, yes, yes, yes, they are published, this is a separate book, edited by lyudmila ognyava, alagorska soulthe ukrainian sixties and... i worked in the literary archive in sofia, there are a lot of them, and again, these letters are also presented there. wow, some marginalia, it 's very interesting to read. i will also ask you, in which museums are her works in the ukrainian and perhaps world museums that are left, there are not so many of them, unfortunately, but again , many museums and private collections have given us works for the exhibition, this is a national art museum, this is the national museum of decorative arts, this is a... andrei sheptytskyi national museum in lviv, this is the museum of sixties, the museum of literature, that is, the soviet times, they were in storage somewhere or somehow, after that, after the murder, we will talk about her death, but what happened to her works, when in in 1970, she was killed, in fact , some works were already in state collections, but there were not many of them, p... after that, her son oleksiy zaretsky handed over some of the works and

zalevakh of alagorska, yes, yes, yes, they are published, this is a separate book edited by lyudmilaa, the alagor soul of the ukrainian sixties, and i worked in the archive of literature in sofia, there are a lot of them, there, again, these letters of hers are presented, and sketches, some marginalia, it is very interesting to read, i will also ask you, in which museums of ukraine and possibly world museums are her works, what was left was not theirs. a lot, unfortunately, but again, many museums and private collections gave us works for the exhibition, this is the national art museum, this is the national museum of decorative arts, this is the national museum of andrei sheptytskyi in lviv, this is the sixties museum, the museum of literature, that is, in soviet times it was like that, they were somewhere in the reserves or somehow after that, after the murder. we will talk about her death later, but what happened to her works, when she was killed in the 70s, in fact, some works, they were already in state collections, but there were not many of them, after that her son oleksiy zare

zalevakh of alagorska?es, yes, yes, they are published, this is a separate book, edited by ludmila. alagora soul of the ukrainian sixties, and i worked in the archive of literature in sofia, there is a lot of it, again, these letters of hers are presented there, and sketches, some marginalia, it is very interesting to read, i will also ask you, in which museums of ukraine and possibly world museums are her works that are left ? there are not so many of them, unfortunately, but again , many museums and private collections gave us works for the exhibition, this is the national art museum, this is the national museum of decorative arts, this is the national museum named after andrey sheptytskyi in lviv, this is the sixties museum.

alagorska has this tradition, well, one of those who started this tradition, to put flowers on may 22 to shevchenko , and when i was a student, we studied, i studied in... the yellow building, and we knew that on june 22, you can't lay flowers, because you can be summoned to the komsomol committee, you can be summoned from the party wherever you were partisan to exclude, because this quote that you hate is the dinner, and it lasted until the 89th year, it again, a story about persistence and how it all continues to affect and in general. if we talk about ktm and this, let's say , this circle of gorska, it seems to me that it was such a germ of civil society, that is, everything that this entire network of solidarity that we see today, and the volunteer and aid network, was formed precisely then, in the modern form, sometimes these are the same people, their descendants, this is... just a continuous tradition from there, and now i remember this poem that stus wrote about it, yariy soul, cheer up and don't cry, and he says to the embryos of this civil society, because there are little o

co-curator of the ongoing exhibition. in kyiv, in a ukrainian house, and the exhibition is called "alagorskaeviter". we will talk a lot more about this exhibition, about what can be seen at it, it has already opened and you can visit it. but i will start with the name borewiter. boreviter is the same name of one of the mosaics, which was performed, in particular by ala gorska and the group, yes. opanas zalevakh was there with a group of her colleagues in mariupol in 1967. i want to clarify opanas zelovakh at that time , he was in prison in prison from 1965 to 1970 for anti-soviet propaganda propaganda, that is, there was another group, that is, they were there she had a lot in various creative groups, but zaretsky was there. there was zubchenko, that is, pryshedko, by the way, zubchenko, there are many mosaics in mariupol, but the fact is that the fact is that these the mosaics were destroyed by the russians in the 22nd year, when you were thinking about the philosophy of the exhibition and the name, you had this in mind when you called it boriviter, absolutely, but the whole hall of the ukr

, probably a video projection is the right name, also of the famous stained glass window made by alagorskamy colleagues, and this stained glass window was destroyed, it was in the red building of kyiv university, and then you decided that it was ideologically wrong, and it was destroyed, it remained with us only in the form of photographs there, or something like this. now, by the way, you can see also one of the reproductions of the buriviter mosaic, here behind, in general , in a ukrainian house, such installations are often made, which are very long, here just the space allows it to be done, and here we see this bird that flies, and this is actually how you can look for this job, well, i will remind you, friends, that allahorska is one of the most famous 60-year-olds, the most active... and i will say that her father, in general, her family were not so ukrainian-centric, my father was in general in charge, was the director of a film factory in yalta, and she came to ukrainianism herself, switched to the ukrainian language herself and began to be interested in everything herself, and wel

co-curator of an exhibition that takes place in kyiv, in a ukrainian house, and the exhibition is called alagorska, we will talk a lot more about this exhibition, about what you can see at it, and it has already opened and you can visit it , but i will start with the name boreviter, boreviter is the name of one of the mosaics that was executed in particular, alya gorska and a group, yes, opanas zalevaha was there, yes, a group of her colleagues in mariupol in 1967. i want to clarify, opanas zelovakha was in prison at this time in prison since 1965, it seems in the 1970s for anti-soviet agitation propaganda, that is , there was another group, that is, yes, yes, there were a lot of them there in... it has different creative groups, yes, but zaretsky was there, zubchenko was there , that is, pryshedko, by the way, zubchenko has many mosaics in mariupol, but the fact is that the fact is that these mosaics were actually destroyed russians in the 22nd year, when you thought about the philosophy of the exhibition and the name, you had this in mind when you called it borevita. absolutely, but the entire h

of the exhibition that takes place in kyiv, in the ukrainian house, and the exhibition is called alagorskal talk a lot more about this exhibition, about what is in it you can see, it has already opened and you can visit it, but i will start with the name boreviter, boreviter is the name of one of the mosaics that... was executed, in particular, alaia gorska and a group, yes, opanas zalevaha was there, yes, a group of her colleagues in mariupol in 1967. year, i want to clarify, dear zelovakha, at that time he was in prison, in prison, from 1965, it seems until the 1970s, for anti-soviet agitation and propaganda, that is , there was another group, that is, yes, yes, there are many of them there she had various works, and even today we have destroyed mosaics, that is, this whole story continues today, unfortunately, this boriviter. he, and there is another tree of life, that's right, this is a kind of palimses, because they were opened, there it was somehow repaired, they were covered up or closed, so the tree of life spent 40 years under the brick, and shortly before the full-scale invasion

of the exhibition that takes place in kyiv, in the ukrainian house, and the exhibition is called "alagorskatalk a lot more about this one the exhibition, about what can be seen at it. it has already opened and you can visit it, but i will start with the name boreviter, boreviter is the name of one of the mosaics that was executed, in particular, by aloyhorsk and a group, so opanas zalevakha was there, so a group of her colleagues in mariupol in 1967, i want to clarify, dear zelovakh, at this time he... was in prison in prison from 1965, it seems until 1970, for anti-soviet agitation and propaganda, there was another group, that is, yes, yes, there were a lot of them there in different creative groups, yes, but i was there zaretskyi, zubchenko was there, that is pryshedko, there are many mosaics in mariupol, but the fact is that...