, they got married in abramtsevo, this is the work, repinskaya, it was a wedding gift to the young coupleovin, the works of isaa ildivich elvitan, the works of ivan shishkin, makovsky and so on, in principle, this is really a very good collection, which polenov collected either from gifts from his students, or even artists had such, there was such a tradition of exchanging works they liked, that is, if some works were liked, they could be exchanged , but vasilirovitch polenov decided to buy a crow so that... we know and which we see now on this hill. this is a precious history podcast. and there was a stone church, which we are talking about today, about the museum of the estate of vasily dmitrovich polenov, about the crocodile told. there is also a cannon, it is surrounded by a collection of sabers, which, on the one hand, were a prop for painting some paintings for vasovich, and on the other hand, a prop for staging performances. but there is this cannon, which most likely was used for fireworks , a small one for the holidays, but there is also a unique saber, you told me, and this uniq

efim cherepina, it depicts the terrace of the abramtsevo house and a small female figure, this is the abramtsevo, they got married in abramtsevo, this is the work by repinskaya, it was a gift, a wedding for the young spouses, then many other things too, for example, the works of korovin, the works of isak ilyech, levitan, the works of ivan shishkin, makovsky and so on, in principle this is. indeed , a very good collection that polenov assembled either from gifts from his students, or artists also had such, there was such a tradition of exchanging works they liked, that is, if some works were liked, they could be exchanged, but vasily dmirievich polinov decided to buy the crow to support his student, but one can say that the star of this collection is golden autumn of christopathey, but polenov himself wrote it, no one gave it to him, and we are checking it out. polenov, as it were, built a church in 195, here was a new stone church, which we now know and which we see now on this hill, this is a podcast with precious history, and today we are talking about the museum... they may have p

artist from abramtsevo, ulyana podkorytova.of sava mamontov’s abramtsevo art circle. rayok is a russian tradition, it was such entertainment, in the squares, children came, and there was a theater where they spied. and here ulyana is a little ironic, she makes a digital wolf, where she can be used as an ipad holder. we have a she-wolf in our little cottages, such russian couples, a she-wolf with a scythe. that is, again, exactly like a she-wolf. as a symbol of motherhood, a nurse. the debut of the catalog fair took place in december last year with the participation of the gallery and 6,000 guests, including those at the very beginning of their creative journey. to watch what your colleagues are doing. look, look what it shows you. this is for this, this is a real bregelian holiday. we have something to show, i am very pleased with the new generation. they understand their path very firmly, they follow it very firmly, they firmly follow it. what they taught. the catalog will remain in the printing house until april 14 and will r

he buys a dacha in abramtsevo and continues to teach painting there almost underground. his paintings again to a large audience only in the early nineties, just in kaliningradskaya. freedom, freedom of creativity, freedom of communication with museum institutions, that is, our museum began its museum history, their collection. we know that he is not just an artist, but he is a teacher, he is a poet, he is the author of his own teaching method, he is a man of culture who contributed to the creation of museums in russia. collections of a new reality, he preserved, as we now understand, an excellent family collection for the state, these things never left this apartment on nikitsky boulevard, they have never been presented at exhibitions, well, it seems to me that this is a very interesting class to study, a lot of interesting things await us ahead. mikhail efremovich perchenko, director of the moscow auction house, owner of a unique collection of western european paintings up to the 14th century, polychrome sculpture of antique furniture, his apartment is also a ready-made

, they got married in abramtsevo, this one here repinskaya's work, it was. a wedding gift to the young spouses, then many other things too, for example, the works of korovin, the works of isaac ilyach, lvitan, the works of ivan shishkin, makovsky and so on, in principle, this is really so very a good collection that polenov collected either from gifts from his students, or even artists had such, there was such a tradition of exchanging works they liked, that is , if they liked some works, they could exchange them, well... vasily dmitrovich polinov decided to buy tvorona to support your student. but we can say that the star of this collection is the golden autumn of christ. well, polenov himself wrote this, no one gave it to him. and we are enjoying the landscapes today, one might say that you arrive when you look at what has changed over there is bekhova, by the way, in my opinion it’s bekhova you can see, and there’s also an old wooden church there. this is even before it was built, polenov sort of built the church. 905 - there was a new stone church, which we now know and which we se

he buys a dacha in abramtsevo and continues to teach painting there almost underground.paintings again to a large audience only in the early nineties, precisely at the kaliningrad museum of fine arts. and of course, this was a significant event for the family of nina mikhailovna eliya mikhailovich. the museum's history began, their collection, we we know that he is not just an artist, he is a teacher, he is a poet, he is the author of his own teaching method, he is a man of culture who contributed to the creation of collections in russian museums, a new reality, he preserved, as we now understand, for the state beautiful... we left this apartment on nikitsky boulevard, they were never presented at exhibitions, well, it seems to me that this is a very interesting class to study and our family collection, these things never have a lot of interesting things ahead. michael efremovich perchenko, director of the moscow auction house. severe, because from her kiss, there was poison in her lipstick in her lips, the last izvoi died, here is a collection of polychronic sculpture,

pre-raphaelites and so on and vasily dmirovich polinov, since he really grew up as creative person in abramtsevoth savoy ivanovich mamontov, became his relative, since they were married to cousins, so his idea was, of course, not just to build a dacha for himself, but for it... to be a dacha with meaning, that is, so that his followers, students, aka, his close friends could come there, arrange fireplace evenings, creative, literary evenings there, could gather, as a result of this kind of creative conciliarity, some new one could be born creative idea or some artistic direction, why not, because we understand that polena is, after all, a representative of the school of realism. and his students are already modern, and mikhail vasilyevich nesterov, and viktor mikhailovich vasnetsov and so on, so, probably, this transition from the academic school of realism to the school of modernity, this probably took place in such artistic nests as polenova and abramtsev, of course, as now, there is probably such a fashionable word, influencers say, his father, this is of course his grandfathers, his uncle, i