what experience does his fellow friends have who have already emigrated, like the same alexander borisovich kuysikovalized that a without russia could not. yes , and in europe there is nothing to do, that he will go there. how will you have to work, because e for prose for poetry. there they won’t pay as seriously as in soviet russia, that is variants of grace, its very strong limitation, of course, about its place in literature. that malingov is trying to look for himself. after prose is forbidden to him, he understands what to write. uh, some kind of social, prosaic realistic text. it's not. it's not about him. great. it seems to me that he tried, yes, well, maybe he could not on the sly. uh, in the fifties i switched to memoirs and my age, my youth, my friends and girlfriends notes of a forty-year-old man. and hmm, these are your descendants, yes, and this is the golden fund of our memorialism. yes, but in fact thirties, he moves to leningrad yes, and there he gets acquainted with all the wonderful writers like zoshchenko schwartz mikhail kazakov a. boris mikhailovich ikhenbaum is a literary crit

and what experience does his comrade friends who have already emigrated, like the same alexander borisovich kuysikovuld not. yes, and in europe there is nothing to do, that he will go there? how will you have to work, because for prose for poetry there is as serious as they won’t pay in soviet russia, that is, the immigration option is very limited, of course, about its place in literature. that, damn it, the gov is trying to look for himself. after i spend it on him forbid, he understands what to write, but some kind of sos-realistic prosaic text is

the experience of his comrade and friends who have already emigrated, such as the same alexander borisovich kuysikovut the rest yes, and he realized that a without russia could not. yes, and in europe there is nothing to do, that he will go there. how will you have to work, because for prose for poetry there it’s as serious as they won’t pay in soviet russia, that is , he would be very much limited by options for migration, of course, about his place in literature, then malenkov is trying to find himself. after prose is forbidden to him, he understands what to write. uh, some co- realist prose text is not about him. that was great. it seems to me that here he tried, yes, well, maybe he didn’t write everything on the sly, but in the 10s he switched to mimoras, and my age of my youth is my friend’s notes of a forty-year-old man, but hmm, these are your descendants, right? and this is the golden fund of our memoirs, yes, and in fact, in the thirties, he moved to leningrad yes, and there they get acquainted with all the wonderful writers, such as schwartz's zoushchenko mikhail kazakov a. boris mikhailov