alexander knyazhinsky, mikhailievsky, and nikita khubov. these two were to shoot a picture in minsk, which should have been their thesis. the third rocket became such a picture. script by front-line soldier vasil bykovfalls into the hands of the front-line director, richard viktorov. but here is all the figurative fabric. the entire video of the film had to be shot by a young , completely unfired cameraman who had not known war, frame to the left, quickly, quickly, quickly, quickly, sheaf, tovazh commander, interfere again, product commander, dreams. lukyan, motherfucker, lukyan, lays down, fire, petrov, fire, fire, petrov, everything was filmed with such truthfulness that the pillar italian neorealism, film director “i would give this film all the awards of all the festivals in the world, but the marshal of the soviet union”, the main ideologist of the soviet army, appreciated sverep, i would have sent tanks to the cinemas where the third missile was shown, but it didn’t work out, the diploma, guys, was defended on great, andrei kirillov went to moscow, he had a job there, because dad headed the camera department in gika, and nikita... for the next six years he was stuck in minsk, this was the most