alasdair: not at all.s described as a long-term journey and we would have liked to have gotten there. a large number of people have done enormous amount of work to get us to this place and we wanted to succeed but we did not need the money. we will go back to business and carry on with our growth projects and commercial initiatives and drive the business forward. francine: the longer term plan is get bigger in the u.s.? alasdair: exactly. francine: where the narratives that help you make a better u.s. business and then list in the u.s. possibly? alasdair: access to the resources. we are going to grow more than double over the next five or six years and most of that growth is in the u.s. precisely that reason. once you have a big u.s. business, it opens other options in terms of the listing. francine: what would be your ideal listing venue in the u.s.? alasdair: we have not given us a lot of topologically would be the new york on the new york stock exchange. i think that over time that will become a more vi

alasdair laughs well, may the best driver win. it won't be me! revving and we're off. wait, am i winning this? i'm giving you a temporary ego boost. no! we're going to need to restart! just kidding, keep going. 0k, by this point, i'm sure he could have lapped me several times but lucas does have some tools up his sleeve. so, in f1 e—sports, all ten f1 teams have an equal performance. so it's really up to us as drivers and also us as the teams to maximise what parameters are available. a way we utilise that is through using splunk and that gives us so many channels of information with throttle and brake tracers and the race tracers as well. it has infinite amount of information, so many data points, every single lap of so many different cars. a lot that we can analyse and go through. and ultimately that helps us form our strategies both before and during a race. this information is built into the game and is available to anyone — even at home. so, if you take the f1 game, go into the in—game settings, go into telemetry, and it'll give you lots of

well, alasdair keen has been to see how one performance in glasgow is using technology more traditionally a haunted house to life. can you give us a sign that you can hear us, please? please, give us... 0h, did you... did you see that? in this play, things are going bump in the night. this is ghost hunter, a theatre experience where the audience are taking on the role of those finding paranormal activity. going down the way, you are heading in that direction. the set is a house, complete with living room, kitchen and bedrooms. radio crackles. but the real secrets here isn't the ghosts. it's the tech powering it. this is the behind the scenes of this huge set. it fills this entire warehouse. but look up. you can see lots of little sensors. they allow the crew on the outside to know what's happening on the inside and control the different spooks. turns out ghosts are really difficult to employ. so instead, we've got an array of computers that are hiding behind the walls of the house that deliver a lot of the haunting, along with a lot of people who run around the walls of the house and deli

well, alasdair keen has been to see how one performance in glasgow is using technology more traditionallyhat you can hear us, please? please, give us... 0h, did you... did you see that? in this play, things are going bump in the night. this is ghost hunter, a theatre experience where the audience are taking on the role of those finding paranormal activity. going down the way, you are heading in that direction. for this show in particular, you are the show. it's tricky to do without the audience. so there is a sort of set story and a set path that does need to be followed. but within those sort of set destinations, anything can happen. like, we don't know what's going to happen each show, which is kind of terrifying. an epp, i've never heard an epp before. "for my son frank, to be opened upon my death." i still get scared. there are still points where i know what's coming and i stilljump. ihope... i hope that they're going to feel scared and feel a bit nervous. but then i hope when these things happen, that there's also a little bit of, like, laughter, you know, there always is. and ijust.

alasdair laughs well, may the best driver win. it won't be me!different cars. a lot that we can analyse and go through. and ultimately that helps us form our strategies both before and during a race. this information is built into the game and is available to anyone — even at home. so if you take the f1 game, go into the in—game settings, go into telemetry, and it'll give you lots of options on where you can go and put that out. and there are lots of data providers — splunk being one of them — that you can send the data to and you can start to go and play with that data and hone into what you want. so when you're starting playing racing games, most people get braking wrong. you brake like you would normally at the traffic lights, you slowly increase pressure. whereas actually what you're wanting to do is put the brakes on really hard and then start to trail that off. and you can actually look at that curve of the brake pressure and how you're doing. you know, step one of learning how to drive an f1 car. people like me are never going to be at the

well, alasdair keen has been to see how one performance in glasgow is using technology more traditionallyappening on the inside and control the different spooks. turns out ghosts are really difficult to employ. so instead, we've got an array of computers that are hiding behind the walls of the house that deliver a lot of the haunting, along with a lot of people who run around the walls of the house and deliver it as well. but the main element of the game is that these audience members have to hunt down these ghosts, which they do, using a couple of devices that we've called the scanner and the amplifier. and those devices conjure up these ghosts through using a number of different pieces of technology. flashing lights is good. i've got it here. it's searching for the rift, but the rift is in the house. toby, could you close that door? james, you come straight back in. all right. there's a rift out there. are you thinking what i'm thinking? let's go find it. so this, over here... ..this is a posex tag. this allows the computer to see exactly where you are within the space at any time. thes