alexander lvovna is fat. was already interested in by that time means the history of cinema. i understood who gerasimov was, i understood who such makarova i come to gorky's studio such old chairs are high. and i sit down and i see that makarov is being made up next to me, which means i value it a little, but something is winding me up there, i don’t know what inexpensive people are here or what it is, and tests begin, and they have photos and they all say, says, my god. well, it looks like, well, it looks like, well, how did you find it, say the assistant. well, it looks like, and my mother and i. i was still with my mom. you know, like a minor. how do we shake? shoulders there. well, yes. well, sort of, you know well, here is one family somehow, of course, alexander lvovna is fat. she means, a sister of my great-grandfather, but still, like some kind of tolstoyan blood, but they did not understand that they were calling a person from the same family here. but then events developed funny, that when it turned

alexander lvovna tolstoy. i remember that i come. interested in by that time means the history of cinema. i understood who gerasimov was, i understood who makarova was. i come to gorky's studio . such old chairs are high, and i sit down and i see that makarov is being made up next to me. -something there, i don’t know what inexpensive people are over here or something and the audition starts and they have pictures and they all say, says, oh my god. well, it looks like, well, it looks like, well, how did you find it, say the assistant. well , it looks like, and my mother and i. i was still with my mom. you know, like a minor. we somehow shrug our shoulders there, well, god, yes, well, as it were, you understand, well, here is one family somehow, of course, alexander lvovna is fat. she means, a sister of my great-grandfather, but still like some kind of tolstoy blood, but they did not understand that they were calling a person from this same family here. but then events developed funny, that when it turned out that i was fat all this,

and the tolstoy edition of alexander lvovna tolstoy, edited by vladimir grigorievich chertkov, and now are three volumes. here they are sewn together in one convoy. you can even see the boundaries between them, uh, and. hey, here's the reader. e. here in that, the first one is clearly visible, and on this title the reader of that time got the opportunity get acquainted with those works that tolstoy did not publish for many years, because he had a very difficult relationship with ambitions. yeah, to professional writing, we know such stories of conflicts within the family of sofya andreevna chertkov's wife. uh, lev nikolaevich, we know that this am edition is on him. here is such a uh hmm and a wonderful verdict is allowed to be printed free of charge, that is, tolstoy uh, well , practically, but hmm doomed his works in a positive sense to what we call public demon, that is, for reprinting without a share of heirs. it's a whole social story, but for me, of course, it's mostly a fiction story, because, uh, here are the stories after the scores of the soviet era, which were included in th

only my maiden name there was a spike zinaida lvovna there was a marriage after me konusov leonid lvovich and there was another one, brother. kolosov alexandern on april 25, 1972 brought home? well, they themselves worked, worked as a blacksmith for four, but i was eight, because they worked a little. she was wet in her bed. here is the brother, leonid picked her up and, together with the diaper, put her on a hot battery. she was crying terribly, of course we couldn't comfort her. we didn't know what it was. we are still small parents did not come so much time it has passed. i don't know, i don't remember, but they came home from work. both times, you understand, uh, i called an ambulance and sent the city to the hospital to cut into the latvian ussr where we used to live, since there was no tie-in burn center and she was sent to jurmala, there is a burn center. here the child did not climb with her. she came home on her own. her father started asking questions. why didn't you go to bed? why can't you be dad? good for me? here she is from a certain person. i 'll go later and go to bed. that's how the conversation went. but she doesn't then n

economy of the driven belarusian spivaks such as alexander solodukha irina dorofeeva pyotr efimov a few thickets freeze and the song of izmail kaplanova lvovnalass, dear, riva lvovna it's me, you're handsome and adorable, that you could even subdue moses. this is from the heart, come, governor, a huge look of his eyes. be this rome lviv with you more fun and your body is alli souls thank my huge look of your children. always be good gods more fun. this is not a question and a mop is not that you will see god's red golden hair trace to you whispers and gentle words. you souls thank my god a modest look of your nights bestow love on my heart. time calls for dialogue and serious steps to ways to resolve global conflicts. unfortunately, now there is a battle not only for truth and memory, but because of food , the grain deal is again on the lips. and bread has already become a currency and a subject of bargaining in the world ; it is in the blood of, perhaps, the vast majority of belarusians. the same applies to our policy, whether it be an external vector or investments, without which it is impossible to develop bright news stories in the polit

may be historical, but priceless in the room of tsitsily lvovna mansurova, you can see gifts from a noble collector and collect or old alexanderlf , an honored artist of the country. i could not fly to vladikavkaz, but each hero of this program handed over to him, at will, a speedy recovery after the break of the ahi. you have tendons during the performance pavel the first and after undergoing surgery as a gift to vakhtangov's house alexander vladimirovich donated a dozen unique artifacts of the late xix the beginning of the 20th century, the heyday of the russian theater. this action moved the great-granddaughter of yevgeny vakhtangov, dina, to tears . well, of course not. now. and these things will be seen by all visitors to this wonderful newly opened house, where my brother was born, whether there are still some religions in the family , a few things. they are waiting in the wings to hand them over in a solemn atmosphere, and we also want to make an exhibition of my father. he was an artist. evgeny sergeevich vakhtangov, uh, accordingly, the son of vakhtang, the architect sergey, and his works are gone. well, here is the f

some kind of rare such exhibit in the room of cicelia lvovna mansurova, you can see gifts from the noble collector and collectors of antiquities alexanderry. i could not fly to vladikavkaz, but each hero of this program passed it on to him at the request of a speedy recovery after a rupture of the aching tendon during the performance. pavel the first and undergoing surgery , alexander vladimirovich donated a dozen unique artifacts of the late 19th and early 20th centuries, during the heyday of the russian theater, as a gift from the vakhtangala house. this action touched to tears the great-granddaughter of yevgeny vakhtangov, dina, a selfish question. it was not a pity to give away things that belong to the family free of charge to the museum. well, of course not, now. ah. these things will be seen by all visitors to this wonderful newly opened home. where was my brother born? are there any other relics left in the family, huh? well, they have a few things. they wait in the wings for celebrations. we will transfer them to this situation and more. we want to make an exhibition of the father of the grandchildren of tango, he was an artist