nineteenth, the beginning of the twentieth, and we are an intellectual, they began to say, that alexander dzyumaers, there is also a little bit, there is also something, yes, yes, perhaps all great people are somewhat similar. okay, we are now in the museum, where there is a branch of the kubakov museum, construction began from this branch in total, our department has four estates, as i said, in 1967, this was opened. well, probably, the handwriting of the soul, i think that all poets are like that, we have the most like that, well , which we teach at school, this is andresve, he wanted the poetry to also live in spanish, because we succeed when the spanish colony got used to it, then all this poetry began, but before that there was no poetry, i wanted latin america to have poetry. here she lived between us and he, andrei, spoke, began to write and perhaps also a poem for pushkin, he translated into spanish, perhaps, but it turns out he started writing at an early age, or is it modern, he found, you know, the first poem, when he was in alba, it was hard for him to be 12 years old. and i suggest