gallery owner, aden miller came up with the idea to create a what do you find a poetry. oh, the hurt is the go together with a team of computer scientists, robotics experts and designers. miller developed in his own words, the world's 1st robot artist programmed for creativity. major draws with chalk and paints for the critic how it works, make a fortune to me, to look hurt, to have this interaction with the normal human in the way that we can. it's quite a of them fertile in feeling that she would be surprised how quickly you feel very relaxed with and with having a robot in your life as a call to explore the potential of artificial intelligence before it's too late. but is this real art, or is it just a grand technical achievement? ada raises the question whether human artists will be competing against robots in the future. we've heard from different artists thinking, oh my goodness, what does that mean for my own abilities? the natural for, we very much believe the wiser within the art world is very much similar to the rise of the camera in the 18 fifty's and sixty's

gallery owner, aden miller came up with the idea to create a what are you trying to write every poetry? oh, the earth is already cold. together with a team of computer scientists, robotics experts and design as miller developed in his own words. the world's 1st robot artist programmed for creativity. aged draws with chalk and paints for the critic how it works, make a fortune. to me, to look at, to have this interaction with a, with a normal human in the way that we can it's quite a, i'm infertile in feeling. but she would be surprised how quickly you feel very relaxed with, with having a robot in your life. as a call to explore the potential of artificial intelligence before it's too late. but is this real arts, or is it just a grand technical achievement? a.j. raises the question whether human artists will be competing against robots in the future. we've heard from different artists thinking, oh my goodness, what does that mean for my own ability of the natural for we very much believe the wiser within the art world is very much similar to the rise of the camera in the 18 fifty's and