we arrived home, there was no light, no gas, nothing, in february 22nd, a student at the academy of cultural artsmobilization announcements. collection daniel took part in the liberation the northern part of the lugansk people's republic until the presidential decree on the demobilization of students, after which he not only returned to study, but rearmed himself, replacing the machine gun with a camera. now he and his colleagues have weapons, right? general contact, it is located a little faster than. my instrumental group, the vocal group of the one who envies the club, and there are also groups that deal with fine arts and handicrafts, in addition to what i do in terms of documentation, introducing documentation for all groups, and i’m also teaching my team play instruments, analyze various parts, works, exercises, that is, i try to broaden, so to speak, the children’s horizons in terms of music. how many students do you have now? at the moment i have 15 students, i started with only two, and at the moment there are already enough numbers to create an instrumental group, the children had nothi

then he was in his fourth year of studying wind instruments at the lugansk academy of culture and artstood that they couldn’t be allowed here, so as if they come and slaughter my family, and it was impossible to allow them here under any circumstances, so i wanted to go serve as a volunteer, that is, you didn’t expect a summons, no, i didn’t expect anything, i just did it myself, i didn’t notify anyone, just got ready. the bag went to the military registration and enlistment office, first they recaptured their lines, and then they stood at the borders, since at first i was generally an infantryman, i was a motorized rifleman, but i was assigned to the artillery, i am an artilleryman, first i was on howitzers, then on grads, and then on hurricanes there was artillery shelling - this believe me. the worst thing in the world that happens is when they fired at us for about 20 hours from all the guns, and no one could even get out of the compound, believe me, it was scary, what do you think, what did you think then, even if they hadn’t smeared them, at least there was dirt from then. i some

the age of 21, then he was in his fourth year of studying wind instruments at the lugansk academy of culture and artsay the naclarinet, i just understood that they couldn’t be allowed here, because if they came... they would first recapture their lines, and then they would stand on the borders, since at first i was an infantryman, i’m a motorized rifleman, but i was assigned to the artillery , i’m an artilleryman, first i was on howitzers, then on hail, and then on hurricanes, artillery shelling - you say, the worst thing in the whole world that happens is... when for about 20 hours they fired at us from all the guns and no one i couldn’t even get out of the pit, believe me, it happened it’s scary, what did you think of, what did you think then, at least they hadn’t smeared it, at least there was dirt then, but somehow i didn’t want to wash it off, i didn’t want to, i think i’ll survive, i think i’ll survive. in any case, because if they don’t survive, my mother will get me out of the ground with anyone, talking about terrible things, tolya often smiled, here such a reaction to reality is not uncommo

the age of 21, then he was in his fourth year of studying wind instruments at the lugansk academy of culture and artst... i just understood that i couldn’t let them come here, because if they came, they would slaughter my family , and it was impossible to allow them here under any circumstances, so i wanted to go serve as a volunteer, that is, you didn’t wait for a summons, you came, no, i didn’t expect anything, i just did it myself, i didn’t notify anyone, i just packed my bag and... the military registration and enlistment office went, first they recaptured their lines, and then they stood at the borders, since at first i was an infantryman, i’m a motorized rifleman, but i assigned to the artillery, i’m an artilleryman, first i was on howitzers, then on grads, and then on hurricanes, artillery shelling - you say, everything, all over the world, what happens is when 20 of us were fired at from all the guns, and no one could even crawl out, believe me, it was scary that you think, what did i think of, at least it wouldn’t be smeared, at least it was dirt. mom will get it out of the ground with anyon

graduates of the academy of arts created collections of fabrics about the cultural codes of belarusians. the development of relations between belarus and egypt, the growth of trade and new joint projects will be the main topics during the official visit of the prime minister of belarus to cairo. a government delegation, including heads of leading belarusian enterprises, from mechanical engineering to light industry and food, flew to cairo this morning arab state. negotiations with the prime minister of egypt will take place in 2 days, business forum, visits to service centers of our enterprises are planned. it is expected that new contracts and documents will be signed to expand cooperation. most of the economic development indicators are being met and there is confidence that by the end of the year all will be achieved. there are also reserves for growth. deputy head of the presidential administration alexander egorov spoke about this in an interview with our tv channel. as for investments and their growth since the beginning of the year + 5%. last year the capital inflow forecast was

in vyalik, the calabarats of the people of charangovich, kolasa and kupala, the national library and cultural codes in the fabrics of students of the academy of artsasking for the parade. estetychny petsyarburg ballet at the belarusian vyalik. this young man has three days of an exotic indian plot. the history of bayaderka idze on our stage. the ancient legend of aprana in belarus is known to the folk artists of the rassi okunya. at the dyryzhora console will be the one who supervises the prime minister, mikalay kalyadka. ale ўsya ўvaga on the salor debut of kanstantsina belakhvostsika, the couple with him is the bayadere maryna vezhnavets. І new artrastor maladym - this is a high place, known behind my back and looks like an exam class, there coursework and graduation works of students of the academy. each piece of work has a cultural code that is used to graze wars. there are dozens of scales on two tops, on the contrary, there are parts on saturn, mars and venus. praz madern pratsyagvayutsya kasmichnaya mastastva yazep drazdovich. these are the myths that maxim bagdanovich dispelled. the collection of interior fabrics also has the secrets of th

listen, this means that he had a very good understanding of world culture and art, this education was provided by the karaków academy, or was there something else where he acquired this knowledge, and an interesting point is that the memories of ivan golubovsky are there actually one biographer that... a biographer, a person, who is his friend, yes, well, it is almost like a brother, as vangoga was his brother, who worried about him, and also, in fact, there was ivan golubovsky, who was like the named brother, and in these memories, he mentions odesa, with how novakivskyi talks about odesa, and this ode, it’s not even the krakow academy, it’s odesa, in which he spent almost all the money he earned on books, uh, and... and there’s one scene when you mean he portrays, portrays exactly the family to which i invited them, and they are in the process they consider what he still has there, and there is a lacoon, and actually he says that i study, study mythology, i study michelangelo, i study the renaissance itself and try to reproduce and capture this art, to know it and... learn to follow this and it was important for h

listen, this means that he had a very good understanding of world culture and art, it gave this was he educated at the karakiv academy of arts, or was there something else where he acquired this knowledge? there is an interesting point that the memoirs of ivan golubovsky, there is actually one of his biographers, it must be said. his brother, who was worried about golubovsky, who was as he was named, and ivan was actually just his brother, and in these memories, he mentions odesa, as novakivskyi talks about odesa, and this ode, it is not even krakowska yet academy, this is odessa, in which he spent almost all the money he earned on books, ugh, and... and there one of the scenes is when, that means, he is portraying, portraying the very family that invited them, and in the process they consider what else he has there, and there is a lakoon, and actually he says that i study, i study mythology, i study michelangelo, i study the renaissance itself and i try to reproduce and capture this art through getting to know it. and to learn to follow this and it was important for him even before the krakow academy. since you have

listen, this means that he had a very good understanding of world culture and art, it gave. was this education provided by the karakiv academyarts or was there something else where he acquired this knowledge ? it is interesting that there is actually only one of ivan golubovsky's memoirs, this is his biographer, it must be said that this is his biographer , a person who is his friend, yes, it is almost like a brother, as vangoga was his the brother who worried about him was ivan golubovskyi, who was just as named brother and in these memories, and he mentions odesa from how novakivskyi talks about odesa, and this ode, it’s not even the krakow academy, it’s odesa, in which he spent almost all the money he earned on books, ugh, and here is one of the scenes there is a time when, it means, he portrays, portrays exactly the family that invited them, and in the process they consider what else he has there, and there is a lakoon, and actually just... he says that i am investigating , study mythology, i study michelangelo, i study the renaissance itself and try to reproduce and to catch this art through getting to know him and lear

of ​​​​protecting cultural objects. he is a student at the faculty of law, his knowledge of law will be useful in preparing the pact, while he is a volunteer at the academy of artsxcavations near st. petersburg, in veliky novgrod in pskov. roerrich can be said to be one of the pioneers of describing part of the volga region. nikolai konstantinovich did. that same famous architectural series, many temples will remain only in his paintings, the bulk of the etiids are monuments, and it’s not about money, there’s always money in russia there was a lot, little interest, little love, with a report on the topic of protecting antiquity, roerich addresses nicholas ii in 915, as soon as the first world war began, on... in the guide poster , the enemy of the human race, he depicted kaiser wilhelm in the image of the devil and the bombed cathedral in french reims, all european newspapers, and so to speak, the cultural public , the european intelligentsia, just so to speak , believed that such crimes really should be held accountable. one of the main roerich places is the memorial cabinet in the museum of the east in moscow. under the match. after 917, roerrich was forced to

i am presenting the museum of ancient belarusian culture, the national academy of sciences of belarus, the warehouse of care institutions and centers of the most diverse artse analysis of the tree, items dug out from the tree fortune-telling rings, part of the river, precious to life, for example, sculptures of dachshunds are carved out of trees from trees, these fortune-telling rings were stored there, and for these we are entitled to more than tens of such analyzes, for which we can determine the time of creation of the item . i’m very grateful, but i’m asking for money here on the uvaz , that is not the hour of the creation of the item, but the hour when the wood was sawed, cut and packed from 100 of these subjects, for which the tree was already written. on the right is that we are, and on this sunny day we have such a panic, as, for example, 18 stagodze, first palova 18 stagodzia, pachatak 19, end 18 stagodzia, that is, the run-up is so sluggish. so, all the methods of meta-analysis on the fall of the fortune-telling rings of the tree allow us to figure out for a long time whether the tree was cut off, and then. it is possible to give a fishy hour, th

authors here, the word goes to the honorary academicians of the russian academy of arts, there are 12 belarusians on the list, which means that culturalur... the right movement, the right steps, because the processes that are going on in the world today, we cannot stand aside, yes, we must show everyone that today we are one whole, yes, that is, that we are brothers, and morality and spirituality, culture are precisely those processes that go a little ahead, this is also our potential, our achievement, our desire for joint projects, for the exchange of scientific and methodological information, and that’s it the main thing is to form that field of trust that is destined for an artist, designer, architect... art critic, and we will take advantage of this with pleasure, i think we will develop these relationships. selection of works, personally by the people's artist of the ussr. the legendary zurabreteli, at 90, sculpts the cultural life of not only russia, this is his 98 m tall peter i, literally floating along the moscow river. the first love of the master from belarus, his works of art were also cast in belarus and again he gathered

always unity through culture, a large-scale exhibition project for the day of unity of the peoples of belarus and russia in moscow. the works of artists, members of the russian academy of artsbers are presented. the unifying power of art and common spiritual traditions, further in the program. the legendary apple peelers fell in his name a discussion about high art arose around the art gallery. artists of belarus and russia conduct dialogues with acrylic, oil and enamel, what do we have in common? values, home, faith, comfort or guardian angel, and the last supper on youtube, exclusively domestic reflection, 40 of these are lunar works, business cards of masters, such a dialogue in time and space, i think, took place, despite the fact well, for the russian academy of arts this project, maybe it is not so large-scale precisely in its quantity, but in the significance of its participation belarusian artists, it is of course certainly important. art critic, and we will take advantage of this with pleasure, i think we will develop this relationship, the selection of works personally by the people 's artist of the ussr, the legendary zurab tsereteli , but as an artist, designer,

cultural objects since his university years in st. petersburg; he is a student at the faculty of law, knowledge of law will be useful in preparation of the pact, with. student at the academy of artst. petersburg, veliky novgorod and pskov. ririch, one might say, was one of the pioneers of describing the monuments of ancient russia and one of the pioneers of preservation. one can also recall his participation in the commission for the preservation of the frescoes of the feropont monastery, one can recall the history of the struggle, one might say, so that... the church of the savior nereditsa in the vicinity of novgorod would not be moved. in 903 and so he and his wife elena ivanovna traveled for forty ancient russian cities. kostroma, kazan, uglich, suzdol, he draws, she photographs. this includes the north-west of russia and the central part of the volga region. nikolai konstantinovich made the most interesting, valuable architectural sketches. monuments of these cities, then he finalized them in the workshop, including using photographs taken by ilena ivanovna. that same famous architectural series, many temples will remain only in his paintings. the main part of the etids is n