already after i entered, adamanovitch said that none of our soloists had ever entered the theater, notcal one. and, of course, this is a great success, i let you go. and i was left in the theater for 0.25 rates, and once a month and a half i traveled from moscow to minsk and worked out performances for a week and a half and at the conservatory, i must also say thank you very much. yes, of course, they calmly let me go. we had our own agreements , the conditions that i take all the notes. all on her own. uh, i teach and well, somehow closed my eyes, but some lack of my slight. and why, after graduating from the moscow conservatory, you didn’t stay in russia and returned to minsk probably because there was no offer, because it was a difficult period when it was covid and many artists were returning from europe to russia and the theater and they were crowded, especially in moscow how was the audition of the bolshoi theater my favorite teacher, costume, valga, alexandrovna big hello and she called me and said, dasha we need a soprano in the theater. submit an application. i say well how am