. >> the acrylic is the face. the body of the letter and the sides is aluminum and the face is a while acrylic. it's illuminated they're only 80 aluminum by that's an acrylic face and the bear itself has red material >> what's the question about the section. >> is it through the letter t or k? >> i'm sorry. it's a standard section if you want to look at any of the larger letters. >> so are those on the front. >> there's a canopy structure that has a face on it and it is mounted flush it's a brush stainless steel face. >> i'm looking at the other one. >> those letters will be put on the canopy but the canopy is not there it's a flush mount on the wall. >> but there's no box. >> no sir, their individual letters. >> i have a couple of k34i789s it comes back to balance. i know that currently the planning departments rules are not - i think the lighting is that flows off and around beyond the lettering of the sign is whether to illuminate the building. i understand that. i applaud the sponsor while it may not be hand i

. >> the acrylic is the face. the body of the letter and the sides is aluminum and the face is a while acrylic. it's illuminated they're only 80 aluminum by that's an acrylic face and the bear itself has red material >> what's the question about the section. >> is it through the letter t or k? >> i'm sorry. it's a standard section if you want to look at any of the l

i paid acrylics. sometimes i search the internet or put images on the internet through cameras, through different pictures that i take of the subject matter. -- i paint acrylics. >> all my life, i did not use this, but i had to learn how to tight and everything, so i tied to find, and moved the mouse fine on my computer, so it was not a real problem -- i typed fine. everything is on the computer, and easy to find. it is like a road map. all these blogs, etc., and so on, because i have all this time. i concentrate on a few at a time. >> i never expected to have a computer. i am 96. asd to teach an old dog new tricks. and as you say, we do have this resistance to it. my daughter taught me how to play games. i am really hooked on that now to exercise my brain, and i started doing other things more quickly. i find that it really helps me. i can see pictures either that i have taken or that other people have taken if they are on a digital camera. i put them into my computer, and then i can crop the picture

they'll get so comfortable in those hot kitchens and in their acrylic uniforms, relaxing in that grease fog selling like processed meat no matter how many showers they take. of course-- (cheers and applause) >> it's luxury. it's luxury. that's his point. kind of. of course he's also going to be business for the same stupid stuff on television industry. well, not some of an industry as a company. but when you think about it-- when you think about it, if you think abouting it, they actually work very much along the lines of the fast food business model. they sell you something that looks appetizing but leaves you feeling nauseous for hours afterwards. and anyway, if these workers want a raise, why don't they ask their liberal messiah. >> what a sad commentary it is that in the obama economy we're sitting around a table talking about people begging for minimum-wage increases. if the economy were strong, mcdonald's would be paying higher wages. >> yes. because that's how capitalism works. companies ailes pass on higher profits to their lower level workers. that's a fact. that's just-- that'

i got acrylics. i ain't afraid to use them. >> renee, stay out of this!> yeah, ne-ne, don't make me have to jump across this desk and punch a little mud hole up in your flat butt. >> oh, yeah. well, sorry. everybody can't be half amazon and half donkey. hee-haw, hee-haw. >> all right, smurfette jones, i'm telling you, i'll take that little press and curl, and i'll sling you all over this hospital! >> tanya-- >> you don't know who you're dealing with! >> tanya-- >> how are you gonna do all that with my size 8 up in your mouth? >> all right, all right, you better be glad i'm on parole. i'm telling you-- >> tanya, renee-- >> hmm? >> i got this. >> you got what? what you gonna do, bougie? you know what? that's okay. just call me. 'cause i'm a ride-or-die nurse. >> she better be glad i'm still on parole. >> well, i'll be back home soon, tanya, so don't get too comfortable in my life. >> ooh, you mean the one that you kissed goodbye? mwah. i'll see what i can do. ♪ oh, skip, skip skip to my lou ♪ >> okay, listen up. these 4 chairs represent an automobile. i nee

i use acrylics, water colors, chalk pastels, pen and ink. if they gave me a stick in mud, i would use that. anything i get my hands on, i can use. >> and some prison artists, especially those confined to high-security cells, nearly have to go to such lengths to create art. >> i got different techniques, but sometimes i just take the color off an m&m. the color come off. i can use that color. >> because of his high security level as a confirmed gang member, we could only shoot david hampton's art outside of his cell at pelican bay. a corrections officer offered to hold it in place for our camera. but at another california prison, one inmate's artwork is either immediately confiscated and destroyed or kept in a secured location. the inmate is charles manson. >> we have some manson memorabilia that charles manson has created since he's been incarcerated here at corcoran. >> during one of our shoots at california state prison corcoran, our crew barely got a glimpse of manson before he covered up his window. a recent mug shot shows how much he ha

this is not acrylics. you have to let this dry. that's how i do it. to put too much of a buildup on the paint because i want to control it. creativity, i got you, no problem. >> as one of the prison's more senior residents, robbins also sees himself as a bit of a father figure to some of the new inmates, as austin knight will soon discover. >> knight? >> yeah. >> ready to go? >> after completing the classification process, it's time for knight's transfer to general population. >> got everything? >> i'm going to "d." i wanted to get out of there, intake as soon as possible. be able to get some air now. i'm a little nervous. but other than that, it's more excitement than anything. more relief. i'm glad to be out of just that room all day. >> there you go. right there. they'll get you hooked up with your property and a mattress and see if we can get you some stuff to clean in there. >> okay. >> all right? >> yep. >> finally, knight is left alone to begin his 70-year sentence at indiana state. >> i thought the room would be a little bit bigger. that's abo

at the state crime lab, larry peterson was sifting through thousands of fibers, nylon, rayon, acrylic is it like looking for a needle in a haystack? >> like looking for multiple needles in multiple haystacks. >> then in january of 1981, a breakthrough. peterson realized they were seeing one green carpet fiber with a unique shape. this is a cross-section of the fiber magnified many times. >> this particular fiber had two very, very large lobes and one short lobe. >> the lobes are the three ends of the boomerang shape. >> the shape was the most distinctive part of the fiber. >> he showed me a slide taken from another carpet. >> this is a single tuft from the carpet. cut in cross-section. >> yeah, i can't tell that's green. even putting the tiny fibers under the microscope didn't help me. how can you tell what color this is? because in this, this green carpet because of that light green, looks very whitish. >> the colors microscopically is not going to be identical to what overall carpet would be. >> instead, an even more sophisticated microscope -- >> so let me just open this up -- >> -