oligand, hello alexander yakovlevich, you are coming, in our podcast under the heading of the literary, your main bread is a literary translation. or maybe i'm wrong. yes, well, a literary translation. apart from the fact that this literary translation has to change every now and then, then with uh classes at the russian state university for the humanities where i have been a member for uh, for more than 30 years it’s scary to say they’ve been teaching there at the russian state humanitarian university, russia yes, alexander yakovlevich is teaching. what courses? well, i , uh, have a course in literary translation, there are courses on foreign literature from different periods of american literature after 45 , english victorian literature and a course lectures, which are called strictly on ethics and genres. foreign literature, that is , this is a special course, what is it called? it seems like yes, university world, it seems, as is understandable, then you have to change the literary translation with the journal of foreign literature. although here, in general, there is no smell of b

alexander yakovlevich does not compare with anyone. i had little energy. this song, i was a little bored to listen to this. the king is the security service. say code from sms and let's do it this way, if you manage to outwit me, i will return the stolen money to the client, but it is unlikely that you will succeed and get a free phone protection service. he is such a new fandom new collection from 499 rubles. in stores and on the website. well, you say no, but it's delicious from the meat of your own willows. well then three nights later i ate her, and you won't stop me cherkizov. and it tastes so good to me. we don’t know what will be useful to the child in the future, but everything you need is exactly in the itube quantorium growth points, equipment, let’s see what it is succeed. in heaven, i dream about you in my dreams, i see this strange dream more and more often, you are dancing with me, you are in love with me, and i still love you. i love you with hope in your victories at me, you will look and see a friend that i am your best friend and i still

alexander yakovlevich i i was only afraid of a torn ligament, but everything was great.done ace dima thank you very much for today’s performance four aces bravo and thank you for the new breath. i’m not an astrologer and i’m not predictive; i can’t say what will happen to us in a year and even know for sure what awaits us tomorrow, but i have experience working in the project. three chords tell me no matter what happens, no matter where the world shifts, there will always be a place for love and soulful songs. alika laughed, of course i was very worried before the last performance. this is very responsible. for me a work. everything was so well done and the message was clear, and you were so organic that it was simple. lord, i regret now that i don’t seem to have anyone, where the yugoslav gypsies for the last performance i received three aces and a king ahead of the next stage of the three chords project, and i again want to do something unexpected and i hope i can do it. oh, he growls, forgetting, calling out sizov’s letter and we will start with you, you knew, i will

to alexander yakovlevich rosenbaum. it was 1998 and st.old him a little about my fate, this way and that. i'm here with igor yakovlevich the cool i regularly bring money from belarus. money is invested in ether. money is running out, broadcasts are running out. to which alexander yakovlevich rosenbaum said after a short silence. sasha , you have two paths: either substitute one place for them and turn into them, or go your own way, are you strong, will you get there? if you have any advice you could give us any parting words? i want to do this to each of you. remain yourself, believe in yourself, choose the right profession. after finishing school it is mandatory listen to your heart, your inner voice. he will never deceive. you must do what you love in life, when you wake up early in the morning with joy and run to work money - this is a secondary life with your loved one, if it doesn’t work out the first time it’s okay, the second third don’t be afraid of anyone and believe in yourself do what you love business and live with your loved o

vaudeville, as some kind of evil or good, but a comedy and, as a rule, mocking the characters, alexander yakovlevichntally opposite thing, since he does not separate us from them crazy day or figaro is a very beautiful spectrum you see, he is very handsome, for example. eh, he is probably why the hit of our repertoire is one of the hits that is very deep and interesting. the story, in principle, well, is connected with the peacock, because the director for the market is lev litvinov and we accepted the decision to get to know each other. the russian audience, in particular in the republic of tatarstan, with our national belarusian classics, and with pavlinka’s performance , specific contractual relations are now being discussed, for example.

eh, alexander yakovlevich did the fundamentally opposite thing, because it does not separate us from them. crazy day or figaro is a very beautiful spectrum , you see, it is very beautiful. here is an example. eh, that's probably why he's a hit in our repertoire. one of the hits we have in common is very deep and interesting. the story, in principle, well, is connected with the peacock, because the director is lev litvinov and we decided to introduce the russian audience, in particular in the republic of tatarstan, to our national belarusian classics, including the performance of pavlinka now the specific contractual relationship is being discussed. well, for example, from the same people's republic of china, the kazan theater, one of the oldest in russia, has a repertoire of more than 40 performances of russian and world classics , as part of the cultural days of tatarstan , the opening of landmark exhibition projects will take place. yes , some concerts by masters of art with the participation of performers and groups from tatarstan can be seen until september 14. perhaps the key ma

eh, alexander yakovlevich did a fundamentally opposite thing, since he does not separate us from themy or figaro is a very beautiful spectrum , you see, he is very beautiful. here is an example. eh, that's probably why he's a hit in our repertoire. one of the hits we have in common is very deep and interesting. the story, in principle, well, is connected with the peacock, because the director is lev litvinov and we decided to meet the russian audience. in particular in the republic tatarstan with our national belarusian classics, and pavlinka’s performance, including now, specific contractual relations are already being discussed, for example with the same prc one knows the oldest in russia, the repertoire will be for 40 performances of the russian vain classics within the framework where it is the culture of tatarstan will open all the iconic exhibition projects at the cinema day, concerts of masters of skill for the cause and collectively. tatarstan can be killed, but vera will sleep on the fourteenth. great spiritual holy place near the capital of one of our oldest orthodox churche

thank you uh-huh alexander yakovlevich now you were talking about historical memory.hat is one of the key one of the key topics, uh, the topics of our today in general in the great victory, and it was 197 million citizens before the war in the soviet union, of which 34.5 million went to fight. for all four years, and the rest of the citizens 100 with more than a million people, almost every one of them, starting from adolescence , made at least a small contribution to the victory and so. i think we should meet. that, we don’t know, it’s definitely more than 6 million. it is clear that the figure itself is 6 million. this is tentatively the most terrible - these are the children who died and spoke correctly about anti-semitism. it's not just then. today we see again this surge in europe in germany, unfortunately, the jews were exterminated by the nazis on the territory of ukraine ukraine, unfortunately, i don’t know, i know one thing, that in many cities. unfortunately, when the nazis came already. there was a stack or a city, as yudovra is called, and it had already b

here is the lady alexander yakovlevich . was up to half an hour. in general, when everything coincides in one place at one time, it happens, sometimes not every time, but such things happen to any person who writes when i heard that seryozha penkin will sing this song. i knew it would be good. because seryozha is a professional , seryozha is a restaurant person in the best sense of the word. he sang many genres in this life, and he imagines what the boston waltz genre is. yes, such a jazz story, and when the bosonova began to sound , he rejoiced even more, and then? everything was very good, except for one thing. he was just scared, but he was worried. i immediately say that i will stage that west because i very much understand what it is to sing, conveying it to the author there was a little swing, and then you don’t take pauses all the time, you do it all the time? yes, yes, yes, the closest, in which i am equal. let the person breathe and the viewer think. and then you immediately continue then yes yes yes yes yes yes yes

eh, alexander yakovlevich did a fundamentally opposite thing, since he does not separate us from them figaro is a very beautiful spectrum , you see, he is very beautiful. this is an example. eh, he is probably why the hit of our repertoire is one of the hits of russia in the repertoire for 40 performances of russian and light classics in the framework, where he culture of tatarstan will open his landmark exhibition projects days, film concerts for the master of the bridge at the backlog and collective tatarstan can be taught 13 century. that's all, probably, on our website the beeline tvr box has a nice day. belarus is an amazing country with its interesting past full of legends and traditions , look what a curious little thing. i found. it's not just a piece of iron sticking out walls. this is a polish geodetic sign like that in belarus. i saw a couple of things with a rich cultural heritage and hospitable people. i hope now to turn a luxurious floor-length dress to the sounds of this ancient nineteenth-century piano. and don’t even ask what to dance, of course, the polonaise is all

eh, alexander yakovlevich did a fundamentally opposite thing, since he does not separate us from them. crazy day or figaro is a very beautiful spectrum, you see, he is very beautiful. here is an example. eh, he is probably why the hit of our repertoire is one of the hits, and we are united by a very deep and interesting. the story, in principle, well, is connected with the peacock, because the director is lev litvinov and we decided to introduce the russian audience, in particular in the republic of tatarstan, to our national belarusian classics, and the pavlinka’s performance is also now being discussed in specific agreements relationships hmm for example. from the same people's republic of china , the kazan theater is one of the oldest in russia in the repertoire of more than 40 performances of russian and world classics within the framework of the days of culture of tatarstan will take place and the opening of the iconic exhibition projects. yes, not cinema concerts of masters of art with the participation of performers from tatarstan groups can be seen until september 14. almost t

we spoke today with alexander yakovlevich legant, a famous translator from iskorsky and the editor-in-chief magazine foreign literature , and i, dmitry bug, at the end of our program, as always, i speak with pathos and energy. enjoy reading to all of you. the podcast everyone wants to fly is on air on channel one, by the way, you can watch all the podcasts on our website 1tv.ru. uh, here, as usual, i’m leonid yakubovich and one of my favorite and best instructors, nikolai petrovich mochansky, general director of the minsk aero club, in my opinion, one of the best , at least of those i’ve seen petrovich, let’s talk nikolai petrovich, you’re a military pilot, colonel. why aeroflop, but why aeroku club? it was ninety- seven, yes, well, i came home to belarus and, in principle, started doing good work. well, uh, but after 2 years, fate still pulled both desire and aspiration from life. carefully return to aviation and take to the skies, that is, the two years that i did not work in aviation after my dismissal. eh, i’ll say comparatively, maybe, as if i was somewhere on a business trip and the p

name is valery syutkin my guest is mikhail shufutinsky in your repertoire of songs and from alexander yakovlevichow that there is a very dear song about pashka, yes, uncle pashka uncle pasha uncle pasha , which was written by fedya solovyov of samara , an amazing musician, absolutely magnificent guitarist, singer, just so real. he and i are very friendly. this would also be very appropriate. the only thing is because it goes there. uh, the storylines of the song actually take us back to our younger years, because that, well, we, as musicians , understand each other perfectly well what the delights of our work are with the love of the audience. it is always labor or deprivation of complexity. and here is one line in this song that takes my attention as much as possible . this is what he lost. eh, how did you wear out two suits during your first life? give me a suit and i lost three button accordions for weddings. yes, i lost my accordions, and in this volume is called the complexity that accompanies the life of musicians , three lost accordions are conveyed in one line. they may be lost for variou

this is the day for marie and well , now about show business news, our special correspondent alexander yakovlevichre wonderful, just like our murderers today. moze and they are yelling, they won’t name this song, but they are yelling, or they are whispering, like they are sick , but they are tools, such a song doesn’t need intelligence, aru, like a cat, aru, thank you, stas mikhailov with the weather forecast, we sing, we dance, we sing along, dears friends, meet, hoba, more, more, novosibirs, minus one fog and krasnoyarsk, hurricane rains , magadan, cyclone from the ocean, all bullshit, but i can stop all this, i’m traveling around the country, on a tour, where i always usually, summer everything is for you, because where i am is sochen, always usually in the summer everything is for you, thank you, andryush, you are loved, you are applauded in sochi , andrey barinov, friends, thank you very much, hot weather and bright emotions to you, relax, enjoy, and come to concerts, the phrase is especially popular in our cheerful genre : there is only one step to the funny, yes, but it turns out that from

exhibition of ordinary nazism, where it is just told about what you were talking about, listen to alexander yakovlevich of the special operation. there is absolutely nothing here. eh, that's all there is to it. we are now saying this is happening during the great patriotic war, then people were destroyed when you look real. uh, archival documents are bleeding in the veins. it's just impossible to look at it without tears. and it needs to be pulled out and to show whom today's authorities are glorifying. there are no bloody killers people erect on a pedestal with posters with their portraits walk around the center of cities. i'm not sure that in ukraine all people know what is at stake. well, at least from here. let's show. my colleague pavel zarubin continued this theme, as too many people in the west say, stop it, no nazism in ukraine. they have a jewish president. can i clarify, we just now heard your dialogue about how many jews were killed by fascist accomplices in ukraine, first of all, and civilians in general in the soviet union here, well, it turned out that this is over 13 million people. but,

question, we can remember many artists who were in the state duma, including the talented alexander yakovlevich for yourself , for your creativity, what directly concerns ours? uh, for me sofia rotaru will remain. well, that sofia rotaru whom i remember from childhood and youth. this was, in general, our uh, the leaders of our soviet stage, and for me it will not change; moreover, the west is ukraine. and at the core, the basis of the policy of which is an obvious tough phobia offers conditions with location. there, any citizens - these are the conditions of russophobia, you accept these conditions, many like this citizen. she received maksakov with great joy and in front of the locomotive they didn’t check everything that had to do with work, for example, there, uh, neat there , the words to the magpie that she said were heartbreaking . yes, of course, it is torn apart for everyone , it is torn apart for us and for the residents of ukraine it is torn apart for me there nikolaevich dmitry dmitry gnatyuk he will always lead. performer understand, this is not this is not me, this is a conjuncture