means, with the text in my hands i replaced them, how good it felt for me in this design by alexander borovskyleasure there, there is also a very interesting question with translation, yes, after all, there are several translations of the king, and so you chose, like me i understand some very well, but still, magpie’s translations are very difficult to learn, but the most important thing is that he has some special annoying words he invented that , firstly, will not allow the viewer to fall asleep, well, you won’t fall asleep there anyway, yes , but they somehow force you to be in tension, so... our most experienced artists there told me that the king was quite difficult to teach, we understand that there is always an alternation of prose and poetry, it is clear that if there is a translation of pasternak nearby , then it is beautiful, it is not discussed, and there is the latest translation kruzhkovo, very accurate and it is very like that, well, it is very tasty, but still , it seems to me that soroka is somehow more correct, the last, well, the extreme there, i don’t know, for today... ther

this is how we decided to misbehave, so we called it twenty-third, again we were lucky with alexander borovskywe do very often, this is by the way the idea of ​​pyotr naumovich, we are very often..." there is an initiative from below, he came up with this internal section: error trial, and any member of the team can take any work to show and sometimes this work will reach the end, sometimes not, but for example, now we have a group of crazy people with yurey titov, they took on the divine comedy, what is it, it can’t be staged at all, is anyone interested, has anyone ever staged the divine comedy? staged, well, costelucci has a famous performance there, but you see , costelucci has little left of the divine comedy there, it’s on video, but here we had the first preview, i’m afraid to announce it, there’s no wood to knock on , but if this happens , my nose will be in the air, i, as such a temporary boss, will be very proud of it, so you said, what does it mean that our topic today is prose, that means theater, and for me the most important topic is gitis, because i ’ve been teaching for more th

meaning with the text in my hands, i replaced them, how good it felt for me in this design by alexander borovskym the acting department, i received some other very interesting question with translation there, yes, after all there are several translations, so you chose, as i understand it, some very, no, well , we chose the soroka translation, i won’t rank the translators now, but still the soroka translations are very difficult to learn, but most importantly, that he has some special irritating words that he has come up with, which in the first place will not give... but they somehow make you be in suspense , so our most experienced artists told me that the king was quite difficult to teach, we understand that there is always an alternation of prose and poetry, it is clear that if there is a translation by pasternak nearby, then it is wonderful, this is not discussed, and there is the latest translation by krushkovo, very accurate and it is very like that, well, it is very tasteful. but still, it seems to me that forty is somehow more correct, the last one, well, the extreme one there, i don’t k

decided to play around like this, so we called it the twenty-third, again we were lucky with alexander borovskyeter naumch, we very often have an initiative from below, he came up with such an internal section, trial errors, and any member of the team... can take any work to show and sometimes this work will reach end, sometimes no, but for example, now we have a group of crazy people together with yurey titov, they took up a divine comedy, well, what is it, it can’t be staged at all , is anyone interested, has anyone ever staged a divine comedy, yes they staged it, well there kosteluchaya is a famous performance, but you see, kosteluchya has little left of the divine comedy, it’s on video, but here we have... we had the first preview, i’m afraid to announce it, there’s no wood to knock on, but if it will be, my nose will be up, i'm like a temporary person boss, i will be very proud of this, so you said that today our topic is prose , which means theater, and for me the most important topic is gitis, because i have been teaching there for more than 40 years, and i do it once every 4 years i’m a

decided to misbehave like this, so we called it the twenty- third, again we were lucky with alexander borovskyial section and any member of the team can take any work to show and sometimes this work will reach the end, sometimes no, but for example, now we have a group of crazy people, together with yura titov, they have taken on a divine comedy , well, what is it , it’s impossible to stage it at all, is anyone interested, has it ever been staged divinely, yes it was staged, well there at costelucci has a famous performance, but little remains of the divine comedy, it’s on video, here, and we, we had the first preview, i’m afraid to announce it, there’s no wood to knock on, but if it happens, i have the nose will be up, i, as such a temporary boss, will be very proud of this, so you said that today our topic is prose, which means theater, and for me the most important topic is gitis, because i have been here for more than 40 years i teach there, and every 4 years i’m always proud of my country, because well, our enrollment has ended this year, but it seems to me that it’s such a difficult time