and this is what the puerto rican community... we inherited afro cuban music through our forefathers, et cetera, from the mambo era, et cetera, et cetera. and they... as we say in spanish, tambor llama, "the drum calls." so imagine listening to that in the projects. i grew up in the melrose projects, 681. in the canyons of the projects you're hearing that not only during the day, but at 3:00 in the morning in the basketball courts, et cetera. and instead of... what i tell people is the difference between our community and, say, somebody living in the suburbs, is in the suburbs, somebody would start calling 911, the cops, say, "hey, there's these people drumming," et cetera. but at 3:00 in the morning in our neighborhoods, people would be going, "yeah, keep it going." >> hinojosa: "don't stop." >> yeah, yeah. and so (speaking spanish) >> hinojosa: so for you... but this notion of kind of living with music all around you, you... i love the story of your dad, who was a machinist. >> right. >> hinojosa: again, puerto rican. and he would come home from work, and he would sit and listen to