well, now let's get back to you alexander yakovlevich and let's talk now about your other betrayal. you have already mentioned that you are changing translations in university classrooms, at least take into account translations there too, right? yes, i have it there. hmm, this is conditional treason, one couple a week, let's say you teach at the russian state humanitarian university, but still, for our contemporary what is the biographies of the fate of these people. well, perhaps, perhaps, only agatha christie has such a reputation, how to formulate it correctly. well, well known. large circle, but also with you the dawn is mine, maybe somerset is mine. and , probably, oscar too. well, still less degree, yes, well, here is a series of such a virge, wool fagata christie redi-art kiplinger, oscartualt francis scott figerald or fijerka, fijerians henry miller grand. well, i don’t know years of chaos, but chaos, yes, yes, what prompted you to do, we have already heard. it's like a coincidence. well, yes, in a sense, it's an accident. we translated these people. uh, i uh, actually trans

translator, writer, biographer and editor-in-chief of foreign literature magazines alexander yakovlevich-eighties and now. relationships, uh, to translated literature are very different, but because now, theoretically , anything can be translated, and translations keep up immediately and by anyone. yes yes, i agree, by the way, this important amendment is very important, because the nineties, about which we started talking, er, there was a revolution in literary translation, they began to attract young translators, because it was important to be different. yes, it was important, uh, to publish the book , to sell it as soon as possible, not necessarily to translate well, but to translate necessarily quickly, necessarily quickly, not always. you can find out from the translation that it’s bad, but, but before my eyes, the book was torn into 10 parts angelica's huge book was handed out with ten young translators who don't really know how to transport the doctor there, but he looked, because their names were at least yes the editor, as a rule, enlarged the editor sometimes didn't look. there

roman believe. bandit ha ha hooligan alexander yakovlevich well, you know perfectly well how i treat the serbian language is to take ours therefore. i will be positive about this, everything else is beyond praise. of course i 'll put it there. alexander vasilievich incendiary criminal savage-wedding song. it's just that the language doesn't even have any values ​​in the room, of course, stunning, that is, incendiary. i bet you an ace and i'm very happy. of course great, straight, well, in general, great, of course. girl as always , you surprise, you give birth, you admire. but such energy is crazy, such a strong voice. everything is so visible that you are working on every issue. it's obvious, this work surprised me, but as always, not a song , no matter what it is, it's clear, what it's about, it's clear what you wanted to say and do it great, ace aglaya and four aces. thanks a lot. thank you. season premiere the voice is no longer children from the first of september on the first and always on one tv point ru the first-class sale was stretched into parts, as they say , followed on

freedom-loving tairov could not survive the excommunication, a heart attack alexander yakovlevich dieda georgievna, who loved him, cursed this theater. how did you get the theatre? i did work both with kozyka and eremin. in those days , the priest came periodically once a year, which means something came down, it was, it made me incredibly laugh. most importantly, i saw that there was no sense in it. and when i came, what should i do? i did not understand this at all, because all the interviews began with evgeny pisarev came to the damned theater. well, how can you not be afraid here, the cast comes to you and so on. it was already. eh, not even funny. i think that the problems have always been that the tairov chamber theater was forged, everyone denied all of these were afraid of this story. everyone somehow thought, but this is not about us, but i thought about what to do an evening dedicated to them. maybe even such an evening of repentance of some kind of worship. it was the centenary camera at the theatre. uh, the fourteenth year, and we made such an interesting performance, which

the parents of olga's husband alexander, like nikolai yakovlevich and vera nikolaevna, also changed they got an apartment in the samara region in the same house , they became neighbors, and then relatives, the house in the picturesque dachny village got such a gift from alexander's mother, nadezhda alexandrovna, to prokofiev. she made the children immediately after the birth of gleb so that their grandchildren would spend more time outdoors. in this family residence, creative courage embraces everyone who is here, it turns out, so we sang and danced so much that we almost forgot. why did the country response team come, rolled up their sleeves. we have little with alexei, completed grandiose plans to completely redo the second floor in the house of the prokofievs, so we are dismantling everything from floor to ceiling. 16 mm chipboard we are building new boundaries of the bathroom. now it occupies the entire former corridor and will be illuminated by a new window. we chose an american slider in the slopes above the future bedroom, we install two skylights , a frame of wooden double-glaze