down! stay down! get his hands. constable likes it rough. ed: clear! wordy, how's geddes? emt. get me an emt! how's he doing? jackson... jackson, it's ed. (groaning) i got you, buddy. i got you, the paramedics are just around the corner. i got you, you're gonna be okay. he's still breathing! move your hands, move your hands for me.

you did it. you do those 12 steps, you can do anything. you gotta just keep talking. that's it, you're gonna do fine, just keep talking. you're fine, just hang on. just keep talking, all right? you're okay, you're gonna be okay. you'll be okay, all right? okay. ella... who's ella? who's ella, jackson? huh? she... she's such a goof. she... she makes me laugh. (panting) jackson, bet she's proud of you. stay with me, jackson. jackson, who's ella? jackson, who's ella? stay with me. jackson? (distant siren wailing) jackson? hey, easy.

i'm gonna call miriam myself. you don't worry about a thing. whoa! okay, i gotta go debrief. i'm gonna check in on you as soon as we're done. kevin, where you going? i don't know. that was messed up. i know. (siren wailing) you okay? looks like geddes is gonna make it. too bad about the kid. how else was it going to end? i don't know. i don't know, but that is not your call.

but i need to know that my team is on my side. then treat me like i'm on your team. what? you want to know what happened in afghanistan? is that what this is about? i was taking out targets in a stronghold, 1500 meters away. the reccy was done, i was cleared fire. we went down to do the id's. one of them was my buddy matt. i s sniping with a .50 cal. he shouldn't have been there. i was cleared to fire. you just had to ask. you go in on my command. you keep entry formation, and you don't go in without a shield. are we clear?

but often it happens, you know that the things you don't trust are the ones you need most it's cautiouslyinto the dark but you see before long that your eyes will adjust and under the night you can hear

and the air goes into your lungs and around in your heart and on through your blood it goes cautiously into the dark and you see before long that we all have a part and the air goes... captioning sponsored by cbs

35-foot cabin cruiser currently docked in slip number 127. sam, we don't have eyes yet. you? almost there. he's got to be in the cockpit or down below. guys, i got him. where are they-- middle, stern or bow? standing in the back. they're under a tarp. say it! go to hell.

rebecca kessfield, this is the police, strategic response unit. get back! rebecca, please! no! relax! go inside! (dog barking, birds singing) (knocking) just let me in, okay? come on. i know... i know you're there. honey, please. just let me in.

(alarm wailing) sadie? (keypad beeping) (alarm stops) sadie? honey? it's just me. okay? it's just me. sweetheart? (woman whimpering) (crying) i told you not to come. what are big sisters for? (sighs): oh, come on, let's get you up. (whimpers) nothing glamorous about the bathroom floor. come here. hang on, hang on. (distant crying of baby)

sadie. (pained gasp) let me see. (crying of baby and woman continue) woman (on tv): you must release me. for if you do not, i cannot be held accountable. my lord, you have shattered my heart. you have awoken my soul... you do! you have awoken my soul! wordy, this is the sru. you can't be watching lady in waiting. it's a good movie. 's historical. wow. i got four women in my house, all right? anything that helps me get closer to shelley and my girls-- i'm there. if this is what they're watching, want to know about it. we got no secrets. i think you need to shoot something. well, after you, siskel. you're the one that recognized the quote. oh, yeah! oh, snap! hey, you know what? it's on freaking pay-per-view, every hour on the hour, all right? well, maybe you and i should sit down, watch it together. compare our favorite scenes. i can braid your hair.

oh, not really. do it for allie all the time. she's got less hair than either of these two. parker: ow! it's okay. bring it, come on. (baby crying) sadie, you know what i'm going to say, right? yeah. i don't want to hear it. just not right now, okay? okay, i'm going to go check on caitlin. she was in her crib the whole time? yeah. you want her in here? yeah. (baby squalling) so, you really sit around and watch those sappy movies with your kids or what? yeah. huh. (water running) i got girls. it's different, right? you got a boy. no. i know, i know. you know, he's a good kid. great kid. it's just, it's awkward. you know, i love rock music. he plays the cello. loves basketball, hates hockey. last week, he came home. big fat lip. won't tell me what happened, all right? turns out, this kid at school-- they had a hassle, and he told the teacher. kid waited for him after school, and... you know, what are you gonna do?

if soph wants, we'll go to the school, and we'll talk to them. so go to the school about it, find out what's going on. no. i mean, it'll just make it worse. clark needs to stand up on his own... his own two feet. he's 13 years old. exactly. well, no wonder he doesn't want to talk to you about it. you know what, wordy? you got three girls, okay, so... oh, yeah, yeah, yeah, three girls-- real walk in the park. they never do anything wrong. you know what? you know what? whatever, okay? forget it. oh, yeah. that-that's mature. (baby wailing) oh, that's okay. you're okay now. hang on. god almighty, sadie. (sobbing) what the hell happened? he didn't touch her. so why does this have blood on it? it was me. i felt sick, so i picked her up. do you just hear yourself? do you? do not judge me. this cannot continue! well, tell me how it ends then.

we both know how it ends. i call the cops. they show up. he's got a fat lip because i fought back. he tells them i'm cry. and they turn out to be buddies from 58 division. so you leave. (crying) where is he, sadie? please. you can't. if he finds out that you know about this, any of this, he's gonna kill me, or you, or... oh, just-just leave. (crying) (sobbing) i don't know. i just don't know anymore. (sobbing) this is going to end.

i get it. you can't do it. i just need to sleep. okay. everything's fine. just go to sleep. i'll give caitlin a bottle. rebecca? i'm sorry. so am i.