recording that you will, i understand that it will also be shown, so actually these memories of ala gorska, and the people who knew her, the artists who knew her, let's give it now let's see and then continue the conversation, ukrainian coast, this bridge from the amazon to the coast and back, this is the alegorskaya formula for me, in general you have... there is no ukrainian art at all, and you have only grayness, one, you are not even colored you see, it worked as if they felt that there was not enough time for all of them to declare themselves as craftsmen, as people, as another ukraine, as other dimensions of reality, they created other realities, quite simply, they say that you hang out there with these sixties, they have no revolutions did if you were a participant there and all this , you would understand that this is revolution number one, then they were europeans, and they created a european one here in ukraine, a new intelligentsia was first born, the one they cut off for decades, destroyed, it was born in a new generation , well, i don't know what charisma is called now, there

actually also a co-correspondent. the author of this exhibition, and i, now we will talk about ala gorska her life, and now i want to ask you about this story of hers with her terrible death, which happened in the 70s, i once talked about it with yevhen svirtsyuk, because it was he, he came to this place, and he actually saw this one this picture is in the cellar in vasylkiv. and what do you know, what can you tell, you researched it more deeply, for me it's just some kind of terrible event, which, which is like a metaphor for her life in general, for all these people, the sixties, who are there, this is actually the beginning of this stagnation and horror regarding ukrainian culture, what happened in november of the 1970s. yes, in 1970, in december of 1970, and i, as far as i understand, they were wiretapped and prepared, this is surveillance and murder, she goes to her father-in-law, to her father vasylki's husband, behind the sewing machine, she left early in the morning, they did not return when they started looking for her, ah, they found the body first, the body was beheaded. no que

a record that you will, i understand that it will also be shown, so actually these memories of ala gorskad people who knew her, artists who knew her, let's go now him... let's see and then continue the conversation, ukrainian coast, this bridge from the amazon to the coast and back, this is the aligorsk formula for me, in general, you do not have ukrainian art at all, and you have only grayness, one, you even you can't see the color, it was working, as if they felt that there was not enough time for all of them to... declare about themselves, as about artists, as about people , as about another ukraine, as about other dimensions of reality, they created other realities, quite simply, they say that you hang out there with those sixties, they did not make any revolutions, if you were as a participant there and all this, you would understand that this is the number one revolution, then they were europeans, and they created a european one here in ukraine, first it was born but... the intelligentsia, which they cut off for decades, destroyed, it was born in to the new generation, well, i don't

boreviter is the name of one of the mosaics that was performed, in particular, by ala gorska and a group, yes, opanas zalevakha was there, yes, a group of her colleagues in mariupol in 1967, i want to clarify. at that time he had been in prison in prison since 1965, it seems, for 70 years for anti-soviet agitation and propaganda, that is, there were tons of other groups, there were many different creative groups, but zaretsky was there, there was zubchenko, that is pryshedko , by the way, zubchenko has a lot of mosaics in mariupol, but the fact is that... the fact is that these mosaics were actually destroyed by the russians in the year 22, when did you think about the philosophy of the exhibition and the name, is that what you meant when you called her a boreviter? absolutely , but the whole hall of the ukrainian house, it is dedicated precisely to these mosaics and the destroyed mariupol and precisely to... this resonance of the fate of gorska, yes, because this is really a person who has experienced a lot of tragedies, and dismantling, destruction of works, and exclusion from the unio

who... everyone who is interested, and who was interested in our conversation, and the work of ala gorska and in general their entire generation, come to the ukrainian house in kyiv and see the exhibition about works alegorska. thank you for being with us, thank you elena, see you in a week. there are 25% discounts on lactacyt in the psyllium bam and ochad pharmacies, there are 20% discounts on motilium at the psyllany bam and ochad pharmacies, there are discounts on amixin ic tablets, 10% at the psyllium, bam and ochad pharmacies. exclusively on the air of our channel. greetings friends, politklub is on the air on the espresso tv channel. the most relevant topics of the week. russia's war against ukraine, the war in the middle east, the crisis on the border between ukraine and poland. topics that resonate in our society. drone attack on kyiv and other cities of ukraine, drone attacks. to moscow and other cities of russia, analysis of the processes that change the country and each of us, the country should get the right to start negotiations on joining the eu. vitaly portnikov and guests

it, probably a video projection is the right name, also of the famous stained glass window that ala gorskawith her colleagues, and this stained glass window was destroyed, it was in the red building of kyiv university, and then you decided that it ideologically wrong, and it was destroyed, we only have it. in the form of photographs there, or like this, now, by the way, you can also see one of the reproductions of the burewiter mosaic, here behind, in general, they often do in ukrainian homes. here are such installations that are very long, here just the space allows it to be done, and here we see this bird that flies, and this is actually how you can look at this work, well, i will remind you, friends, that allagorska is one of the most famous of these women of the sixties, the most active and i will say that her father, in general, her family were not so ukrainian-centric, father... was in general in charge, was the director of the film factory in yalta, and she came to ukrainianism herself, switched to the ukrainian language herself and began to be interested in everything herself, and

uhorska, and she is actually also the co-curator of this exhibition, and i, now we will talk about ala gorskaout her life, i now want to ask you about this story of hers with her terrible death, which happened in the 70s, i i once talked about it with yevhen svirtsuu. because it was he who came to this place and he actually saw this picture in vasylkov's cellar, and what do you know, what can you tell, you researched it more deeply, for me it's just some kind of terrible event, which, as a metaphor in general, in relation to her life, in relation to all these people, the 60s, who are actually there... this is the beginning of this stagnation and horror in relation to ukrainian culture, that, what happened at that time, it was november, so in 1970 or december, 1970, in december 1970 th year, and as far as i understand, they were tapped and this surveillance and murder was being prepared, she goes to the mother-in-law, to her husband's father vasylki, for the sewing machine, she left early in the morning not... they returned, when they started looking for her, they first found the bodies, the b

boreviter is the same name of one of the mosaics, which was performed, in particular by ala gorska and group, yes. opanas zalevakh was there with a group of her colleagues in mariupol in 1967. i want to clarify opanas zelovakh at that time , he was in prison in prison from 1965 to 1970 for anti-soviet propaganda propaganda, that is, there was another group, that is, they were there she had a lot in various creative groups, but zaretsky was there. there was zubchenko, that is, pryshedko, by the way, zubchenko, there are many mosaics in mariupol, but the fact is that the fact is that these the mosaics were destroyed by the russians in the 22nd year, when you were thinking about the philosophy of the exhibition and the name, you had this in mind when you called it boriviter, absolutely, but the whole hall of the ukrainian house should be dedicated to it. precisely to these mosaics and destroyed mariupol and precisely to this resonance of the fate of gorska, yes, because this is really a person who experienced many tragedies and dismantling, destruction of works and expulsion from the arti

of april, everyone who is interested and who was interested in our conversation and the work of ala gorska and in general their whole generation, come to the ukrainian house in kyiv and see an exhibition about the works of ala horska. thank you for being with us, thank you elena, see you in a week. the search for 17-year-old student alina bozhko, who disappeared under very mysterious circumstances in the volyn region, continues for the fourth week, and there are some new details in this difficult search story. the other day, we managed to find the girl's belongings, this is a wallet with an id passport and a headband. and a little earlier the searchers came across alina’s coat, it was lying in the forest 7 km from the place where the student was last seen: i want they helped me, i don’t believe that she is not among the living, she is alive, i want her to be found, i can’t sleep or eat, i just don’t live, i just exist, and alina disappeared on february 17, she was resting with friends on a lawn near the village of ugrynichi. around 2 p.m. , the girl left for the forest, but did not return,

in general, this exhibition is positioned by the organizers as the most complete exhibition of ala gorskal, unfortunately, many of her works and those of her colleagues have been destroyed, but we can see them immediately on the first floor. you see, from the second floor you can see the first, these are two large mosaics in mariupla. which were created for two months by the team, they are called one bora-wind, the other tree of life, were created by order of the ukraine restaurant, and here you can see in what form they are now, as far as i understand, we do not know now, and maybe they are even more destroyed, and there you can see a sketch of this mosaic, usually done first a sketch, or even several sketches, and then work is already underway on the mosaic itself, also here... we see such a reinterpretation, i don’t know what to call it , probably a video projection is the right name, also of the famous stained glass window made by alagorska with my colleagues, and this stained glass window was destroyed, it was in the red building of kyiv university, and then you decided that it was i

conversation, and the work of alla gorska, and in general the whole of their generation, come to the ukrainian house in kyiv and see an exhibition about the works of ala horska. thank you for being with us, thank you elena, see you in a week. watch this week's judicial control with tatyana shustrova in the program. candidates for the constitutional court. who failed the interview. when was the constitution of ukraine adopted? i can answer questions. but why did the judge's drunken driving become the fruit of the poisonous tree. and i was refused a medical examination. congratulations. judicial control is on the air. the judicial system of ukraine needs a thorough reboot. this is one of the requirements. accession to the european union. interviews with candidates for one of the country's most important judges - the constitutional court - have begun in ukraine. unlike all previous contests, this time the conditions of rigid and transparent, biographies and compliance with the criteria of professionalism and integrity are studied in detail by an advisory group of experts, which also includes independent foreign specialists, so it is not easy for candidat