(whistle) >> gus: and a false start against the raiders. >> referee: 18, offense. 5-yard penalty. still 1st down. the captioning on this program is provided as an independent service of captionmax, which is solely responsible for the accurate and complete transcription of program content. cbs, its parent and affiliated companies and their respective agents and divisions, are not responsible for the accuracy or completeness of any transcription or for any errors in transcription. closed captioning provided by cbs sports division >> gus: 1st down and 15 at the 28. gradkowski. dumps it off to mcfadden, breaks a tackle and mcfadden goes down at the 35. he couldn't get out of bounds. so the clock continues to run. >> steve: you know, it's interesting. you mentioned chad henne, gus, about his season, some thought it was over because of the injury. it was almost over because they pulled the plug, benched two

weeks ago and chad pennington inserted. he lasted four plays and henne was asked to relieve him and that's when he got hurt. >> gus: gradkowski, and it's caught by murphy. he gets out of bounds. kansas city and seattle still going at it. >> james: gus and steve, seattle within 11, look at the shake and bake, and wide open, 87 yards to the promised land and it's 35-24. kansas city on top. back to gus and steve. >> gus: goodness. >> steve: i've never been that open when i was playing by myself. >> gus: 1st down and 10 at the 48. 2:30 to go in the 4th. gradkowski. and another catch. louis murphy on the sideline. a 13-yard gain. for those of you expecting to

see "60 minutes" you are watching the dolphins and the raiders. i'm gus johnson with steve tasker, "60 minutes" will be seen in its entirity following the game except on the west coast. the raiders with a time-out left. gradkowski in trouble. and gradkowski goes down. and that is wake, sack number 10.5 on the season. the first sack of the day for the dolphins. >> steve: cameron wake hung with it. it's been a long afternoon for the raiders offense. but haven't had many sacks. gradkowski knew it. could feel wake coming in and walker, who was out of the game

for a while with an injured wrist, coming back in and cameron wake getting the best of him on that one. >> gus: and tonight on cbs, a world premiere movie that will touch your heart and leave you smiling. "november christmas" tonight, only on cbs. second down and 15 from the 44. gradkowski. rolling out. finds mcfadden. who goes down at the 38 yard line. that should take us to the 2-minute warning as mcfadden gains 5. >> steve: they will try to get one -- they are not gonna get it off. you are right. >> gus: two minute to play in the 4th quarter. back to oakland after this. [ckhuhu]le] [ [ v's's voice i g p pud

b[oyoyoiv ]ce aynoayayaw ivllivive lu mlu hhfor a ou yor r own... y'bovoy'vo]e e ]ndhaha. y,larry,'mr oussboboss. y'bovoy'vo]e e ]ndhaha. awkw [ane e announcer ] get wn o own icchn kerin ri mnara mel-- our latesoo$5oooosuonsu esfresh toasted llbu it bule s el m mstt-taicic glory bw bwelayel waububwa f eat fsh ex exex ]msms now get h hro surround fo $1r r 9,.9.99, d ant d get one fr. flym from at&t. rek ininibss.lele. - thfos s ndcicindy. i wantgeo o rheher somespg iaecthl l this year.

- ntwewent to kay. lllllite e it hu huhules]trusi . . .. - ntwewent to kay. - re- mo milk?- anththanks, dave,bu bubut gogot to fly hoo-o-ho.hoho. - iv-g-givpeg pessreagonre. 2veve 2bun vabulova wchches velot. - nt- ntnt ysaid y w w. re, , really >> gus: tonight to cbs, "60

minutes" "the amazing race" and "november christmas" only on cbs. to minutes to play in the 4th quarter. the raiders need a miracle. gradkowski. knocked down, intended for ford. the secondary has done a nice job afternoon for miami. davis, sapp, yeremiah bell especially. clemmons, the other safety, they have been very, very physical. al harris coming in and mugging a couple of guys. >> steve: you are right. they have really played their positions well and i think coming in here knowing that their offense is playing so well, they are fresh. they have only played a quarter of football. >> gus: gradkowski steps out of the pocket. and incomplete. and gradkowski's hurt. wow.

>> steve: he's gonna get to his feet. just coming off a shoulder injury. let's see as he steps up, you will see him nip the paul and see what happens to him as he goes down. oh, he came down on the shoulder. it's happened to so many quarterbacks, they get rolled up. >> gus: gradkowski plays with great courage but sometimes hurts his team but not getting down and sliding. now he's hurt. and he look like he's really hurt. the same thing happened to him week four against houston here when he took really two vicious hits from pollard and again, goes down hard and rolls up on the shoulder. >> steve: yeah. that's -- that's the shoulder he

hitter the first time, hit once and then the next week and finally, finally when he did get hit in houston was what did it for him. >> gus: on the other hand, the quarterback of the miami dolphins, he really responded. he's been under pressure, as you mentioned, chad henne had his job taken away from him. he got hurt. some thought he would be lost for the season but he has turned in an excellent, top notch perform this afternoon. the numbers again, very efficient. 17 of 30. 307 yards, 2 touchdowns. one interception. and henne came in and out of the lineup, based on the wildcat, as well as tyler thigpen getting an opportunity to play. he kept his composure. wins on the road. closed captioning provided by cbs sports division captioned by captionmax www.captionmax.com

>> gus: gradkowski in a lot of pain and from oakland, the miami dolphins improve to 6-5. the raider fall to 5-6. big smiles all around for the dolphins and that man right there, chad henne, should be very proud of his performance today. on the road. 33-17, the final. the dolphins prevail. tonight on cbs, "60 minutes" followed by "the amazing race" and "november christmas." for steve tasker, gus johnson saying so long from oakland. you have been watching the national football league on cbs. , lklk wo woma y you! o'tonct a ae like you n'cot coe gnize me! toledo, '03? ckcko:t'o, it's...i... wo mamas t't's to stenltataey. ao:o: act mll m my m m'sname's no t t stan wo n:mah. o o, ohoh samsoo o sorry bomomd ininlou jokok jkeli hihim i'i'm ........

icgegeico.numis tetes saulsasavt icgegeico.numis tetes saulsasavt

♪ ♪ imxt tim u'you'll know n'don't ke y out yr r illet in t fronofsehohose aerli alili s. ♪♪ imxt tim u'you'll know ♪ n'don't ke y out yr r illet in t fronofsehohose aerli alili

captioning funded by cbs and ford-- built for the road ahead. >> cooper: in order to pull out of afghanistan, the u.s. needs to build a strong afghan police force. but as this video shows, getting the police to do basic exercises, let alone turning them into professional officers, has been difficult. you must have known you were taking on a huge challenge when you got this assignment.

were you surprised, though, at what you found with the police? >> um... ( sighs ) that's a great question. >> stahl: the curtain goes up for previews tonight on "spiderman: turn off the dark"... ♪ ♪ the broadway show with music by bono and the edge of u2. >> ♪ hear a voice inside your head... ♪ >> stahl: with high-velocity flying and special effects, it's the most daring and most expensive broadway show ever. >> yeah! >> it has been one of the funnest, more joyful rides of our artistic life, for sure. >> pelley: justice john paul stevens has shaped more american history than any supreme court

justice alive. and for most of his 35 years on the court, he hasn't talked about those cases. but tonight, he will, including the controversial ruling that decided the presidential election of 2000, a ruling that stevens tried to stop. >> i think they were profoundly wrong. >> i'm steve kroft. >> i'm lesley stahl. >> i'm bob simon. >> i'm morley safer. >> i'm anderson cooper. >> i'm scott pelley. those stories and andy rooney tonight on "60 minutes." ♪ ♪ ♪ [ crowd groans ] ♪ [ crowd cheering ]

[ male announcer ] at&t, the nation's fastest mobile broadband network. period. that while you may come from the same family... you know, son, you should take up something more strenuous. you have different needs and desires. - i'm reading a book. - what's a book? so we tailor plans for individuals, featuring a range of integrated solutions. - you at your usual restaurant? - son: maybe. see you tomorrow. - stairs? - elevator. to see how our multi-faceted approach...

can benefit your multi-generational wealth, look ahead with us at northerntrust.com.

>> pelley: tonight, cnn's anderson cooper on assignment for "60 minutes." >> cooper: president obama wants to begin withdrawing american forces from afghanistan next summer, but his ability to do that will largely depend on how quickly afghan security forces can be trained to takeover the fight. while the afghan army has made some strides in recent years, the national police force has developed a reputation for drug abuse, illiteracy, and desertion. earlier this month, "the new york times" reported that 19 afghan police officers from southwest of kabul defected to the taliban en masse, taking their guns with them, and burning down their own station house. on paper, the afghan police are supposed to be about 120,000 strong, but no one knows for sure the actual number of policemen on duty, nor how many of them are good cops and how many are bad. what is certain is that the u.s. has spent nine years and more than $7 billion building and training the afghan police force.

we wanted to find out what's become of that investment. we began with the three-star american general now in charge of their training. >> lt. general william caldwell: the police have to succeed. >> cooper: if the afghan police fail, we fail? >> caldwell: we do. >> cooper: lieutenant general william caldwell began overseeing training of the afghan security forces last november. he's the highest-ranking officer ever assigned to the mission, a sign of how important it is, and how badly it's been going. >> caldwell: the sooner we can develop an effective police force, the sooner u.s. forces will be able to have less of an active combat role. >> cooper: if we had a better trained afghan police, at this point, that would save american lives? >> caldwell: there's no question that'd be true. >> cooper: when general caldwell took over, he found more than half of the afghan police had not received any formal training whatsoever. most of them couldn't even read or write. some estimates say 90% of the police force is illiterate. >> caldwell: i would say at least 80% is illiterate.

>> cooper: we visited the national police academy in kabul, and were shown well drilled officer candidates marching in unison. but this video tells a different story. it was shot by an american instructor in 2008 at a basic training course in southern afghanistan. it shows that, while afghans may be known as fierce fighters, teaching them to become professional police officers or even do basic exercises is a massive challenge. not only are most of the police illiterate, it turns out many of them also have a drug problem. i saw... there's one study that said 10% to 20% use... smoke hash or other forms of drugs. >> caldwell: and that's probably an accurate statistic, too, based on what we've seen. >> cooper: this video, taken by a member of the 82nd airborne, shows an afghan policeman smoking marijuana before going on patrol, evidently not an uncommon ritual. you must have known you were taking on a huge challenge when you got this assignment. were you surprised, though,

at... at what you found with the police? >> caldwell: umm.. that's a great question. i felt very comfortable coming in, working with the army piece. i knew the police portion would be a challenge. fortunately... >> cooper: you're being diplomatic. >> caldwell: yeah, i've got a great team that's working with me that's really helped me work through these challenges of the police. >> cooper: one of caldwell's biggest challenges is he still doesn't have enough manpower for the mission. nine nations have sent 500 police trainers, but hundreds more are still needed. these italian police officers are teaching marksmanship and crowd control. as of now, most afghan police recruits only get six weeks of training. >> see, look it, let me show you. >> cooper: in past years, many afghan police received no

follow-up training in the field. the goal today is for american and international forces to regularly supervise them. >> why does that guy have your i.d.? you need to keep it with you. >> cooper: these national guard troops from the boston area are with the 101st field artillery regiment, and are spending their year-long tour mentoring afghan police north of kabul. >> pretty much, if he opened up on all of us right now, he might not hit anybody. >> cooper: to try and keep the afghans on target and turn them into a professionalized force that can win the support of the country's rural population, the americans spend up to four days in a row living and working with them, keeping a constant lookout for corruption. >> any time that you see myself or any of my guys and there's any issues, please stop us and we'll do our best to help with the police. >> caldwell: the army's there to protect the nation; the police are there to protect the people. >> cooper: how important are the police to the counterinsurgency effort for the u.s.? >> caldwell: perhaps one of the most critical pieces. >> cooper: most critical? >> caldwell: yeah, i would say so. >> cooper: more than the afghan national army? >> caldwell: even more so than

the army. and the reason why is because the police are the face of the u... of the afghan government. >> ambassador peter galbraith: the police are exactly what general caldwell says they are-- they are the face of the government. if the government is corrupt, the police are inevitably corrupt. and that is how the population sees them. >> cooper: in 2009, peter galbraith was the united nations' number two man in afghanistan. part of your portfolio when you were with the u.n. in afghanistan was the police. >> galbraith: yes. >> cooper: have you had interactions with the police? >> galbraith: well, i had one particular incident with the police, actually, just near the american embassy. as i passed a roundabout, my bodyguard had to pay off the police in order for us to proceed. >> cooper: so, wait-- you... you got hit up by the afghan national police in kabul... >> galbraith: hit up by the afghan national... >> cooper: ...for a bribe? >> galbraith: ...police, a stone's throw from the american embassy, for a bribe. >> cooper: what does it tell you that the afghan national police would try to hit you up for

money? >> galbraith: if they would do that, for someone in my position, just imagine what it was for ordinary afghans. >> cooper: galbraith was fired by the u.n. after protesting the fraud associated with afghanistan's presidential elections. he says the police are the most corrupt institution in the country. >> galbraith: who are the police? they are illiterate villagers, many of them users of drugs, who come in, they have a six-week training course. now, how can you treat some... teach somebody to... to read and write, to be a policeman, to defend themselves in six weeks? it just isn't possible. so what emerges is not a policeman, but someone who is marginally more effective at extorting money from his fellow citizens. >> cooper: do you believe the police are making the insurgency worse? >> galbraith: without a doubt. >> cooper: they certainly made it worse in a place called marjah. when u.s. marines went on the offensive there last spring, they weren't just trying to root out the taliban, they were also there to help replace corrupt afghan police who had been

harassing and extorting local residents. >> caldwell: when somebody says there's corruption in the police force, my answer is, okay, first of all, we... we haven't formally trained them, and then we didn't pay them right. in other words, the amount of money they were getting paid each month was insufficient for them to provide for themselves to live with a family in afghanistan. so we, in fact, had set the conditions that made that policeman have to look for other ways to make money. >> cooper: i remember being in kabul in 2002, going out with special forces. everyone then said, "look, this is a key element. this is crucial to helping afghanistan stand up for... for itself." did people just forget about the police? >> caldwell: there just hasn't been the focus on the police. >> cooper: before general caldwell arrived, much of the actual police training was overseen by civilian contractors working for the u.s. state department. but according to this government audit, there was no "measurement of contractor performance," nor

was any "specific type of training required." nevertheless, of the $7 billion the u.s. has spent on the police, more than $1 billion went to pay those contractors. has the money that's been spent training the afghan police over the last eight years, has that been wasted? >> caldwell: what i would tell you, it has not gotten us to where we need to be today. >> cooper: since taking command, general caldwell has reorganized the entire training program. he's replaced nearly 400 private contractors, who he says lacked initiative and flexibility, and saved $150 million in the process. this video was given to us by nato. >> caldwell: when i had the opportunity to watch what you just did, it gives me real hope for what your country's going to do one day. >> cooper: there is now a plan to teach tens of thousands of afghan police how to read at a basic level. drug testing is mandatory, and to combat corruption, police wages have been doubled. to make sure afghan officers actually get paid, american military teams monitor the police bureaucracy. >> hundreds of people still here in kabul are not getting paid, so someone needs to let him know that.

>> cooper: police working in volatile areas are now paid $240 a month, about three times what most afghans make, but not a lot of money for what may be the most dangerous job in the country. isolated at checkpoints and travelling in unarmored vehicles, the police are three times more likely to be killed in battle than afghan army soldiers, and every month, thousands just up and quit. >> how you doing, sir? >> cooper: we found u.s. soldiers handing out leaflets, trying to recruit replacements. caldwell wants to increase the police force by 15,000 over the next year, but to do that, 50,000 new recruits will have to be found and trained. >> have him right here. >> cooper: it'll then be up to american troops in the field... >> anyone that drives this way to pass, got to slow them down, okay? >> cooper: ...to make sure they remain on the job and not on the take. former u.n. deputy envoy to afghanistan peter galbraith believes even american forces' best efforts will have a limited

effect. general caldwell is now not just focused on... on training, but also on mentoring afghan police in the field. does that make a difference? >> galbraith: for the time that there are u.s. troops with the police? yes. probably, when there are american troops there, the police are not openly extorting bribes at checkpoints. but the american troops are not there 24/7. >> cooper: what kind of a task did general caldwell have ahead of him in terms of trying to reform the police, rebuild or create them? >> galbraith: the police are incapable of being reformed. >> cooper: incapable? >> galbraith: it cannot be done. >> cooper: you mean it's just going to take a long time? >> galbraith: well, it cannot be done within a time horizon that you or i or the american people would find acceptable. we're talking about something that will take 100 years, generations. >> cooper: wait-- you think it would take 100 years to really equip, train, create an afghan national police force? >> galbraith: oh, you can equip them, you can provide some training. but you can't make them honest,

you can't make them literate. you can't make them committed to the notions of policing that we have in the west. >> cooper: general caldwell told us building the police force will take several years, but says they are currently ahead of their recruiting goals. he sees recent improved public opinion polls about police performance as proof they are marching in the right direction. rating their progress will be a crucial part of a comprehensive white house review of the war in afghanistan scheduled for next month. >> caldwell: we have some enormous challenges still ahead of us. but i feel very optimistic about where we're going with the future now, and i feel like we've put it on the right path. we've got the resources. we... we've got the leadership of our country behind us. and we... we can make a change here. >> cooper: but the clock is ticking. >> caldwell: it is.

>> cbs money watch update sponsored by: >> mitchell: good evening. a new survey showing holiday sales totaled $45 billion for the black friday weekend. traffic in stores was up nearly 9%. 107 million people are expected to shop online tomorrow on what is known as cyber monday. and harry potter is tops again at the box office. i'm russ mitchell, cbs news. i like to volunteer... hit the courts... and explore new places. i'm breathing better with spiriva. spiriva is the only once-daily inhaled maintenance treatment for both forms of copd... which includes chronic bronchitis and emphysema. i take it every day... it keeps my airways open to help me breathe better all day long. spiriva does not replace fast acting inhalers for sudden symptoms. stop taking spiriva and call your doctor right away if your breathing suddenly worsens, your throat or tongue swells, you get hives,

have vision changes or eye pain... or have problems passing urine. tell your doctor if you have glaucoma, problems passing urine or an enlarged prostate... as these may worsen with spiriva. also discuss the medicines you take... even eye drops. side effects include dry mouth, constipation and trouble passing urine. now, i'm managing my chronic bronchitis every day. ask your doctor if once-daily spiriva is right for you. is a powerful force. set it in motion... and it goes out into the world like fuel for the economy. one opportunity leading to another... and another. we all have a hand in it. because opportunity can start anywhere, and go everywhere. let's keep it moving. ♪ yeah...i don't know what a slushie economy is,

but even i know it's not nice. guys, it's okay. we're just gonna need some christmas magic. ♪ christmas magic time is here! ♪ ♪ time for all the boys and girls to cheer ♪ christmas magic. of course! yeah, no. i was thinking the kind of magic that helps people save money. oh, snowballs... [ male announcer ] get unbeatable prices with our price match guarantee. one stop, great prices. now that's christmas magic.

>> stahl: the curtain goes up for previews tonight on "spider- man: turn off the dark," a broadway show with music by bono and the edge of u2. the buzz is louder than a swarm of green hornets. we actually thought we'd be broadcasting this story about a year ago. we'd been invited to go behind the scenes with bono, the edge, and director julie taymor. but one day last year, the show ran out of money.

the opening had to be cancelled, and critics predicted it would never reach the stage. then, like the comic book itself, there was a cliff- hanging rescue from near death. talk about drama. the show follows the comic book story of young peter parker and his alter ego, spider-man, with some new twists and new villains. with high-velocity flying and special effects, it's the most daring and most expensive broadway show ever. we were on the inside through much of the ordeal, as spider- man was created, collapsed, and sprang back into action. they're calling it a comic-book rock opera circus. ♪ ♪ no question, it's a high wire act, with all the heart-stopping damsel-in-distress rescuing and leaping around you expect from a superhero like spider-man.

what you are seeing is a first look at scenes from the show's final dress rehearsals. "it's a spectacle of extraordinary dizziness"-- that's how bono described it when we sat down with him and his u2 band mate, the edge. >> bono: we've moved out of the rock and roll idiom in places into some very new territory for us. there's big show tunes and dance songs. >> stahl: who were you... were you thinking of rogers and hammerstein? >> the edge: more dark. more sort of dark and twisted. ♪ ♪ >> stahl: the three of them-- bono, edge, and broadway veteran julie taymor-- took us to the theater to see the set. >> julie taymor: we're where spider-man would be. >> stahl: okay. >> taymor: he comes running up the bridge in slow motion. he's tethered.

he gets to the end, and he makes a leap. >> stahl: the big stars of "spider-man" are not the actors playing peter parker, mary jane, or the green goblin. here's the real box office draw: the three talents behind the scenes. so tell us about the collaboration. >> edge: it was like being, like, a student in a master class of musical theater and opera. and it was just... i went along... ( laughter ) >> bono: i mean, you know, really, she played a small role, but it was significant. >> stahl: actually, her role was all-encompassing. julie taymor was the creative force in every nook and cranny of the show. you said something along these lines-- "i really love to go into something when i don't know whether i'll be able to pull it off." >> taymor: absolutely. i love it when people say, "what a horrible, lousy idea." i think that's great. i hate the comfort zone, let's put it that way. i don't think anything that's

really creative can be done without danger and risk. >> stahl: the danger and risk with "spider-man," the musical, is that to stay afloat-- to keep running-- it has to be as big a hit as broadway has ever seen. julie knew she had to create a theater experience that would be just as thrilling, if not more so, than the spider-man movies. the razzle dazzle she came up with runs about $1 million a week in operating costs. >> taymor: so, basically, this is our first pass. ♪ ♪ >> stahl: we started following the making of "spider-man" over a year and half ago, when they let us sit in on one of those early master classes where actors performed the songs so the three of them could tweak the music. bono and the edge had already written most of the music back

home in dublin. here they're critiquing a song for a new villain they created, a spider-woman. >> taymor: ♪ you'll be sorry. you'll be sorry... ♪ >> bono: it needs another color, another musical color. >> taymor: yeah. it's short. i feel like you could expand on it. >> bono: or just make it better. >> edge: we could do something like sort of ♪ do, do, do, do. like, something climbing up throughout the entire section. >> bono: there you go. >> stahl: we got to stay and watch the way bono and edge meticulously reshaped their songs. >> bono: i think you have to be more playful, a little more internal, i think is the word. >> stahl: bono got up to work with the orchestator on coordinating the horns and strings with the rock band. and then, the ultimate show and tell-- bono showing how to do it right. ♪ every day is like a war and

i'm losing it. ♪ i'm taking hits from every side. ♪ every side that there is >> stahl: the song is a duet for peter parker, the geek who turns into a superhero, and mary jane, the girl of his dreams. ♪ i go to sleep in my clothes. it's not what i've been told ♪ >> stahl: then, more instructions. >> bono: i like... the acoustics is really helping, but for that note to kind of connect more, i might need some piano, just real simple, real spare-- ♪ i am... dum, dum... real lonely. more like john lennon. you know, real spare, like bells tolling. okay, let's try that again from the acoustic section. >> stahl: the long, hard journey

of "spider-man," the musical, started eight years ago in 2002. i was told that the two of you wanted to do this with one condition in the beginning. >> bono: julie taymor was the only condition. >> edge: that's right. >> stahl: why? >> bono: julie taymor's definitely a magician. and i think that's what you call a person who, even though they put the rabbit in the hat, is really surprised when it comes out-- that's her. >> bono: ♪ i am the walrus ♪ koo-koo-ka-choo... >> stahl: bono had worked with julie when she cast him in her beatles movie, "across the universe." her magician's tricks for "spider-man" involved the sculpting of fabulous masks, as she did when she created "the lion king." she then shot the spider-man villains for pictures that are projected on giant l.e.d. screens built into the set. >> taymor: oh, my god, this is the first time that i'm actually seeing pieces of the set.

>> stahl: this was six months ago, as the sets were just arriving at the theater. living up to her reputation that no expense is spared, julie spent around $10 million to give the set a look of the comics and pop-up art, with mechanized skyscraper backdrops and spider webs. millions more were spent on special effects, and the flying. >> taymor: i'm trying to make the theatrical experience an environmental experience. we want to have the theater of it right in the laps of the audience. >> stahl: oh, my god. oh. >> taymor: that's what i meant. you don't know until the last half-second that he's going to be that close. >> stahl: the actors and dancers were taught to fly by coaches julie brought in from the spider-man movies and cirque du soliel. >> taymor: we actually have a battle that will be over the audience's head. and they can leap through each other's wires. >> stahl: but will they fly like they do in the movie, where they soar quickly...

>> taymor: yes >> stahl: ...and swoop down? >> taymor: yes. >> stahl: all the aerial acrobatics are computerized. nothing this technologically intricate or dangerous has ever been tried before on a broadway stage. the technology invented for the show was modeled on the flying camera they use in football games. >> taymor: you have a four-point system, which means that the human being is attached to four wires. and that means you can move them with a lot of control anywhere. they're not... >> stahl: so, the people are like the cameras at a football game. >> taymor: yeah, uh-huh. >> stahl: they're flying... >> taymor: and you can go... >> stahl: ...on those ropes. >> taymor: ...50 miles an hour. you can fly fast. >> stahl: if you're thinking they could get hurt doing that, you're right. two of the flying actors were injured in rehearsals, one breaking his wrists. >> taymor: yeah. >> stahl: making it safe, getting this right was one the reasons the show had to be postponed earlier this month,

and why the budget soared to more than $60 million. it's costing a fortune. >> taymor: if you try and do a $30 million in this day and age, in this time, "spider-man," you couldn't do any of the flying. you just couldn't do it that way. so as soon as you decide to give people the level that they're expecting, you have to be willing to pay the price. >> stahl: the show itself has had its own near-death swoons, going back to the day in 2005 when the original producer, tony adams, arrived at edge's apartment with the contracts. >> bono: he had a seizure and died on the spot. >> stahl: at the signing? >> bono: yeah. >> edge: i left the room to... to literally go and get a pen to sign the contract. and i came back in the room, and he had gone into some kind of seizure. it was a very difficult moment for us. and we really weren't sure whether the show was going to go ahead. >> stahl: the show was handed over to adams' business partner and survived, only to swoon again last year. that's when they woke up one day

without any money. how did you find out that things were in such bad condition? >> bono: read about it in "the new york post." >> stahl: you did not know how bad things were till you opened the newspaper? >> bono: that is the truth. >> stahl: so everything goes dark, and the rest of the world thinks it's over. and you start picking up the phone, calling people for money, right? >> bono: yeah. >> stahl: yeah. and they're saying no? >> bono: no, they're saying "maybe." >> michael cohl: everything was messed up. >> stahl: the man bono finally turned to was michael cohl, longtime rock concert impresario who used to promote u2. >> cohl: all the deals were bad. the budgets were bad. there was no money. there was, like, no money. >> stahl: but bono leaned on him, and he agreed to become the new producer, and raised more than $30 million to get the show back on track. when you think of putting on the most expensive broadway show in a recession, why didn't you say, "bono, it's time to pull the

plug. this is insane." >> cohl: i think you have to build the show that you have to build. nobody wants to see the $25 million "spider-man." they may think they do, but they don't. nobody wants to see that. they want to see the one that julie and bono and edge are creating. that's the one they want to see. and if it costs $60 million, it costs $60 million. ♪ ♪ >> stahl: the cast and dancers worked round the clock for months to master the complex choreography, and synchronize the music with the moving scenery and, of course, the two dozen flying sequences. julie taymor says that, even as the curtain goes up for previews, they'll still be working out the kinks. let me ask you, how scared are you? >> taymor: oh, yeah, i'm scared. if you don't have fear, then you are not taking a chance. but what i do have is a team. if your collaborators are there, which is what answers the fear question, and they all are as impassioned as you are and believe in it, your fear is

mitigated. ( bono and the edge singing ) >> bono: it has been one of the funnest, more joyful rides of our artistic life, for sure. ♪ ♪ if it is the success that we think it is, if people agree with us and come through the doors, after all the melodrama we've been through, it'll be a very, very sweet success. ♪ ♪

( cheers and applause ) that was better. if your racing thoughts keep you awake... sleep is here, on the wings of lunesta. and if you wake up often in the middle of the night... rest is here, on the wings of lunesta. lunesta helps you fall asleep and stay asleep, so you can wake up feeling rested. when taking lunesta, don't drive or operate machinery until you feel fully awake. walking, eating, driving, or engaging in other activities while asleep, without remembering it the next day, have been reported. abnormal behaviors may include aggressiveness, agitation, hallucinations or confusion. in depressed patients, worsening of depression, including risk of suicide, may occur. alcohol may increase these risks.

allergic reactions, such as tongue or throat swelling, occur rarely and may be fatal. side effects may include unpleasant taste, headache, dizziness and morning drowsiness. ask your doctor if lunesta is right for you. get lunesta for a $0 co-pay at lunesta.com. sleep well, on the wings of lunesta. a camera! yeah! [ male announcer ] overexcited: 50% off at mastercardmarketplace.com. ♪ overwhelmed: 50% off.

check out the zoom lens on this boys!!! [ male announcer ] over-the-top savings that bring over-the-top joy: [ thud ] [ male announcer ] priceless. go to mastercardmarketplace.com to take advantage of daily overwhelming offers at 50% off. available only to mastercard cardholders. i worry about my son playing football. which is why i'm really excited. because toyota developed this software that can simulate head injuries in an accident and helps make people safer. then they shared this technology with researchers at wake forest to help reduce head injuries on the football field. so, you know, i can feel a bit better about my son playing football. [ male announcer ] how would you use toyota technology to make a better world? learn how to share your ideas at toyota.com/ideasforgood.

>> pelley: justice john paul stevens has shaped more american history than any supreme court justice alive. and for most of his 35 years on the court, he followed the usual tradition, declining to talk about his cases in interviews. as he prepared to retire, we hoped that he'd overrule that custom and talk with us about

the decisions that have changed our times. it was stevens who forced a showdown with president bush over the prisoners at guantanamo bay, and stevens who tried to stop the court from deciding the presidential election of 2000. at the end of his last term, justice stevens ruled on our request and, in a series of interviews, he opened a rare window into the nation's highest court. we met john stevens at the supreme court this past summer as he prepared to retire at the age of 90. he was appointed by president ford, but as a moderate republican, he ultimately became the leader of the court's liberal wing. with nearly 35 years here, he is the third-longest serving justice ever, and with history like that, it's hard to know where to start. but we picked the landmark case of 2000, which he thinks is one of the court's greatest blunders. what should the court have done in "bush v. gore"?

>> justice john paul stevens: it should've denied the stay, period. >> pelley: and therefore, let the recount go on in florida? >> stevens: that's right. >> pelley: "bush versus gore"-- a month after election day, florida was recounting ballots. bush was ahead, but the recount might go either way. so the bush campaign asked the court for a stay to stop the recount, on the grounds that the recount would cause irreparable harm to the nation. the night before the court heard the request, stevens ran into another justice at a party. >> stevens: and i remember both of us saying to one another, "well, i guess we're going to have to meet tomorrow on this, but that'll take us about ten minutes," because it had, obviously, no merit to it. because in order to get a stay of... in any situation, the applicant has to prove irreparable injury, and there just obviously wasn't any irreparable injury to allowing a recount to go through, because the worst that happens is you get a more accurate count of the votes.

but much to our surprise, on the next day, the majority did decide to grant a stay. >> pelley: ultimately, the majority ruled that the recount wouldn't be fair because recount procedures were inconsistent across the state and couldn't be fixed before florida's deadline. there were many people in this country who felt that the supreme court stole that election for president bush. that was the accusation that was made. >> stevens: it's unfortunate that that kind of accusation was made, and that's one of the consequences of the decision that i think made it an unwise decision for the court to get involved in that particular issue. >> pelley: was the decision of the court a partisan decision? >> stevens: i wouldn't really say that. i don't question the good faith of the people on the... the justices with whom i disagreed. but i think they were profoundly wrong. >> pelley: between interviews, justice stevens slipped us into

places the public never sees. in his chambers, we saw a shrine to the legends of chicago sports, and a picture of him swearing in the vice president. >> stevens: in fact, i didn't plan to bring this with me. >> pelley: turned out he was wearing the same suit and he still had the oath in his pocket. that is remarkable. in a sense, john paul stevens was born into a world of crime and justice, the chicago of the 1920s. he was a rich kid-- his father built the largest hotel in the world. but it was the time of al capone, and when stevens was living here at the age of 12, gangsters came in and robbed the family at gunpoint. >> stevens: and we were all lined up and they threatened to kill... to shoot everybody with a sub-machine gun. >> pelley: as they faced a machine gun, a neighbor just happened to come to the door and the men fled. the age of 12 was eventful.

his father lost his wealth in the depression, and then the cops came for him. your father was arrested for allegedly embezzling money from the family insurance business and using it to support the hotel. what was it like for you as a boy 12 years old when your father was convicted? >> stevens: i never really thought he'd spend any time in jail, because i knew the kind of man he was. >> pelley: that's when stevens, at an early age, saw how a judge could change the world. on appeal, the illinois supreme court ruled that there was no credible evidence against his father. did seeing your father wrongly convicted and then exonerated influence you as a judge at all? >> stevens: it may well have, because it was an example of the system not... not working properly. and so i think every judge has to keep in mind the possibility that the system has not worked correctly in a particular case.

>> pelley: he drew on that lesson, 70 years later, in the war on terror, in a series of cases that are seen as among the most important of his career. the bush administration said prisoners at guantanamo bay, cuba, had no right to lawyers or courts because they were held outside the u.s. but stevens led a court majority that ruled that the u.s. naval base there was essentially american territory, so the prisoners did have legal rights. there is one inscription and one inscription only above the door to this building. >> stevens: "equal justice under law." >> pelley: and that applies to foreign nationals who may wish to do this country harm? >> stevens: if they're to be prosecuted for crimes, they're entitled to a fair trial or fair procedures. >> pelley: in another terror case, the stakes were much higher, because the suspect, jose padilla, was an american citizen.

he was arrested in the u.s. on suspicion of terrorist ties, and put into a military brig for nearly four years without charges. he was held incommunicado, on nothing but the order of the president. >> stevens: i thought that very possibility is a potential threat to every citizen in the united states. if you can be subjected to that kind of detention without access to courts or lawyers or the rest, it is a matter to be very concerned about. >> pelley: the court majority dismissed padilla's appeal on a technicality, but stevens and three other justices had wanted to rule on padilla's detention. stevens aimed his dissent at the bush administration, writing "if this nation is to remain true to the ideals symbolized by its flag, it must not wield the tools of tyrants." >> justice david souter: john stevens plays by the rules, but he knows how to throw a punch. >> pelley: justice david souter

retired from the court in 2009. he was often an ally of stevens on the liberal wing, and he sided with stevens in the guantanamo and padilla cases. >> souter: justice stevens, who was dissenting, said you may not, by this kind of secret transfer of an american citizen, defeat an american citizen's access to the civil courts to try the legality of his detention. >> pelley: and how important was that? >> souter: it's as fundamental as any decision that's been made that i can think of on a citizen's liberty in my lifetime. >> pelley: and it was justice stevens who stood up and said, "wait a minute. this has gone too far." >> souter: that's what you got courts for. he was earning his salary. >> pelley: he rendered a service to the country in those opinions? >> souter: yeah. that made him one of the great judges. >> pelley: i would imagine that the majority of the american