agatha christie's island mystery. and, you know, even if none them were guilty of murder, they were all guilty of something. and and think that, you know, it would just sort of win the playing field. is that open. and it could go any way. is it just makes for a rich discussion and that's an allure. so i think that's what you want. that's great. so i just wanted to go ahead and turn this to the audience and see if anybody any questions for abbott. there is a there's a microphone there. if you wanted to utilize that, would probably great for the for the crowd. anybody have any questions for. yeah. um, i'm sorry, matthew. as much as i'll repeat it, it has to do with the process when you've a story like this and so many primary resources, does it must be overwhelming, right? does the storyline just sort of show up or do you have to sort of mold it? and if you do mold it, was there one like really juicy piece of information you really wanted to get in there and it just didn't fit the storyline? oh, was anything left on the